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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Star Ship - Tuba
Non classifié
365
Piano & claviers
Piano, Voix
933
Piano seul
423
Piano, Voix et Guitare
102
Piano Facile
71
Orgue
36
Accompagnement Piano
29
Instruments en Do
18
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
7
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano grosses notes
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Ligne De Mélodie, Piano
1
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Ukulele
22
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
11
Guitare
8
2 Guitares (duo)
6
Basse electrique
4
Paroles et Accords
4
Mandoline
4
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
439
Chorale 3 parties
64
Chorale 2 parties
33
Chorale TTBB
21
Chorale Unison
17
Pack Instrumental pour Chorale
13
Chorale SSAA
12
Voix duo, Piano
7
Voix duo
4
Voix haute
3
Voix Alto, Piano
2
Chorale SSATTB
1
Chorale SSAB a cappella
1
Voix moyenne, Piano
1
Voix seule
1
Chorale SSATB
1
+ 11 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
25
Flûte, Hautbois, Clarinette, Basson
25
Flûte traversière et Piano
21
Flûte traversière
19
Saxophone Alto
19
Clarinette et Piano
19
Saxophone Tenor et Piano
17
Saxophone Alto et Piano
16
Clarinette
15
Saxophone Tenor
15
Saxophone (partie séparée)
15
Hautbois, Piano (duo)
14
2 Saxophones (duo)
14
Clarinette (partie séparée)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Soprano et Piano
11
3 Saxophones (trio)
10
2 Clarinettes (duo)
10
2 Flûtes traversières (duo)
10
Flûte, Clarinette (duo)
9
Quintette de Saxophone: 5 saxophones
9
2 Flûte à bec (duo)
8
Quatuor de Clarinettes: 4 clarinettes
8
3 Clarinettes (trio)
7
Flute (partie séparée)
6
Flûte, Clarinette et Basson
5
Hautbois
5
Flûte à bec Soprano
5
Ensemble de Clarinettes
4
Hautbois, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Violon et Violoncelle
4
Hautbois (partie séparée)
4
2 Hautbois (duo)
4
Flûte, Violon, Piano
3
Clarinette, Violon (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, trombone et piano
2
Flûte, Hautbois (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, alto et harpe
2
2 Flûtes traversières, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone Soprano
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Alto, Piano
2
Ensemble de Flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon, Violoncelle et Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Alto et Piano
1
Ensemble de saxophones
1
Flûte, Violoncelle
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle
1
Flûte, Violon
1
Flûte, Alto (duo)
1
Flûte à bec Alto
1
Flûte à Bec
1
Clarinette, trompette et piano
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Flûte, Basson et Piano
1
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Hautbois, Basson (duo)
1
+ 63 instrumentations
Retracter
Cuivres
Trompette, Piano
22
Trombone et Piano
21
Trompette
18
Trombone
15
Cor
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor et Piano
10
Trompette (partie séparée)
9
Trombone (partie séparée)
8
Trompette, Trombone (duo)
8
2 Trompettes (duo)
8
Trompette, Cor (duo)
7
2 Trombones (duo)
7
Cor (partie séparée)
6
2 Cors (duo)
6
Ensemble de Trombones
2
Euphonium (partie séparée)
2
Cornet A Pistons
2
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Tuba ou Euphonium ou Saxhorn
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
63
Violon et Piano
40
Violon
22
Alto, Piano
20
2 Violons (duo)
19
Alto seul
18
Violoncelle, Piano
18
Violon, Violoncelle (duo)
17
Violoncelle
16
2 Violoncelles (duo)
12
Harpe
11
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Piano Trio: Violon, Alto, Piano
7
2 Altos (duo)
7
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contre Basse
2
Quatuor à cordes: 4 violons
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
Alto (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
49
Cloches
31
Orchestre
16
Orchestre à Cordes
12
Ensemble de cuivres
9
Ensemble Jazz
7
Orchestre de chambre
5
Batterie
5
Fanfare
4
Percussion
3
Jazz combo
3
Timbales (partie séparée)
2
Percussion (partie séparée)
2
Ensemble de Percussions
1
Xylophone
1
+ 10 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
Ventes
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Nouveautes
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difficulté (tous)
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Crtitères actifs :
Star Ship - Tuba
Guitare
Partitions à imprimer
8 partitions trouvées
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1
Brand New Start
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Guitare
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Musique Sacrée
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Mark Greer
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Brand New Start
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The CHOSEN Company, LLC
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SheetMusicPlus
Solo Guitar - SKU: A0.980812 Composed by Mark Greer. Children,Christian,Praise & Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, LLC #5022...
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Solo Guitar - SKU: A0.980812 Composed by Mark Greer. Children,Christian,Praise & Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, LLC #5022633. Published by The CHOSEN Company, LLC (A0.980812). Happy, upbeat children's song about God and sharing. Also good for congregation. Hand motion choreography would also work well.
$3.99
Sons De Carrilhoes
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Guitare
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FACILE
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Joao Teixeira Guimaraes
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André Alberto Santos
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Sons De Carrilhoes
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Soul - Musical Creations
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1227037 Composed by Joao Teixeira Guimaraes. Arranged by André Alberto Santos. 20th Century,Early Music,Folk,Latin,Mu...
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Solo Guitar - Level 2 - SKU: A0.1227037 Composed by Joao Teixeira Guimaraes. Arranged by André Alberto Santos. 20th Century,Early Music,Folk,Latin,Multicultural,World. Individual part. 3 pages. Soul - Musical Creations #823045. Published by Soul - Musical Creations (A0.1227037). Are you a guitarist looking for new and exciting music to add to your repertoire? Look no further, João Pernambuco's Sons de Carrilhões is an iconic piece and a must-learn for any guitarist.With our PDF sheet music, you can easily access and study this masterpiece from the comfort of your own home. No need to scour music stores or wait for it to ship, just download and start playing today.Sons de Carrilhões is not only a joy to listen to, but also a great challenge for guitarists of all skill levels. Its melody and dynamic rhythm will push you to improve your technique and musicianship.And with our high-quality sheet music, you can be sure you're getting an accurate representation of the original piece. Our PDF is carefully transcribed and edited, so you can play with confidence and accuracy.Don't miss the opportunity to add Sons de Carrilhões to your guitar repertoire. Download our sheet music in PDF today and start mastering this beautiful Brazilian classic.
$4.99
Christmas and Carols to download for guitar solo
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Guitare
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FACILE
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Noël
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wence...
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing ,jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, Greensleeves, greensleaves, jesu joy of man desiring, green sleeves, greensleves, the first noel,o holy night,o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas,etc.,no.1,no.2,no.3,douce nuit, sainte nuit,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$14.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Go Tell It On The Moment For Guitar
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Guitare
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Traditional
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Neal Fitzpatrick
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Go Tell It On The Moment For G
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - SKU: A0.955323 Composed by Traditional. Arranged by Neal Fitzpatrick. Christian,Christmas,Folk,Praise & Worship,Spiritual. Individual part...
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Solo Guitar - SKU: A0.955323 Composed by Traditional. Arranged by Neal Fitzpatrick. Christian,Christmas,Folk,Praise & Worship,Spiritual. Individual part. 2 pages. Neal Fitzpatrick Editions #4995077. Published by Neal Fitzpatrick Editions (A0.955323). This arrangement of Go Tell It On The Moment is for solo guitar. This is a beginner to intermediate level finger style edition in standard notation with accompanying tablature. This can be a great piece for getting started with finger style playing or as a holiday addition to more advanced players repertoire. This arrangement is in the key of C Major.
$2.99
I Surrender All
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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J
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Janderson Gomes
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I Surrender All
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JANDERSON GOMES DA SILVA
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1130420 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Historic,Praise ...
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Solo Guitar - Level 3 - SKU: A0.1130420 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Historic,Praise & Worship,Religious. Individual part. 5 pages. JANDERSON GOMES DA SILVA #730783. Published by JANDERSON GOMES DA SILVA (A0.1130420). The traditional Christian hymn “I Surrender All†in an arrangement for solo guitar combining elements of classical music and dissonant chords. The arrangement was created freely according to the arranger's sensibility and instrumental experience. This material is mainly indicated for guitarists starting from the middle level that contemplate the basic techniques of scales and arpeggios.
$1.99
The William Bay Collection - Flatpicking Guitar Solo Anthology #1
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Guitare
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INTERMÉDIAIRE
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The William Bay Collection - F
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM76MEB Country. Ebook and online audio. 193 pages. Mel Bay Publications - Digital Sheet Music #WBM76MEB. Published by ...
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Guitar - Intermediate - SKU: M0.WBM76MEB Country. Ebook and online audio. 193 pages. Mel Bay Publications - Digital Sheet Music #WBM76MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM76MEB). ISBN 9781513476452. 8.75x11.75 inches.This comprehensive book contains the solos found in five William Bay guitar solo collections.á The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes.á Also included are numerous original guitar solos.á All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature.
Song List
: 5th Avenue Swing Ain't Gonna Work Tomorrow American Hornpipe An Comhra Donn Angels Rock Me To Sleep Bacon In The Skillet Balkan Sunset Barney's Goat Bennett's Favorite Reel Bill Cheathum Billy in the Lowground Black And White Rag Blackberry Blossom Blanchard's Hornpipe Bluesin' the Frets Bottom of Punch Bowl Hornpipe Brian Boru's March Brighton Beach Bring Back to Me My Wandering Boy Brunswick Dance Brush Creek Bumpin' Buster's Reel Buttermilk Jig Caleb's Gorge Cape Cod Reel Carolan's Draught Carrie's Dream Catawissa Reel Catskill Night Cold, Frosty Morning Coldwater Creek Collin's Quest Copthorne Blues Crazy Creek Cumberland Gap Cumberland Ridge D Lite Days Of 'Lang Syne Devil's Dream Dixie Breakdown Don't Go Out Tonight, My Darling/East Virginia Down In The Willow Garden Dublin Dance East Tennessee Blues Echo Canyon Echo Waltz Eighth Of January Eleven Mile Canyon Em Study Fair And Tender Ladies Far From Home Gladiator Reel Green Fields Of America Guster Halloween Harvest Moon Strathspey Haste to the Wedding Haul Away, Joe Heebie Jeebie Hens In The Kitchen High Barbaree High five Hills of Roane County Hooker's Hornpipe I Never Will Marry I'll Be All Smiles Tonight Indian Creek Isle Of Cumbrae Ivy Leaf Reel Jacks Fork Rendezvous Jackson's Jig Katy Trail Kitchen Girl Lady's Fancy Lark in the Morning League Reel Little House 'Round the Corner London Hornpipe Lonesome River Lost Indian Luckie Bawdin's Reel Maddie's Bonnet Martha's Cider Mere Point Midnight Flight Mississippi Basin Missouri Mud Molambe Morrison's Jig National Lancer's Hornpipe Neapolitan Threshers Night Voyage North Sea Obadiah Johnson Peeler Creek Waltz Powder Mill Raqad Red Fox Waltz Red Haired Boy Reel De Lapin Rickett's Hornpipe Roll On Buddy Sally In The Garden Shannon's Well Ships Are Sailing Reel Short Life Of Trouble Shuckin' The Corn Sidney Street Silver Bell Silverheel's Shuffle Song Soppin' The Gravy Soulard St Anne's Reel St Clair's Hornpipe Star Of Bethlehem Step Around Johnny Stepping Out Stone's Rag Storms Are On The Ocean Suffolk Stroll Sugar In The Gourd Sundance Swallowtail Jig Sweet Lillie Sweet Sunny South Swing LTD Swing Steppin' The Burning Of The Piper's Hut The Clergy's Lamentation The Cuckoo The Downfall Of Paris The Girl I Loved in Sunny Tennessee The Promenade The Rights Of Man The Teetotaller's Reel The Unfortunate Rake The Wild Mare Whiskey Before Breakfast Wilson's Hornpipe Witch Of The Wave Reel Young McGoldrick
$24.99
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Star Ship - Tuba
