English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
7
Partitions
Numériques
15
Librairie
Musicale
9
Matériel
de Musique
1 005
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
331
PIANO & CLAVIERS
Piano seul
416
Piano, Voix et Guitare
134
Piano Facile
75
Piano, Voix
66
Orgue
34
1 Piano, 4 mains
25
Instruments en Do
18
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
4
Piano (partie séparée)
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
2 Accordéons
1
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
4 Guitares (Quatuor)
35
Guitare notes et tablatures
29
Paroles et Accords
16
Guitare
15
Ukulele
15
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
5
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Mandoline
1
Banjo
1
Guitare (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
166
Chorale 3 parties
87
Chorale 2 parties
56
Chorale Unison
38
Chorale TTBB
20
Chorale SSAA
13
Voix seule
7
Voix moyenne, Piano
3
Voix Soprano, Piano
2
Chorale
2
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
Voix duo
1
Voix basse, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
42
Flûte traversière
38
Saxophone (partie séparée)
28
Clarinette
26
Quatuor de Saxophones: 4 saxophones
24
Hautbois, Piano (duo)
23
Clarinette et Piano
20
Hautbois (partie séparée)
19
Clarinette (partie séparée)
17
Saxophone Tenor et Piano
16
Saxophone Alto
13
Saxophone Alto et Piano
11
Flûte, Hautbois, Clarinette, Basson
11
Saxophone Soprano et Piano
11
Quatuor de Clarinettes: 4 clarinettes
10
2 Flûtes traversières, Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quatuor de Flûtes : 4 flûtes
6
3 Saxophones (trio)
6
2 Clarinettes, Piano
6
Flute (partie séparée)
5
Ensemble de Clarinettes
4
Flûte, trombone et piano
4
Quintette de Saxophone: 5 saxophones
4
Ensemble de saxophones
4
Flûte, Clarinette, Piano (trio)
4
2 Flûtes traversières (duo)
4
Flûte, Alto et Piano
4
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Clarinette et Basson
3
Quatuor de Flûtes à bec
3
Piccolo
3
Clarinette, trompette et piano
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
2 Clarinettes (duo)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Flûte
2
Flûte, Violon, Piano
2
Saxophone Tenor
2
Saxophone
2
Saxophone Soprano
2
Clarinette, Violon (duo)
2
Flûte à bec Tenor
2
Flûte, Clarinette (duo)
2
Hautbois
2
Flûte, Violon et Violoncelle
2
2 Saxophones (duo)
2
Saxophone Baryton, Piano
2
Flûte, Violon
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Harpe (duo)
2
Saxophone et Orgue
1
Flûte traversière, Basse continue
1
Clarinette Basse
1
Saxophone, Clarinette (duo)
1
Flûte, Basson et Piano
1
Ensemble de Flûtes
1
Hautbois, Harpe
1
Flûte à bec Alto
1
Clarinette, Trompette (duo)
1
Flûte à bec Soprano, Piano
1
Cor anglais, Piano
1
2 Hautbois (duo)
1
Flûte, Violoncelle
1
Flûte à bec Soprano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Trompette (duo)
1
2 Saxophones, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
24
Trompette
22
Trompette (partie séparée)
17
Cor
17
Trombone et Piano
17
Tuba
15
Trombone
15
Trombone (partie séparée)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Cor (partie séparée)
11
Quatuor de Cuivres
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor et Piano
7
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
4
Tuba (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Trompette, Trombone (duo)
2
Ensemble de Trompettes
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Harpe
1
2 Trombones (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Harpe
1
Cor anglais, Piano
1
Instruments en Sib
1
Ensemble de Trombones
1
2 Trompettes (duo)
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CORDES
Violon
41
Violon et Piano
41
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violoncelle (partie séparée)
32
Violoncelle, Piano
27
Alto, Piano
22
Violon (partie séparée)
17
Harpe
15
Alto seul
14
Contre Basse
13
Alto (partie séparée)
12
2 Violons (duo)
10
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle
9
2 Harpes (duo)
7
2 Violoncelles (duo)
6
Contrebasse, Piano (duo)
6
Contrebasse (partie séparée)
5
Trio à cordes: 3 violins
5
Alto, Violoncelle (duo)
4
Violon, Alto (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Violon (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
2 Altos (duo)
2
Harpe, Flûte (duo)
1
Violoncelle, Orgue
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
374
Orchestre à Cordes
89
Cloches
55
Orchestre
24
Batterie
20
Percussion (partie séparée)
14
Orchestre de chambre
11
Ensemble de cuivres
10
Ensemble Jazz
10
Fanfare
3
Percussion
2
Batterie (partie séparée)
1
Timbales (partie séparée)
1
Piano et Orchestre
1
Jazz combo
1
Ensemble de Percussions
1
Marimba, Piano (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Spark
Guitare
Partitions à imprimer
15 partitions trouvées
<
1
Sparklers
Guitare
Guitar - Digital Download SKU: S9.Q46965 From: Crossover Preludes. Composed …
(+)
Guitar - Digital Download SKU: S9.Q46965 From: Crossover Preludes. Composed by Bertrand Groeger. Downloadable. Schott Music - Digital #Q46965. Published by Schott Music - Digital (S9.Q46965).
$2.99
2.76 €
#
Guitare
#
Bertrand Groeger
#
Sparklers
#
Schott Music - Digital
#
SheetMusicPlus
Neshamah
Guitare
By Tim Sparks. For Guitar (Fingerpicking). Jewish. 160 pages. Published by Mel Bay Publica…
(+)
By Tim Sparks. For Guitar (Fingerpicking). Jewish. 160 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740993. Transcriptions from Neshamah, Tim Sparks's ground-breaking recording for Tzadik Records of traditional Jewish melodies arranged for solo guitar. Neshamah is a Hebrew word meaning "soul," and in these soulful pieces, Sparks explores the music of the Jewish Diaspora, from the Caucasus to the Carpathians, from the Black Sea to Bosnia, from Jerusalem, Istanbul, Sarajevo, to New York's Lower East Side. Using a unique blend of bluesy string bends, jazz harmony and middle-eastern scales, he sheds new light on these tunes through the prism of fingerstyle guitar. Neshamah received wide critical acclaim in many publications around the world, including Fingerstyle Guitar, Acoustic Guitar, Guitar Player, Akustik Gitarre, Acoustic Guitar Japan, Dirty Linen, The Wall Street Journal, CDNOW, All Music Guide and the Amazon.com Editor's Top 100 CDs of 1999. The entire recording has been transcribed here, including an appendix with the complete solos. Several of the arrangements are accessible to intermediate level players while some are better suited to the advanced player. Some of these transcriptions are slightly different than the CD recorded versions and reflect how the composition is currently played by Tim and are notated as such in the Performance Notes.
$24.99
23.04 €
#
Guitare
#
Tim Sparks
#
Neshamah
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Sparks Fly
Guitare
By Taylor Swift. Country; Pop. Easy Guitar. 5 pages. Published by Hal Leonard - Digital Sh…
(+)
By Taylor Swift. Country; Pop. Easy Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.76 €
#
Guitare
#
Taylor Swift
#
Pop
#
Sparks Fly
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
La Paloma - Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.721507 Composed by Yradier, Sebast…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.721507 Composed by Yradier, Sebastian. Arranged by Anne L Christopherson GRSM ARCM. Concert,Latin,Wedding. Individual part. 2 pages. Music-Scores.com #4715641. Published by Music-Scores.com (A0.721507). La Paloma, composed after a visit by the composer to Cuba. Later in Spain and Mexico La Paloma became so popular, it sparked off a huge Habanera craze. This is for guitar.Duration: Approx. 2 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$1.99
1.83 €
#
Guitare
#
Yradier, Sebastian
#
La Paloma - Guitar
#
Music-Scores.com
#
SheetMusicPlus
Fantasy on a Mozart Theme
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Cl…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
4.61 €
#
Guitare
#
Rod Whittle
#
for solo classical guitar
#
Fantasy on a Mozart Theme
#
Maggie Creek Music
#
SheetMusicPlus
Auld Lang Syne
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1149216 By Traditional Scottish Me…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1149216 By Traditional Scottish Melody. By Traditional Scottish Melody. Arranged by Erik Gibelyou. Celtic,Christmas,Classical,Folk,Holiday,Irish. Individual part. 1 pages. Erik Gibelyou #749349. Published by Erik Gibelyou (A0.1149216). The Scottish popular song “Auld Lang Syne†has long been associated with bidding farewell to the old year on New Year’s Eve. This arrangement for solo guitar beautifully captures the nostalgic and sentimental qualities of the melody while providing an original and guitaristic accompaniment, complete with a few sparkling harmonics and evocative turns of harmony. Intermediate difficulty with some right-hand harmonics. Arranged by Erik Gibelyou, who holds a Doctor of Musical Arts degree in classical guitar performance from the Eastman School of Music.
$3.99
3.68 €
#
Guitare
#
Traditional Scottish Melody
#
Erik Gibelyou
#
Auld Lang Syne
#
Erik Gibelyou
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Lake Side Bagatelle
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1197346 Composed by Doug Smith. 20…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1197346 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #796511. Published by Doug Smith Guitar Studio (A0.1197346). Lakeside Bagatell, Minneapolis Music Series offers a mood of relaxation, like floating over the waves in a gently rocking rowboat looking out over sparkling lake waters and feeling the breeze in one’s face. Just relax for a moment and kick back and give thanks.
$3.99
3.68 €
#
Guitare
#
Doug Smith
#
Lake Side Bagatelle
#
Doug Smith Guitar Studio
#
SheetMusicPlus
The Spark of Creation (from Children of Eden) - Guitar
Guitare
By Stephen Schwartz. Arranged by Mac Huff. For Guitar (Combo). Combo. Broadway; Concert; G…
(+)
By Stephen Schwartz. Arranged by Mac Huff. For Guitar (Combo). Combo. Broadway; Concert; Graduation; Inspirational; Sacred. EPak. 2 pages. Duration 2:20. Published by Hal Leonard - Digital Sheet Music
$7.00
6.45 €
#
Guitare
#
Stephen Schwartz
#
Mac Huff
#
Concert
#
The Spark of Creation
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
No Air - Guitar
Guitare
By Chris Brown, Jordin Sparks, and Glee Cast. By Damon Thomas, Harvey Mason, Jr., Steven R…
(+)
By Chris Brown, Jordin Sparks, and Glee Cast. By Damon Thomas, Harvey Mason, Jr., Steven Russell, Erik Griggs, and James Fauntleroy II. Edited by Alan Billingsley. Arranged by Tim Davis and Adam Anders. For Guitar (Rhythm). Rhythm. Concert; Pop. EPak. 1 pages. Duration 4:00. Published by Hal Leonard - Digital Sheet Music
$7.00
6.45 €
#
Guitare
#
Chris Brown, Jordin Sparks, and Glee Cast
#
Tim Davis and Adam Anders
#
Pop
#
No Air - Guitar
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Fiddle Tunes and Irish Music for Guitar
Guitare
By Dan Gelo. For Guitar (Flatpicking). Celtic/Irish. 136 pages. Published by Mel Bay Publi…
(+)
By Dan Gelo. For Guitar (Flatpicking). Celtic/Irish. 136 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610654548. A sparkling, comprehensive collection of 75 lively flatpicking guitar "fiddle tunes"! Beginning with 18 pages of introductory, performance and tutorial notes. The all-Irish titles are presented in sections: reels, strathspeys, breakdowns, hornpipes, jigs, slip- jigs, set dances, airs and waltzes. All tunes are written as single-line melodies for flat-picked guitar chords over the staff. Additional notes and references, plus a discography are included at the end. Tunes from the book are derived from different cultures. The split-track audio recording includes Dan Gelo's teaching on the various techniques. Includes access to online audio.
$19.99
18.43 €
#
Guitare
#
Dan Gelo
#
Fiddle Tunes and Irish Music for Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
