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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
CLAVECIN
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COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take My Name
Non classifié
101
Piano & claviers
Piano seul
50
Piano Facile
25
Piano, Voix
12
Piano, Voix et Guitare
11
Instruments en Do
7
2 Pianos, 4 mains
7
Orgue
3
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 4 instrumentations
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Guitares
Guitare
4
Mandoline
2
Paroles et Accords
2
2 Guitares (duo)
1
Guitare notes et tablatures
1
Voix
Chorale SATB
26
Chorale 3 parties
7
Chorale TTBB
5
Chorale SSAA
2
Chorale Unison
2
Voix duo, Piano
1
Voix seule
1
Voix Alto, Piano
1
Voix Tenor
1
+ 4 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
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45
Quatuor de Saxophones: 4 saxophones
10
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Clarinettes
6
Saxophone Alto et Piano
3
Quintette de Flûte : 5 flûtes
3
Clarinette et Piano
2
Flûte traversière et Piano
2
Saxophone Alto
2
3 Saxophones (trio)
2
Saxophone Soprano et Piano
2
Flûte traversière
2
Saxophone Tenor et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Piano (duo)
1
Clarinette
1
Saxophone Tenor
1
Ensemble de saxophones
1
+ 14 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Ensemble de Trombones
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Ensemble de Trompettes
2
Trompette
1
Cor et Piano
1
Quatuor de Cuivres
1
Tuba
1
Trompette, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 5 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Violon et Piano
4
Ensemble d'Altos
4
Violoncelle, Piano
3
Harpe, Voix
2
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
+ 4 instrumentations
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Orchestre & Percussions
Orchestre
3
Jazz combo
2
Cloches
2
Orchestre de chambre
2
Ensemble Jazz
2
Ensemble de cuivres
1
Percussion
1
Orchestre d'harmonie
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
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Vous avez sélectionné:
Take My Name
Guitare
Partitions à imprimer
4 partitions trouvées
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Take My Life and Let It Be Consecrated
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Guitare
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Gospel Spirituel
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Musique Sacrée
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Frances Ridley Havergal - Musi
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Bruce J
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Take My Life and Let It Be Con
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In His Name Music/SESAC
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SheetMusicPlus
Composed by Frances Ridley Havergal - Music: Henry A. Cesar Malan. Arranged by Bruce J. Patterson. Christian, Contemporary Christian, Gospel, Jewish, Sacred. In...
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Composed by Frances Ridley Havergal - Music: Henry A. Cesar Malan. Arranged by Bruce J. Patterson. Christian, Contemporary Christian, Gospel, Jewish, Sacred. Individual Part. 3 pages. Published by In His Name Music/SESAC (S0.18152). - Individual Part - Christian,Contemporary Christian,Gospel,Jewish,Sacred - In His Name Music/SESAC
$3.99
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
Sol y Sombra
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Sol y Sombra
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Richard Hirsch
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SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Published by Richard Hirsch
An arrangement of traditional themes of the Flamenco style (palo) Alegrias de Baile (Alegrias for dance) that I acquired during my years of study with Juan González ?Triguito? in Madrid in the late 1960s. The title of the piece that contains bright and happy passages in A major and slower more somber passages in A minor is taken from the name of a popular alcoholic drink that is a mixture of clear anisette (sol) and cognac (sombra). The composition is meant to resemble an Alegrias played in accompaniment to the dance, often performed by a solo woman dancer (bailaora) in a beautifully coloured long flowing dress. The piece finishes with a Macho por Bulerías (finale) that is almost twice as fast as the passages in the introduction and middle parts. There is a long beautiful tremolo passage that rounds off the middle part before the jump into the finale. The piece is recommended for students of Flamenco guitar at the intermediate to advanced intermediate levels.
$4.99
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