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FLUTE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Non classifié
158
PIANO & CLAVIERS
Piano seul
304
Piano Facile
119
1 Piano, 4 mains
22
Piano, Voix
11
Accompagnement Piano
11
Orgue
4
Clavecin
3
2 Pianos, 4 mains
2
Instruments en Do
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
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GUITARES
Guitare
11
Basse electrique
5
Guitare notes et tablatures
4
Ukulele
1
3 Guitares (trio)
1
VOIX
Chorale 2 parties
16
Chorale Unison
16
Chorale SATB
12
Chorale 3 parties
4
Chorale SSAA
4
Chorale TTBB
2
Voix haute
1
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VENTS
Quatuor de Clarinettes: 4 clarinettes
18
2 Saxophones (duo)
12
Ensemble de Flûtes
11
2 Clarinettes (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière
10
Ensemble de Clarinettes
9
Flûte traversière et Piano
7
Quatuor de Saxophones: 4 saxophones
7
Hautbois, Piano (duo)
7
Clarinette
6
Saxophone Alto et Piano
5
2 Flûtes traversières (duo)
5
3 Clarinettes (trio)
5
Flûte, Hautbois, Clarinette, Basson
5
Saxophone (partie séparée)
4
Saxophone Tenor et Piano
4
Trio de Flûtes: 3 flûtes
4
Saxophone, Clarinette (duo)
3
Clarinette (partie séparée)
3
Saxophone Alto
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois (partie séparée)
3
Ensemble de saxophones
3
Clarinette et Piano
3
Flûte, Saxophone (duo)
2
Flûte, Alto et Violoncelle
2
Saxophone Baryton, Piano
2
Flûte, Clarinette et Basson
2
Clarinette, Trompette (duo)
2
Saxophone Soprano et Piano
2
Saxophone Tenor
2
Clarinette, Violon (duo)
2
Flûte, Clarinette (duo)
2
Flute (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûte à bec (duo)
1
Flûte traversière, Orchestre
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Flûte de Pan
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Trombone (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Alto (duo)
1
Flûte, Violon
1
Flûte, Basson et Piano
1
Hautbois, Basson (duo)
1
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CUIVRES
Trombone et Piano
7
Trompette, Piano
7
Trompette
4
Tuba
3
Cor et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette (partie séparée)
3
Tuba et Piano
3
Trombone basse
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone
2
Cor
2
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Euphonium, Piano (duo)
2
Cor (partie séparée)
1
Trombone (partie séparée)
1
Quatuor de Cuivres
1
Tuba (partie séparée)
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Instrumentations suivantes
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CORDES
Violon
31
Quatuor à cordes: 2 violons, alto, violoncelle
21
Trio à Cordes: violon, alto, violoncelle
15
Violon et Piano
15
Violon (partie séparée)
14
2 Violons (duo)
9
Violoncelle, Piano
8
Alto, Piano
7
Violon, Violoncelle (duo)
6
Alto (partie séparée)
6
Violoncelle
6
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
4
Harpe
4
Contre Basse
3
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
2 Altos (duo)
2
Trio à Cordes: 2 violons, alto
2
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
2 Violoncelles (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
99
Orchestre à Cordes
74
Cloches
39
Orchestre
13
Ensemble de cuivres
8
Orchestre de chambre
3
Ensemble Jazz
2
Fanfare
2
Vibraphone
1
Percussion (partie séparée)
1
2 Xylophones
1
Instrumentations suivantes
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AUTRES
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Staccato.
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Partitions à imprimer
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Les 100 de Roland Dyens - staccatOstinato
Guitare
Guitare seule - Intermediaire - Digital Download Composed by Roland Dyens (1955-). Sc…
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Guitare seule - Intermediaire - Digital Download Composed by Roland Dyens (1955-). Score. 4 pages. Les Productions d'OZ - Digital #DZ 1920. Published by Les Productions d'OZ - Digital
$3.95
3.61 €
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Guitare
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Roland Dyens (1955-)
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Les 100 de Roland Dyens - staccatOstinato
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Les Productions d'OZ - Digital
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SheetMusicPlus
Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.56 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
À vos guitares, prêts, jouez! Vol. 4
Guitare
This fourth booklet is dedicated to ensemble playing through five trios and three quartets…
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List: 1. Songe d'une nuit de printemps 2. Nostalgie 3. Tres guitarras 4. Jeu froid (étude rock) 5. Le dernier souffle 6. Manhattan 7. Baile de la passion 8. Corsaires 9. Cerisier Japonais
Song List
:
1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (étude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95
9.1 €
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Guitare
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À vos guitares, prêts, jouez! Vol. 4
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SheetMusicPlus
Tourbillon d?âmes I et II
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4267 Composed by José-Luis N…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4267 Composed by José-Luis Narvaez. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4267. Published by Les Productions d'OZ - Digital (ZZ.DZ-4267). «Tourbillon d'âmes I» est un éloge à la danse, avec ses notes staccato qui font penser au «tourbillon» mécanique de l'horloge.Le Tourbillon II, plus développé avec son rythme 6/8, invite à la danse amoureuse, à la fuite du temps...Ces Tourbillons d'âmes sont dédiés à la personne qui les a inspirés.Tourbillon d'âmes I is a eulogy to dance, with its staccato notes which are reminiscent of the mechanical whirlwind of the clock.The Tourbillon II, more developed with its 6/8 rhythm, invites you to a love dance, to escape time...These Soul Swirls are dedicated to the person who inspired them.
$5.95
5.44 €
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Guitare
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José-Luis Narvaez
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Tourbillon d?âmes I et II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Eleanor Rigby
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1392780 By David Cook. By John Len…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1392780 By David Cook. By John Lennon and Paul McCartney. Arranged by Richard Charlton. Pop. Individual part. 1 pages. Richard Charlton #976301. Published by Richard Charlton (A0.1392780). Advanced RH articulation - staccato thumb with legato fingers.
$4.99
4.56 €
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Guitare
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David Cook
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Richard Charlton
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Eleanor Rigby
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Richard Charlton
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SheetMusicPlus
Scoring The Blues
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1313078 Composed by Timothy Royal.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1313078 Composed by Timothy Royal. 21st Century,Blues,Classical. Individual part. 18 pages. Guitaroffice #901914. Published by guitaroffice (A0.1313078). Scoring the Blues by Timothy RoyalThe book is titled ‘Blues’ although one of the pieces may be close to the rock genre.My first Blues book was titled 5 Blues for Classical Guitar (Hampton Music Publishers). ‘Blues No.1’ from that book became popular in the Trinity College of Music Exam Syllabus (Grade Three) for a number of years and to this day is very popular on You Tube. The pieces herein are intended as a follow up to that book.Much time has been spent deliberating the tempo, dynamics and interpretation of these pieces with (note bending, staccato riffs etc). In the end much of these skills must be down to the players’ unique idea of groove.The last two bars of ‘Drum’ may initially present a challenge, however isolating them and with slow practice, you’ll win!
$8.99
8.22 €
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Guitare
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Timothy Royal
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Scoring The Blues
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guitaroffice
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SheetMusicPlus
Opus 97 - Arietta - mp3
Guitare
Guitar - Digital Download SKU: A0.1064640 Composed by Theodore Lack. Arranged by Jo…
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Guitar - Digital Download SKU: A0.1064640 Composed by Theodore Lack. Arranged by John Trie. 20th Century,Baroque,Classical,Renaissance,Romantic Period. Full Performance. Duration 148. John Trie #36645. Published by john Trie (A0.1064640). Opus 97 - Arietta by Theodore Lack. Staccato melody. Guitar arrangement by John Trie.
$2.19
2 €
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Guitare
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Theodore Lack
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John Trie
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Opus 97 - Arietta - mp3
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john Trie
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SheetMusicPlus
Pony Ride
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1163359 Composed by Doug Smith. Ch…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1163359 Composed by Doug Smith. Children,Classical,Folk,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #763710. Published by Doug Smith Guitar Studio (A0.1163359). Pony Ride is in the first and second positions. The piece features strumming chords in ther first positon with the index finger, and a melody in the sefonds postion that uses slurs and staccato.
$1.99
1.82 €
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Guitare
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Doug Smith
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Pony Ride
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Doug Smith Guitar Studio
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SheetMusicPlus
Slow Burn
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1168889 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1168889 Composed by Doug Smith. 20th Century,Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #769227. Published by Doug Smith Guitar Studio (A0.1168889). Slow Burn is classic jazz swing music. Swing all eighth notes. There are harmonized melodic lines, chord glissandos and slurs with left hand fingers. The range of notes used includes passages up to the 12th fret on several strings. Dynamics and staccato articulations help provide style.
$1.99
1.82 €
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Guitare
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Doug Smith
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Slow Burn
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Doug Smith Guitar Studio
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SheetMusicPlus
Selected Guitar Solos, Volume 3
Guitare
By Jorge Morel. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publicatio…
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By Jorge Morel. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740689. This third volume of classic guitar pieces presents five more solos by the masterful Argentine teacher and performer, Jorge Morel. Includes 'Staccato Dance', a motoric piece dedicated to Mel Bay Publications president Bill Bay. Written in standard notation only with generous left-hand fingering suggestions. Recommended for the intermediate to advanced guitarist.ISBN 9781609740689. This third volume of classic guitar pieces presents five more solos by the masterful Argentine teacher and performer, Jorge Morel. Includes 'Staccato Dance', a motoric piece dedicated to Mel Bay Publications president Bill Bay. Written in standard notation only with generous left-hand fingering suggestions. Recommended for the intermediate to advanced guitarist.
$12.99
11.88 €
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Guitare
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Jorge Morel
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Selected Guitar Solos, Volume 3
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure. There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.71 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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SheetMusicPlus
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