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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song of the Crib
Non classifié
516
Piano & claviers
Piano, Voix
631
Piano seul
455
Piano Facile
124
Accompagnement Piano
87
Piano, Voix et Guitare
48
Piano Trio: piano, violon, violoncelle
44
Instruments en Do
29
2 Pianos, 4 mains
12
1 Piano, 4 mains
10
Orgue
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Ukulele
20
Guitare
14
Ligne De Mélodie, (Paroles) et Accords
7
2 Guitares (duo)
3
Dulcimer
1
Basse electrique
1
Piano, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale 3 parties
114
Chorale SATB
100
Chorale 2 parties
87
Chorale Unison
36
Chorale TTBB
20
Chorale SSAA
9
Voix Alto, Piano
9
Voix duo, Piano
8
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Voix seule
2
Chorale
1
Voix haute
1
Voix duo, Orgue
1
Voix Soprano
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
69
Hautbois, Piano (duo)
47
Saxophone Alto et Piano
46
Clarinette et Piano
46
Saxophone Tenor et Piano
41
Saxophone Soprano et Piano
40
Saxophone Baryton, Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte traversière
20
2 Saxophones (duo)
13
Quintette de Saxophone: 5 saxophones
12
Quatuor de Saxophones: 4 saxophones
12
Quatuor de Clarinettes: 4 clarinettes
11
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Flûtes à bec
11
Saxophone Alto
10
3 Saxophones (trio)
7
Flûte et Guitare
7
Hautbois, Guitare (duo)
7
Ensemble de Clarinettes
7
Saxophone Tenor
6
Clarinette
6
2 Flûtes traversières (duo)
6
Saxophone et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Ensemble de saxophones
5
Saxophone (partie séparée)
4
3 Clarinettes (trio)
4
Saxophone, Clarinette (duo)
3
Quintette de Flûte : 5 flûtes
3
2 Clarinettes (duo)
3
Clarinette, Guitare (duo)
3
Hautbois (partie séparée)
3
Ensemble de Flûtes
3
2 Hautbois (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Violon, Piano
3
Flûte, Clarinette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Trompette (duo)
2
Ensemble De Flûte à bec
2
Hautbois, Flûte
2
Hautbois, Clarinette (duo)
2
Cor anglais, Piano
2
Flûte, Hautbois, Basson
2
Hautbois
2
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Clarinette Basse, Piano
1
Clarinette, Harpe (duo)
1
Clarinette, Violon (duo)
1
Hautbois, Harpe
1
Hautbois, Basson (duo)
1
Saxophone et Harpe
1
Trio de Flûtes: 3 flûtes
1
Flûte, Basson et Piano
1
+ 51 instrumentations
Retracter
Cuivres
Trombone et Piano
47
Trompette, Piano
40
Cor et Piano
34
Tuba et Piano
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
10
Cor
6
Quatuor de Cuivres
6
Ensemble de Trombones
4
Ensemble de Trompettes
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
Trompette, Trombone (duo)
2
Clarinette, Cor (duo)
1
Cor, Violoncelle (duo)
1
2 Cors (duo)
1
Trompette et Guitare
1
Euphonium
1
3 Trombones (trio)
1
Trombone
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
2 Tubas (duo)
1
2 Trombones (duo)
1
+ 25 instrumentations
Retracter
Cordes
Violon et Piano
135
Violoncelle, Piano
84
Quatuor à cordes: 2 violons, alto, violoncelle
82
Alto, Piano
47
Trio à Cordes: 2 violons, violoncelle
45
Contrebasse, Piano (duo)
42
2 Violons (duo)
35
Trio à Cordes: violon, alto, violoncelle
34
Violon, Violoncelle (duo)
27
Violon
23
Violoncelle
13
Harpe
12
Violon, Guitare (duo)
7
Violoncelle , Guitare (duo)
7
Alto seul
5
Violon, Alto (duo)
4
Alto (partie séparée)
3
Ensemble de Violons
3
2 Violoncelles (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe, Flûte (duo)
2
2 Violons, Piano
2
2 Altos (duo)
2
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Ensemble d'Altos
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
109
Ensemble de cuivres
29
Orchestre à Cordes
23
Orchestre
23
Ensemble Jazz
9
Orchestre de chambre
6
Cloches
2
Ensemble de Percussions
2
Jazz combo
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Song of the Crib
Guitare
Partitions à imprimer
14 partitions trouvées
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1
Mastering the Classical Guitar Book 1A
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Guitare
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Classique
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Wissam Abboud
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Mastering the Classical Guitar
#
Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical and lute) - Beginning - Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. 72 pages. Mel...
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Guitar (classical and lute) - Beginning - Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. 72 pages. Mel Bay Publications - Digital Sheet Music #30683MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118515.
Mastering the Classical Guitar, Book 1AA is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instruments potential and repertoire.Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections:A Progressive Studies and Pieces,A Technical ExercisesA andA Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of ones playing, followed by various examples from the classical music repertoire and traditional songs from various cultures.While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and students musical journey.Written in standard notation only,A Mastering the Classical Guitar, Book 1AA comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.
$17.99
AM Songs
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Guitare
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INTERMÉDIAIRE
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Tondi
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Tondi
#
modulations
#
AM Songs
#
ToRa Swarna Diva
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1322652 By Tondi. FR. By Tondi. FR. Arranged by Tondi. FR. 21st Century,Classical,Contemporary,Pop,Wedding. Individual p...
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Solo Guitar - Level 3 - SKU: A0.1322652 By Tondi. FR. By Tondi. FR. Arranged by Tondi. FR. 21st Century,Classical,Contemporary,Pop,Wedding. Individual part. 16 pages. ToRa Swarna Diva #910945. Published by ToRa Swarna Diva (A0.1322652). 'Am Songs' (2012) is one of two original instrumental compositions written by Tondi Rangkuti a.k.a Tondi. FR to describe the vibes of wedding music. With the 'Contemporary Pop' genre. Another one is Will You Marry Me?. (2008). Which describes falling in love with someone. Meanwhile, 'Am Songs' is to describe the welcoming of a wedding celebration. Am songs, written with Band Orchestra accompaniment. In this sheet music that you can download, you will learn solo guitar playing with fingerstyle arrangements at an intermediate level. Can be played with steel string guitars and is also suitable for playing with nylon guitars. In the composition 'Will You Marry Me? you just find a very sweet tone construction. While not only is the melody excellent, in the composition 'Am Songs' you will find repeated motifs with unique chord progressions & modulations. Which is the character of Tondi's music writing. FR. Download it immediately so you can play it in a romantic musical performance, wedding reception and/or as material for your learning and teaching. Â
$18.90
Joshua Fit the Battle of Jericho (For Fingerstyle Guitar Tuned Drop D)
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Guitare
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INTERMÉDIAIRE
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Public Domain
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Ellsworth McMeen
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Joshua Fit the Battle of Jeric
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Ellsworth McMeen
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.806193 Composed by Public Domain. Arranged by Ellsworth McMeen. Folk,Spiritual. Individual part. 7 pages. Ellsworth McMe...
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Solo Guitar - Level 3 - SKU: A0.806193 Composed by Public Domain. Arranged by Ellsworth McMeen. Folk,Spiritual. Individual part. 7 pages. Ellsworth McMeen #4350891. Published by Ellsworth McMeen (A0.806193). Contemporary, driving fingerstyle guitar arrangement in Drop D tuning (DADGBE) of popular spiritual song, arranged by guitarist El McMeen, who is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists Many of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeen.
$3.99
Will the Circle Be Unbroken (For Fingerstyle Guitar Tuned CGDGAD)
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Guitare
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INTERMÉDIAIRE
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Public Domain
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Ellsworth McMeen
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Will the Circle Be Unbroken
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Ellsworth McMeen
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.806156 Composed by Public Domain. Arranged by Ellsworth McMeen. Christian,Folk,Gospel. Individual part. 4 pages. Ellswor...
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Solo Guitar - Level 3 - SKU: A0.806156 Composed by Public Domain. Arranged by Ellsworth McMeen. Christian,Folk,Gospel. Individual part. 4 pages. Ellsworth McMeen #4349095. Published by Ellsworth McMeen (A0.806156). Uptempto arrangement of a great old spiritual song as a solo fingerstyle guitar piece in an open tuning (CGDGAD). The arranger is guitarist El McMeen, who is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsMany of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeen.
$2.99
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
Breath of Life
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Guitare
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Musique Sacrée
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Mark Greer
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Breath of Life
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The CHOSEN Company, LLC
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SheetMusicPlus
Solo Guitar - SKU: A0.980793 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Individual part. 3 pages. The CHOSEN Company, LLC #4807847. Publ...
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Solo Guitar - SKU: A0.980793 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Individual part. 3 pages. The CHOSEN Company, LLC #4807847. Published by The CHOSEN Company, LLC (A0.980793). Song about how God created the first man and woman, and that woman is the mother of all mankind. Poetic song that describes the essential role women play in human life and creation.
$3.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Yesterday
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Guitare
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FACILE
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Rock
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The Beatles
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Henrique F Mangoni
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Yesterday
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Henrique Franke Mangoni
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SheetMusicPlus
Easy Guitar (no TAB) - Level 2 - SKU: A0.1082320 By The Beatles. By John Lennon and Paul McCartney. Arranged by Henrique F Mangoni. Pop,Rock. Score. 2 p...
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Easy Guitar (no TAB) - Level 2 - SKU: A0.1082320 By The Beatles. By John Lennon and Paul McCartney. Arranged by Henrique F Mangoni. Pop,Rock. Score. 2 pages. Henrique Franke Mangoni #686472. Published by Henrique Franke Mangoni (A0.1082320). Yesterday by The Beatles. One of the most iconic songs by the The Fab Four, composed by Paul Mccartney and John Lennon. Easy Intermediate guitar arrangement, perfect for beginners, students, preschoolers, music teachers and guitar teachers. This sheet music includes the chords of the song and the score without tabs. Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! yesterday sheet music, beatles yesterday sheet music, yesterday guitar sheet music, yesterday guitar, yesterday sheet music pdf, yesterday guitar easy, yesterday chords, yesterday guitar chords, beatles yesterday, beatles sheet music, beatles guitar easy, beatles guitar sheet music.
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Yesterday
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Guitare
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DÉBUTANT
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Rock
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The Beatles
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Henrique F Mangoni
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Yesterday
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Henrique Franke Mangoni
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SheetMusicPlus
Easy Guitar (no TAB) - Level 1 - SKU: A0.1081800 By The Beatles. By John Lennon and Paul McCartney. Arranged by Henrique F Mangoni. Pop,Rock. Score. 2 p...
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Easy Guitar (no TAB) - Level 1 - SKU: A0.1081800 By The Beatles. By John Lennon and Paul McCartney. Arranged by Henrique F Mangoni. Pop,Rock. Score. 2 pages. Henrique Franke Mangoni #685930. Published by Henrique Franke Mangoni (A0.1081800). Yesterday by The Beatles. One of the most iconic songs by the The Fab Four, composed by Paul Mccartney and John Lennon. Easy/Beginner guitar arrangement, perfect for beginners, students, preschoolers, music teachers and guitar teachers. This sheet music includes the chords of the song and the score without tabs. Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! yesterday sheet music, beatles yesterday sheet music, yesterday guitar sheet music, yesterday guitar, yesterday sheet music pdf, yesterday guitar easy, yesterday chords, yesterday guitar chords, beatles yesterday, beatles sheet music, beatles guitar easy, beatles guitar sheet music.
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We Three Kings (For Fingerstyle Guitar Tuned CGDGAD)
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Guitare
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INTERMÉDIAIRE
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Noël
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Public Domain
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Ellsworth McMeen
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We Three Kings
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Ellsworth McMeen
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.806170 Composed by Public Domain. Arranged by Ellsworth McMeen. Christian,Christmas,Folk. Individual part. 5 pages. Ells...
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Solo Guitar - Level 3 - SKU: A0.806170 Composed by Public Domain. Arranged by Ellsworth McMeen. Christian,Christmas,Folk. Individual part. 5 pages. Ellsworth McMeen #4350021. Published by Ellsworth McMeen (A0.806170). Haunting, contemporary fingerstyle guitar treatment in an open tuning (CGDGAD) of a classic Christmas song. Arranger is guitarist El McMeen, who is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists Many of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeenThis tune is included on El's recording called The Spirit of Christmas Guitar..
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Yesterday
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Guitare
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FACILE
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Rock
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The Beatles
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Henrique F Mangoni
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Yesterday
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Henrique Franke Mangoni
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SheetMusicPlus
Easy Guitar (no TAB) - Level 1 - SKU: A0.1081809 By The Beatles. By John Lennon and Paul McCartney. Arranged by Henrique F Mangoni. Pop,Rock. Score. 2 p...
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Easy Guitar (no TAB) - Level 1 - SKU: A0.1081809 By The Beatles. By John Lennon and Paul McCartney. Arranged by Henrique F Mangoni. Pop,Rock. Score. 2 pages. Henrique Franke Mangoni #685937. Published by Henrique Franke Mangoni (A0.1081809). Yesterday by The Beatles. One of the most iconic songs by the The Fab Four, composed by Paul Mccartney and John Lennon. Easy/Beginner guitar arrangement, perfect for beginners, students, preschoolers, music teachers and guitar teachers. This sheet music includes the score without tabs. Clean sheet music edition. Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! yesterday sheet music, beatles yesterday sheet music, yesterday guitar sheet music, yesterday guitar, yesterday sheet music pdf, yesterday guitar easy, yesterday chords, yesterday guitar chords, beatles yesterday, beatles sheet music, beatles guitar easy, beatles guitar sheet music.
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Yesterday
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Guitare
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FACILE
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Rock
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The Beatles
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Henrique F Mangoni
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Yesterday
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Henrique Franke Mangoni
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SheetMusicPlus
Easy Guitar (no TAB) - Level 2 - SKU: A0.1082324 By The Beatles. By John Lennon and Paul McCartney. Arranged by Henrique F Mangoni. Pop,Rock. Score. 2 p...
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Easy Guitar (no TAB) - Level 2 - SKU: A0.1082324 By The Beatles. By John Lennon and Paul McCartney. Arranged by Henrique F Mangoni. Pop,Rock. Score. 2 pages. Henrique Franke Mangoni #686476. Published by Henrique Franke Mangoni (A0.1082324). Yesterday by The Beatles. One of the most iconic songs by the The Fab Four, composed by Paul Mccartney and John Lennon. Easy Intermediate guitar arrangement, perfect for beginners, students, preschoolers, music teachers and guitar teachers. This sheet music includes the score without tabs. Clean sheet music edition. Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! yesterday sheet music, beatles yesterday sheet music, yesterday guitar sheet music, yesterday guitar, yesterday sheet music pdf, yesterday guitar easy, yesterday chords, yesterday guitar chords, beatles yesterday, beatles sheet music, beatles guitar easy, beatles guitar sheet music.
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Hallelujah
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Guitare
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FACILE
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Justin Timberlake
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Henrique F Mangoni
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Hallelujah
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Henrique Franke Mangoni
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SheetMusicPlus
Easy Guitar (no TAB) - Level 2 - SKU: A0.1100958 By Justin Timberlake. By Leonard Cohen. Arranged by Henrique F Mangoni. Film/TV,Singer/Songwriter. Scor...
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Easy Guitar (no TAB) - Level 2 - SKU: A0.1100958 By Justin Timberlake. By Leonard Cohen. Arranged by Henrique F Mangoni. Film/TV,Singer/Songwriter. Score. 2 pages. Henrique Franke Mangoni #704529. Published by Henrique Franke Mangoni (A0.1100958). Hallelujah by Leonard Cohen. Easy intermediate solo guitar arrangement. Perfect for beginners, children, music teachers and guitar teachers. Play Hallelujah on the guitar! This absolut classic featured on the movie Shrek and was covered by many artists including Lee Dewyze, Jeff Buckley and Pentatonix. This edition includes the guitar score only and the chords of the song. Subscribe to my YouTube channel to know more about my work! hallelujah guitar sheet music, hallelujah guitar chords, how to play hallelujah on the guitar, hallelujah shrek, hallelujah by leonard cohen, hallelujah by lee dewyze, hallelujah by jeff buckley.
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Understanding Guitar Chord Progressions
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Guitare
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taking a closer look at the mu
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Bob Balsley
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Understanding Guitar Chord Pro
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Beginning-Intermediate - SKU: M0.20122EB Composed by Bob Balsley. All styles. E-book. Mel Bay Publications - Digital Sheet Music #20122EB...
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Guitar (all) - Beginning-Intermediate - SKU: M0.20122EB Composed by Bob Balsley. All styles. E-book. Mel Bay Publications - Digital Sheet Music #20122EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20122EB). ISBN 9781609746315. 8.75x11.75 inches.Most guitarists tend to memorize songs without learning the underlying theories and musical forms. This book is a practical description of a guitar player's journey from very simple chords and progressions to more intricate songs and forms. It describes in a humorous and engaging way, how the evolution of an individual's skill at playing is mirrored in the historical evolution of musical forms. By taking a closer look at the music we already know, we can take a giant step in understanding and skill.
$9.99
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