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2 Cors (duo)
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Euphonium, Piano (duo)
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2 Trombones (duo)
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2 Trompettes (duo)
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Quatuor de cuivres: 4 cors
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Tuba
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Trombone et orchestre
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2 Euphoniums et 2 Tubas
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3 Trombones (trio)
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Cor anglais et Harpe (duo)
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2 Cors Anglais Et Pianoforte
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Trombone basse et Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
48
Violoncelle, Piano
25
Trio à Cordes: violon, alto, violoncelle
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Alto, Piano
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2 Violons (duo)
12
Violon
11
Violon, Violoncelle (duo)
7
Violoncelle
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4 Violoncelles
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2 Violoncelles (duo)
5
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, violoncelle
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2 Contrebasses (duo)
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Violon, Alto (duo)
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Quatuor à cordes: 4 violons
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Piano Trio: Violon, Alto, Piano
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Alto (partie séparée)
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Harpe, Violoncelle (duo)
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Trio à Cordes: 3 violoncelles
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Violon (partie séparée)
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Violon, Clarinette, Piano (trio)
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Violoncelle , Guitare (duo)
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Alto, Violoncelle (duo)
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Quatuor à cordes : 4 altos
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Alto seul
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
62
Ensemble de cuivres
39
Orchestre
36
Orchestre d'harmonie
26
Orchestre de chambre
22
Ensemble Jazz
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Vibraphone
4
Cloches
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Ensemble de Percussions
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Jazz combo
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Marimba
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Batterie
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Piano et Orchestre
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Xylophone
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Vous avez sélectionné:
The Composer\'s Own Press
Guitare
Partitions à imprimer
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1
Le chemin de croix / Labyrinthe
Guitare
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
7.21 €
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinthe
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Les Productions d'OZ - Digital
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SheetMusicPlus
"Barnsley's Garden" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1478018 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1478018 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 4 pages. Keith Gehle #1055382. Published by Keith Gehle (A0.1478018). British born Godfrey Barnsley was determined to construct his home on an acorn shaped hill in northwest Georgia despite being warned by his Cherokee neighbors that the land he chose to build on was sacred and that he would be cursed. He built the Italianate style house anyway and sadly many tragedies followed. One was the death of his close friend Col. Richard G. Earle who was killed by a Union sniper in May of 1864 as he rode in to warn the family of the approach of Sherman’s army. Col. Earle was laid to rest in the garden just steps from the back door. Years later the home was abandoned after the roof was torn off by a tornado… it quickly fell into ruins. Today, the lush English style garden and surroundings (but not the house) have been restored to their previous splendor and the site is frequently used for elegant weddings and social events. This musical impression of Godfrey Barnsley’s enchanted garden was released as a single on streaming platforms in July of 2024. The PDF includes detailed fingerings and interpretation in standard notation with tablature. There’s also a version with TAB available on this site. The accompanying English horn and cello parts are available by request at no charge by contacting the composer directly through his website: www.keithgehle.com
$1.99
1.8 €
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Guitare
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Keith Gehle
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"Barnsley's Garden" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart H…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. Individual part. 3 pages. Fernando Neves #895115. Published by Fernando Neves (A0.1305660). “Fly Me to the Moonâ€, originally titled “In Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatra’s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatra’s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this enchanting melody being interpreted through fingerstyle guitar. The intricate fingerpicking technique could beautifully express the nuances of this timeless tune.Whether you’re a seasoned musician or a beginner, playing “Fly Me to the Moon†on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains score with and without tablature and also includes chords and fingering. 3 pages.
$19.97
18.11 €
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Guitare
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Tony Bennett
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FERNANDO LUIZ NEVES
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Fly Me To The Moon
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Fernando Neves
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SheetMusicPlus
Faith of Our Fathers
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938063 Composed by Text: Frederick…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938063 Composed by Text: Frederick W. Faber - Music: Henri F. Hemy. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #58917. Published by In His Name Music/SESAC (A0.938063). Faith of Our Fathers is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. Faith of Our Fathers is a favorite hymn arranged for solo classical guitar. This hymn is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce an honorable expression of thanks for the faith of our fathers in Christ’s service.
$3.99
3.62 €
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Guitare
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Text: Frederick W
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Bruce J
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Faith of Our Fathers
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In His Name Music/SESAC
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.58 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Achieving Guitar Artistry - Contemporary Baroque Etudes
Guitare
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by Wi…
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Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by William Bay. Achieving Guitar Artistry. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM26EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117549.<br> <br> The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.
$17.99
16.31 €
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Guitare
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William Bay
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Achieving Guitar Artistry - Contemporary Baroque Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
My Savior's Love
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938070 Composed by Charles H. Gabr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938070 Composed by Charles H. Gabriel. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #59053. Published by In His Name Music/SESAC (A0.938070). My Savior’s Love is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. My Savior’s Love is a favorite hymn arranged for solo classical guitar. This hymn is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise for my Savior’s great love for us.
$3.99
3.62 €
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Guitare
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Charles H
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Bruce J
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My Savior's Love
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In His Name Music/SESAC
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SheetMusicPlus
The Love of God
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.946945 Composed by Frederick M. Le…
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Solo Guitar - Level 4 - Digital Download SKU: A0.946945 Composed by Frederick M. Lehman, Meir Ben Isaac Nehorai. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #59101. Published by In His Name Music/SESAC (A0.946945). The Love of God is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. The Love of God is a favorite hymn arranged for solo classical guitar. This hymn is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise for God’s boundless love for us. Frederick M. Lehman; Meir Ben Isaac Nehorai, stanza 3 - Music: Frederick M. Lehman.
$3.99
3.62 €
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Guitare
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Frederick M
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Bruce J
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The Love of God
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In His Name Music/SESAC
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
10.87 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Composer's Desk Reference for the Classic Guitar
Guitare
By Christopher Kachian. For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Pu…
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By Christopher Kachian. For Guitar (Classical). Classic. 76 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744724. Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: Experienced composers with a concern for writing idiomatically for the guitar. Guitarists who are commissioning a work from a composer who has never written for the instrument. Libraries that wish to add this essential sourcebook to their music reference section.The very structure of the book reflects the composer's own intuition by addressing such questions as: How is the guitar constructed? What does successful guitar music look like? How is the guitar played? How does the guitarist interpret music and express emotion? Which musical elements and gestures are most effective? How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.
$17.99
16.31 €
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Guitare
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Christopher Kachian
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Composer's Desk Reference for the Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitare
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.6 €
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Guitare
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
Blind Joe Death
Guitare
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30599EB Composed b…
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30599EB Composed by Andrew Lardner. Adult Contemporary. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30599EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30599EB). ISBN 9781619117198. 8.75x11.75 inches.John Fahey transformed the world of acoustic flat-top steel-string guitar by bringing it to the concert stage as a respected, solo instrument. Blind Joe Death: Volume 1 looks at the important people and genres that shaped him as a composer. This volume focuses on Side 1 of the original 1967 Blind Joe Death LP, a collection of mostly traditional music that was adapted for solo guitar. Hints of Fahey's early influences endured throughout his career as a composer, yet early on, and in Blind Joe Death, a unique voice is coming into focus-one that is not afraid to explore the avant-garde with journeys into collage and expressionism. Six extensively edited solos from Blind Joe Death are included in Volume 1: On Doing an Evil Deed Blues, St. Louis Blues, Poor Boy a Long Ways from Home, Uncloudy Day, John Henry and In Christ There Is No East or West. Within these transcriptions, Andrew Lardner has provided admirers of John Fahey's body of work with the essential keys to launch their own journeys into replicating the sounds and style of Fahey's landmark solos from Blind Joe Death.
$17.99
16.31 €
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Guitare
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Andrew Lardner
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Blind Joe Death
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Adaish Kan Fi Nas
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1235615 By Fayrouz. By Rahbani bro…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1235615 By Fayrouz. By Rahbani brothers. Arranged by Mahmoud Abuwarda. 20th Century,Classical,Contemporary,Folk,Multicultural,World. Individual part. 4 pages. Mahmoud Abuwarda #831126. Published by Mahmoud Abuwarda (A0.1235615). Adaish Kan Fi Nas is a beautiful and beloved Arabic song composed by the renowned Rahabani Brothers, known for their contributions to the genre of Middle Eastern music. Originally performed by the legendary Lebanese singer Fayrouz, the song has become a timeless classic throughout the region, captivating audiences with its poignant melodies and heartfelt lyrics.This arrangement for classical guitar pays homage to the song's rich cultural heritage, showcasing its emotional depth and enduring appeal. Through the intricate and expressive phrasing of the guitar, this rendition of Adaish Kan Fi Nas brings to life the timeless beauty of this beloved Middle Eastern masterpiece. As a composer and guitarist, Mahmoud Abuwarda is always excited to explore the possibilities of combining different musical styles and techniques to create something truly unique and inspiring.Â
$11.49
10.42 €
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Guitare
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Fayrouz
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Mahmoud Abuwarda
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Adaish Kan Fi Nas
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Mahmoud Abuwarda
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SheetMusicPlus
Trois Beaux Oiseaux du Paradis
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3868243. Published by Maggie Creek Music (A0.899132). For solo classical guitar; 2 pp; intermediate difficulty.Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Ravel wrote both music and lyrics for a number of songs including Trois Beaux Oiseaux du Paradis (Three Lovely Birds from Paradise - see below), composed in 1916 while he was posted in the French army during WW1, this at significant physical and mental cost (ref. Wikipedia). Thus the tragic lyrics arise from experience, and the music (Ravel was 40) is typically expressive and uncomplicated with the usual harmonic surprises.Three Lovely Birds from Paradise (English translation)Three lovely birds from Paradise(My beloved has to the fighting gone)Three lovely birds from ParadiseHave flown along this way.The first was bluer than Heaven's blue,(My beloved has to the fighting gone)The second white as the fallen snow,The third was wrapped in bright red glow.'Ye lovely birds from Paradise(My beloved has to the fighting gone)Ye lovely birds from ParadiseWhat bring ye then this way?''I bring to thee a glance of azure(Thy beloved has to the fighting gone)And I on fairest snow white browA fond kiss must leave, yet purer still.''Thou bright red bird from Paradise(My beloved has to the fighting gone)Thou bright red bird from Paradise,What brings thou to me?''A faithful heart all crimson red,(Thy beloved has to the fighting gone)''Ah! I feel my heart glowing cold…Take it also with thee.' Maurice Ravel (1914)
$4.00
3.63 €
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Guitare
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Maurice Ravel
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Rod Whittle
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2 pp
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Trois Beaux Oiseaux du Paradis
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Maggie Creek Music
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SheetMusicPlus
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
38.94 €
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Guitare
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Bryan Johanson and Jesse McCann
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Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
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Les Productions d'OZ - Digital
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SheetMusicPlus
Suite Imaginaria
Guitare
Solo Guitar - Digital Download SKU: A0.962310 Composed by Sergio Roberto de Oliveir…
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Solo Guitar - Digital Download SKU: A0.962310 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Individual part. 14 pages. Sergio Roberto de Oliveira #3037195. Published by Sergio Roberto de Oliveira (A0.962310). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$17.02
15.43 €
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Guitare
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Sergio Roberto de Oliveira
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Suite Imaginaria
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Sergio Roberto de Oliveira
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SheetMusicPlus
Umas coisas do coracao
Guitare
Solo Guitar - Digital Download SKU: A0.962347 Composed by Sergio Roberto de Oliveir…
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Solo Guitar - Digital Download SKU: A0.962347 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Individual part. 9 pages. Sergio Roberto de Oliveira #4794239. Published by Sergio Roberto de Oliveira (A0.962347). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$4.85
4.4 €
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Guitare
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Sergio Roberto de Oliveira
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Umas coisas do coracao
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Sergio Roberto de Oliveira
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SheetMusicPlus
Blue Wizard (guitar)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.971659 Composed by Jeffrey Hoover.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Publications #5793861. Published by Musicart Publications (A0.971659). Blue Wizard is inspired by American Jazz, Blues, and Flamenco traditions. For solo classical guitar, it is 6 minutes in length. The work begins as a Blues, with its familiar twelve-measure form and phrasing, but rapidly moves into a musical fantasy based on five-tone and modal scales heard in jazz. The music continues to travel through a variety of moods, colors, and textures. Ideas return and are transformed. The closing section of Blue Wizard possesses a dancing quality, with a final push to the end. As with other compositions by Jeffrey Hoover, there is an interpretive painting Blue Wizard, painted by the composer.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysite
$9.95
9.02 €
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Guitare
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Jeffrey Hoover
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Blue Wizard
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Musicart Publications
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SheetMusicPlus
Menuet antique
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899153 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899153 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #6019493. Published by Maggie Creek Music (A0.899153). Menuet antique for solo classical guitar 4 ppMaurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. The charming Menuet antique was written for piano in 1895 and orchestrated by Ravel in 1929. This guitar arrangement is of moderate difficulty but I think well worth learning. The music is very expressive, and I have varied tempo and dynamics to enhance that, starting in slow triple time. To my ear the the second part concludes the piece well, so the arrangement does not return to the first ('minuet') part.
$5.00
4.53 €
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Maurice Ravel
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Rod Whittle
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Menuet antique
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Maggie Creek Music
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SheetMusicPlus
An Unexpected Vista (guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.971655 Composed by Jeffrey Hoover.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.971655 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 10 pages. Musicart Publications #5793563. Published by Musicart Publications (A0.971655). An Unexpected Vista is a work for solo guitar by Jeffrey Hoover. Cinematic in quality, the music possesses an expansiveness. While a contemporary work, this composition has been performed effectively on programs that include Classical, Romantic, or 20th-century works. As with other compositions by Hoover, there is an interpretive painting by Hoover that may be projected during the performance if desired. The score in this edition is arranged to be printed double-sided, with correct page turns.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. For more information about his compositions, availability for appearance and festivals, and commissions, please contact him through his website.https://jeffreyhooverart.wixsite.com/mysite
$9.95
9.02 €
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Guitare
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Jeffrey Hoover
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An Unexpected Vista
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Musicart Publications
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SheetMusicPlus
Don't Get Around Much Anymore
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271539 Composed by Bob Russell an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. John Fries #863938. Published by John Fries (A0.1271539). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.
$4.99
4.52 €
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Guitare
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Bob Russell and Duke Ellington
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John Fries
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Don't Get Around Much Anymore
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John Fries
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SheetMusicPlus
"Gymnopedie No. 1" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1361497 Composed by Erik Satie. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1361497 Composed by Erik Satie. Arranged by Keith W. Gehle. 19th Century,Classical,New Age. Individual part. 2 pages. Keith Gehle #945958. Published by Keith Gehle (A0.1361497). The first of three â??Gymnopediesâ? by the French Impressionistic composer Erik Satie, this simple yet compelling piece fits very comfortably on the solo guitar and has been heard in numerous films and TV commercials over the years. It is regarded as an important precursor to modern â??ambient musicâ?. Thereâ??s also a version available with TAB on this site.
$1.99
1.8 €
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Guitare
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Erik Satie
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Keith W
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"Gymnopedie No. 1" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
I Know Whom I Have Believed
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938066 Composed by Daniel W. Whitt…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938066 Composed by Daniel W. Whittle - Music: James McGranahan. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #58925. Published by In His Name Music/SESAC (A0.938066). I Know Whom I Have Believed is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. I Know Whom I Have Believed is a favorite hymn arranged for solo classical guitar. This hymn is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. The first half of this arrangement is in the key of (G) then modulates to the key of (C). The hymn can also simply be played in the key of (G) or (C). Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise for God’s faithfulness in our lives,.
$3.99
3.62 €
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Guitare
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Daniel W
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Bruce J
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I Know Whom I Have Believed
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In His Name Music/SESAC
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SheetMusicPlus
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