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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take Note
Non classifié
505
Piano & claviers
Piano seul
439
Piano, Voix
125
Piano Facile
124
Piano grosses notes
80
Piano, Voix et Guitare
31
Instruments en Do
24
Piano Trio: piano, violon, violoncelle
11
Orgue
11
2 Pianos, 4 mains
10
Accompagnement Piano
8
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
530
Guitare
32
Basse electrique
12
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
4
3 Guitares (trio)
3
Mandoline
3
Paroles et Accords
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
2 Guitares (duo)
1
Guitare, Orchestre
1
Banjo
1
2 Ukuleles
1
Dulcimer
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
64
Chorale 3 parties
27
Chorale 2 parties
16
Chorale TTBB
13
Chorale SSAA
12
Chorale Unison
9
Voix Soprano, Piano
8
Voix duo, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix duo
1
Chorale SAATB A Cappella
1
Voix Tenor, Piano
1
Voix haute
1
Soli, choeur mixte et accompagnement
1
Voix Alto, Piano
1
Chorale SSATTB
1
Voix Soprano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
33
Clarinette
29
2 Flûtes traversières (duo)
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
2 Flûtes traversières, Piano
25
Flûte traversière et Piano
21
Flûte traversière
21
Hautbois, Piano (duo)
19
2 Clarinettes (duo)
18
Ensemble de saxophones
16
Flûte, Hautbois, Clarinette, Basson
15
Clarinette et Piano
14
Quatuor de Saxophones: 4 saxophones
13
Saxophone Tenor
12
3 Saxophones (trio)
11
3 Clarinettes (trio)
11
Saxophone Soprano et Piano
10
Saxophone Tenor et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Alto et Piano
9
Saxophone Alto
9
Quintette de Saxophone: 5 saxophones
8
Hautbois (partie séparée)
8
Ensemble de Clarinettes
8
Saxophone Baryton, Piano
7
2 Hautbois (duo)
7
Clarinette (partie séparée)
6
Ensemble de Flûtes
6
Trio de Flûtes: 3 flûtes
6
Flûte, Hautbois, Basson
5
Hautbois
5
Flûte, Clarinette et Basson
5
Saxophone (partie séparée)
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Hautbois (duo)
5
Flûte, Violon, Piano
5
Saxophone Soprano
4
Cor anglais, Piano
4
Flûte, Violoncelle
4
Flûte, Clarinette (duo)
4
Hautbois, Basson (duo)
4
Clarinette, Violoncelle (duo)
4
Flute (partie séparée)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Guitare (duo)
3
Hautbois, Clarinette (duo)
3
2 Flûte à bec (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Alto (duo)
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Saxophone Baryton
2
Flûte, Violon
2
Cor Anglais
2
Clarinette Basse, Piano
2
Piccolo
2
Saxophone
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Violoncelle
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Alto
2
Flûte à Bec
1
Quintette de Flûte : 5 flûtes
1
Quatuor de Flûtes à bec
1
Clarinette, Violon (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Guitare
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette, Piano
20
Trompette
16
Cor
16
Trombone et Piano
13
Cor et Piano
12
2 Trombones (duo)
10
Tuba
9
2 Trompettes (duo)
8
Trombone
7
Trompette (partie séparée)
7
2 Cors (duo)
7
Tuba et Piano
5
Cor anglais, Piano
4
Euphonium
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone (partie séparée)
3
Trio de Cuivres
3
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres
3
Tuba (partie séparée)
2
Cor (partie séparée)
2
Trompette, Cor (duo)
2
Euphonium, Piano (duo)
2
Ensemble de Trombones
2
Trompette, Trombone (duo)
2
2 Tubas (duo)
2
Cor Anglais
2
Trompette, Euphonium (duo)
1
Trombone basse
1
Ensemble de Trompettes
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon et Piano
64
Violon
46
Harpe
33
Alto, Piano
31
Trio à Cordes: violon, alto, violoncelle
25
Violoncelle, Piano
24
Alto seul
24
2 Violons (duo)
20
Violoncelle
16
Violon (partie séparée)
14
2 Violoncelles (duo)
14
Violon, Violoncelle (duo)
13
2 Altos (duo)
13
Alto (partie séparée)
13
Contre Basse
7
Violon, Alto (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Trio à Cordes: 2 violons, alto
5
Contrebasse, Piano (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
2 Harpes (duo)
2
4 Violoncelles
2
2 Contrebasses (duo)
2
Harpe, Voix
2
Violoncelle (partie séparée)
2
Ensemble de Violons
1
Ensemble d'Altos
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Harpe, Trombone (duo)
1
Violon, Basson (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
134
Orchestre
59
Ensemble Jazz
59
Orchestre à Cordes
56
Ensemble de cuivres
19
Orchestre de chambre
18
Cloches
16
Jazz combo
9
Percussion (partie séparée)
7
Batterie
7
Ensemble de Percussions
4
Marimba
3
Xylophone
1
Percussion
1
Fanfare
1
+ 10 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
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BANJO
BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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Vous avez sélectionné:
Take Note
Guitare
Partitions à imprimer
32 partitions trouvées
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1
26
Take Five
#
Guitare
#
INTERMÉDIAIRE
#
Jazz
#
Paul Desmond
#
Nick Magson
#
Take Five
#
Magsonic
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1241617 By Paul Desmond. By Paul Desmond. Arranged by Nick Magson. Blues,Classical,Jazz,Pop,Standards. Individual part. ...
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Solo Guitar - Level 3 - SKU: A0.1241617 By Paul Desmond. By Paul Desmond. Arranged by Nick Magson. Blues,Classical,Jazz,Pop,Standards. Individual part. 2 pages. Magsonic #836990. Published by Magsonic (A0.1241617). A cool, arrangement of the Dave Brubeck Quartet's Take Five, for classical solo or fingerstyle jazz guitar.This score uses both guitar tab and a stave. An arrangement using standard guitar notation is also available to buy.(Tip: To play the groups of four, slurred semi-quavers: strike the first note then use a hammer on, a hammer off and a pull off for the other three).
$5.80
Hey Man Take Me With You
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Nick Clow
#
Hey Man Take Me With You
#
Nick Clow
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow ...
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Solo Guitar - Level 4 - SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3383785. Published by Nick Clow (A0.940535). This is an advanced intermediate piece for solo guitar. It's around Trinity Grade 7. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is just one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this up to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
Santa Lucia For Guitar Duo Notes Only For Guitar Part 2
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Guitare
#
Traditional
#
John Murphy
#
Santa Lucia For Guitar Duo Not
#
John Murphy
#
SheetMusicPlus
Solo Guitar - SKU: A0.841155 Composed by Traditional. Arranged by John Murphy. Pop,World. Individual part. 1 pages. John Murphy #2001583. Published by J...
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Solo Guitar - SKU: A0.841155 Composed by Traditional. Arranged by John Murphy. Pop,World. Individual part. 1 pages. John Murphy #2001583. Published by John Murphy (A0.841155). Santa Lucia is a traditional Neapolitan song. The original lyrics of Santa Lucia celebrate the picturesque waterfront district, Borgo Santa Lucia, in the Bay of Naples, in the invitation of a boatman to take a turn in his boat, to better enjoy the cool of the evening. The song was also recorded by Elvis Presley on the 1965 album Elvis for Everyone and featured in the film Viva Las Vegas.
$1.99
Santa Lucia For Guitar Duo Notes Only For Guitar Part 1
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Guitare
#
Traditional
#
John Murphy
#
Santa Lucia For Guitar Duo Not
#
John Murphy
#
SheetMusicPlus
Solo Guitar - SKU: A0.841154 Composed by Traditional. Arranged by John Murphy. Pop,World. Individual part. 1 pages. John Murphy #2001581. Published by J...
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Solo Guitar - SKU: A0.841154 Composed by Traditional. Arranged by John Murphy. Pop,World. Individual part. 1 pages. John Murphy #2001581. Published by John Murphy (A0.841154). Santa Lucia is a traditional Neapolitan song. The original lyrics of Santa Lucia celebrate the picturesque waterfront district, Borgo Santa Lucia, in the Bay of Naples, in the invitation of a boatman to take a turn in his boat, to better enjoy the cool of the evening. The song was also recorded by Elvis Presley on the 1965 album Elvis for Everyone and featured in the film Viva Las Vegas.
$1.99
The Winner Takes It All
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Guitare
#
INTERMÉDIAIRE
#
ABBA
#
Derek Hasted
#
The Winner Takes It All
#
Derek Hasted
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #87...
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Guitar - Level 3 - SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #874514. Published by Derek Hasted (A0.1283320). THE WINNER TAKES IT ALL - Great concert piece for 4 GUITARS or larger ensemblePrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar only.Derek Hasted writes This is a concert crowd-pleaser perfect for intermediate or advanced intermediate guitarists!One reason ABBA songs are so memorable isn’t the strong melody line, it’s all the other clever harmonies and countermelodies that lurk just under the surface to make a crafted masterpiece.My arrangement uses guitar-friendly shapes to capture the whole song and many of the countermelodies that make the original such a great listen.The dynamics on the score tie in with the orchestration, so that the quiet sections are slow-moving and the louder sections are busy, adding yet more notes before the previous ones fade away. I’ve added just a little fingering here and there if there’s really only one place on the neck to play what’s on the page. Elsewhere, please choose the sweet spot that gives you, the player, the best mix of tone, sustain, playability and confidence.I hope you enjoy performing this as much as the audience will enjoy hearing it!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Minuet in D Minor - Guitar
#
Guitare
#
Classique
#
Johann Sebastian Bach
#
Arte Nova Music Lab
#
Minuet in D Minor - Guitar
#
Arte Nova Music Lab
#
SheetMusicPlus
Solo Guitar - SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pag...
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Solo Guitar - SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
#
Guitare
#
FACILE
#
Brian Streckfus
#
Guitar Chord Progression Gener
#
Brian Streckfus
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Recuerdos de la Alhanbra for Classical Guitar
#
Guitare
#
INTERMÉDIAIRE
#
Keith Terrett
#
Keith Terrett
#
Recuerdos de la Alhanbra for C
#
Keith Terrett
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instr...
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Solo Guitar - Level 3 - SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Pachelbel's Carol - Easy Guitar Sextet
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Guitare
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DÉBUTANT
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Classique
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Johann Pachelbel + Traditional
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Derek Hasted
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Pachelbel's Carol - Easy Guita
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.797757 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 14 pages. D...
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Guitar - Level 1 - SKU: A0.797757 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 14 pages. Derek Hasted #4847685. Published by Derek Hasted (A0.797757). PACHELBEL'S CAROL - a piece with a twist in the tail - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Pachelbel's Carol - a piece for 6 guitars (or a large ensemble) with a twist in the tail!Before you purchase - please note that I have also arranged this piece in 5 parts. You can find it most easily from my website (below) - select the quintet page.It was quite a few years ago that I conceived and arranged this fun little Christmas piece. Since then I’ve performed it many times in concert, and it’s always particularly well received.The arpeggios and countermelodies are inspired by the repeating sequences in Pachelbel’s Canon, and they end up providing a rich and totally unexpected accompaniment to a verse and chorus of the famous Christmas Carol 'The First Nowell'.This piece is just perfect as a special item in a Christmas concert, because the title conceals the surprise in the piece - each phase brings in another guitar part, making the piece build slowly before the final guitar launches into the well-known carol. The parts are easy and suitable for an ensemble with limited experience or one with limited chances to rehearse. In a mixed ability ensemble, there’s something for everyone; in a school guitar group, the teacher can take the Guitar 6 part if no-one in the group is comfortable in fifth position - all the other parts are first position.I hope you enjoy playing this piece!
$2.99
Pachelbel's Carol - Easy Guitar Quintet
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Guitare
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DÉBUTANT
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Classique
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Johann Pachelbel + Traditional
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Derek Hasted
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Pachelbel's Carol - Easy Guita
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.797758 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 12 pages. D...
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Guitar - Level 1 - SKU: A0.797758 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 12 pages. Derek Hasted #4848031. Published by Derek Hasted (A0.797758). PACHELBEL'S CAROL - a piece with a twist in the tail - 5 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Pachelbel's Carol - a piece for 5 guitars (or a large ensemble) with a twist in the tail!Before you purchase - please note that I have also arranged this piece in 6 parts - the additional part is suitable for a complete beginner. You can find it most easily from my website (below) - select the sextet page.It was quite a few years ago that I conceived and arranged this fun little Christmas piece. Since then I’ve performed it many times in concert with my Guitar Workshop, and it’s always particularly well received.The arpeggios and countermelodies are inspired by the repeating sequences in Pachelbel’s Canon, and they end up providing a rich and totally unexpected accompaniment to a verse and chorus of the famous Christmas Carol 'The First Nowell'.This piece is just perfect as a special item in a Christmas concert, because the title conceals the surprise in the piece - each phase brings in another guitar part, making the piece build slowly before the final guitar launches into the well-known carol. The parts are easy and suitable for an ensemble with limited experience or one with limited chances to rehearse. In a mixed ability ensemble, there’s something for everyone; in a school guitar group, the teacher can take the Guitar 5 part if no-one in the group is comfortable in fifth position - all the other parts are first position.I hope you enjoy playing this piece!
$2.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
2018 Holiday Contest Entry, "Away in a Manger"
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Guitare
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INTERMÉDIAIRE
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Noël
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James R
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R
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2018 Holiday Contest Entry, &q
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ralph scott carrier
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual ...
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Solo Guitar - Level 3 - SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual part. 2 pages. Ralph scott carrier #3680995. Published by ralph scott carrier (A0.924177). The beloved Away in a Manger, known to children from two years of age and up. In the key of D (major,) a simple and well known melody. Note: Although I do consider this a simple little song, any thought that this is an unusually easy guitar arrangement would be a mistake. This is, in fact, a rather challenging arrangement, especially the way I have tabbed it. Measures 6 - 9 are particularly difficult. If you can find an easier way to finger it, more power to you. Some contradictory information has been found regarding the attribution of the opus. Some have suggested it was from Martin Luther (himself,) but others have said it was written for his 400th anniversary. But the hymn book I found it in (to copy the lyrics) attributes it to a James R. Murray, so I have also given him credit. It was first published in 1884, in any event.
$1.99
Despacito
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Guitare
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INTERMÉDIAIRE
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Latin/Musique du monde
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Indiv...
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Solo Guitar - Level 3 - SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Individual part. 16 pages. Jaan Varts #5719577. Published by Jaan Varts (A0.985306). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$4.99
Another Brick In The Wall, Part 2
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Guitare
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INTERMÉDIAIRE
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Pink Floyd
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Rafael Milhomem
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Another Brick In The Wall, Par
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Milhomusic
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditiona...
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Guitar - Level 3 - SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditional. 22 pages. Milhomusic #940626. Published by Milhomusic (A0.1355903). Exploring Classics with Innovation: Another Brick in the Wall, Part 2 for Guitar QuartetYou are invited to embark on a unique musical journey with our vibrant and innovative arrangement of Pink Floyd's classic Another Brick in the Wall, Part 2, specially crafted for a guitar quartet. This renowned piece, already ingrained in the collective musical imagination, takes on new life in the skilled hands of our guitarists.Arrangement Highlights:Respect for the Original Essence: Our arrangement captures the emotional essence and powerful message of the original song, maintaining the integrity of Pink Floyd's masterpiece.Expressiveness of the Guitars: Each guitar plays a crucial role in recreating this classic, providing a unique and nuanced auditory experience.Versatility for Guitar Orchestra: Aside from being ideal for guitar quartets, this arrangement easily adapts for a guitar orchestra, allowing for an expansive and grand interpretation.Important Note: Our arrangement stands out for its unique approach, excluding the transcription of the guitar solo. However, we acknowledge that interested parties can easily access the guitar solo transcription in a PDF format available online to integrate, if desired.Rediscover a Classic: By choosing our arrangement of Another Brick in the Wall, Part 2, you're investing not only in an exceptional musical performance but also in an opportunity to offer your audience a renewed perspective on one of rock's greatest hits.Technical Information:Duration: [3´20´´]Availability: [intermediate]Don't miss the chance to add a distinctive piece to your repertoire. Contact us for more details and discover how our arrangement can elevate your musical performance to new heights.We look forward to being part of this exceptional musical journey with you!#Classicalguitar #guitarquartet #guitarorchestra #Pinkfloyd #Guitararragements.
$6.00
Mastering the Guitar - Technique Studies
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Guitare
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FACILE
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Methodes
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William Bay
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Mastering the Guitar - Techniq
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By William Bay. For Guitar (All). All Styles. 152 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By William Bay. For Guitar (All). All Styles. 152 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741617. William Bay and Mike Christiansen have collaborated to produce an outstanding comprehensive guitar method addressing all styles of both flatpicking and fingerstyle technique. Guitar teachers, take note: Mastering the Guitar series is the ideal method for the beginning student who has yet formed a stylistic preference, or for the intermediate player limited to one particular style who wishes to expand his horizons and improve his technique. An impressive extended length online audio recording with more than 160 tracks is offered with both books 1A and 1B. Each written example in the books is carefully cross-referenced to its corresponding audio sample on the recording by means of an audio track number printed above each piece. The student is encouraged to learn to read standard notation and tablature as both systems are used throughout this 3-volume series. The "Technique Studies" book provides supplementary, more challenging pieces including chord studies in various keys as well as a few pieces in dropped-D tuning. Together, these three books comprise a powerful learning tool for Mastering the Guitar in a contemporary idiom.
$19.99
March Of The Wooden Soldiers
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Guitare
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DÉBUTANT
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Classique
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(Various artists)
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Derek Hasted
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March Of The Wooden Soldiers
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek ...
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Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek Hasted #749280. Published by Derek Hasted (A0.1149151). MARCH OF THE WOODEN SOLDIERS - EASY GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This charming little piece makes a great concert item for a quartet or large ensemble with modest experience - it’s perfect for a school ensemble’s first concert! It’s playable entirely in the first position, and with the exception of an occasional 3rd string G#, works well in the second position. A more experienced quartet might like to take the higher notes further up the neck for a more rounded sound. There are two arrangements here...One is in traditional SATB style - the four lines playing at four different pitches.The second rotates the parts at every phrase boundary so that everyone plays the tune at some point - the line currently holding the tune has a slightly louder dynamic marking. I hope you enjoy these arrangements!
$1.99
Cello suite 3 for guitar - Courante
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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David L Turkheimer
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David L Turkheimer
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standard tuning
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Cello suite 3 for guitar - Cou
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David L Turkheimer
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1104968 By David L Turkheimer. By J.S., Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual pa...
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Solo Guitar - Level 4 - SKU: A0.1104968 By David L Turkheimer. By J.S., Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual part. 3 pages. David L Turkheimer #708210. Published by David L Turkheimer (A0.1104968). The original 3rd suite for cello by Bach is a masterpiece of writing for a melodic instrument. While fun to play on guitar, its plucked single notes do not take advantage of the harmonic depth which the guitar can deliver. Robert Schumann wrote a piano accompaniment for this suite that provides harmony. This arrangement mines this to show what the guitar can bring. The music has been transposed to A; standard tuning. The other movements are also available.
$2.00
Cello suite 3 for guitar -bouree
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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David L Turkheimer
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David L Turkheimer
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standard tuning
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Cello suite 3 for guitar -bour
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David L Turkheimer
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1104988 By David L Turkheimer. By J.S., Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual pa...
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Solo Guitar - Level 4 - SKU: A0.1104988 By David L Turkheimer. By J.S., Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual part. 9 pages. David L Turkheimer #708232. Published by David L Turkheimer (A0.1104988). The original 3rd suite for cello by Bach is a masterpiece of writing for a melodic instrument. While fun to play on guitar, its plucked single notes do not take advantage of the harmonic depth which the guitar can deliver. Robert Schumann wrote a piano accompaniment for this suite that provides harmony. This arrangement mines this to show what the guitar can bring. The music has been transposed to A; standard tuning. The other movements are also available.
$2.00
Cello suite 3 for guitar -sarabande
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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David L Turkheimer
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David L Turkheimer
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standard tuning
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Cello suite 3 for guitar -sara
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David L Turkheimer
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1104974 By David L Turkheimer. By Johann Sebastian Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. In...
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Solo Guitar - Level 4 - SKU: A0.1104974 By David L Turkheimer. By Johann Sebastian Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual part. 2 pages. David L Turkheimer #708216. Published by David L Turkheimer (A0.1104974). The original 3rd suite for cello by Bach is a masterpiece of writing for a melodic instrument. While fun to play on guitar, its plucked single notes do not take advantage of the harmonic depth which the guitar can deliver. Robert Schumann wrote a piano accompaniment for this suite that provides harmony. This arrangement mines this to show what the guitar can bring. The music has been transposed to A; standard tuning. The other movements are also available.
$2.00
Cello suite 3 for guitar - gigue
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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David L Turkheimer
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David L Turkheimer
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standard tuning
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Cello suite 3 for guitar - gig
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David L Turkheimer
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1104992 By David L Turkheimer. By J.S., Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual pa...
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Solo Guitar - Level 4 - SKU: A0.1104992 By David L Turkheimer. By J.S., Bach and Robert Schumann. Arranged by David L Turkheimer. Baroque. Individual part. 4 pages. David L Turkheimer #708235. Published by David L Turkheimer (A0.1104992). The original 3rd suite for cello by Bach is a masterpiece of writing for a melodic instrument. While fun to play on guitar, its plucked single notes do not take advantage of the harmonic depth which the guitar can deliver. Robert Schumann wrote a piano accompaniment for this suite that provides harmony. This arrangement mines this to show what the guitar can bring. The music has been transposed to A; standard tuning. The other movements are also available.
$2.00
Bittersweet Symphony
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Guitare
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INTERMÉDIAIRE
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Thomas Mark Harmer Nichols and
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Dan Jones www
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Bittersweet Symphony
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Con...
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Guitar - Level 3 - SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Pop,Rock. 36 pages. DanJonesGuitarist #809981. Published by DanJonesGuitarist (A0.1212661). Bittersweet Symphony - The Verve Arranged for Intermediate Guitar Quartet by Dan Jones www.danjonesguitarist.com This arrangement is suitable for guitarists of an intermediate standard. Your download will provide you with: A full score with the parts shown in notes and TAB A score with just notes (to facilitate page turns for directors) All parts in notes and TAB Parts with just notes. Bittersweet Symphony is a single taken from the 1997 album Urban Hymns.  The song become an iconic anthem of the 1990’s making this an excellent and original concert or encore item.  The repeated motif heard in the track was taken as a sample from an orchestral arrangement of the Rolling Stones classic ‘The Last Time’ by The Andrew Oldham Orchestra. Years of legal wrangling over copyright followed the single’s huge success. In 2019, following the death of their former manager, Keith Richards and Mick Jagger returned all rights of authorship to The Verve. This arrangement gives equal melodic interest to all players. A video of the arrangement will be uploaded before the end of May 2023.  You can find a huge range of solo and chamber music for guitar in all styles at www.danjonesguitarist.com I hope you enjoy performing Bittersweet Symphony as much as I enjoyed arranging it.Â
$7.95
Mad World
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Guitare
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FACILE
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Michael Andrews Feat
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Dan Jones www
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Mad World
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1321656 By Michael Andrews Feat. Gary Jules. By Roland Orzabal. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Fi...
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Guitar - Level 2 - SKU: A0.1321656 By Michael Andrews Feat. Gary Jules. By Roland Orzabal. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Film/TV,Pop. 24 pages. DanJonesGuitarist #910133. Published by DanJonesGuitarist (A0.1321656). Mad WorldTears for Fears - as Performed by Gary JulesMad World is a song taken from the 1983 album of the British band Tears for Fears. It enjoyed a second round of success when it was covered by Gary Jules in 2001 and became and unexpected Christmas number one single in 2003 in the UK.The arrangement presented here is inspired by the beautiful, minimalist version performed by Gary Jules. It is suitable for early-intermediate players.This download contains:A score in notes and TABAll parts in notes and TABAll parts in notes onlyA score with notes only.For a huge range of original arrangements and compositions for guitar, please visit:www.danjonesguitarist.comA film of this arrangement will be visible here before the end of 2023.I hope you enjoy playing Mad World as much as I have.Dan Jones, France 2023.
$6.95
Mauro Giuliani: 24 Etudes Op.100 for Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: 24 Etudes Op.1
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1250788 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 93 pages. ...
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Solo Guitar - Level 4 - SKU: A0.1250788 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 93 pages. Socrates Arvanitakis #845053. Published by Socrates Arvanitakis (A0.1250788). PREFACE & Editorial NotesThe 24 studies op.100  by Mauro Giuliani are in general of a moderate difficulty and their didactic purposes can be perceived as the solid establishment of an intermediate level of technique and the advancement into a higher level, so some of them may be a little more difficult than the rest. At the same time, most of them are entertaining musical pieces with high aesthetic value and can also be studied and played for musical enjoyment.Notes1 Metronome marks are editorial suggestions and should not be taken too literally.2 Staff size has been reduced by different percentages for studies no. 11, 12, 13, 14, 15, 16 & 24 so that they can be rendered in a two-page view as the rest of the pieces.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.
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