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ACCORDEON
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Piano seul
404
Piano Facile
188
Piano, Voix
122
Piano, Voix et Guitare
107
Accompagnement Piano
32
Instruments en Do
30
Orgue
22
1 Piano, 4 mains
13
2 Pianos, 4 mains
9
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano (partie séparée)
7
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
2
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GUITARES
Guitare notes et tablatures
76
Guitare
37
Ligne De Mélodie, (Paroles) et Accords
23
Guitare (partie séparée)
12
Ukulele
9
Paroles et Accords
8
Basse electrique
7
Piano, Guitare (duo)
7
2 Guitares (duo)
6
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Dulcimer
1
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1
Ukulele Baryton
1
Banjo
1
Mandoline
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
231
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58
Chorale 3 parties
54
Chorale 2 parties
47
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29
Voix moyenne, Piano
12
Voix duo
11
Voix seule
10
Chorale Unison
10
Voix duo, Piano
7
Voix basse, Piano
6
Voix haute
6
Voix Soprano, Piano
5
Chorale SSATTB
5
Chorale SSAATTBB
1
Voix basse
1
Voix Tenor
1
Chorale
1
Soli, choeur mixte et accompagnement
1
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VENTS
Quatuor de Saxophones: 4 saxophones
212
Saxophone (partie séparée)
122
Saxophone Alto et Piano
111
Flûte, Hautbois, Clarinette, Basson
67
Saxophone Tenor et Piano
64
Saxophone Soprano et Piano
62
2 Saxophones (duo)
57
Flûte traversière et Piano
56
Quintette de Saxophone: 5 saxophones
42
Hautbois, Piano (duo)
42
Clarinette et Piano
41
2 Flûtes traversières (duo)
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Saxophone Alto
37
3 Saxophones (trio)
37
Clarinette
36
Saxophone
31
Ensemble de saxophones
23
Flûte traversière
22
Quatuor de Clarinettes: 4 clarinettes
22
Saxophone Baryton, Piano
21
2 Clarinettes (duo)
21
Ensemble de Flûtes
20
Hautbois (partie séparée)
18
Ensemble de Clarinettes
17
Saxophone, Clarinette (duo)
14
Quatuor de Flûtes : 4 flûtes
14
Quatuor de Flûtes à bec
10
Flûte, Clarinette (duo)
10
Clarinette, Trompette (duo)
9
Clarinette, Violon (duo)
9
Saxophone Tenor
9
Clarinette (partie séparée)
9
Cor anglais, Piano
9
Hautbois, Basson (duo)
8
Flute (partie séparée)
8
Flûte, Saxophone (duo)
7
Trio de Flûtes: 3 flûtes
6
2 Hautbois (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Flûte
5
3 Clarinettes (trio)
5
Flûte, Violon
5
Hautbois, Clarinette (duo)
5
Clarinette Basse, Piano
5
Flûte, Alto (duo)
4
Flûte, Trompette (duo)
4
Clarinette et Alto
4
Flûte à bec Soprano
4
Clarinette, Violoncelle (duo)
3
Ensemble à vent
3
Flûte, Hautbois, Clarinette (trio)
3
Flute, harpe et violon
3
Flûte et Guitare
3
Piccolo, Piano
2
Clarinette, Harpe (duo)
2
Clarinette, Basson (duo)
2
Flûte à bec Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Violoncelle
2
2 Clarinettes, Piano
1
Instruments en Mib
1
Flûte à Bec
1
Cor anglais, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Flûtes à bec (trio)
1
Saxophone et Orgue
1
5 Flûtes à bec
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Harmonica
1
Flûte, Trombone (duo)
1
Ensemble De Flûte à bec
1
3 Hautbois
1
2 Clarinettes, Basson
1
2 Flûte à bec (duo)
1
Saxophone Soprano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
127
Quatuor de Cuivres : 2 trompettes, trombone, tuba
119
Trombone et Piano
81
Trombone (partie séparée)
63
Trombone
57
Quatuor de Cuivres
47
Trompette (partie séparée)
33
Ensemble de Trompettes
30
Quatuor de cuivres: 4 trombones
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Trompette, Piano
26
Trompette
25
2 Trombones (duo)
20
Ensemble de Trombones
19
Cor et Piano
18
Euphonium, Piano (duo)
17
Cor (partie séparée)
14
Trio de Cuivres
13
Cor
13
2 Trompettes (duo)
12
Trompette, Saxophone (duo)
10
Cor anglais, Piano
9
Trompette, Trombone (duo)
8
Tuba (partie séparée)
8
Tuba
8
Tuba et Piano
7
2 Cors (duo)
5
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
4
Ensemble de Cors
4
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Bass Clef Instruments
2
Tuba et Orgue
2
Instruments en Sib
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone basse et Piano
2
3 Cors (trio)
1
Cor anglais, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette et Guitare
1
Cor, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Trompette, Trombone, Piano
1
4 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
155
Violon et Piano
62
Violoncelle, Piano
39
Alto, Piano
33
Violon
31
2 Violons (duo)
28
Violon, Violoncelle (duo)
26
Harpe
24
Trio à Cordes: violon, alto, violoncelle
24
Violoncelle (partie séparée)
20
Contrebasse (partie séparée)
13
Violon, Alto (duo)
13
2 Violoncelles (duo)
11
Alto seul
10
Violoncelle
9
Violon (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
7
4 Violoncelles
7
2 Altos (duo)
7
Piano Trio: Violon, Alto, Piano
6
Alto (partie séparée)
6
Contrebasse, Piano (duo)
6
Contre Basse
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Harpes (duo)
4
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
4
Ensemble d'Altos
3
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
3
Ensemble de Violons
3
Harpe, Voix
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Harpe, Trombone (duo)
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
195
Ensemble Jazz
103
Orchestre
84
Orchestre à Cordes
54
Ensemble de cuivres
44
Fanfare
23
Orchestre de chambre
17
Batterie (partie séparée)
14
Jazz combo
14
Cloches
14
Ensemble de Percussions
12
Batterie
4
Xylophone
2
Percussion (partie séparée)
2
Ensemble d'École
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Marimba, Piano (duo)
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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Still The One
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Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.29 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.57 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Shania Twain : You're Still the One (niveau facile/intermédiaire, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare You're Still the One (…
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Téléchargez la tablature et la partition Guitare You're Still the One (niveau facile/intermédiaire, guitare d'accompagnement) de Shania Twain. Tab pour Guitare d'accompagnement -- Country
5.99 €
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Guitare
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Shania Twain
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You're Still the One
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Tomplay
Shania Twain : You're Still the One (niveau facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare You're Still the One (…
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Téléchargez la tablature et la partition Guitare You're Still the One (niveau facile, guitare d'accompagnement) de Shania Twain. Tab pour Guitare d'accompagnement -- Country
5.99 €
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Guitare
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Shania Twain
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You're Still the One
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Tomplay
Shania Twain : You're Still the One (niveau très facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare You're Still the One (…
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Téléchargez la tablature et la partition Guitare You're Still the One (niveau très facile, guitare d'accompagnement) de Shania Twain. Tab pour Guitare d'accompagnement -- Country
5.99 €
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Guitare
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Shania Twain
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You're Still the One
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Tomplay
You're Still The One
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1106431 By Shania Twain. By Robert…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1106431 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709547. Published by Rene Alves (A0.1106431). Guitar sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
5.49 €
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Guitare
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Shania Twain
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Rene Alves
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You're Still The One
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Rene Alves
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.56 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Mastering the Classical Guitar Book 1A
Guitare
Guitar (classical and lute) - Beginning - Digital Download Composed by Wissam Abboud. …
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Guitar (classical and lute) - Beginning - Digital Download Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. 72 pages. Mel Bay Publications - Digital Sheet Music #30683MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118515.<br> <br> Mastering the Classical Guitar, Book 1AA is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instruments potential and repertoire.Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections:A Progressive Studies and Pieces,A Technical ExercisesA andA Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of ones playing, followed by various examples from the classical music repertoire and traditional songs from various cultures.While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and students musical journey.Written in standard notation only,A Mastering the Classical Guitar, Book 1AA comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.
$17.99
16.45 €
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Guitare
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Wissam Abboud
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Mastering the Classical Guitar Book 1A
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.57 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.57 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
On Parade (The Lion Tamer) by John Philip Sousa for Guitar Solo
Guitare
Solo Guitar - Digital Download SKU: A0.1031003 Composed by John Philip Sousa 1892. …
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Solo Guitar - Digital Download SKU: A0.1031003 Composed by John Philip Sousa 1892. Arranged by Art Carnrick / Arturo. 20th Century,Contemporary,Holiday,Jazz,Patriotic. Individual part. 3 pages. Art Carnrick #2855797. Published by Art Carnrick (A0.1031003). There is not enough good marching / toe tapping patriotic music for guitar solo that is easier to play... what is out there is often too difficult. I arranged this for a 50 year high school reunion. This arrangement is of intermediate difficulty and can be played at 120 to 130 and still sound fine... March tempo is probably 140 to 150 per quarter note. Appropriate for picnics, the parlor, the patriotic, or parishioners in church especially for Memorial day, fourth of July. It will work in a Dixieland style. This is my first submission and I hope to upload more... contact at www.arturoworks.com. .
$5.00
4.57 €
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Guitare
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John Philip Sousa 1892
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Art Carnrick / Arturo
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On Parade
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Art Carnrick
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SheetMusicPlus
What A Wonderful World
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.56 €
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Guitare
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Still A Good Time solo guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1252393 By Ron k Wiggins. By Ron k…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1252393 By Ron k Wiggins. By Ron k Wiggins. Arranged by Ron k Wiggins. Classical,Country,Folk. Individual part. 2 pages. WigMusic #846363. Published by WigMusic (A0.1252393). Up tempo very country original composition for solo Fingerstyle Guitar. It utilizes the alternating bass technique immortalized by Chet Atkins. it is at an intermediate level of difficulty. Certainly you will need to be able to play the alternating bass technique.you might also be interested in the companion work, One Guitar One Good Time.
$1.99
1.82 €
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Guitare
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Ron k Wiggins
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Ron k Wiggins
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Still A Good Time solo guitar
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WigMusic
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SheetMusicPlus
Stille Nacht (Holy Night) - Gitarre
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1337194 Composed by Joseph Mohr. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1337194 Composed by Joseph Mohr. Arranged by Albrecht Kuch-Weidenbrück. Children,Christmas. Individual part. 1 pages. Albrecht Kuch-Weidenbrück #922998. Published by Albrecht Kuch-Weidenbrück (A0.1337194). One of the most popular christmas charol.Easy melody, but in combination with the Play Along, which you can purchase as well and maybe other players, you may have fun with it.The notes are available for Recorder, Flute, Oboe, Bassoon, Clarinet, French Horn, Euphonium, Accordion (only right hand), Piano (only right hand), guitar (standard notation), guitar (tabs), Violine, Cello, Glockenspiel, Xylophon and voice. German lyrics are included. Capo is needed (fret 5).
$1.99
1.82 €
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Guitare
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Joseph Mohr
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Albrecht Kuch-Weidenbrück
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Stille Nacht
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Albrecht Kuch-Weidenbrück
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SheetMusicPlus
You're Still The One
Guitare
Solo Guitar - Digital Download SKU: HX.1407275 By Shania Twain. This edition: scorc…
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Solo Guitar - Digital Download SKU: HX.1407275 By Shania Twain. This edition: scorch. Country,Pop,Rock. Individual part. 1 pages. Hal Leonard - Digital #22742. Published by Hal Leonard - Digital (HX.1407275).
$4.99
4.56 €
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Guitare
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Shania Twain
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You're Still The One
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Hal Leonard - Digital
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SheetMusicPlus
You're Still The One
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1300094 By Shania Twain. By Robert…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1300094 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Cleber Correia. Rock. Individual part. 4 pages. Cleber Domingues #889850. Published by Cleber Domingues (A0.1300094).
$10.00
9.15 €
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Guitare
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Shania Twain
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Cleber Correia
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You're Still The One
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Cleber Domingues
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SheetMusicPlus
One Guitar One Good Time
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1252342 By Ron k Wiggins. By Ron k…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1252342 By Ron k Wiggins. By Ron k Wiggins. Arranged by Ron k Wiggins. Classical,Country,Folk. Individual part. 2 pages. WigMusic #846310. Published by WigMusic (A0.1252342). Up tempo composition for solo Fingerstyle guitar. It is quite lively with a Country feel and an intermediate level of difficulty that makes use of the entire fingerboard.You might also be interested in the companion work,Still A Good Time..
$1.99
1.82 €
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Guitare
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Ron k Wiggins
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Ron k Wiggins
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One Guitar One Good Time
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WigMusic
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SheetMusicPlus
The Entertainer (Guitar trio)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.997090 Composed by Scott Joplin. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.997090 Composed by Scott Joplin. Arranged by Anastas Mihaylov. 20th Century,Ragtime. Individual part. 13 pages. Anastas Mihaylov #5205215. Published by Anastas Mihaylov (A0.997090). The Entertainer- one of the most famous works of American pianist and composer Scott Joplin. Although composed more than a century ago it is still popular. This beautiful arrangement for guitar trio works well for concert performance as well as for fun. The level of technical difficulty is Grade 4-6 The tabs and video will be published soon.
$7.95
7.27 €
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Guitare
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Scott Joplin
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Anastas Mihaylov
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The Entertainer
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Anastas Mihaylov
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitare
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.72 €
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Guitare
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
Four Short Single Focus Compositions for Guitar Solo
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Nieba…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings.
$5.00
4.57 €
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Guitare
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Scott A
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Four Short Single Focus Compositions for Guitar Solo
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Ponticello Music
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SheetMusicPlus
You've Got A Friend In Me
Guitare
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1044225 By Randy Newman A…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1044225 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Toni Lindgren. Broadway,Children,Film/TV,Musical/Show. Score. 5 pages. Toni Lindgren #648968. Published by Toni Lindgren (A0.1044225). This is a simplified arrangement of the chords to Disney's Toy Story theme by Randy Newman. It's intended for players who are still in the earlier stages of rhythm technique development and are currently focusing on expanding their knowledge of basic open chords. There are no barre chords (with the exception of a small one string barre for the basic F chord) and all the extended voicings of the original song have been removed, but these chords will still function over the original song melody. The score includes these basic open chords, their relevant diagrams, the song lyrics, and notation of the melody, which can be sung over the guitar or played by another instrument.
$4.99
4.56 €
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Guitare
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Randy Newman And Lyle Lovett
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Toni Lindgren
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You've Got A Friend In Me
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Toni Lindgren
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SheetMusicPlus
"Seven Guitar Solos from Space and Time"
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1429935 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
13.71 €
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Guitare
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Keith Gehle
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"Seven Guitar Solos from Space and Time"
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Keith Gehle
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SheetMusicPlus
Trois Beaux Oiseaux du Paradis
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3868243. Published by Maggie Creek Music (A0.899132). For solo classical guitar; 2 pp; intermediate difficulty.Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Ravel wrote both music and lyrics for a number of songs including Trois Beaux Oiseaux du Paradis (Three Lovely Birds from Paradise - see below), composed in 1916 while he was posted in the French army during WW1, this at significant physical and mental cost (ref. Wikipedia). Thus the tragic lyrics arise from experience, and the music (Ravel was 40) is typically expressive and uncomplicated with the usual harmonic surprises.Three Lovely Birds from Paradise (English translation)Three lovely birds from Paradise(My beloved has to the fighting gone)Three lovely birds from ParadiseHave flown along this way.The first was bluer than Heaven's blue,(My beloved has to the fighting gone)The second white as the fallen snow,The third was wrapped in bright red glow.'Ye lovely birds from Paradise(My beloved has to the fighting gone)Ye lovely birds from ParadiseWhat bring ye then this way?''I bring to thee a glance of azure(Thy beloved has to the fighting gone)And I on fairest snow white browA fond kiss must leave, yet purer still.''Thou bright red bird from Paradise(My beloved has to the fighting gone)Thou bright red bird from Paradise,What brings thou to me?''A faithful heart all crimson red,(Thy beloved has to the fighting gone)''Ah! I feel my heart glowing cold…Take it also with thee.' Maurice Ravel (1914)
$4.00
3.66 €
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Guitare
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Maurice Ravel
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Rod Whittle
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2 pp
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Trois Beaux Oiseaux du Paradis
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Maggie Creek Music
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SheetMusicPlus
Make It Wit Chu
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1045552 By Queens of the Stone Age…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1045552 By Queens of the Stone Age. By Joey Castillo, Josh Homme, and Troy Van Leeuwen. Arranged by CecÃlia Sumaia. Rock. Individual part. 1 pages. CecÃlia Sumaia #650132. Published by CecÃlia Sumaia (A0.1045552). Transcription of the guitar solo, with indication of the right hand.
$9.99
9.14 €
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Guitare
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Queens of the Stone Age
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CecÃlia Sumaia
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Make It Wit Chu
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CecÃlia Sumaia
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SheetMusicPlus
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