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20
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Song Of The South
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The William Bay Collection - Flatpicking Guitar Solo Anthology #1
Guitare
Guitar - Intermediate - Digital Download SKU: M0.WBM76MEB Country. Ebook and online…
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Guitar - Intermediate - Digital Download SKU: M0.WBM76MEB Country. Ebook and online audio. 193 pages. Mel Bay Publications - Digital Sheet Music #WBM76MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM76MEB). ISBN 9781513476452. 8.75x11.75 inches.This comprehensive book contains the solos found in five William Bay guitar solo collections.á The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes.á Also included are numerous original guitar solos.á All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature.
Song List: 5th Avenue Swing Ain't Gonna Work Tomorrow American Hornpipe An Comhra Donn Angels Rock Me To Sleep Bacon In The Skillet Balkan Sunset Barney's Goat Bennett's Favorite Reel Bill Cheathum Billy in the Lowground Black And White Rag Blackberry Blossom Blanchard's Hornpipe Bluesin' the Frets Bottom of Punch Bowl Hornpipe Brian Boru's March Brighton Beach Bring Back to Me My Wandering Boy Brunswick Dance Brush Creek Bumpin' Buster's Reel Buttermilk Jig Caleb's Gorge Cape Cod Reel Carolan's Draught Carrie's Dream Catawissa Reel Catskill Night Cold, Frosty Morning Coldwater Creek Collin's Quest Copthorne Blues Crazy Creek Cumberland Gap Cumberland Ridge D Lite Days Of 'Lang Syne Devil's Dream Dixie Breakdown Don't Go Out Tonight, My Darling/East Virginia Down In The Willow Garden Dublin Dance East Tennessee Blues Echo Canyon Echo Waltz Eighth Of January Eleven Mile Canyon Em Study Fair And Tender Ladies Far From Home Gladiator Reel Green Fields Of America Guster Halloween Harvest Moon Strathspey Haste to the Wedding Haul Away, Joe Heebie Jeebie Hens In The Kitchen High Barbaree High five Hills of Roane County Hooker's Hornpipe I Never Will Marry I'll Be All Smiles Tonight Indian Creek Isle Of Cumbrae Ivy Leaf Reel Jacks Fork Rendezvous Jackson's Jig Katy Trail Kitchen Girl Lady's Fancy Lark in the Morning League Reel Little House 'Round the Corner London Hornpipe Lonesome River Lost Indian Luckie Bawdin's Reel Maddie's Bonnet Martha's Cider Mere Point Midnight Flight Mississippi Basin Missouri Mud Molambe Morrison's Jig National Lancer's Hornpipe Neapolitan Threshers Night Voyage North Sea Obadiah Johnson Peeler Creek Waltz Powder Mill Raqad Red Fox Waltz Red Haired Boy Reel De Lapin Rickett's Hornpipe Roll On Buddy Sally In The Garden Shannon's Well Ships Are Sailing Reel Short Life Of Trouble Shuckin' The Corn Sidney Street Silver Bell Silverheel's Shuffle Song Soppin' The Gravy Soulard St Anne's Reel St Clair's Hornpipe Star Of Bethlehem Step Around Johnny Stepping Out Stone's Rag Storms Are On The Ocean Suffolk Stroll Sugar In The Gourd Sundance Swallowtail Jig Sweet Lillie Sweet Sunny South Swing LTD Swing Steppin' The Burning Of The Piper's Hut The Clergy's Lamentation The Cuckoo The Downfall Of Paris The Girl I Loved in Sunny Tennessee The Promenade The Rights Of Man The Teetotaller's Reel The Unfortunate Rake The Wild Mare Whiskey Before Breakfast Wilson's Hornpipe Witch Of The Wave Reel Young McGoldrick
Song List
: 5th Avenue Swing Ain't Gonna Work Tomorrow American Hornpipe An Comhra Donn Angels Rock Me To Sleep Bacon In The Skillet Balkan Sunset Barney's Goat Bennett's Favorite Reel Bill Cheathum Billy in the Lowground Black And White Rag Blackberry Blossom Blanchard's Hornpipe Bluesin' the Frets Bottom of Punch Bowl Hornpipe Brian Boru's March Brighton Beach Bring Back to Me My Wandering Boy Brunswick Dance Brush Creek Bumpin' Buster's Reel Buttermilk Jig Caleb's Gorge Cape Cod Reel Carolan's Draught Carrie's Dream Catawissa Reel Catskill Night Cold, Frosty Morning Coldwater Creek Collin's Quest Copthorne Blues Crazy Creek Cumberland Gap Cumberland Ridge D Lite Days Of 'Lang Syne Devil's Dream Dixie Breakdown Don't Go Out Tonight, My Darling/East Virginia Down In The Willow Garden Dublin Dance East Tennessee Blues Echo Canyon Echo Waltz Eighth Of January Eleven Mile Canyon Em Study Fair And Tender Ladies Far From Home Gladiator Reel Green Fields Of America Guster Halloween Harvest Moon Strathspey Haste to the Wedding Haul Away, Joe Heebie Jeebie Hens In The Kitchen High Barbaree High five Hills of Roane County Hooker's Hornpipe I Never Will Marry I'll Be All Smiles Tonight Indian Creek Isle Of Cumbrae Ivy Leaf Reel Jacks Fork Rendezvous Jackson's Jig Katy Trail Kitchen Girl Lady's Fancy Lark in the Morning League Reel Little House 'Round the Corner London Hornpipe Lonesome River Lost Indian Luckie Bawdin's Reel Maddie's Bonnet Martha's Cider Mere Point Midnight Flight Mississippi Basin Missouri Mud Molambe Morrison's Jig National Lancer's Hornpipe Neapolitan Threshers Night Voyage North Sea Obadiah Johnson Peeler Creek Waltz Powder Mill Raqad Red Fox Waltz Red Haired Boy Reel De Lapin Rickett's Hornpipe Roll On Buddy Sally In The Garden Shannon's Well Ships Are Sailing Reel Short Life Of Trouble Shuckin' The Corn Sidney Street Silver Bell Silverheel's Shuffle Song Soppin' The Gravy Soulard St Anne's Reel St Clair's Hornpipe Star Of Bethlehem Step Around Johnny Stepping Out Stone's Rag Storms Are On The Ocean Suffolk Stroll Sugar In The Gourd Sundance Swallowtail Jig Sweet Lillie Sweet Sunny South Swing LTD Swing Steppin' The Burning Of The Piper's Hut The Clergy's Lamentation The Cuckoo The Downfall Of Paris The Girl I Loved in Sunny Tennessee The Promenade The Rights Of Man The Teetotaller's Reel The Unfortunate Rake The Wild Mare Whiskey Before Breakfast Wilson's Hornpipe Witch Of The Wave Reel Young McGoldrick
$24.99
22.9 €
#
Guitare
#
The William Bay Collection - Flatpicking Guitar Solo Anthology #1
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Zip-A-Dee-Doo-Dah (from Song Of The South)
Guitare
Solo Guitar - Digital Download SKU: HX.403845 By James Baskett. This edition: scorc…
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Solo Guitar - Digital Download SKU: HX.403845 By James Baskett. This edition: scorch. Children,Disney,Film/TV. Individual part. 2 pages. Hal Leonard - Digital #975270. Published by Hal Leonard - Digital (HX.403845).
$4.99
4.57 €
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Guitare
#
James Baskett
#
Zip-A-Dee-Doo-Dah
#
Hal Leonard - Digital
#
SheetMusicPlus
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
Guitare
Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publica…
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Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.<br> <br> This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.ISBN 9781513459844. 8.75x11.75 inches.<br> <br> This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.
$12.99
11.9 €
#
Guitare
#
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.62 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Peated Waltzes
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Scor…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
5.45 €
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Guitare
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the Broad Bay
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Luciano Lima
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Peated Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
Wellerman
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1322703 By Nathan Evans. By Alexan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1322703 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Adam Bilchik. Classical,Folk,Pop,Traditional. Individual part. 1 pages. Adam Bilchik #910984. Published by Adam Bilchik (A0.1322703). This arrangement is for solo classical and fingerstyle guitar and is based on the Nathan Evans performance.  Played in the original key of C minor, this arrangment showcases the character of this viral sea shanty with the elegance and grace of classical guitar.  It also features detailed tablature and chord diagrams.The Wellerman song is a traditional New Zealand sea shanty dating back to the mid 19th century. It was traditionally sung by sailors while they worked aboard ships to boost morale and coordinate tasks. Wellerman speifically refers to the supply ships that brought essential provisions such as tea, sugar and rum to whaling ships in the South Pacific.  Perfect for intermediate to advance players, this sheet music arrangement promises an engaging musical journey that will elevate your repertoire and captivate audiences.
$6.99
6.4 €
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Guitare
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Nathan Evans
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Adam Bilchik
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Wellerman
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Adam Bilchik
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SheetMusicPlus
Southern Appalachian Folksong: Black Is The Color Of My True Love's Hair - guitar solo
Guitare
Instantly printable sheet music by Southern Appalachian Folksong for guitar solo of MEDIUM…
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Instantly printable sheet music by Southern Appalachian Folksong for guitar solo of MEDIUM skill level. / folk,standards,traditional
$6.97
6.39 €
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Guitare
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Southern Appalachian Folksong
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Virtualsheetmusic
Southern Appalachian Folksong: Cindy - guitar solo
Guitare
Instantly printable sheet music by Southern Appalachian Folksong for guitar solo of MEDIUM…
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Instantly printable sheet music by Southern Appalachian Folksong for guitar solo of MEDIUM skill level. / folk,traditional
$5.97
5.47 €
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Guitare
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Southern Appalachian Folksong
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Virtualsheetmusic
Southern Appalachian Folksong: Cindy - guitar solo (ChordBuddy system)
Guitare
Instantly printable sheet music by Southern Appalachian Folksong for guitar solo (ChordBud…
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Instantly printable sheet music by Southern Appalachian Folksong for guitar solo (ChordBuddy system) of MEDIUM skill level. / traditional
$2.97
2.72 €
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Guitare
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Southern Appalachian Folksong
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Virtualsheetmusic
House Of The Rising Sun
Guitare
By Southern American Folksong. Arranged by Mark Phillips. For Guitar Solo. Folk; Pop. Guit…
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By Southern American Folksong. Arranged by Mark Phillips. For Guitar Solo. Folk; Pop. Guitar Solo. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.57 €
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Guitare
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Southern American Folksong
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Mark Phillips
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Pop
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House Of The Rising Sun
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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