Partitions Numériques de Still Into You pour Guitare

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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 77 Piano Facile 30 Piano, Voix 16 Piano, Voix et Guitare 11 Instruments en Do 3

Orgue 3 Accompagnement Piano 2 Piano Quintette: piano, 2 violons, alto, violoncelle 1 Piano Trio: piano, violon, violoncelle 1 1 Piano, 4 mains 1

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GUITARES

Guitare notes et tablatures 6 Basse electrique 4 Guitare 3 Ukulele 2 Dulcimer 1

Mandoline 1

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VOIX

Chorale SATB 23 Chorale 2 parties 9 Chorale 3 parties 9 Chorale TTBB 5 Voix duo, Piano 4

Chorale SSAA 4 Chorale Unison 2 Voix Alto, Piano 1 Chorale SSATTB 1

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VENTS

2 Saxophones (duo) 5 Quintette de Saxophone: 5 saxophones 5 Ensemble de saxophones 4 2 Clarinettes (duo) 4 Saxophone, Clarinette (duo) 3

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3 Quatuor de Saxophones: 4 saxophones 2 Clarinette, Trompette (duo) 2 Flûte traversière et Piano 2 Flûte, Hautbois, Clarinette, Basson 2 Clarinette, Violon (duo) 2 Saxophone Soprano et Piano 2 Ensemble de Clarinettes 2 Flûte, Violon 2 2 Flûtes traversières (duo) 2 Ensemble de Flûtes 2 Clarinette et Alto 1 Quatuor de Clarinettes: 4 clarinettes 1 Hautbois, Basson (duo) 1 Saxophone Baryton, Piano 1 Hautbois, Flûte 1 Saxophone Alto et Piano 1 2 Hautbois (duo) 1 Hautbois (partie séparée) 1 Clarinette, Guitare (duo) 1 Clarinette et Piano 1 Flute (partie séparée) 1 Flûte, Trompette (duo) 1 Saxophone Tenor et Piano 1 Quintette de Flûte : 5 flûtes 1 Flûte, Saxophone (duo) 1 Flûte, Alto (duo) 1 Flûte, Clarinette (duo) 1 Hautbois, Clarinette (duo) 1 Quintette de Clarinettes: 5 clarinettes 1 Hautbois, Piano (duo) 1

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CUIVRES

Trombone et Piano 14 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 8 Quatuor de Cuivres : 2 trompettes, trombone, tuba 7 Quatuor de Cuivres: 2 trompettes, Cor, trombone 4 2 Trombones (duo) 3

2 Trompettes (duo) 3 Trompette, Piano 2 Ensemble de Trombones 2 Trompette, Saxophone (duo) 2 Trombone basse et Piano 1 Trompette, Trombone (duo) 1 Quatuor de Cuivres 1 Cor et Piano 1 2 Cors (duo) 1 Trompette 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 12 Trio à Cordes: violon, alto, violoncelle 5 Violon et Piano 4 Harpe 4 Violon 3

2 Violoncelles (duo) 3 Violon (partie séparée) 2 Alto (partie séparée) 2 Trio à Cordes: 2 violons, violoncelle 2 Violon, Violoncelle (duo) 2 Alto, Piano 1 2 Violons (duo) 1 Violoncelle (partie séparée) 1 Violon, Guitare (duo) 1 Ensemble d'Altos 1 Ensemble de Violons 1 Violoncelle, Piano 1 Violoncelle 1 Violon, Alto (duo) 1 2 Altos (duo) 1

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PERCUSSIONS & ORCHESTRES

Fanfare 47 Orchestre d'harmonie 38 Orchestre à Cordes 14 Orchestre de chambre 7 Orchestre 6

Ensemble Jazz 4 Ensemble de cuivres 3 Ensemble de Percussions 2 Jazz combo 2 Ensemble d'École 1 Percussion (partie séparée) 1 Cloches 1

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AUTRES

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Still Into You

Guitare

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3 partitions trouvées

I Still Call Australia Home

Guitare

Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arrang…(+)

Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional,World. 31 pages. Milhomusic #942151. Published by Milhomusic (A0.1357622). I Still Call Australia Home - A Captivating Musical Journey for Choir and Guitar Orchestra by Rafael MilhomemIt is with immense pride that we present the sheet music for Rafael Milhomem's vibrant and passionate arrangement of Peter Allen's iconic I Still Call Australia Home. This brilliant work is a musical celebration of Australia, transforming Allen's timeless melody into a unique experience for choir and guitar orchestra.Arrangement Highlights:Celebrating Australian Identity: Milhomem's arrangement captures the essence of the original song, enriching it with emotional nuances and a distinctive touch, creating an atmosphere that resonates with the Australian soul.Captivating Interaction between Choir and Guitar Orchestra: The sheet music highlights a magical fusion of angelic voices and the vibrant strings of guitars, resulting in an engaging and memorable sonic experience.Eclectic Structure: Milhomem's ability to blend classical and contemporary elements provides a unique and emotionally rich interpretation of the piece, suitable for a variety of musical contexts.About the Arranger: Renowned for his passionate performances and innovative arrangements, Rafael Milhomem has invested his meticulous craftsmanship and passion into this creation. His artistic vision and technical prowess shine through, elevating the musical experience to new heights.Technical Information:Instrumentation: Choir and Guitar OrchestraApproximate Duration: [2Â´11Â´Â´]Experience the Australian Musical Magic: By acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience. Contact us for more details on how to make this captivating work part of your repertoire.We appreciate your consideration and look forward to contributing to the elevation of your musical expression.Check out another sheet music by Rafael Milhomem!!!#Classicalguitar #Guitarorquestra #guitarquartet #Guitarensemble #Choirandguitar #Childorchestra #Choir.

$8.00 7.34 € #Guitare #acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience #Peter Allen #Rafael Milhomem #I Still Call Australia Home #Milhomusic #SheetMusicPlus

Prelude No 4 in Em (Fire In The Sky)

Guitare

Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. C…(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published by DML (A0.1189647). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarregaâ€™s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarregaâ€™s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces.Â This Prelude is based on the use of thirds and sixths on the guitar. These intervals are the easiest to play on guitar and the sweetest sounding though they can still be used dramatically as in this work. The middle section, or B section if you prefer, uses chords with dissonance built into the chord shape and which are also not too difficult to play.

$2.99 2.74 € #Guitare #Simon James #Prelude No 4 in Em #DML #SheetMusicPlus

Unusual Studies

Guitare

Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…(+)

Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still. During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties. That is how the collection «Unusual Studies» appeared. What is their «singularity»? The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training. When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio). - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training. - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio. - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort . - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing. I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure. There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still. During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties. That is how the collection «Unusual Studies» appeared. What is their «singularity»? The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training. When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio). - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training. - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio. - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort . - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing. I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.

$15.00 13.76 € #Guitare #Oleg Boyko #Unusual Studies #Oleg Boyko #SheetMusicPlus