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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Comin
Non classifié
1 043
Piano & claviers
Piano seul
668
Piano, Voix
337
Piano, Voix et Guitare
194
Piano Facile
176
Instruments en Do
116
Orgue
69
Accompagnement Piano
34
1 Piano, 4 mains
20
Piano grosses notes
19
Piano Trio: piano, violon, violoncelle
17
Accordéon
17
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 4 mains
6
Orgue, Trompette (duo)
3
Piano (partie séparée)
3
Accordéon, Voix
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 6 mains
2
Ligne De Mélodie, Piano
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
86
Ligne De Mélodie, (Paroles) et Accords
74
Guitare
51
Paroles et Accords
22
Ukulele
18
Basse electrique
13
Guitare (partie séparée)
6
Banjo
4
3 Guitares (trio)
3
Mandoline
2
Mandoline, Piano (duo)
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
554
Chorale 3 parties
139
Chorale 2 parties
136
Chorale Unison
90
Chorale TTBB
79
Chorale SSAA
42
Voix duo, Piano
38
Voix Soprano, Piano
38
Voix Tenor, Piano
31
Voix Alto, Piano
30
Pack Instrumental pour Chorale
17
Voix duo
11
Voix moyenne, Piano
9
Chorale
7
Voix Baryton, Piano
6
Voix seule
3
Voix haute
3
Voix basse, Piano
2
Voix, Guitare
1
Chorale SSATTB
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Chorale SSATB
1
Chorale SSAATTBB
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
76
Hautbois, Piano (duo)
67
Quatuor de Saxophones: 4 saxophones
66
Flûte, Hautbois, Clarinette, Basson
63
Saxophone Alto et Piano
62
Saxophone Alto
51
Clarinette et Piano
51
Flûte traversière
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Clarinette
42
Saxophone Tenor
40
Saxophone Tenor et Piano
39
Quintette de Saxophone: 5 saxophones
39
Saxophone (partie séparée)
37
2 Saxophones (duo)
37
Quatuor de Clarinettes: 4 clarinettes
36
Saxophone Soprano et Piano
35
Ensemble de saxophones
32
Flûte, Violon
21
Hautbois, Basson (duo)
19
Ensemble de Flûtes
18
Quatuor de Flûtes : 4 flûtes
18
Ensemble de Clarinettes
18
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
17
Quintette de Clarinettes: 5 clarinettes
16
Saxophone Soprano
13
Saxophone Baryton, Piano
13
3 Saxophones (trio)
12
3 Clarinettes (trio)
12
Flûte, Clarinette (duo)
11
Saxophone, Clarinette (duo)
11
Clarinette, Violon (duo)
11
Hautbois (partie séparée)
11
Clarinette, Trompette (duo)
11
Clarinette (partie séparée)
9
Flûte à bec Soprano
8
2 Hautbois (duo)
8
Quintette de Flûte : 5 flûtes
8
Saxophone
7
Hautbois
6
Trio de Flûtes: 3 flûtes
6
Flûte, Trompette (duo)
6
Clarinette Basse, Piano
5
Flute (partie séparée)
5
Hautbois, Flûte
5
Clarinette et Alto
5
Hautbois, Clarinette (duo)
5
Cor anglais, Piano
4
Saxophone Baryton
4
Flûte, Alto (duo)
4
Flûte, Violoncelle
4
Flûte, Clarinette et Basson
3
Ocarina
3
Clarinette, Violoncelle, Piano (trio)
3
2 Flûte à bec (duo)
3
Flûte, Saxophone (duo)
3
2 Saxophones, Piano
2
Saxophone et Harpe
2
Hautbois, violon (duo)
2
Clarinette, Violoncelle (duo)
2
Quatuor de Flûtes à bec
2
Harmonica
2
Clarinette, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
Clarinette, Basson (duo)
1
Flûte à bec Alto, Piano
1
Cornemuse
1
Flûte à bec Alto
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone, Violon (duo)
1
Hautbois, Harpe
1
Flûte et Guitare
1
Flûte, Violon, Piano
1
4 Hautbois
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trombone et Piano
57
Trompette
56
Trompette, Piano
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Cor et Piano
34
Trombone
27
Trombone (partie séparée)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trompette (partie séparée)
23
Cor
19
Quatuor de Cuivres
14
2 Trombones (duo)
14
Tuba et Piano
11
Ensemble de Trompettes
11
2 Trompettes (duo)
11
Tuba
10
Euphonium, Piano (duo)
9
Trompette, Saxophone (duo)
9
Cor (partie séparée)
9
2 Cors (duo)
6
Quatuor de cuivres: 4 trombones
5
Quatuor de cuivres: 4 cors
5
Ensemble de Trombones
5
Cor anglais, Piano
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette, Trombone (duo)
4
Tuba (partie séparée)
4
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
2
Trio de Cuivres
2
Euphonium
2
Trombone, violoncelle (duo)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Bass Clef Instruments
1
Trombone, Tuba (duo)
1
Trompette, violon (duo)
1
Cor et Harpe
1
Tuba et Orgue
1
Cor, Tuba (duo)
1
Euphonium, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums (duo)
1
Trompette, Harpe
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
198
Violon et Piano
97
Violon
75
Alto, Piano
55
Violoncelle, Piano
52
Violoncelle
48
Alto seul
28
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
22
2 Violoncelles (duo)
20
Trio à Cordes: 2 violons, violoncelle
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contrebasse, Piano (duo)
14
2 Violons (duo)
13
Violon, Alto (duo)
13
Contrebasse (partie séparée)
12
Harpe
12
Violon (partie séparée)
10
Contre Basse
10
2 Altos (duo)
10
Alto, Violoncelle (duo)
7
Trio à cordes: 3 violins
6
Piano Trio: Violon, Alto, Piano
5
Trio à Cordes: 3 violoncelles
5
2 Harpes (duo)
5
Alto (partie séparée)
4
Violon, Guitare (duo)
4
Violoncelle (partie séparée)
4
Harpe, Flûte (duo)
3
Alto et Basson
3
Trio à Cordes: 2 violons, alto
3
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Harpe, Violoncelle (duo)
2
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
Alto et orchestre
1
Violon, Basson (duo)
1
Ensemble d'Altos
1
2 Violons, Piano
1
Harpe, Trombone (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Alto et Harpe
1
Harpe, Violon (duo)
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
364
Orchestre
77
Orchestre à Cordes
77
Ensemble Jazz
63
Ensemble de cuivres
60
Fanfare
51
Cloches
29
Orchestre de chambre
24
Ensemble de Percussions
14
Jazz combo
9
Percussion (partie séparée)
9
Batterie
8
Batterie (partie séparée)
3
Xylophone, Piano
3
Ensemble d'École
2
Xylophone
1
Marimba
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
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BASSON
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BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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Partitions à imprimer
51 partitions trouvées
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51
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Guitare
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INTERMÉDIAIRE
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Classique
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Gordon Mizzi
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Saints and Fireworks: The Musi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music ...
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Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
Coming Back Around
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Guitare
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FACILE
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John Powell
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Davide Bizzarri
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Coming Back Around
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Davide Bizzarri
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1103599 Composed by John Powell. Arranged by Davide Bizzarri. Celtic,Film/TV,Irish,March. Individual part. 1 pages. Davi...
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Solo Guitar - Level 2 - SKU: A0.1103599 Composed by John Powell. Arranged by Davide Bizzarri. Celtic,Film/TV,Irish,March. Individual part. 1 pages. Davide Bizzarri #706870. Published by Davide Bizzarri (A0.1103599). This isn't a stand-alone part, it's a part of a set based on the string quartet arrangement. This arrangement of Coming Back Around aims to restore the epic atmosphere of the original piece, with a reduced staff like the string quartet. You can also use this part together with other detached instrumental parts of the same piece (with the compatible arrangement), for example the percussion, harp, flute or bass parts, which you can find in another collection of the same arranger, in this site. Also the orchestral score is available.
$4.99
Mountains of Stowe, and The Sky is The Limit
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sk
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publication...
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Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
The King Is Coming
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Guitare
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Musique Sacrée
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Gospel Spirituel
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Bill Gaither
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The King Is Coming
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Hal Leonard - Digital
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SheetMusicPlus
Easy Guitar (no TAB) - Interactive Download SKU: HX.1145867 By Bill Gaither. This edition: Interactive Download,scorch. Christian,Gospel,Sacred. Score. 1...
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Easy Guitar (no TAB) - Interactive Download SKU: HX.1145867 By Bill Gaither. This edition: Interactive Download,scorch. Christian,Gospel,Sacred. Score. 1 pages. Hal Leonard - Digital #444670. Published by Hal Leonard - Digital (HX.1145867).
$2.99
The Singing Instrumentalist Guitar
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Guitare
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DÉBUTANT
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DaCapo Primary Music
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The Singing Instrumentalist Gu
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DaCapo Primary Music
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educa...
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Guitar - Level 1 - SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educational Method. 131 pages. DaCapo Primary Music #908466. Published by DaCapo Primary Music (A0.1319904). Welcome to The Singing Guitar which is one of the Singing Instrumentalist series of books written for beginners of all instruments.The book gives a selection of entertaining repertoire and a thorough and complete musical experience from the very beginning.It is presented in four sections, each designed to introduce a particular aspect of music making, whilst taking on board instrumental skills. We invite teachers to use The Singing Guitar as they see fit, mixing and matching sections and songs to give a balanced and enjoyable combination of singing, playing an accompaniment, playing the melody, rhythm work, composition and playing duets.The book enables pupils, teachers and parents to make a successful start with the chosen instrument.When the book has been completed, The Singing Guitarist will have developed a clear understanding of the function of notation, an ear that can hear tuning and two parts and also be able to enjoy more dissonance as well as pure harmony. The Singing Guitarist should be well on the way to becoming a ‘Complete Instrumentalist’, which is, coincidentally, the name of the book that follows this one!Jane Cutler Director of DaCapo MusicYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Coming thru the Rye
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Guitare
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional
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Chin Tan
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Coming thru the Rye
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Chin Tan
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1043212 Composed by Traditional. Arranged by Chin Tan. Celtic,Folk,Irish,Traditional. Individual part. 2 pages. Chin Tan...
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Solo Guitar - Level 3 - SKU: A0.1043212 Composed by Traditional. Arranged by Chin Tan. Celtic,Folk,Irish,Traditional. Individual part. 2 pages. Chin Tan #647904. Published by Chin Tan (A0.1043212). 4 variations for classical guitar based on the traditional song. Medium difficulty.
$2.99
David Warin Solomons: Coming Out of the Fog for solo guitar
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Guitare
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David Warin Solomons
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David Warin Solomons: Coming O
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Musik Fabrik Music Publishing
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SheetMusicPlus
Guitar - SKU: A0.1068282 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Full Performance. Duration 237. Musik Fabrik Mus...
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Guitar - SKU: A0.1068282 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Full Performance. Duration 237. Musik Fabrik Music Publishing #3064409. Published by Musik Fabrik Music Publishing (A0.1068282). A descriptive prelude in an extended-tonal style by the English composer. Performed by guitarist Bruce Paine
$1.99
David Warin Solomons: Coming Out of the Fog for solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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David Warin Solomons: Coming O
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Musik Fabrik Music Publishing
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.533897 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fa...
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Solo Guitar - Level 4 - SKU: A0.533897 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Music Publishing #3064407. Published by Musik Fabrik Music Publishing (A0.533897). A descriptive prelude in an extended-tonal style by the English composer.
$7.75
The Guitar Études
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Guitare
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Methodes Etudes
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Apostolos Paraskevas
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The Guitar Études
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Silver Sickle Publications
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SheetMusicPlus
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silve...
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
Études for Solo Guitar
The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the ?manner? of an Étude that deals with specific aspects of guitar techniques and musicianship in general.
These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.
I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.
Titles:
1 with false optimism
2 with moderate sadness
3 with just the two of you
4 with a touch of impatience
5 with a touch of grandeur
6 with a counterpoint attitude
7 with a touch of shame
8 with a touch of boredom
9 going and never coming back
10 with a peaceful anger
11 without the heavy ones
12 without hope
13 without sense of humor
14 with a masculine attitude
15 with two little bears in mind
16 without hesitation
17 with shameless vibrato
18 with a touch of distress
19 without fear of failure
20 with this and that
21 with a kind motion
22 with a rondo attitude
23 with suspense
24 with everything you may have
$22.00
It's All Coming Back To Me Now
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Celine Dion
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Ken Foo
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TAB
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It's All Coming Back To Me Now
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Ken Foo
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1244512 By Celine Dion. By Jim Steinman. Arranged by Ken Foo. Contemporary,Hip-Hop,Pop,R & B,Wedding. Individual part. 4...
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Solo Guitar - Level 4 - SKU: A0.1244512 By Celine Dion. By Jim Steinman. Arranged by Ken Foo. Contemporary,Hip-Hop,Pop,R & B,Wedding. Individual part. 4 pages. Ken Foo #839456. Published by Ken Foo (A0.1244512). Beautiful love song by the one and only Celine Dion.Intermediate Advanced with standard notation & TAB.Check out my score, MP3 sample and YouTube video.
$5.99
Suite for guitar in E minor by J. A. de Logy
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Guitare
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INTERMÉDIAIRE
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Classique
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Jan Antonin de Logy
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Socrates Arvanitakis
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Suite for guitar in E minor by
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 page...
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Solo Guitar - Level 3 - SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but  Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
The Lute Music of Robert Johnson
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Guitare
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Renaissance
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The Lute Music of Robert Johns
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Lute - Multiple Levels - Artist Specific. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30864EB. Published by Mel Bay Publications -...
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Lute - Multiple Levels - Artist Specific. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30864EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459882. 8.75 x 11.75 inches.
Robert Johnson (c. 1583 1633) was the last of the great English lutenists; he served Prince Henry and was later a prominent figure in the court of Charles I. He wrote music for many plays and masques of the time, including several by Shakespeare. Decades after Johnsons death, in a Dialogue between the Author and His Lute within Musicks Monument and the persona of the Lute, writer and lutenist Thomas Mace described John Dowland and Robert Johnson as Two famous men; Great Masters in My Art. Despite such high praise and the fact that much of Johnsons music is well-suited to the guitar, few guitarists play it. This comprehensive collection of solo lute works, transcribed for guitar in standard notation, is an attempt to remedy this shortcoming. It includes music for the beginner as well as the advanced player. The books 23 pieces range from Johnsons delightful almains, galliards, masques and a single coranto to the somber intensity of the pavans and a fantasie. Dropped-D and lowered third-string tuning (F#) are frequently used to better approximate the tuning and range of the 9 or 10-course Renaissance lute.
$9.99
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
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Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
20 Études miniatures
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Guitare
#
Methodes Etudes
#
Adrian Andrei
#
20 Études miniatures
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - SKU: ZZ.DZ-4295 Composed by Adrian Andrei. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4295. Published by Les Productions d'OZ - Digita...
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Guitar - SKU: ZZ.DZ-4295 Composed by Adrian Andrei. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4295. Published by Les Productions d'OZ - Digital (ZZ.DZ-4295). Ce cycle de 20 études pour guitare seule a comme model les ouvrages didactiques de Bela Bartok, telles que For Children ou Mikrokosmos. L’élément commune est l’usage de thèmes provenant du folklore d’enfants, car l’Hongrie et surtout la Roumanie, sont très riche à cet égard. Toutes les chansons (développées) de ce volume sont trouvées dans la musique rituelle d’enfants de mon pays. Les études-miniatures sont des exercices polyphoniques et harmoniques qui seront très utile pour les jeunes guitaristes. Les structures modales donnent une saveur unique a cette partition et invite les musiciens à découvrir une tradition musicale étonnante.This cycle, containing 20 studies for solo guitar is inspired from Bela Bartok’s didactical works, such as For Children or Mikrokosmos. The common element found in his works and mine are the themes coming from the children folk music which are very rich in Hungary and moreover in Romania. All the developed songs I used in this volume are a little part of the ritualic music of the Romanian children. These little studies are polyphonic and harmonic exercises which are very useful for the young guitarists. The modal structures give to this score a unique flavor and invite the musicians to discover an astonishing music tradition.
$9.95
Frank Luther: Christmas Is A-Comin' (May God Bless You) - guitar solo (ChordBuddy system)
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Guitare
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INTERMÉDIAIRE
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Noël
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Frank Luther
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Virtualsheetmusic
Instantly printable sheet music by Frank Luther for guitar solo (ChordBuddy system) of MEDIUM skill level. / christmas,holiday,advent,carol,festival
Instantly printable sheet music by Frank Luther for guitar solo (ChordBuddy system) of MEDIUM skill level. / christmas,holiday,advent,carol,festival
$2.97
Wallpaper Music
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Guitare
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FACILE
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Gregory John Madge
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Gregory John Madge
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Wallpaper Music
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Gregory Madge
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1265015 By Gregory John Madge. By Gregory John Madge. Arranged by Gregory John Madge. 21st Century,Classical. Individual...
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Solo Guitar - Level 2 - SKU: A0.1265015 By Gregory John Madge. By Gregory John Madge. Arranged by Gregory John Madge. 21st Century,Classical. Individual part. 15 pages. Gregory Madge #857857. Published by Gregory Madge (A0.1265015). A 'wallpaper gig'consists of a restaurant or caféhiring a musician to add 'atmosphere' in thebackground as their diners or customers enjoy their refreshments. Musicians spend years preparing concert pieces to amaze and move audiences, but are they always appropriate in the relaxed setting of a café?These ten pieces aim to give the performer repertoire which they can use in these situations. Each piece is written to convey emotion, but not disturb the diner. Structurally, they consist of one or two sections with long harmonic progressions. This should allow the player to repeat each section as many times as they likewithout the audience noticing or becoming bored. I have included suggested structures in the scores, but these are suggestions only. This is true of the tempo markings as well. Feel free to slow the pieces down when a calmer atmosphere is required and the opposite when customers are a little livlier.
$1.99
Walzer
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Guitare
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FACILE
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Zyka, Josef Benedikt
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Nick Lacanski
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Walzer
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theupperstaff
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.647673 Composed by Zyka, Josef Benedikt. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Individua...
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Solo Guitar - Level 2 - SKU: A0.647673 Composed by Zyka, Josef Benedikt. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Individual part. 2 pages. Theupperstaff #2343393. Published by theupperstaff (A0.647673). Take a look at this movement from the Classical era for the upcoming recital.
$3.99
Romance Sans Paroles
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Zurfluh, Auguste
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theupperstaff
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Romance Sans Paroles
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theupperstaff
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.647590 Composed by Zurfluh, Auguste. Arranged by theupperstaff.com. Concert,Instructional,Romantic Period,Standards. Ind...
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Solo Guitar - Level 4 - SKU: A0.647590 Composed by Zurfluh, Auguste. Arranged by theupperstaff.com. Concert,Instructional,Romantic Period,Standards. Individual part. 3 pages. Theupperstaff #2075599. Published by theupperstaff (A0.647590). This is a beautifully romantic and lyrical piece. Romance is perfect for the upcoming recital.
$5.99
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