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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten Years After
Non classifié
301
Piano & claviers
Piano seul
121
Piano, Voix et Guitare
15
Piano, Voix
15
Piano Facile
15
1 Piano, 4 mains
6
Instruments en Do
5
Orgue
4
2 Pianos, 4 mains
3
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
13
Paroles et Accords
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
Voix
Chorale SATB
37
Voix Alto, Piano
9
Chorale 3 parties
8
Chorale 2 parties
4
Chorale SSAA
3
Chorale TTBB
3
Voix haute
2
Voix Tenor
1
Voix seule
1
Chorale Unison
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quintette de Saxophone: 5 saxophones
60
Quatuor de Saxophones: 4 saxophones
46
2 Saxophones (duo)
19
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de saxophones
16
Flûte traversière et Piano
14
3 Saxophones (trio)
13
Clarinette et Piano
12
Hautbois, Piano (duo)
12
2 Flûte à bec (duo)
10
Saxophone Alto et Piano
10
Ensemble de Clarinettes
9
2 Clarinettes (duo)
9
Quintette de Flûte : 5 flûtes
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Tenor et Piano
8
Quatuor de Flûtes : 4 flûtes
7
Saxophone Soprano et Piano
7
2 Flûtes traversières (duo)
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
5
Cor anglais, Piano
5
Saxophone, Clarinette (duo)
4
Clarinette
4
Quatuor de Flûtes à bec
4
3 Clarinettes (trio)
3
Clarinette, Basson (duo)
3
Clarinette, Violon (duo)
3
Flûte à Bec
3
Clarinette et Alto
2
Clarinette, Trompette (duo)
2
Ensemble de Flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte et Guitare
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
5 Flûtes à bec
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
Flûte, Violon
2
Cor anglais, Guitare (duo)
2
2 Hautbois (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
1
Flûte irlandaise
1
Flûte à bec Soprano, Piano
1
Clarinette Basse
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Hautbois, Basson (duo)
1
Flûte à bec Alto
1
Saxophone Alto
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Saxophone Tenor
1
Flûte traversière
1
2 Clarinettes, Basson
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Ensemble de Trompettes
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor et Piano
9
Trombone et Piano
8
Ensemble de Trombones
7
Trompette, Piano
6
Tuba et Piano
5
Cor anglais, Piano
5
Trombone
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Trompette
3
Trompette, Trombone (duo)
2
4 Tubas
2
Cor
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Quatuor de Cuivres
2
2 Cors (duo)
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
23
Alto, Piano
9
Violoncelle, Piano
8
Violon, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble de Violons
5
2 Violoncelles (duo)
5
Ensemble d'Altos
5
2 Violons (duo)
5
2 Altos (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Alto (duo)
4
4 Violoncelles
3
Violon
3
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Violoncelle
2
Alto seul
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Harpe
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
36
Orchestre
26
Orchestre à Cordes
13
Ensemble de cuivres
9
Ensemble Jazz
8
Orchestre de chambre
6
Ensemble de Percussions
2
Fanfare
2
Piano et Orchestre
1
Jazz combo
1
Cloches
1
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Ten Years After
Guitare
Partitions à imprimer
13 partitions trouvées
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1
WEISS – Moscow Manuscript – Suite in D minor | Guitar | PDF
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Guitare
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INTERMÉDIAIRE
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Classique
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Sylvius Leopold Weiss
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Maël Fauvy
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WEISS – Moscow Manuscrip
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Mfp Éditions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1458184 Composed by Sylvius Leopold Weiss. Arranged by Maël Fauvy. Baroque. Individual part. 20 pages. Mfp Éditions #1...
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Solo Guitar - Level 3 - SKU: A0.1458184 Composed by Sylvius Leopold Weiss. Arranged by Maël Fauvy. Baroque. Individual part. 20 pages. Mfp Éditions #1037159. Published by Mfp Éditions (A0.1458184). Composer : Sylvius Leopold WeissArrangement & fingerings : Maël FauvyLevel : Medium – Grade II20 pieces for guitare : Suite in D minor — 20 pagesIn 1941, this manuscript was transferred from the Pyotr Ilyich Tchaikovsky National Academy of Music to the Music Library of the Glinka State Central Museum of Musical Culture in Moscow.Revealed to the Western world only in 1963, we now know, thanks to his analysis, that it was neither written by Weiss nor written in Dresden, but in Russia approximately ten years after his death.A number of pieces are of doubtful origin and are still the subject of open debate. In his work “The Moscow “Weiss” Manuscript” (Orphée 494-02144, 1995) Tim Crawford sheds interesting light on the subject.The Moscow Manuscript can be ranked third in importance after those of London and Dresden. Especially since it contains many high quality pieces and some truly unique.This arrangement presents the first suite in D minor from the manuscript, arranged for solo guitar.
$30.00
Alvin Lee: I'd Love To Change The World for guitar solo
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Guitare
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INTERMÉDIAIRE
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Rock
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Alvin Lee
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Virtualsheetmusic
Instantly printable sheet music by Ten Years After for guitar solo of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Ten Years After for guitar solo of MEDIUM skill level. / pop,rock
$6.97
Alvin Lee: I'd Love To Change The World for guitar
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Guitare
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FACILE
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Rock
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Alvin Lee
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Virtualsheetmusic
Instantly printable sheet music by Ten Years After for guitar solo (chords) of EASY skill level. / pop,rock,children
Instantly printable sheet music by Ten Years After for guitar solo (chords) of EASY skill level. / pop,rock,children
$4.97
I'd Love To Change The World
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Guitare
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Rock
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Ten Years After
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Rock
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I'd Love To Change The World
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Ten Years After. Pop; Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.170587). - Easy Guitar - Pop; Rock - Hal Leonard - Digit...
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By Ten Years After. Pop; Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.170587). - Easy Guitar - Pop; Rock - Hal Leonard - Digital Sheet Music
$2.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
"Seven Guitar Solos from Space and Time"
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Guitare
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INTERMÉDIAIRE
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New Age
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Keith Gehle
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"Seven Guitar Solos from
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith ...
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Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
FANTASIE IMPROMPTU FOR GUITAR SOLO
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Tondi
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FANTASIE IMPROMPTU FOR GUITAR
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ToRa Swarna Diva
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1308881 By Frederic Chopin. By Frederic Chopin. Arranged by Tondi. FR. 19th Century,Classical,Contemporary,Early Music,S...
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Solo Guitar - Level 4 - SKU: A0.1308881 By Frederic Chopin. By Frederic Chopin. Arranged by Tondi. FR. 19th Century,Classical,Contemporary,Early Music,Standards. Individual part. 14 pages. ToRa Swarna Diva #898138. Published by ToRa Swarna Diva (A0.1308881). Fantasie Impromptu is one of the most iconic solo instrumental pieces for pianists around the world. Fantasie Impromptu was written almost 200 years ago by Frederic Chopin (1834). Actually, this work was never published by Chopin. Julian Fontana was the first to publish it.More than 100 years later (1960), Arthur Rubenstein, in a piano recording session of this composition, discovered through an original sheet written by Chopin himself, that this work was a work that had been completed. Inside it is written, composed for, which shows that this work was an order from a nobleman. Chopin was paid to write this. So this is the reason this work was never published. And unfortunately, during the lifetime of two giants in guitar composition and arrangement: F. Tarrega & Agustin Barrios, for some reason, they did not transcribe this great work into guitar playing. In fact, both of them are recorded as having transcribed several Chopin works onto the guitar. And now, after almost old 200 years, this is the most complete guitar transcription from Fantasie Impromptu written by Tondi Rangkuti a.k.a Tondi FR. Written in Key Bm on movt. 1 and B Major in movt 2. Of course this arrangement is intended for the Advanced - Intermediate level. Very suitable for playing at concerts & international guitar competitions.
$22.00
Etude No 10 opus 60 for Guitar
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Guitare
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INTERMÉDIAIRE
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Matteo Carcassi
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Arte Nova Music Lab
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Etude No 10 opus 60 for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual...
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Solo Guitar - Level 3 - SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3007597. Published by Arte Nova Music Lab (A0.742404). Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuosoconcert guitarist.He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. Taken from https://en.wikipedia.org/wiki/Matteo_Carcassi
$5.00
IL SATIRO DANZANTE - Solo Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guit
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LINCOLN BRADY
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985...
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Solo Guitar - Level 4 - SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
Preludio in A (estudio nº15)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Jiménez Manjón
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Rui Namora
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Preludio in A
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Rui Namora
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Indivi...
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Solo Guitar - Level 4 - SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful étude, originally written for the 11-string guitar (7+4) that Antonio Manjón used, is practically unknown today. Although it was composed as an étude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio Jimenéz Manjón (1866-1919)Antonio Jiménez Manjón was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-Saëns, and Sarasate.In 1887, Manjón returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio Jiménez Manjón passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1 Â
$6.00
B2P Beginner to Pro Complete Method for Guitar: Book 1
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Guitare
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DÉBUTANT
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Remo Moretto
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B2P Beginner to Pro Complete M
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Remo Moretto
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1300383 Composed by Remo Moretto. Blues,Instructional,Jazz,Rock. Individual part. 142 pages. Remo Moretto #890114. Publi...
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Solo Guitar - Level 1 - SKU: A0.1300383 Composed by Remo Moretto. Blues,Instructional,Jazz,Rock. Individual part. 142 pages. Remo Moretto #890114. Published by Remo Moretto (A0.1300383). B2P Book 1 is the 1st of 3 complete methods which has been written after years of study and teaching around the world. It is written in notation with tabs and fingerings to facilitate the learner's experience. Here you will learn to read music while playing the instrument, theory applied to the guitar, Major, minor, pentatonic scales, speed studies, arpeggios, hammer-on and pull-off (ascending and descending slurs ), tapping technique, chords, rhythm studies, and songs. All in a progressive order. No method written is so complete as this one!
$25.99
Every Breath You Take
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Guitare
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FACILE
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Rock
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pab...
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Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
Vals No 2 - Guitar
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Guitare
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Luigi Legnani
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Arte Nova Music Lab
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Vals No 2 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte N...
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Solo Guitar - SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte Nova Music Lab #3008973. Published by Arte Nova Music Lab (A0.742405). Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian guitarist, singer, composer and luthier.[1]Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years.[2] His career as a guitarist began with a concert in Milan in 1819; with his concerts in 1822 concerts in Vienna and return visits in 1833 and 1839 he tried to continue the guitar tradition established there by Mauro Giuliani.[3]Legnani is perhaps best known for his 36 Caprices op. 20 for the guitar, which cover all the major and minor keys, and which were probably inspired by Paganini's 24 Caprices for the violin. He and Paganini were friends from the 1830s; while it was once thought that he and Paganini performed together in public (Powroźniak mentions a concert in Northern Italy in 1837),[4] there is no evidence to support this claim. After the 1850s Legnani retired from active performance and became an instrument maker, concentrating on guitars and violins. The Legnani model guitar was popular in Central Europe through the middle of the nineteenth century.Legnani composed some 250 works, which were published in his lifetime throughout many of the major publishing houses in Europe. He died in Ravenna.
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Ten Years After