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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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CLASSIQUE - BAROQUE …
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Non classifié
598
PIANO & CLAVIERS
Piano seul
271
Piano Facile
123
Piano, Voix
97
Piano, Voix et Guitare
47
Instruments en Do
33
Piano grosses notes
16
2 Pianos, 4 mains
5
Piano (partie séparée)
4
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue
3
Clavecin
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare notes et tablatures
43
Ligne De Mélodie, (Paroles) et Accords
39
Guitare
31
Basse electrique
26
Paroles et Accords
21
Ukulele
15
2 Guitares (duo)
4
Guitare (partie séparée)
3
Piano, Guitare (duo)
3
3 Guitares (trio)
2
Dulcimer
1
2 Mandolines (duo)
1
Mandoline
1
Banjo
1
Ensemble de Ukulélés
1
Ensemble de guitares
1
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VOIX
Chorale SATB
84
Chorale 2 parties
47
Chorale 3 parties
45
Pack Instrumental pour Chorale
28
Chorale TTBB
23
Chorale SSAA
8
Voix duo, Piano
6
Voix Alto, Piano
6
Chorale
3
Voix haute
3
Chorale Unison
3
Voix moyenne, Piano
1
Voix duo
1
Voix Soprano, Piano
1
Voix seule
1
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VENTS
Quintette de Saxophone: 5 saxophones
82
2 Saxophones (duo)
38
Flûte, Hautbois, Clarinette, Basson
32
2 Flûtes traversières (duo)
32
Flûte traversière
29
Quatuor de Saxophones: 4 saxophones
28
Saxophone (partie séparée)
28
Ensemble de saxophones
27
2 Clarinettes (duo)
22
Clarinette et Piano
21
Saxophone Alto
20
Flûte traversière et Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Clarinette
16
Saxophone Tenor
15
Saxophone Alto et Piano
14
Hautbois, Piano (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
2 Hautbois (duo)
10
3 Saxophones (trio)
8
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
7
Ensemble de Flûtes
7
Ensemble de Clarinettes
6
Hautbois (partie séparée)
6
Clarinette (partie séparée)
4
Saxophone Soprano
3
Flûte et Guitare
3
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
3
3 Clarinettes (trio)
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois
2
Cor Anglais
2
Saxophone Baryton, Piano
2
Clarinette Basse
2
Saxophone Baryton
2
2 Flûte à bec (duo)
2
Instruments en Mib
2
Flute (partie séparée)
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes à bec
2
Hautbois, Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle
1
Quintette de Flûte : 5 flûtes
1
Flûte, Trompette (duo)
1
2 Flûtes traversières, Piano
1
Cornemuse
1
Hautbois, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Harpe
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Flûte, Saxophone (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Cor anglais, Piano
1
Clarinette, Violon (duo)
1
2 Saxophones, Piano
1
Flûte, Alto (duo)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
2 Trombones (duo)
21
2 Trompettes (duo)
20
Trompette (partie séparée)
19
Trombone (partie séparée)
18
Trompette
17
Quatuor de Cuivres
16
Tuba et Piano
11
Trompette, Piano
10
2 Euphoniums et 2 Tubas
9
Trombone et Piano
9
Trombone
7
Cor et Piano
6
Cor
5
2 Cors (duo)
5
Euphonium
4
2 Tubas (duo)
4
Ensemble de Trompettes
3
Tuba
3
Instruments en Sib
2
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
Cor Anglais
2
3 Trombones (trio)
2
2 Euphoniums (duo)
2
Bass Clef Instruments
2
Trio de Cuivres
2
2 Cors Anglais Et Pianoforte
1
Ensemble de Trombones
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
4 Tubas
1
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
208
2 Violons (duo)
32
2 Violoncelles (duo)
27
Violon
23
Violoncelle
19
Violon et Piano
19
Harpe
19
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle, Piano
15
Alto, Piano
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Alto seul
11
Violon, Violoncelle (duo)
8
Contrebasse (partie séparée)
7
2 Altos (duo)
5
2 Harpes (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
4
Alto (partie séparée)
3
Violon (partie séparée)
3
Violon, Alto (duo)
3
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
2 Violoncelles, Piano
1
Contrebasse, Piano (duo)
1
Ensemble de Violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
195
Orchestre à Cordes
34
Orchestre
23
Ensemble de cuivres
23
Ensemble Jazz
19
Orchestre de chambre
12
Cloches
10
Batterie
8
Fanfare
5
Batterie (partie séparée)
2
Vibraphone
2
Jazz combo
2
Marimba, Piano (duo)
1
Xylophone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Something - Percussion 2
Guitare
Partitions à imprimer
31 partitions trouvées
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26
Something
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1456094 By The Beatles. By George …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1456094 By The Beatles. By George Harrison. Arranged by Chris Richter. Rock. Individual part. 2 pages. Chris Richter #1035246. Published by Chris Richter (A0.1456094). A solo fingerstyle guitar arrangement of the Beatles Something.
$7.99
7.3 €
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Guitare
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The Beatles
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Chris Richter
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Something
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Chris Richter
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SheetMusicPlus
Something like loneliness (Algo a ver com a solidão) - Solo Guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.948961 By Bisdré Santos. By Bis…
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Solo Guitar - Level 2 - Digital Download SKU: A0.948961 By Bisdré Santos. By Bisdré Santos. Arranged by Bisdré Santos. Contemporary,Instructional,Multicultural,World. Individual part. 2 pages. Soul - Musical Creations #5019705. Published by Soul - Musical Creations (A0.948961). Prelude for solo guitar. I wrote this song in Rio de Janeiro in 2006. It is a simple composition that presents some technical difficulties, but it can be performed by beginner students (first year of guitar). It can be played without tempo (ad libtum) or in the tempo indicated in the score. Good studies.
$1.99
1.82 €
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Guitare
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Bisdré Santos
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Bisdré Santos
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Something like loneliness
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Soul - Musical Creations
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SheetMusicPlus
Something To Believe In (from Newsies) - Guitar
Guitare
By Newsies (Musical). By Alan Menken. Arranged by Mac Huff. Broadway; Concert; Musical/Sho…
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By Newsies (Musical). By Alan Menken. Arranged by Mac Huff. Broadway; Concert; Musical/Show. EPak. 2 pages. Duration 3:10. Published by Hal Leonard - Digital Sheet Music
$7.00
6.4 €
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Guitare
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Newsies
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Mac Huff
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Concert
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Something To Believe In
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
I'll Think Of Something
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1400882 By Mark Chesnutt. This edit…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1400882 By Mark Chesnutt. This edition: scorch. Country. Score. 2 pages. Hal Leonard - Digital #379325. Published by Hal Leonard - Digital (HX.1400882).
$2.99
2.73 €
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Guitare
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Mark Chesnutt
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I'll Think Of Something
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Hal Leonard - Digital
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SheetMusicPlus
Something
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.999720 By The Beatles. By George H…
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Solo Guitar - Level 5 - Digital Download SKU: A0.999720 By The Beatles. By George Harrison. Arranged by Mike Porcel. Rock. Individual part. 2 pages. MusicMP #6027219. Published by MusicMP (A0.999720). Arranged for classical guitar.
$4.99
4.56 €
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Guitare
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The Beatles
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Mike Porcel
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Something
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MusicMP
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SheetMusicPlus
Something
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1361744 By The Beatles. By George …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1361744 By The Beatles. By George Harrison. Arranged by Michael J. Miles. 20th Century,Pop,Rock. Individual part. 2 pages. Michael J Miles #946197. Published by Michael J Miles (A0.1361744). One of the most beautiful songs ever by George Harrison, arranged for solo instrumental fingerstyle guitar and this includes the iconic solo as well.
$4.99
4.56 €
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Guitare
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The Beatles
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Michael J
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Something
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Michael J Miles
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SheetMusicPlus
Something
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.881794 By The Beatles. By George H…
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Solo Guitar - Level 2 - Digital Download SKU: A0.881794 By The Beatles. By George Harrison. Arranged by Andrei Krylov. Rock. Individual part. 1 pages. Andrei Krylov #2102029. Published by Andrei Krylov (A0.881794).
$4.99
4.56 €
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Guitare
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The Beatles
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Andrei Krylov
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Something
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Andrei Krylov
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SheetMusicPlus
Say Something
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.934235 By A Great Big World. By Ch…
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Solo Guitar - Level 1 - Digital Download SKU: A0.934235 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Cherie Kaushal. Pop. Individual part. 2 pages. Cherie Kaushal #3509853. Published by Cherie Kaushal (A0.934235). Simple Guitar Duet for BeginnersMelody shared between both parts
$4.99
4.56 €
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Guitare
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A Great Big World
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Cherie Kaushal
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Say Something
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Cherie Kaushal
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SheetMusicPlus
Something
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1193750 By The Beatles. By George …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1193750 By The Beatles. By George Harrison. Arranged by Evgeny Shushkovsky. 20th Century,Classical,Multicultural,World. Individual part. 2 pages. Evgeny Shushkovsky #793223. Published by Evgeny Shushkovsky (A0.1193750).
$5.99
5.48 €
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Guitare
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The Beatles
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Evgeny Shushkovsky
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Something
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Evgeny Shushkovsky
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SheetMusicPlus
Something
Guitare
By The Beatles. Oldies; Pop; Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digita…
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By The Beatles. Oldies; Pop; Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.373824). - Easy Guitar - Oldies; Pop; Rock - Hal Leonard - Digital Sheet Music
$2.99
2.73 €
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Guitare
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The Beatles
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Pop
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Something
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Something Just Like This
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1432386 By The Chainsmokers. By An…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1432386 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Nolimit Ptt. Pop,R & B,Rock. Individual part. 4 pages. Nolimit Ptt #1012875. Published by Nolimit Ptt (A0.1432386). An arrangement for guitar fingerstyle.
$8.68
7.94 €
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Guitare
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The Chainsmokers
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Nolimit Ptt
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Something Just Like This
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Nolimit Ptt
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.65 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Suite Imaginaria
Guitare
Solo Guitar - Digital Download SKU: A0.962310 Composed by Sergio Roberto de Oliveir…
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Solo Guitar - Digital Download SKU: A0.962310 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Individual part. 14 pages. Sergio Roberto de Oliveira #3037195. Published by Sergio Roberto de Oliveira (A0.962310). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$17.02
15.56 €
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Guitare
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Sergio Roberto de Oliveira
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Suite Imaginaria
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Sergio Roberto de Oliveira
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SheetMusicPlus
Umas coisas do coracao
Guitare
Solo Guitar - Digital Download SKU: A0.962347 Composed by Sergio Roberto de Oliveir…
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Solo Guitar - Digital Download SKU: A0.962347 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Individual part. 9 pages. Sergio Roberto de Oliveira #4794239. Published by Sergio Roberto de Oliveira (A0.962347). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$4.85
4.43 €
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Guitare
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Sergio Roberto de Oliveira
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Umas coisas do coracao
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Sergio Roberto de Oliveira
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SheetMusicPlus
No Worries
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.752749 Composed by Kevin Love. Con…
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Solo Guitar - Level 2 - Digital Download SKU: A0.752749 Composed by Kevin Love. Contemporary. Individual part. 2 pages. Kevin Edward Love #23461. Published by Kevin Edward Love (A0.752749). I wrote this piece with my students in mind - from time to time they enjoy playing something light-hearted and contrasting to the typical Sor - Giuliani - Carulli regimen. And, in truth, if you have your guitar in your hands, how can you be worried!
$2.50
2.29 €
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Guitare
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Kevin Love
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No Worries
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Kevin Edward Love
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SheetMusicPlus
Perfect
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1264082 By Ed Sheeran. By Ed Sheer…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264082 By Ed Sheeran. By Ed Sheeran. Arranged by Pablo Alcázar. 21st Century,Classical,Pop,Singer/Songwriter,Wedding. Individual part. 2 pages. Pablo Alcázar #856994. Published by Pablo Alcázar (A0.1264082). This arrangement of Perfect (for solo guitar) fits perfectly on Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass is giving a nice feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need fast repertoire for wedding events.Perfect is a song written and recorded by English singer-songwriter Ed Sheeran. It was released on November 24, 2017, as the fourth single from his album. The song reached as high as number three on the Billboard Hot 100 in the United States. The following week, Sheeran re-released the song as a duet with American singer Beyoncé, who sings the second verse from a female perspective. The duet version has reached number one in both the US and UK. It became Sheeran's second American chart-topper and Beyoncé's sixth as a solo artist (tenth including songs with Destiny's Child).
$4.99
4.56 €
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Guitare
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Ed Sheeran
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Pablo Alcázar
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Perfect
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Pablo Alcázar
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.82 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Streets Of London
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.943113 Composed by Ralph McTell. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.943113 Composed by Ralph McTell. Arranged by Tim Rushworth. Contemporary. Individual part. 2 pages. Tim Rushworth #4298095. Published by Tim Rushworth (A0.943113). This arrangement for solo guitar, does something which I have not seen before for this well known song. It includes the melody of the song words as well as the guitar accompaniment which is faithful to the original recording. These have been woven together to create a complete version for classical or acoustic steel string guitar. I have omitted tablature in order to eliminate page turns, whilst including enough repeat markings to include all verses, intro, bridge and ending.
$4.99
4.56 €
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Guitare
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Ralph McTell
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Tim Rushworth
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Streets Of London
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Tim Rushworth
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SheetMusicPlus
Every Breath You Take
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
4.56 €
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Guitare
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Radioactive
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.926833 By Imagine Dragons. By Alex…
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Solo Guitar - Level 3 - Digital Download SKU: A0.926833 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Robert Jeffery. Rock. Individual part. 2 pages. Robert Jeffery Music #3877737. Published by Robert Jeffery Music (A0.926833). This great guitar-driven rock song is an excellent crowd pleaser for ensembles that need something with a little extra punch.
$12.99
11.88 €
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Guitare
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Imagine Dragons
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Robert Jeffery
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Radioactive
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Robert Jeffery Music
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SheetMusicPlus
Grace Found in the Beautiful (Bumblebees, Butterflies and Hummingbirds)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1031608 Composed by Dan Riordan. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1031608 Composed by Dan Riordan. Christian,Concert,Contemporary,New Age. Individual part. 10 pages. Dan Riordan #3481991. Published by Dan Riordan (A0.1031608). A fresh new 21st century musical composition for classical guitar that is 31/2 minutes long and will thrill an audience. Using the guitar, the music presents themes that mimic three beautiful creatures as they dash around fulfilling their purpose while revealing something about their creator. It holds within it a deep spiritual message that will engage an audience of all ages. It can be used in a worship service with other media. https://youtu.be/GJvPES0zgpM. It is also excellent as a program piece used for concerts, weddings and other special events.
$3.99
3.65 €
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Guitare
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Dan Riordan
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Grace Found in the Beautiful
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Dan Riordan
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SheetMusicPlus
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