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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
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160
PIANO & CLAVIERS
Piano seul
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Piano Facile
26
Orgue
9
Piano, Voix
6
1 Piano, 4 mains
4
Clavecin
2
2 Pianos, 4 mains
2
Instruments en Do
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Piano Quatuor: piano, 2 violons, violoncelle
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GUITARES
Guitare
21
Guitare notes et tablatures
20
2 Guitares (duo)
20
3 Guitares (trio)
3
Banjo
2
Piano, Guitare (duo)
2
Ukulele
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VOIX
Chorale SATB
2
Chorale Unison
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VENTS
Flûte et Guitare
40
Flûte traversière
33
Flûte traversière et Piano
29
Clarinette et Piano
18
2 Flûtes traversières (duo)
18
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
16
Flûte, Hautbois, Clarinette, Basson
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quatuor de Saxophones: 4 saxophones
11
2 Saxophones (duo)
10
Saxophone Tenor et Piano
10
Flûte à Bec
10
2 Clarinettes (duo)
10
Flûte, Hautbois, Clarinette (trio)
9
Saxophone Baryton, Piano
8
Clarinette
7
Trio de Flûtes: 3 flûtes
7
2 Flûte à bec (duo)
6
Quintette de Saxophone: 5 saxophones
6
3 Saxophones (trio)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Soprano et Piano
6
Ensemble de Clarinettes
6
Clarinette Basse, Piano
6
Cor anglais, Piano
5
3 Clarinettes (trio)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Clarinette (duo)
3
Saxophone
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Alto
3
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano
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5 Flûtes à bec
1
Flûte à bec Soprano, Piano
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Quatuor de Flûtes à bec
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Saxophone (partie séparée)
1
Hautbois (partie séparée)
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Ensemble de Flûtes
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3 Flûtes à bec (trio)
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Flûte irlandaise
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Flûte, Clarinette et Basson
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1
Flûte à bec Alto, Basse continue
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Ensemble à vent
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Flûte traversière, Basse continue
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CUIVRES
Trombone et Piano
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Euphonium, Piano (duo)
9
Trompette, Piano
8
Tuba et Piano
7
2 Trompettes (duo)
6
Cor et Piano
6
Cor anglais, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de Cuivres
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Trompette
3
Ensemble de Cors
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Trompette, Trombone (duo)
3
2 Trombones (duo)
3
3 Euphoniums
2
2 Cors (duo)
2
Trombone
2
3 Trombones (trio)
1
Tuba
1
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Trombone, Cor (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trompettes (trio)
1
Cor
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
3 Cors (trio)
1
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CORDES
Violon et Piano
49
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violoncelle, Piano
34
Violon
33
Alto, Piano
27
2 Violons (duo)
15
Violoncelle
14
Trio à Cordes: 2 violons, violoncelle
10
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Violoncelles (duo)
6
Violon, Alto (duo)
5
Contre Basse
5
Alto seul
5
2 Altos (duo)
5
Harpe
5
Trio à Cordes: 3 violoncelles
4
Contrebasse, Piano (duo)
4
Violon, Violoncelle (duo)
4
Violoncelle, Basse continue
3
4 Violoncelles
3
Violon, Basse continue
2
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
Violoncelle, Orgue
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
2 Contrebasses (duo)
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre de chambre
11
Orchestre à Cordes
9
Orchestre
9
Ensemble de cuivres
2
Ensemble de Percussions
2
Ensemble Jazz
2
Orchestre d'harmonie
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AUTRES
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Sonata in A Minor
Guitare
Partitions à imprimer
21 partitions trouvées
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1
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
9.35 €
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Guitare
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
Guitar Sonata in F minor (Guitar Sonata No. 1)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jeremiah Lawson (A0.985320). This is a single-movement, 8 page solo guitar sonata in F minor that I composed in 2000. My main inspirations were the late piano sonatas of Beethoven (especially Op. 111) and the late string quartets of Shostakovich (particularly No. 13). This is a very demanding work to play. Prescribed tempo should be no LESS than 152 bpm. The work is a traditional sonata form and includes large stretches as well as chords and melodies in harmonics played over continuously moving bass lines using conventional tones on the lower strings. .
$5.00
4.68 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata in F minor
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Jeremiah Lawson
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SheetMusicPlus
2 Sonatas
Guitare
Guitar - advanced - Digital Download SKU: S9.Q5005 Composed by Nicolo Paganini. Thi…
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Guitar - advanced - Digital Download SKU: S9.Q5005 Composed by Nicolo Paganini. This edition: Sheet music. Edition Manuel Barrueco - guitar - transcription. Guitar Archive. Downloadable. Op. 3/1 und 6. Schott Music - Digital #Q5005. Published by Schott Music - Digital (S9.Q5005). The first edition of Paganini’s 6 Sonatas, Opus 3 was published in 1820 by Ricordi in Milan. The original composition, written in 1805, has survived in the form of autograph violin and guitar parts. Manuel Barrueco has edited the two sonatas (in A major and in E minor) and supplied the fingering.
$10.99
10.28 €
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Guitare
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Nicolo Paganini
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2 Sonatas
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Schott Music - Digital
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.61 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
9.31 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Jeremiah Lawson
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SheetMusicPlus
Guitar Sonata No. 4 in E minor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.985330 Composed by Jeremiah Lawson…
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Solo Guitar - Level 4 - Digital Download SKU: A0.985330 Composed by Jeremiah Lawson. Contemporary. Individual part. 11 pages. Jeremiah Lawson #6357829. Published by Jeremiah Lawson (A0.985330). This is a four-movement sonata. The opening sonata form and the finale are based on the inversion and prime forms of a single gesture which saturates the sonata overall in a variety of obvious and disguised forms. The tone and style is mainly Haydn by way of Beethoven's Op. 111 piano sonata with interrupting allusions to Nikita Koshkin and Portishead sneaking in at different points of the sonata. The four movements are as follows:I. Adagio-Andante agitatoII. ScherzoIII. AndanteIV. Largoa complete performance can be viewed herehttps://youtu.be/iQBCHkA6fyk
$9.95
9.31 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 4 in E minor
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Jeremiah Lawson
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SheetMusicPlus
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.
$5.00
4.68 €
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Guitare
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Jeremiah Lawson
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in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
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Jeremiah Lawson
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.44 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
"Presto" from Sonata #1 in G minor (Standard Notation)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.932645 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.932645 Composed by Johann Sebastian Bach. Arranged by Brian Hayes. Baroque. Individual part. 7 pages. Brian Hayes #6753205. Published by Brian Hayes (A0.932645). This is a solo classical guitar arrangement of Johann Sebastian Bach's Presto from his Sonata #1 in G minor, originally written for violin. This arrangement is replete with both right and left-hand fingerings, string designation and barre markings which are essential when taking on the task of mastering this great piece.
$7.99
7.48 €
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Guitare
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Johann Sebastian Bach
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Brian Hayes
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"Presto" from Sonata #1 in G minor
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Brian Hayes
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SheetMusicPlus
Sonata No. 4 in D Minor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.987953 Composed by Paul Erickson. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.987953 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 4 pages. Paul Erickson #3121855. Published by Paul Erickson (A0.987953). An allegro piece in D minor written in standard notation for guitar solo. A good piece for the intermediate/advanced guitarist.
$4.99
4.67 €
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Guitare
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Paul Erickson
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Sonata No. 4 in D Minor
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Paul Erickson
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SheetMusicPlus
Classical Guitar Sonata No. 01 in D Minor "In the Southwestern Desert"
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.926046 Composed by Ken Turley. 20t…
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Solo Guitar - Level 3 - Digital Download SKU: A0.926046 Composed by Ken Turley. 20th Century,Contemporary,Standards. Individual part. 10 pages. Ken Turley #6248625. Published by Ken Turley (A0.926046). Inspired by the stark and exotic beauty of the desert of the American Southwest, includes four movements of moderate difficulty exploring a range of melodic and rhythmic moods.
$5.00
4.68 €
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Guitare
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Ken Turley
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Classical Guitar Sonata No. 01 in D Minor "In the Southwestern Desert"
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Ken Turley
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SheetMusicPlus
Johann Sebastian Bach: Sonata in A minor, BWV 1003 - guitar solo
Guitare
Instantly printable sheet music by Johann Sebastian Bach for guitar solo of HIGH skill lev…
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Instantly printable sheet music by Johann Sebastian Bach for guitar solo of HIGH skill level. Contents: 3 Sonatas, Arranged for Guitar from the Sonatas for Solo Violin / classical
$5.99
5.6 €
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Guitare
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Johann Sebastian Bach
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Virtualsheetmusic
Minuet in D Minor - Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
4.68 €
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Guitare
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Johann Sebastian Bach
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Arte Nova Music Lab
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
Guitare
Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay …
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Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay Publications - Digital Sheet Music #30796EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459691. 8.75x11.75 inches.<br> <br> Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.
$17.99
16.83 €
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Guitare
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SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
J.S. Bach - Sonata n. 2 in A Minor BWV 1003 Classical Guitar Transcription
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by Josinaldo Costa. Baroque. …
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Josinaldo Costa. Baroque. Individual part. 19 pages. Xeno Music Publishing #5354077. Published by Xeno Music Publishing
$10.00
9.36 €
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Guitare
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Johann Sebastian Bach
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Josinaldo Costa
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J.S. Bach - Sonata n. 2 in A Minor BWV 1003 Classical Guitar Transcription
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Xeno Music Publishing
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SheetMusicPlus
Vladimir Tervo - Sonata in A Minor (L. 241 - K. 54) - (Digital Download)
Guitare
Performed by: Vladimir Tervo: Sonata in A Minor (L. 241 - K. 54) Digital Sheetmusic - inst…
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Performed by: Vladimir Tervo: Sonata in A Minor (L. 241 - K. 54) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 3 pages --
$3.99
3.73 €
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Guitare
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Vladimir Tervo
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Sonata in A Minor (L. 241
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Musicnotes
3 Sonate
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.789381 Composed by Francesco Gaspa…
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Solo Guitar - Level 3 - Digital Download SKU: A0.789381 Composed by Francesco Gasparini (1661 - 1727). Arranged by Roberto GarcÃa. Baroque,Standards. Individual part. 6 pages. Apt4guitar #3662557. Published by apt4guitar (A0.789381). Contents: Sonata in La minore, Sonata in Mi minore and Sonata in Si minore.
$5.50
5.15 €
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Guitare
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Francesco Gasparini
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Roberto GarcÃa
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3 Sonate
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apt4guitar
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SheetMusicPlus
Passacaglia
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
2.8 €
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Guitare
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Fugue
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.775523 Composed by J. S. Bach (168…
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Solo Guitar - Level 4 - Digital Download SKU: A0.775523 Composed by J. S. Bach (1685-1750). Arranged by John Pinno. Baroque,Concert. Individual part. 7 pages. John Pinno #6459275. Published by John Pinno (A0.775523). An arrangement for solo classical guitar of the Fugue, from the first Sonata for unaccompanied violin by J.S. Bach. This arrangement has been transposed to A minor from the original G minor, and is in traditional music notation. This includes right and left hand fingerings where appropriate.
$9.00
8.42 €
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Guitare
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J
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John Pinno
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Fugue
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John Pinno
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SheetMusicPlus
Gigue
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
2.8 €
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Guitare
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Classical Guitar "Suite of Dances" by J. S. Bach
Guitare
Solo Guitar - Digital Download SKU: A0.926033 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.926033 Composed by Johann Sebastian Bach. Arranged by Ken Turley. Baroque,Instructional,Standards. Individual part. 22 pages. Ken Turley #5298929. Published by Ken Turley (A0.926033). This suite for solo classical guitar is a selection of movements from the various sonatas and partitas for solo instrument by J. S. Bach. They have been transposed to a common key and arranged for ease of playing on guitar. Nonetheless, with only a few minor adjustments and added bass notes, they are true to the originals in form and melody and work quite well for both study and performance.
$7.00
6.55 €
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Guitare
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Johann Sebastian Bach
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Ken Turley
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Classical Guitar "Suite of Dances" by J. S. Bach
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Ken Turley
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SheetMusicPlus
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