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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
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Non classifié
366
PIANO & CLAVIERS
Piano seul
408
Piano Facile
44
Orgue
16
Piano, Voix
11
Instruments en Do
5
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Clavecin
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
62
Guitare notes et tablatures
26
2 Guitares (duo)
25
3 Guitares (trio)
3
Ukulele
2
Banjo
2
Piano, Guitare (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
5
Voix Mezzo-Soprano, Piano
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Chorale Unison
1
VENTS
Flûte traversière et Piano
50
Flûte et Guitare
46
Flûte traversière
36
Clarinette et Piano
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
2 Flûtes traversières (duo)
25
Hautbois, Piano (duo)
23
2 Saxophones (duo)
21
Saxophone Alto et Piano
20
Quatuor de Saxophones: 4 saxophones
19
Quintette de Saxophone: 5 saxophones
16
2 Clarinettes (duo)
16
Flûte, Hautbois, Clarinette, Basson
16
Clarinette
14
Ensemble de saxophones
13
Saxophone Tenor et Piano
12
Flûte, Hautbois, Clarinette (trio)
12
Flûte à Bec
11
Ensemble de Clarinettes
11
Quatuor de Clarinettes: 4 clarinettes
10
Trio de Flûtes: 3 flûtes
9
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
Clarinette Basse, Piano
7
Quatuor de Flûtes : 4 flûtes
6
2 Flûte à bec (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
3 Saxophones (trio)
6
Flûte, Clarinette (duo)
6
Cor anglais, Piano
6
Ensemble de Flûtes
4
Quintette de Flûte : 5 flûtes
4
Saxophone, Clarinette (duo)
4
3 Clarinettes (trio)
4
Saxophone Alto
3
Saxophone
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte traversière, Basse continue
3
Flûte à bec Alto, Basse continue
2
Quatuor de Flûtes à bec
2
5 Flûtes à bec
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Basson et Piano
1
Flûte, alto et harpe
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
4 Hautbois
1
Flûte à bec Alto
1
Saxophone (partie séparée)
1
3 Flûtes à bec (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte irlandaise
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano
1
Hautbois (partie séparée)
1
Clarinette, Basson (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Violon
1
Ensemble à vent
1
Clarinette et Alto
1
Flûte à bec Tenor
1
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CUIVRES
Trombone et Piano
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Piano
14
Euphonium, Piano (duo)
13
Trompette
9
Tuba et Piano
9
2 Trompettes (duo)
8
Cor et Piano
7
Trompette, Trombone (duo)
6
Cor anglais, Piano
6
Cor
5
2 Trombones (duo)
5
2 Cors (duo)
5
Ensemble de Cors
5
3 Trombones (trio)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
4
Quatuor de Cuivres
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 cors
3
Trombone
2
Trompette, Saxophone (duo)
2
Tuba
2
4 Tubas
2
3 Euphoniums
2
Quatuor de cuivres: 4 trompettes
2
Euphonium
1
Trio de Cuivres
1
3 Tubas (trio)
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Trombone, Cor (duo)
1
3 Cors (trio)
1
Trompette, Cor (duo)
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Instrumentations suivantes
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CORDES
Violon et Piano
72
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violoncelle, Piano
55
Violon
48
Alto, Piano
34
Violoncelle
24
2 Violons (duo)
23
Trio à Cordes: violon, alto, violoncelle
19
Harpe
16
Trio à Cordes: 2 violons, violoncelle
11
2 Altos (duo)
10
2 Violoncelles (duo)
10
Violon, Alto (duo)
10
Violon, Violoncelle (duo)
10
Alto seul
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Violoncelles
6
Contre Basse
5
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
Contrebasse, Piano (duo)
4
Violon, Basse continue
4
Violoncelle, Basse continue
3
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
2 Contrebasses (duo)
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
2
Ensemble d'Altos
1
Violon, Guitare (duo)
1
Ensemble de Violons
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
27
Orchestre à Cordes
26
Orchestre de chambre
18
Orchestre d'harmonie
11
Ensemble de cuivres
6
Ensemble Jazz
3
Ensemble de Percussions
2
Marimba
1
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AUTRES
Vous avez sélectionné:
Sonata in A Min
Guitare
Partitions à imprimer
62 partitions trouvées
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51
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
9.15 €
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Guitare
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
Sonata in A Minor
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1411428 Composed by Carl Philipp E…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1411428 Composed by Carl Philipp Emanuel Bach. Arranged by Nikola Begovic. Classical. Individual part. 12 pages. Songburd Music #993695. Published by Songburd Music (A0.1411428). Arrangement of Sonata in A Minor for classical guitar by Nikola Begovic.
$20.00
18.32 €
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Guitare
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Carl Philipp Emanuel Bach
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Nikola Begovic
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Sonata in A Minor
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Songburd Music
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SheetMusicPlus
Guitar Sonata in F minor (Guitar Sonata No. 1)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jeremiah Lawson (A0.985320). This is a single-movement, 8 page solo guitar sonata in F minor that I composed in 2000. My main inspirations were the late piano sonatas of Beethoven (especially Op. 111) and the late string quartets of Shostakovich (particularly No. 13). This is a very demanding work to play. Prescribed tempo should be no LESS than 152 bpm. The work is a traditional sonata form and includes large stretches as well as chords and melodies in harmonics played over continuously moving bass lines using conventional tones on the lower strings. .
$5.00
4.58 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata in F minor
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Jeremiah Lawson
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SheetMusicPlus
Weiss : Sonate pour luth en fa mineur, WeissSW 21 - III. Bourrée (niveau intermédiaire, guitare seule, en la mineur)
Guitare
Téléchargez la tablature et la partition Guitare Sonate pour luth en fa mineur, WeissSW …
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Téléchargez la tablature et la partition Guitare Sonate pour luth en fa mineur, WeissSW 21 - III. Bourrée (niveau intermédiaire, guitare seule, en la mineur) de Weiss. Tab pour Guitare seule -- Classique
5.99 €
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Guitare
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Weiss
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Sonate pour luth en fa mineur,
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Tomplay
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.28 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.5 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
2 Sonatas
Guitare
Guitar - advanced - Digital Download SKU: S9.Q5005 Composed by Nicolo Paganini. Thi…
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Guitar - advanced - Digital Download SKU: S9.Q5005 Composed by Nicolo Paganini. This edition: Sheet music. Edition Manuel Barrueco - guitar - transcription. Guitar Archive. Downloadable. Op. 3/1 und 6. Schott Music - Digital #Q5005. Published by Schott Music - Digital (S9.Q5005). The first edition of Paganini’s 6 Sonatas, Opus 3 was published in 1820 by Ricordi in Milan. The original composition, written in 1805, has survived in the form of autograph violin and guitar parts. Manuel Barrueco has edited the two sonatas (in A major and in E minor) and supplied the fingering.
$10.99
10.07 €
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Guitare
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Nicolo Paganini
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2 Sonatas
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Schott Music - Digital
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SheetMusicPlus
Guitar Sonata No. 2 in C major
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jeremiah Lawson (A0.985324). I composed my second guitar sonata in 2010. Guitar Sonata No. 2 in C major is six pages long, has two movements, and its estimated performance time is 8:30 to 9:00. The first movement, Inner Visions & Power Puffs, is a zippy sonata form opening with a 12-bar blues Theme 1. After a conventional modulating transition Theme 2 appears in the traditional key of G major. The title of the movement alludes to the Stevie Wonder album Innervisions and, of course, the Powerpuff Girls. The sonata form has a climax by way of three Bartok pizzicati on the dominant pedal to depict the girls defeating Mojo Jojo and putting him in jail. The second movement is a lullaby with variations. The lullaby is an original song I used to sing for one of my nieces to help her fall asleep. The complete sonata has been recorded by Daniel Estrem and is available on the Magnatune release Estrem Plays Lawson.http://magnatune.com/artists/albums/estrem-estremlawson/I played movement 1 at a Seattle Classic Guitar Society open mic in 2012 on a warm summer Friday night and there were kids playing and screaming in the background, which helped set the mood of the sonata rather than break it.
$5.00
4.58 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 2 in C major
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Jeremiah Lawson
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SheetMusicPlus
Minuet in D Minor - Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
4.58 €
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Guitare
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Johann Sebastian Bach
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Arte Nova Music Lab
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
9.12 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Jeremiah Lawson
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SheetMusicPlus
Ricordi di Bari (sonata per chitarra sola)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1453812 Composed by Socrates Arvan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1453812 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 5 pages. Socrates Arvanitakis #1033061. Published by Socrates Arvanitakis (A0.1453812). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata, written in chromatic minor and Lydian chromatic modes, refers to the port of Bari, a city in eastern coast of Italy.
$3.00
2.75 €
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Guitare
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Socrates Arvanitakis
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Ricordi di Bari
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Socrates Arvanitakis
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SheetMusicPlus
Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.5 €
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Guitar Sonata No. 4 in E minor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.985330 Composed by Jeremiah Lawson…
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Solo Guitar - Level 4 - Digital Download SKU: A0.985330 Composed by Jeremiah Lawson. Contemporary. Individual part. 11 pages. Jeremiah Lawson #6357829. Published by Jeremiah Lawson (A0.985330). This is a four-movement sonata. The opening sonata form and the finale are based on the inversion and prime forms of a single gesture which saturates the sonata overall in a variety of obvious and disguised forms. The tone and style is mainly Haydn by way of Beethoven's Op. 111 piano sonata with interrupting allusions to Nikita Koshkin and Portishead sneaking in at different points of the sonata. The four movements are as follows:I. Adagio-Andante agitatoII. ScherzoIII. AndanteIV. Largoa complete performance can be viewed herehttps://youtu.be/iQBCHkA6fyk
$9.95
9.12 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 4 in E minor
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Jeremiah Lawson
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SheetMusicPlus
Away in a Manger
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316196 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316196 By The Candlelight Guitarist. By Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 3 pages. Geofonica Artistworks #904933. Published by Geofonica Artistworks (A0.1316196). This arrangement of Away in a Manger is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Away in a Manger can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 2:38 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.74 €
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The Candlelight Guitarist
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Bradley Powell
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Away in a Manger
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Geofonica Artistworks
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SheetMusicPlus
Guitar Sonata No. 6 in A major (homage to Scott Joplin)
Guitare
Solo Guitar - Digital Download SKU: A0.985333 Composed by Jeremiah Lawson. Classica…
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Solo Guitar - Digital Download SKU: A0.985333 Composed by Jeremiah Lawson. Classical,Contemporary. Individual part. 5 pages. Jeremiah Lawson #6833461. Published by Jeremiah Lawson (A0.985333). This work was premiered at the Seattle Composers Salon on May 5, 2017 at the Chapel of the Good Shepherd. I composed Guitar Sonata No. 6 in A major as an homage to Scott Joplin for the centennial of his death. It is a fully traditional sonata form but composed entirely from original ragtime themes. The piece may be played with or without swing and has a few places where the performer can improvise or compose interludes or vary the first theme within the first structural repeat of the sonata. Performance time is roughly 7 minutes (give or take cadenzas, etc) and is five pages long.
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4.58 €
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Jeremiah Lawson
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Guitar Sonata No. 6 in A major
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Jeremiah Lawson
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SheetMusicPlus
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.
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in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
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Jeremiah Lawson
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SheetMusicPlus
Moonlight sonata
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1417419 Composed by Ludwig van Bee…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1417419 Composed by Ludwig van Beethoven. Arranged by Pasquale Di Caro. Classical,Romantic Period. Individual part. 6 pages. Pasquale Di Caro #998957. Published by Pasquale Di Caro (A0.1417419). Contains: an introduction and three pages of guitar sheet music of the Adagio sostenuto, first movement of the sonata. Source: Edizione Cappi, Vienna 1802 (first publication). Original data: Sonata quasi una fantasia, op. 27 n. 2, in C# minor, dedicated to Countess Giulietta Guicciardini. Arrangement and modifications: key of A minor, changes in position, inversion of intervals, reduction of range. The executive instructions are the original ones. There are no left hand positions on five frets.
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4.58 €
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Ludwig van Beethoven
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Pasquale Di Caro
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Moonlight sonata
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Pasquale Di Caro
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SheetMusicPlus
"Presto" from Sonata #1 in G minor (Standard Notation)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.932645 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.932645 Composed by Johann Sebastian Bach. Arranged by Brian Hayes. Baroque. Individual part. 7 pages. Brian Hayes #6753205. Published by Brian Hayes (A0.932645). This is a solo classical guitar arrangement of Johann Sebastian Bach's Presto from his Sonata #1 in G minor, originally written for violin. This arrangement is replete with both right and left-hand fingerings, string designation and barre markings which are essential when taking on the task of mastering this great piece.
$7.99
7.32 €
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Johann Sebastian Bach
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Brian Hayes
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"Presto" from Sonata #1 in G minor
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Brian Hayes
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SheetMusicPlus
Sonata No. 4 in D Minor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.987953 Composed by Paul Erickson. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.987953 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 4 pages. Paul Erickson #3121855. Published by Paul Erickson (A0.987953). An allegro piece in D minor written in standard notation for guitar solo. A good piece for the intermediate/advanced guitarist.
$4.99
4.57 €
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Paul Erickson
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Sonata No. 4 in D Minor
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Paul Erickson
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SheetMusicPlus
Classical Guitar Sonata No. 01 in D Minor "In the Southwestern Desert"
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.926046 Composed by Ken Turley. 20t…
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Solo Guitar - Level 3 - Digital Download SKU: A0.926046 Composed by Ken Turley. 20th Century,Contemporary,Standards. Individual part. 10 pages. Ken Turley #6248625. Published by Ken Turley (A0.926046). Inspired by the stark and exotic beauty of the desert of the American Southwest, includes four movements of moderate difficulty exploring a range of melodic and rhythmic moods.
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4.58 €
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Ken Turley
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Classical Guitar Sonata No. 01 in D Minor "In the Southwestern Desert"
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Ken Turley
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SheetMusicPlus
Johann Sebastian Bach: Sonata in A minor, BWV 1003 - guitar solo
Guitare
Instantly printable sheet music by Johann Sebastian Bach for guitar solo of HIGH skill lev…
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Instantly printable sheet music by Johann Sebastian Bach for guitar solo of HIGH skill level. Contents: 3 Sonatas, Arranged for Guitar from the Sonatas for Solo Violin / classical
$4.99
4.57 €
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Guitare
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Johann Sebastian Bach
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Virtualsheetmusic
Guitar Sonata on Themes by Thomas Commuck (Guitar Sonata No. 11 in B major)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092). Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first NativeAmerican to publish a musical work using Western European notation. The work, Indian Melodies, is a shape‐notehymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.Guitar Sonata on themes by Thomas Commuck is a traditional four‐movement work with an opening sonatamovement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.You can hear the second movement herehttps://youtu.be/OR8NMAyXlRkand the third movement herehttps://youtu.be/OjF7SxlQok0I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.
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4.58 €
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Jeremiah Lawson
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Guitar Sonata on Themes by Thomas Commuck
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Jeremiah Lawson
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SheetMusicPlus
Guitar Sonata No. 9 in E flat major (homage to Stevie Wonder)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 7 pages. Jeremiah Lawson #863416. Published by Jeremiah Lawson (A0.1271026). I started composing this single-movement sonata for guitar on October 29, 2016 and completed it on May 11, 2018. As the title says, this is an homage to Stevie Wonder, one of my musical heroes. This is a roughly 12-minute single-movement that has original themes inspired by the chord changes from the synth break to Stevie Wonder's Living for the City.  The work is primarly in standard tuning but the performer must switch to the tuning E flat, A, D, G, B flat, E flat in the final page. The sonata may be played on classical, electric or acoustic guitar. Although this is not indicated in the published score between measures 236 and 260 you can introduce embellishments and four-measure cadenzas. I suggest inserted cadenzas between measures 255 and 256 as well as between measures 259 and 260.Â
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4.58 €
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Jeremiah Lawson
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Guitar Sonata No. 9 in E flat major
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Jeremiah Lawson
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SheetMusicPlus
SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
Guitare
Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay …
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Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay Publications - Digital Sheet Music #30796EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459691. 8.75x11.75 inches.<br> <br> Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.ISBN 9781513459691. 8.75x11.75 inches.<br> <br> Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.
$17.99
16.48 €
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SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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