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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sour
Non classifié
1 629
Piano & claviers
Piano seul
430
Piano, Voix et Guitare
386
Instruments en Do
251
Piano Facile
181
Piano, Voix
174
Accompagnement Piano
69
Orgue
64
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
15
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
6
Clavecin
2
Piano grosses notes
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
972
Guitare
72
Ukulele
26
Ligne De Mélodie, (Paroles) et Accords
20
Mandoline
10
2 Guitares (duo)
7
Dulcimer
6
Basse electrique
6
Paroles et Accords
5
Banjo
3
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
1
2 Mandolines (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
824
Chorale 3 parties
346
Chorale 2 parties
242
Chorale Unison
121
Chorale TTBB
37
Chorale
31
Voix duo, Piano
31
Chorale SSAA
14
Voix seule
6
Voix duo
5
Voix Baryton, Piano
4
Voix haute
4
Voix moyenne, Piano
4
Voix basse, Piano
4
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix Soprano, Piano
2
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
100
Flûte traversière
89
Flûte, Hautbois, Clarinette, Basson
82
2 Saxophones (duo)
77
Flûte traversière et Piano
77
Saxophone Alto et Piano
70
Clarinette et Piano
66
Saxophone Tenor et Piano
60
Clarinette
59
Quintette de Saxophone: 5 saxophones
56
Saxophone Soprano et Piano
55
3 Saxophones (trio)
50
Hautbois, Piano (duo)
48
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Saxophone Alto
38
Saxophone Baryton, Piano
30
2 Flûtes traversières (duo)
30
Saxophone Tenor
28
2 Flûtes traversières, Piano
26
Hautbois
26
Saxophone Soprano
24
Saxophone Baryton
24
Quatuor de Flûtes : 4 flûtes
24
2 Flûte à bec (duo)
24
Quatuor de Clarinettes: 4 clarinettes
23
2 Clarinettes (duo)
20
Flûte, Clarinette (duo)
18
Hautbois (partie séparée)
16
Ensemble de Clarinettes
16
2 Hautbois (duo)
15
Flûte à Bec
14
Flûte, Hautbois, Clarinette (trio)
14
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte à bec Soprano
13
Quatuor de Flûtes à bec
11
Cor anglais, Piano
11
Clarinette, Basson (duo)
9
Trio de Flûtes: 3 flûtes
9
3 Clarinettes (trio)
9
Flûte à bec Alto
8
Flûte, Clarinette et Basson
7
3 Flûtes à bec (trio)
7
Saxophone (partie séparée)
7
Piccolo, Piano
6
Saxophone et Orgue
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
6
Ensemble de Flûtes
6
Flûte, Hautbois (duo)
5
Piccolo
5
Quintette de Flûte : 5 flûtes
5
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
4
Flûte à bec Tenor
4
Flûte, Violon, Piano
4
Ensemble De Flûte à bec
4
Flûte à bec Alto, Piano
4
Instruments en Mib
4
Clarinette Basse, Piano
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
Clarinette, Violon (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois, Basson
2
Cor Anglais
2
Flûte à bec Soprano, Piano
2
Clarinette, Trompette (duo)
2
Ocarina
2
4 Hautbois
2
Flûte irlandaise
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
Harmonica
1
Flûte, Saxophone (duo)
1
5 Flûtes à bec
1
Flûte, Alto et Piano
1
Clarinette et Alto
1
Flûte, Violon
1
Saxophone
1
Clarinette, Orgue
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Hautbois, Flûte
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
154
Trompette
65
Trombone et Piano
61
Trompette, Piano
59
Cor et Piano
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Tuba et Piano
40
Trombone
39
Tuba
37
Cor
36
2 Trombones (duo)
25
2 Trompettes (duo)
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
2 Cors (duo)
17
Trompette, Cor (duo)
14
Euphonium, Piano (duo)
11
Cor anglais, Piano
11
Trompette, Trombone (duo)
11
Quatuor de cuivres: 4 trombones
8
Trombone, Tuba (duo)
6
2 Tubas (duo)
6
3 Trombones (trio)
6
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
5
Ensemble de Trombones
5
Ensemble de Trompettes
4
Instruments en Sib
3
Quatuor de Cuivres
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Orgue
3
Trombone, Cor (duo)
3
Trompette, Tuba (duo)
2
3 Trompettes (trio)
2
Euphonium, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Trombone basse
2
Trombone basse et Piano
2
Cor Anglais
2
Ensemble de Cors
2
Cor et Orgue
2
Bass Clef Instruments
2
3 Tubas (trio)
2
3 Cors (trio)
2
Cor, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Euphonium
1
4 Tubas
1
2 Euphoniums (duo)
1
Trio de Cuivres
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
146
Violon et Piano
109
Violon
80
Violoncelle, Piano
76
Alto, Piano
58
Violoncelle
57
Trio à Cordes: violon, alto, violoncelle
48
Alto seul
45
2 Violons (duo)
37
Contre Basse
36
Contrebasse, Piano (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violoncelles (duo)
26
Harpe
25
Violon, Violoncelle (duo)
21
2 Altos (duo)
16
Violon, Alto (duo)
13
Piano Trio: Violon, Alto, Piano
12
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 violins
8
Quatuor à cordes : 4 altos
6
2 Contrebasses (duo)
6
Trio à cordes: 3 altos
6
Alto, Violoncelle (duo)
6
4 Violoncelles
6
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
5
Violon (partie séparée)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Orgue
3
Ensemble de Violons
3
Violoncelle (partie séparée)
2
Alto (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle , Guitare (duo)
2
2 Violoncelles, Piano
1
Violon, Basse continue
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
2 Harpes (duo)
1
Harpe, Trombone (duo)
1
Violon, Orgue
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
192
Orchestre
57
Orchestre à Cordes
57
Orchestre de chambre
54
Cloches
50
Ensemble de cuivres
26
Fanfare
14
Jazz combo
13
Ensemble de Percussions
11
Batterie
11
Ensemble Jazz
11
Marimba
10
Instrumentation Flexible
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble d'École
4
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Piano et Orchestre
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
10
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Sour
Guitare
Partitions à imprimer
72 partitions trouvées
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51
Serenata Española. New completely revised and fingered edition based on original sources,
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Joaquín Malats
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Serenata Española. New
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Pedro Jesús Gómez Lorente
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor)...
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Solo Guitar - Level 4 - SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer. This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work. [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2] Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
$8.50
Acoustic Music Source Book
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Guitare
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DÉBUTANT
#
Richard L
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Acoustic Music Source Book
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar (all) - Beginning - SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr....
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Guitar (all) - Beginning - SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr. American Music. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #21665EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21665EB). ISBN 9781619110991. 8.75x11.75 inches.Bill Bay asked me to write a follow up book to my last book, The Bluegrass Pickers Tune Book (20233). If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. The focus of this book, The Acoustic Source Book is on roots and old-time music. The book is focused on the time period from late 1800's until 1940's.There are a few songs from The Bluegrass Book that were too important to be left out. I decided not to use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birth of jazz, ragtime, and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900's there were rags, blues, gospel, Tin-Pan Alley, jug band, spiritual, old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana.There are some great songs that are popular roots, bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.
$29.99
Dans l'ombre d'un sourire
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Guitare
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INTERMÉDIAIRE
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Arnaud Sans
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Dans l'ombre d'un sourire
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Les Productions d'OZ - Digital
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SheetMusicPlus
By Arnaud Sans. For guitar orchestra. Level 3. 12 pages. Published by Les Productions d'OZ - Digital ...
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By Arnaud Sans. For guitar orchestra. Level 3. 12 pages. Published by Les Productions d'OZ - Digital
$8.95
A petit pas de souris
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Guitare
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Francis Sheehy
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A petit pas de souris
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Les Productions d'OZ - Digital
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SheetMusicPlus
By Francis Sheehy. For solo guitar. Level 1.5. 8 pages. Published by Les Productions d'OZ - Digital ...
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By Francis Sheehy. For solo guitar. Level 1.5. 8 pages. Published by Les Productions d'OZ - Digital
$5.95
Missouri Folksong: Jesse James for guitar solo
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Guitare
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INTERMÉDIAIRE
#
Folklorique/Traditionel
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Missouri Folksong
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Virtualsheetmusic
Instantly printable sheet music by Missouri Folksong for guitar solo of MEDIUM skill level. / folk,traditional
Instantly printable sheet music by Missouri Folksong for guitar solo of MEDIUM skill level. / folk,traditional
$6.97
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
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Guitare
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DÉBUTANT
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Classique
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Various
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Socrates Arvanitakis
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Baroque Anthology 2 - 20 easy
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Socrates Arvanitakis
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis ...
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Solo Guitar - Level 1 - SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
$20.00
Spanish Dance for Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Adolf Frey
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Keith Terrett
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Spanish Dance for Classical Gu
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1443629 Composed by Adolf Frey (4 April 1865 – 4 October 1938). Arranged by Keith Terrett. 19th Century,Classical,Cont...
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Solo Guitar - Level 3 - SKU: A0.1443629 Composed by Adolf Frey (4 April 1865 – 4 October 1938). Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 6 pages. Keith Terrett #1023567. Published by Keith Terrett (A0.1443629). Adolf Frey (4 April 1865 – 4 October 1938) was an American composer of German birth. Born in Landau, Kingdom of Bavaria. He was a pupil of Johannes Brahms, Immanuel Faiszt, and Clara Schumann. From 1887 to 1893 he was a musician to Prince Alexander Frederick of Hesse. He then moved to the United States, where he began teaching on the faculty of Syracuse University in the Fall of 1893. From Wikipedia, the free encyclopedia This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources.Find sources: Adolf Frey composer – news · newspapers · books · scholar · JSTOR (October 2010)Adolf Frey (4 April 1865 – 4 October 1938)[1] was an American composer of German birth. Born in Landau, Kingdom of Bavaria. He was a pupil of Johannes Brahms, Immanuel Faiszt, and Clara Schumann. From 1887 to 1893 he was a musician to Prince Alexander Frederick of Hesse. He then moved to the United States, where he began teaching on the faculty of Syracuse University in the Fall of 1893.[2].
$1.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Say Something
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Guitare
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INTERMÉDIAIRE
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A Great Big World
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B
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Say Something
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B. McCormick
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songw...
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Solo Guitar - Level 3 - SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Individual part. 8 pages. B. McCormick #999968. Published by B. McCormick (A0.1418401). Experience the profound emotion of “Say Something†by A Great Big World with this meticulously crafted fingerstyle guitar arrangement. This digital sheet music captures the essence of the song’s poignant message and translates it into a language that only a guitar can speak. Song and Band Highlight: “Say Something†is a powerful ballad that soared to popularity for its touching lyrics and haunting melody. Released in 2013, the song became a global hit, peaking at number four on the Billboard Hot 100 chart and selling over six million copies in the United States alone1. It also topped the charts in Australia, Belgium, and Canada, resonating with audiences worldwide. The song’s success was further cemented when A Great Big World and Christina Aguilera won a Grammy Award for Best Pop Duo/Group Performance1. A Great Big World, consisting of Ian Axel and Chad King, has touched hearts with their emotional and sincere music, and “Say Something†stands as a testament to their songwriting prowess. Sheet Music Details: This arrangement is more than a simple transcription; it is an artistic interpretation that invites guitarists to explore the depth of the song’s emotional landscape. The performance notes emphasize the importance of expressive playing, guiding musicians through the nuances of dynamics and phrasing to truly convey the song’s narrative. The arrangement is structured to follow the original composition, with thoughtful adjustments made to enhance playability and musicality for solo guitar performance.Connect with me: As you embark on this musical journey, we invite you to share your experience and connect with a community of fellow musicians. Find us on social media using the handle @ResourcefulArrangements and join the conversation. Your feedback and performances are what inspire us to continue creating resources that enrich the guitar community.
$4.99
The Guitar Room Classroom Guitar Method Book
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Guitare
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DÉBUTANT
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J
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The Guitar Room Classroom Guit
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J.D. Gerbrandt
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1092994 Composed by J.D. Gerbrandt. Instructional. Individual part. 73 pages. J.D. Gerbrandt #697091. Published by J.D. ...
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Solo Guitar - Level 1 - SKU: A0.1092994 Composed by J.D. Gerbrandt. Instructional. Individual part. 73 pages. J.D. Gerbrandt #697091. Published by J.D. Gerbrandt (A0.1092994). This is a complete beginner guitar method book for the classroom. It can be used as a complete course pack with playing resources and repertoire. Teachers can also swap out repertoire and use their own as long as they fit the requirements of each section. Each new semester, keep the same primary resource, but change out the songs to keep it fresh. Add songs requested by your students to keep them engaged all through the course.
$19.99
"Gaitas" - Santiago de Murcia - Codex Saldivar IV (Guitar Notation and TAB)
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Guitare
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Arturo Escorza
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Arturo Escorza
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"Gaitas" - Santiago
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Arturo Escorza
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SheetMusicPlus
Solo Guitar - SKU: A0.1474663 By Arturo Escorza. By Santiago de Murcia. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic. Individual par...
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Solo Guitar - SKU: A0.1474663 By Arturo Escorza. By Santiago de Murcia. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic. Individual part. 7 pages. Arturo Escorza #1052241. Published by Arturo Escorza (A0.1474663). Discover the intricate beauty of Gaitas by Santiago de Murcia, one of the most significant guitar composers of the Baroque period. This piece is sourced from the renowned Códice Saldívar IV (Codex Saldivar IV) and is meticulously transcribed for guitar. The sheet music includes both standard notation and tablature (TAB), making it accessible for guitarists of varying skill levels.With 111 measures spanning 7 pages, this edition captures the essence of Murcia's composition, offering a blend of melodic richness and rhythmic complexity. Perfect for both performance and study, Gaitas will be a valuable addition to your repertoire, whether you are an enthusiast of Baroque music or a classical guitar performer.
$7.00
Grid
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Guitare
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AVANCÉ
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Contemporain
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Igor Korneitchouk
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Grid
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Studio at the Post
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. ...
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Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. Published by Studio at the Post (A0.1124418). Duration: 8 - 9 minutes, 3 pp. Description: The structure of Grid (Cynosure) is made up of several overlapping processes, of which the descending voice leading is but the easiest to discern. Shifting harmonies become an artifact of the individual descending voices, while the ebb and flow of these harmonies leads to the perception of windows of consonance — or harmonic nodes in C major, A major and E major. Simultaneously, the listener's temporal reference shifts gears in a process of continually augmenting pulses, changing the listener's perception of time and tempo. There is, then, a counterpoint between three different elemental processes: a melodic process, a harmonic process and a temporal process, which all co-operate to create the work's movement from tension to repose. Cynosure : noun, a person or thing that is the center of attention or admiration (the Queen was the cynosure of all eyes); from Latin cynosura, from Greek kunosoura ‘dog's tail’ (also ‘Ursa Minor’ ), from ku!n, kun- ‘dog’ + oura ‘tail.’ The term originally denoted the constellation Ursa Minor, or the star Polaris that it contains, long used as a guide by navigators.
$2.01
Building Right Hand Technique
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Guitare
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INTERMÉDIAIRE
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Methodes
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William Bay
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Building Right Hand Technique
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (flatpicking) - Intermediate-Advanced - SKU: M0.93780EB Composed by William Bay. All styles. E-book. Mel Bay Publications - Digital Sheet Music #...
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Guitar (flatpicking) - Intermediate-Advanced - SKU: M0.93780EB Composed by William Bay. All styles. E-book. Mel Bay Publications - Digital Sheet Music #93780EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93780EB). ISBN 9781609749477. 8.75x11.75 inches.This book provides a master source for building agility, flexibility and speed while playing with a flatpick, as well as a repertoire source for the plectrum-style guitarist. The studies are designed to build reading ability and clarity of sound in a variety of styles, as well as agility in cross-picking and the playing of rapid linear passages. Includes over 100 original and jazz etudes, fiddle tunes, and a great number of classical guitar pieces transcribed for plectrum guitar. Written in standard notation and tablature.
$19.99
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Guitar Sonata on Themes by Thomas Commuck (Guitar Sonata No. 11 in B major)
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Guitare
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AVANCÉ
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Jeremiah Lawson
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Guitar Sonata on Themes by Tho
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1452092 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Publis...
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Solo Guitar - Level 5 - SKU: A0.1452092 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092). Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first NativeAmerican to publish a musical work using Western European notation. The work, Indian Melodies, is a shape‐notehymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.Guitar Sonata on themes by Thomas Commuck is a traditional four‐movement work with an opening sonatamovement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.You can hear the second movement herehttps://youtu.be/OR8NMAyXlRkand the third movement herehttps://youtu.be/OjF7SxlQok0I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.
$5.00
Greensleeves - Guitar Solo - W/Chords (Full Score)
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Guitare
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INTERMÉDIAIRE
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Traditional
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César Madeira
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Greensleeves - Guitar Solo - W
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Sheet Music To Play Editions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1187201 Composed by Traditional. Arranged by César Madeira. Children,Film/TV,Folk,Medieval,Multicultural,World. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1187201 Composed by Traditional. Arranged by César Madeira. Children,Film/TV,Folk,Medieval,Multicultural,World. Individual part. 2 pages. Sheet Music To Play Editions #786831. Published by Sheet Music To Play Editions (A0.1187201). Greensleeves for Guitar Solo. Full Score with Chords. Enjoy it!Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580, and the tune is found in several late-16th-century and early-17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
Sonata No. 2
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Guitare
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AVANCÉ
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Olli Mustonen
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Sonata No. 2
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced - SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadabl...
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Guitar - advanced - SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadable, Separate edition. Duration 10 minutes. Schott Music - Digital #Q50413. Published by Schott Music - Digital (S9.Q50413). Unlike its predecessor Jehkin Iivana, which draws its inspiration from the world of Finnish myths and the ancient tradition of poet singers, the sources of the Sonata N° 2 are more abstract. The first movement starts with dissonant intervals, full of drama and conflict while the second has a dream-like atmosphere as if the guitar has been left alone in the forest. After a nightmarish episode, more hopeful music suddenly starts to appear. In the last movement the guitar returns to fight its tormentors from the first movement with renewed energy and takes its way heroically through all obstacles to a triumphant end. Olli Mustonen.
$7.99
Greensleeves - Easy Guitar (Full Score)
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Guitare
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Traditional
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César Madeira
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Greensleeves - Easy Guitar
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Sheet Music To Play Editions
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SheetMusicPlus
Easy Guitar (no TAB) - Level 1 - SKU: A0.1187190 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Medieval,Traditional. ...
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Easy Guitar (no TAB) - Level 1 - SKU: A0.1187190 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Medieval,Traditional. Score. 2 pages. Sheet Music To Play Editions #786823. Published by Sheet Music To Play Editions (A0.1187190). Greensleeves for Beginner Guitar. With Full Score. Enjoy it!Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580, and the tune is found in several late-16th-century and early-17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$4.99
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Guitare
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INTERMÉDIAIRE
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Renaissance
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Various
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Socrates Arvanitakis
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RENAISSANCE GUITAR MUSIC - Vol
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanita...
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Solo Guitar - Level 3 - SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
My Love is Like a Red, Red Rose (Solo Guitar Version)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Traditional Scotland
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Dan Jones www
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My Love is Like a Red, Red Ros
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DanJonesGuitarist
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan...
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Solo Guitar - Level 4 - SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Classical,Irish,Traditional. Individual part. 6 pages. DanJonesGuitarist #735611. Published by DanJonesGuitarist (A0.1135557). My Love is Like a Red, Red Rose Traditional, Scotland - After Robert 'Rabbie' Burns Arranged for solo guitar by Dan Jones www.danjonesguitarist.com This iconic song, set here in an instrumental version for solo guitar, has a text by the great Scots poet, Robert 'Rabbie' Burns. The tune is believed to have been inspired by traditional sources. This version is suitable for more advanced players. The verses are set with the melody appearing in the top line, and then in the bass. A score is provided in notes and TAB, and in a version with just notes. It is perfect for concerts, background music, weddings and encores. I have also arranged this tune for easy guitar quartet. A YouTube video of this arrangement will be available before the end of 2022. For a wealth of music for solo guitar, guitar in ensemble, teaching material, writings and much more, please visit: www.danjonesguitarist.com Thank you, and I hope you enjoy My Love is Like a Red, Red Rose.
$4.95
Chaconne
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Guitare
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AVANCÉ
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Classique
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Brad Rau
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Brad Rau
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Chaconne
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Brad Rau
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1243653 By Brad Rau. By Johann Sebastian Bach. Arranged by Brad Rau. Baroque. Individual part. 13 pages. Brad Rau #83862...
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Solo Guitar - Level 5 - SKU: A0.1243653 By Brad Rau. By Johann Sebastian Bach. Arranged by Brad Rau. Baroque. Individual part. 13 pages. Brad Rau #838620. Published by Brad Rau (A0.1243653). This is a solo guitar arrangement of the Bach Chaconne, originally written for Solo Violin, and is the final movement of Violin Parita No. 2 in D minor BWV 1004. This arrangement was created after Brad Rau memorized the Andres Segovia and Manuel Barrueco arrangement and fingering of this piece. This arrangement has some of the best elements of each arrangement. It also includes ideas from studying with Eliot Fisk and Jason Vieaux and things he heard on John Williams recorded. Rau also came up with some of his own ideas and unique solutions. Each measure is carefully and thoughtfully fingered after comparing multiple sources for maximum musicality while still having a level of playability. This was performed on Brad Rau's third album 'In a Very Unusual Manner.'.
$6.99
Greensleeves - Easy Guitar - W/Chords (Full Score)
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Guitare
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DÉBUTANT
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Traditional
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César Madeira
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Greensleeves - Easy Guitar - W
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Sheet Music To Play Editions
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SheetMusicPlus
Easy Guitar (no TAB) - Level 1 - SKU: A0.1187189 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Medieval,Traditional. ...
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Easy Guitar (no TAB) - Level 1 - SKU: A0.1187189 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Medieval,Traditional. Score. 2 pages. Sheet Music To Play Editions #786821. Published by Sheet Music To Play Editions (A0.1187189). Greensleeves for Beginner Guitar. Full Score with Chords. Enjoy it!Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580, and the tune is found in several late-16th-century and early-17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$5.99
The Parlement / Volt
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Guitare
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DÉBUTANT
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John Dowland
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Bisdré Santos
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The Parlement / Volt
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Soul - Musical Creations
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.948978 By John Dowland. By Anonymous. Arranged by Bisdré Santos. Instructional,Multicultural,Renaissance,Standards,Tr...
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Solo Guitar - Level 1 - SKU: A0.948978 By John Dowland. By Anonymous. Arranged by Bisdré Santos. Instructional,Multicultural,Renaissance,Standards,Traditional,World. Individual part. 3 pages. Soul - Musical Creations #6353761. Published by Soul - Musical Creations (A0.948978). From the Dowland manuscript, this piece seems to te based on Kemp's Jig, a popular tune of the time, associated with Will Kemp, the famous English comic actor and dancer. Suggest tempo is brisk. * On the measure 8 is important to release the third finger from the low C at this point to avoid an ugly clash with the upper C#. The change of key is somewhat sudden, but it is helped by stressing the C#. Volt: This very popular piece was untitled in the Dowland manuscript but apears elsewere under the title of Volt or La Volta. It Appears frequently in Italian lute sources and was probably originally Italian. * The only technical problem lies the first two measures, where the change from the second to fifth position should be made evenly and without hurry.
$1.99
Greensleeves - Guitar Solo (Full Score)
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Guitare
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INTERMÉDIAIRE
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Traditional
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César Madeira
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Greensleeves - Guitar Solo
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Sheet Music To Play Editions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1187205 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Medieval,Traditional. Individua...
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Solo Guitar - Level 3 - SKU: A0.1187205 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Medieval,Traditional. Individual part. 2 pages. Sheet Music To Play Editions #786835. Published by Sheet Music To Play Editions (A0.1187205). Greensleeves for Guitar Solo. With Full Score. Enjoy it!Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580, and the tune is found in several late-16th-century and early-17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$5.99
MBGU Jazz Curriculum: Payin' Your Dues with the Blues
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Guitare
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Jazz
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Jay Umble
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MBGU Jazz Curriculum: Payin' Y
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Ultimaate Source for the Blues and Jazz Guitarists. Composed by Jay Umble. Jazz. E-book and online audio. 152 pages. Published by Mel Bay Publication...
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The Ultimaate Source for the Blues and Jazz Guitarists. Composed by Jay Umble. Jazz. E-book and online audio. 152 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21092BCDEB). - e-book and online audio - Jazz - Mel Bay Publications - Digital Sheet Music
$22.99
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