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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The First Time
Non classifié
2 256
Piano & claviers
Piano, Voix
2 450
Piano seul
1 130
Piano, Voix et Guitare
262
Piano Facile
231
Instruments en Do
88
Orgue
72
Piano Trio: piano, violon, violoncelle
51
Accompagnement Piano
36
Accordéon
31
1 Piano, 4 mains
27
2 Pianos, 4 mains
18
Piano grosses notes
12
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
4
Piano (partie séparée)
2
2 Pianos, 8 mains
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Guitare
130
Guitare notes et tablatures
106
Ligne De Mélodie, (Paroles) et Accords
57
Ukulele
26
2 Guitares (duo)
20
Paroles et Accords
14
4 Guitares (Quatuor)
13
Basse electrique
11
Mandoline
8
Piano, Guitare (duo)
7
3 Guitares (trio)
5
Guitare (partie séparée)
4
Banjo
4
Mandoline, Guitare (duo)
4
Ensemble de guitares
3
Dulcimer
2
2 Ukuleles
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 178
Chorale 3 parties
135
Chorale 2 parties
87
Chorale Unison
48
Chorale TTBB
44
Chorale SSAA
42
Voix seule
18
Voix Soprano, Piano
18
Pack Instrumental pour Chorale
12
Voix duo, Piano
11
Voix duo
10
Voix moyenne, Piano
8
Voix Baryton, Piano
6
Voix haute
6
Voix Tenor, Piano
5
Voix Alto, Piano
3
Chorale
3
Voix Tenor
2
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Orchestre
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
242
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
179
Flûte traversière et Piano
177
Quintette de Saxophone: 5 saxophones
126
Clarinette et Piano
122
Saxophone, Clarinette (duo)
118
Quatuor de Saxophones: 4 saxophones
118
2 Clarinettes (duo)
117
2 Flûtes traversières (duo)
110
Hautbois, Piano (duo)
110
Saxophone Alto et Piano
96
Clarinette
94
Flûte, Hautbois, Clarinette, Basson
91
Quatuor de Clarinettes: 4 clarinettes
81
Clarinette, Violon (duo)
80
Ensemble de saxophones
80
Clarinette, Trompette (duo)
68
Flûte traversière
65
Saxophone Alto
64
Saxophone Soprano et Piano
63
Saxophone Tenor et Piano
60
Flûte, Clarinette (duo)
58
Ensemble de Clarinettes
51
2 Hautbois (duo)
49
Flûte, Violon
44
Clarinette et Alto
43
Hautbois, Basson (duo)
41
Hautbois, Clarinette (duo)
41
Flûte, Saxophone (duo)
40
Quatuor de Flûtes : 4 flûtes
39
Saxophone Baryton, Piano
39
Ensemble de Flûtes
39
Hautbois (partie séparée)
39
Saxophone Tenor
37
Hautbois, Flûte
35
Cor anglais, Piano
34
Flûte, Trompette (duo)
32
Saxophone (partie séparée)
29
Flûte, Alto (duo)
28
Clarinette Basse, Piano
27
3 Saxophones (trio)
23
Quintette de Clarinettes: 5 clarinettes
20
Quintette de Flûte : 5 flûtes
19
2 Flûte à bec (duo)
15
Trio de Flûtes: 3 flûtes
15
Flûte à bec Soprano
14
Flûte, Violon, Piano
13
3 Clarinettes (trio)
11
Flûte et Guitare
10
Clarinette, Basson (duo)
9
Quatuor de Flûtes à bec
7
Flute (partie séparée)
6
Piccolo, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Hautbois, Clarinette (trio)
5
Flûte à Bec
5
Clarinette, Violoncelle (duo)
5
Flûte, Clarinette et Basson
5
Ocarina
4
3 Flûtes à bec (trio)
4
Cor Anglais
4
Flûte, Hautbois, Basson
3
Flûte, Violoncelle
3
Flûte à Bec, Piano
3
Flûte à bec Tenor
3
Hautbois, Violoncelle
3
Flûte à bec Alto
3
Clarinette, Guitare (duo)
3
Flûte à bec Alto, Basse continue
3
Flûte à bec Soprano, Piano
2
Flûte traversière, Basse continue
2
2 Flûtes traversières, Piano
2
Clarinette (partie séparée)
2
2 Clarinettes, Piano
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois (duo)
2
Flûte irlandaise
2
Saxophone et Orgue
2
Hautbois, violon (duo)
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
Flûte, Basson et Piano
2
Ensemble à vent
2
Hautbois et alto (duo)
2
Flûte, Violon et Violoncelle
2
Saxophone et Guitare
1
2 Saxophones, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Piano
1
Clarinette, Harpe (duo)
1
5 Flûtes à bec
1
Instruments en Mib
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Alto, Piano
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
279
Quatuor de Cuivres : 2 trompettes, trombone, tuba
157
Ensemble de Trompettes
92
Trombone et Piano
83
Trompette, Saxophone (duo)
82
Trompette, Piano
71
Trompette
70
Cor et Piano
66
2 Trombones (duo)
58
2 Trompettes (duo)
57
Euphonium, Piano (duo)
51
Trompette, Trombone (duo)
46
Cor anglais, Piano
34
Trombone
32
Ensemble de Trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Quatuor de Cuivres
27
Cor
27
Trompette (partie séparée)
21
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
15
Quatuor de cuivres: 4 cors
14
Tuba
12
Trombone (partie séparée)
11
2 Cors (duo)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
2 Tubas (duo)
4
Cor Anglais
4
Tuba (partie séparée)
3
3 Trompettes (trio)
3
Cor (partie séparée)
3
Tuba et Orgue
3
2 Euphoniums et 2 Tubas
3
Trompette, Cor (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
4 Tubas
2
Bass Clef Instruments
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
2 Trombones, Piano
1
Instruments en Sib
1
Ensemble de Tubas
1
3 Tubas (trio)
1
3 Cors (trio)
1
Trio de Cuivres
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
336
Violon et Piano
202
Alto, Piano
126
Violoncelle, Piano
125
Violon
110
Violon, Violoncelle (duo)
103
2 Violons (duo)
81
Trio à Cordes: violon, alto, violoncelle
75
Violoncelle
72
2 Violoncelles (duo)
60
Harpe
59
Violon, Alto (duo)
59
2 Altos (duo)
50
Trio à Cordes: 2 violons, violoncelle
36
Alto seul
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violon (partie séparée)
19
Ensemble de Violons
16
Alto (partie séparée)
16
Ensemble d'Altos
14
4 Violoncelles
12
2 Harpes (duo)
10
Contre Basse
10
Trio à cordes: 3 violins
10
Contrebasse (partie séparée)
8
Trio à Cordes: 3 violoncelles
7
Violon, Guitare (duo)
6
Contrebasse, Piano (duo)
6
Quatuor à cordes: 4 violons
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle (partie séparée)
4
Alto, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, alto
2
Violon, Basson (duo)
2
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
2
Violoncelle, Orchestre
2
Violoncelle, Contrebasse (duo)
2
Harpe, Voix
2
Harpe, Trombone (duo)
2
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Trio à cordes
1
Violon, Violoncelle, Clarinette
1
2 Violons, Piano
1
Autoharp
1
Ensemble de Violoncelles
1
Flûte, Contrebasse (duo)
1
Alto et Basson
1
4 Contrebasses
1
4 Harpes
1
3 Harpes
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
681
Orchestre à Cordes
258
Orchestre
153
Ensemble de cuivres
118
Ensemble Jazz
64
Orchestre de chambre
56
Cloches
44
Jazz combo
29
Ensemble de Percussions
12
Batterie
8
Fanfare
8
Batterie (partie séparée)
4
Marimba
4
Percussion (partie séparée)
3
Percussion
2
2 Xylophones
2
Piano et Orchestre
1
2 Marimbas
1
Vibraphone
1
Orchestre, Violon
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
+ 17 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
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The First Time
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126
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
Guitare
Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon M…
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Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
16.59 €
#
Guitare
#
Gordon Mizzi
#
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Flatpickin' the Gospels (For Guitar)
Guitare
Guitar (flatpicking) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.950…
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Guitar (flatpicking) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.95077MEB With ONLINE AUDIO AND VIDEO. Composed by Steve Kaufman. Christian. Gospel/Sacred. E-book and online audio/video. Mel Bay Publications - Digital Sheet Music #95077MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95077MEB). ISBN 9781619115002. 8.75x11.75 inches.In this book three time National Flatpicking Guitar Champion Steve Kaufman presents rousing guitar solos on 24 gospel favorites. Each song is shown with a melody part in notation and tablature, lyrics, an accompaniment part in tablature and a stirring flat- picking solo in notation and tablature. This recording is designed for listening first and second as an instructional tool. All 24 songs are played through three times at least. The first time is as it appears in the book and the two versions that follow are improvised versions. Making this a listening tool and an ear training tool. Recorded Digital to Analog in true stereo sound. This recording can be used with either Flatpickin' the Gospels or Autoharping the Gospels. Includes access to online audio and video.     .
$24.99
23.04 €
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Guitare
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Steve Kaufman
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Intermediate
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Flatpickin' the Gospels
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The First Noel
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316202 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316202 By The Candlelight Guitarist. By Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 3 pages. Geofonica Artistworks #904939. Published by Geofonica Artistworks (A0.1316202). This arrangement of The First Noel is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. The First Noel can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:02 (see timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.76 €
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Guitare
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The Candlelight Guitarist
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Bradley Powell
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The First Noel
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Geofonica Artistworks
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
March Of The Wooden Soldiers
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1149151 By (Various artists). By Peter …
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Guitar - Level 1 - Digital Download SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek Hasted #749280. Published by Derek Hasted (A0.1149151). MARCH OF THE WOODEN SOLDIERS - EASY GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This charming little piece makes a great concert item for a quartet or large ensemble with modest experience - it’s perfect for a school ensemble’s first concert! It’s playable entirely in the first position, and with the exception of an occasional 3rd string G#, works well in the second position. A more experienced quartet might like to take the higher notes further up the neck for a more rounded sound. There are two arrangements here...One is in traditional SATB style - the four lines playing at four different pitches.The second rotates the parts at every phrase boundary so that everyone plays the tune at some point - the line currently holding the tune has a slightly louder dynamic marking. I hope you enjoy these arrangements!
$1.99
1.83 €
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Guitare
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(Various artists)
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Derek Hasted
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March Of The Wooden Soldiers
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Derek Hasted
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SheetMusicPlus
Mountains of Stowe, and The Sky is The Limit
Guitare
Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
1.83 €
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sky is The Limit
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Silver Sickle Publications
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SheetMusicPlus
Timeless Solos for Guitar
Guitare
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
9.21 €
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Guitare
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart H…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. Individual part. 3 pages. Fernando Neves #895115. Published by Fernando Neves (A0.1305660). “Fly Me to the Moonâ€, originally titled “In Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatra’s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatra’s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this enchanting melody being interpreted through fingerstyle guitar. The intricate fingerpicking technique could beautifully express the nuances of this timeless tune.Whether you’re a seasoned musician or a beginner, playing “Fly Me to the Moon†on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains score with and without tablature and also includes chords and fingering. 3 pages.
$19.97
18.41 €
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Guitare
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Tony Bennett
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FERNANDO LUIZ NEVES
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Fly Me To The Moon
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Fernando Neves
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SheetMusicPlus
Variations on a Sentimental Theme
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1488584 Composed by Luiz José Mar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1488584 Composed by Luiz José Maria de Oliveira (1821-1883). Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 12 pages. Rui Namora #1065450. Published by Rui Namora (A0.1488584). Luiz José Maria de Oliveira, a man of many trades, was born in Portugal in 1821.He lived until 1883 in Coimbra, where he was a musician and composer, lithographer, merchant and hairdresser. These Variations on a Sentimental Theme, from his guitar magazine O Conimbricense Armónico published between 1848-49 are one of the rare examples of composition for the 6 string guitar in Portugal during the first half of the 19th century. This fingered and revised edition corrects some minor mistakes in the original. It contains all my research and newly discovered informations about this previously unknown composer.Full bio here
$8.99
8.29 €
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Guitare
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Luiz José Maria de Oliveira
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Rui Namora
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Variations on a Sentimental Theme
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Rui Namora
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SheetMusicPlus
The Complete Chopin Mazurkas
Guitare
Guitar (classical and lute) - Intermediate - Digital Download Fifty-one Mazurkas Newl…
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Guitar (classical and lute) - Intermediate - Digital Download Fifty-one Mazurkas Newly Arranged for Solo Guitar. Composed by Stephen Aron. Solos. Style. E-book and online audio. 256 pages. Mel Bay Publications - Digital Sheet Music #98411MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742898.<br> <br> This collection presents, for the first time, the complete Mazurkas of Frederic Chopin arranged for solo classical guitar. The Mazurka is the only form the composer embraced throughout his lifetime. The distinctive and personal pieces are unimaginably varied and colorful, ranging from brief and vigorous dances to deep and complex extended works. Always achingly melodic and featuring surprising harmonies not evident in his other compositions, the Mazurkas are a true monument to Chopin's genius. These new arrangements were prepared with rigorous fidelity to the originals, while never sacrificing true playability. Careful attention to every detail of execution combined with thorough notes on each piece and the folk dance tradition that inspired them to make this unique offering truly user-friendly. Musically beautiful, idiomatic and accessible, this monumental collection is a breathtaking addition to the guitar repertoire. Written in standard notation only. Includes access to online audio.ISBN 9781609742898.<br> <br> This collection presents, for the first time, the complete Mazurkas of Frederic Chopin arranged for solo classical guitar. The Mazurka is the only form the composer embraced throughout his lifetime. The distinctive and personal pieces are unimaginably varied and colorful, ranging from brief and vigorous dances to deep and complex extended works. Always achingly melodic and featuring surprising harmonies not evident in his other compositions, the Mazurkas are a true monument to Chopin's genius. These new arrangements were prepared with rigorous fidelity to the originals, while never sacrificing true playability. Careful attention to every detail of execution combined with thorough notes on each piece and the folk dance tradition that inspired them to make this unique offering truly user-friendly. Musically beautiful, idiomatic and accessible, this monumental collection is a breathtaking addition to the guitar repertoire. Written in standard notation only. Includes access to online audio.
$27.99
25.8 €
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Guitare
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Stephen Aron
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The Complete Chopin Mazurkas
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The First Chill of Winter
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1155968 Composed by Dale K. Rodger…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1155968 Composed by Dale K. Rodgers. Contemporary,Contest,Festival,Jazz,New Age,Wedding. Individual part. 8 pages. Dale K. Rodgers #756273. Published by Dale K. Rodgers (A0.1155968). Beautiful, pensive, and romantic performance piece for classical or finger-style guitar. Melody and chord progression came about during the first quiet snowfall of a Northern Ohio winter while sitting by the fire. Keys of Em and G Major. Various time signatures ( 4/4 5/4 2/4 3/4 ) Advanced level utilizing the entire fretboard with uncommon chord combinations, harmonics, etc. Two versions are provided; the first in standard notation with extensive fingerings given, and the second which also includes TAB.
$4.99
4.6 €
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Guitare
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Dale K
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The First Chill of Winter
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Dale K. Rodgers
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SheetMusicPlus
Dm Times
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1164883 Composed by Doug Smith. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1164883 Composed by Doug Smith. Classical,Folk,Instructional. Individual part. 6 pages. Doug Smith Guitar Studio #765219. Published by Doug Smith Guitar Studio (A0.1164883). Dm Times is set in the first and second positions in 6/8 time. The rhythmic piece begins with a section of strummed chords that work harmonies off of varying the fingerings to a basic chord pattern. The progression includes some half barres on the first and third frets. A middle section slows the tempo down, and sets a contrasting mood with a melody that moves over the top of a step wise bass line. The piece energetically rerturns to the strumming section and ends in a scalar flourish with lots of slurs to set up the final chords.
$1.99
1.83 €
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Guitare
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Doug Smith
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Dm Times
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Doug Smith Guitar Studio
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SheetMusicPlus
God's Time Is The Very Best Time, BWV 106 by J.S. Bach
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1356074 By Aaron Larget-Caplan. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1356074 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Classical,Early Music,Sacred,Spiritual. Individual part. 4 pages. Aaron Larget-Caplan #940737. Published by Aaron Larget-Caplan (A0.1356074). A beautiful and solemn solo by Johann Sebastian Bach arranged for guitar by award winning composer, arranger, and guitarist Aaron Larget-Caplan.An early cantata, BWV 106 is assumed to have been written as a funeral cantata while Bach was in Mühlhausen, Germany. In the original, two recorders echo each other in the melody. Due to lack of sustain and technical issues, the guitar is unable to copy that effect fully, but the performer should be aware.Arranged for moderate level and above players, the solo is written in Drop D (E string 6 tuned down to D).  Most of the playing is in the first three positions and ornamentation is optional.A note on the history of the work, arrangement, and recording are included, as well as a page for ornament realizations.
$5.00
4.61 €
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Guitare
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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God's Time Is The Very Best Time, BWV 106 by J.S. Bach
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Aaron Larget-Caplan
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SheetMusicPlus
First Times
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.504325 By Ed Sheeran. By David Hod…
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Solo Guitar - Level 2 - Digital Download SKU: A0.504325 By Ed Sheeran. By David Hodges, Ed Sheeran, and Fred Gibson. Arranged by Enrique Rojas. Pop,Wedding. Individual part. 5 pages. Enrique Rojas Music #116144. Published by Enrique Rojas Music (A0.504325). This is a solo guitar fingerstyle arrangement for acoustic guitar. This easy arrangement is ideal for guitarists that would like to include popular music into their repertoire. It uses standard tuning and maximizes open strings to harmonize with the melody.
$4.99
4.6 €
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Guitare
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Ed Sheeran
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Enrique Rojas
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First Times
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Enrique Rojas Music
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SheetMusicPlus
Fiesta Time
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1163980 Composed by Doug Smith. Cl…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1163980 Composed by Doug Smith. Classical,Folk,Instructional. Individual part. 6 pages. Doug Smith Guitar Studio #764334. Published by Doug Smith Guitar Studio (A0.1163980). Fiesta Time offer a hint of Mexico and is set in the first and second positions in the key of A Major. The piece begins with basic chords that are strummed with the index finger. Â The middle section is played at a slower tempo and shaped around a melody that uses a combination of rest strokes and free strokes. Many slurs are used.
$1.99
1.83 €
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Guitare
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Doug Smith
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Fiesta Time
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Doug Smith Guitar Studio
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SheetMusicPlus
The Parlement / Volt
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.948978 By John Dowland. By Anonymo…
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Solo Guitar - Level 1 - Digital Download SKU: A0.948978 By John Dowland. By Anonymous. Arranged by Bisdré Santos. Instructional,Multicultural,Renaissance,Standards,Traditional,World. Individual part. 3 pages. Soul - Musical Creations #6353761. Published by Soul - Musical Creations (A0.948978). From the Dowland manuscript, this piece seems to te based on Kemp's Jig, a popular tune of the time, associated with Will Kemp, the famous English comic actor and dancer. Suggest tempo is brisk. * On the measure 8 is important to release the third finger from the low C at this point to avoid an ugly clash with the upper C#. The change of key is somewhat sudden, but it is helped by stressing the C#. Volt: This very popular piece was untitled in the Dowland manuscript but apears elsewere under the title of Volt or La Volta. It Appears frequently in Italian lute sources and was probably originally Italian. * The only technical problem lies the first two measures, where the change from the second to fifth position should be made evenly and without hurry.
$1.99
1.83 €
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Guitare
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John Dowland
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Bisdré Santos
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The Parlement / Volt
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Soul - Musical Creations
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.68 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.6 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Scoring The Blues
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1313078 Composed by Timothy Royal.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1313078 Composed by Timothy Royal. 21st Century,Blues,Classical. Individual part. 18 pages. Guitaroffice #901914. Published by guitaroffice (A0.1313078). Scoring the Blues by Timothy RoyalThe book is titled ‘Blues’ although one of the pieces may be close to the rock genre.My first Blues book was titled 5 Blues for Classical Guitar (Hampton Music Publishers). ‘Blues No.1’ from that book became popular in the Trinity College of Music Exam Syllabus (Grade Three) for a number of years and to this day is very popular on You Tube. The pieces herein are intended as a follow up to that book.Much time has been spent deliberating the tempo, dynamics and interpretation of these pieces with (note bending, staccato riffs etc). In the end much of these skills must be down to the players’ unique idea of groove.The last two bars of ‘Drum’ may initially present a challenge, however isolating them and with slow practice, you’ll win!
$8.99
8.29 €
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Guitare
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Timothy Royal
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Scoring The Blues
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guitaroffice
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.53 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
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