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5
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43
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32
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1
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80
Trompette
49
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47
Trombone
45
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25
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23
Quatuor de Cuivres
19
Tuba
18
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18
Trompette, Saxophone (duo)
18
2 Trombones (duo)
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Trompette (partie séparée)
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Cor
15
2 Trompettes (duo)
15
Trompette, Trombone (duo)
12
Cor et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba et Piano
9
Cor Anglais
8
Cor anglais, Piano
8
2 Cors (duo)
7
Cor (partie séparée)
6
Ensemble de Trombones
5
2 Tubas (duo)
5
Tuba (partie séparée)
5
Euphonium, Piano (duo)
4
Trompette, Basson (duo)
4
Euphonium
4
3 Trombones (trio)
3
Trompette, Violoncelle (duo)
3
Ensemble de Trompettes
3
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Ensemble de Cors
2
3 Euphoniums
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors, Piano
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4 Tubas
1
Cor anglais, Guitare (duo)
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Trombone basse
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Tuba et Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
116
Violon
54
Violon, Violoncelle (duo)
47
Violon et Piano
42
Harpe
42
Alto, Piano
30
Violoncelle (partie séparée)
28
Trio à Cordes: 2 violons, violoncelle
25
Violoncelle, Piano
24
2 Violoncelles (duo)
22
Violon, Alto (duo)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Violons (duo)
19
Contre Basse
17
2 Altos (duo)
16
Alto seul
14
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
9
Alto (partie séparée)
7
Alto, Violoncelle (duo)
7
Violon (partie séparée)
6
Contrebasse (partie séparée)
5
2 Harpes (duo)
4
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
2 Contrebasses (duo)
4
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
Ensemble d'Altos
2
Ensemble de Violons
2
Trio à Cordes: 3 violoncelles
2
Violon, Basson (duo)
1
Alto et Basson
1
4 Contrebasses
1
Harpe, Voix
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
148
Orchestre
58
Orchestre à Cordes
54
Ensemble Jazz
38
Batterie
33
Ensemble de cuivres
31
Orchestre de chambre
18
Cloches
16
Jazz combo
12
Fanfare
9
Marimba
7
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Xylophone
2
Ensemble de Percussions
2
Xylophone, Piano
2
Caisse Claire
2
Percussion
1
Vibraphone
1
Timbales
1
Piano et Orchestre
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2 Marimbas
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AUTRES
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The Right Time
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'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.38 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.38 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
A Bright Summer Night
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1083293 Composed by Tomas Ericsson…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1083293 Composed by Tomas Ericsson. Classical,Contemporary. Individual part. 3 pages. Tomas Ericsson #687489. Published by Tomas Ericsson (A0.1083293). A Bright Summer Night is a piece of contemporary classical guitar music which I wrote in June 2022, during the brightest time of the year. The level of difficulty is intermediate which means that if you're a beginner it might be too difficult. However many parts of the music is fairly easy, so even if you consider yourself to be at easy intermediate level you could give it a try. Maybe this piece is the one that takes you to the next level! Duration: 2:49 Performing Rights Organization: STIM (Sweden).
$3.00
2.74 €
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Guitare
#
Tomas Ericsson
#
A Bright Summer Night
#
Tomas Ericsson
#
SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.24 €
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Guitare
#
Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
#
SheetMusicPlus
Canto de mi corazon, meditacion, The singing of my heart, meditation
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.978021 Composed by Alfred Feenstra…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.978021 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 8 pages. Alfred Feenstra #4986005. Published by Alfred Feenstra (A0.978021). Here again a very special piece for the classical guitar. Now some years later for me, it feels like a kind of monument.A very intense work, hard labour for the right hand. If it flows well you get in a type of trance and then it has an effect that a meditation piece has.I played it for Leo Brouwer some time ago, with the fear that he would not like it al all. But happily, he judged it, like also my Gabriel piece that I played for, as very positive. The video is recorded in the tower of Benavites with a lot of natural acoustics
$4.50
4.1 €
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Guitare
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Alfred Feenstra
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Canto de mi corazon, meditacion, The singing of my heart, meditation
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Alfred Feenstra
#
SheetMusicPlus
När ljuset återvänder (When the Light Returns)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.999763 Composed by Tomas Ericsson.…
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Solo Guitar - Level 2 - Digital Download SKU: A0.999763 Composed by Tomas Ericsson. Contemporary,Standards. Individual part. 1 pages. Tomas Ericsson #6681269. Published by Tomas Ericsson (A0.999763). Since we've past the darkest time of the year I found the title to be suitable for this short piece.It should be played as described, thoughtfully, with somewhat rubato.Appropriate for schools, students or anyone with some experience of note reading.Duration: 1.50Performing Rights Organization: STIM (Sweden).
$3.00
2.74 €
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Guitare
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Tomas Ericsson
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När ljuset återvänder
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Tomas Ericsson
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SheetMusicPlus
The Offspring : The Kids Aren't Alright (niveau intermédiaire, lead guitar)
Guitare
Téléchargez la tablature et la partition Guitare The Kids Aren't Alrigh…
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Téléchargez la tablature et la partition Guitare The Kids Aren't Alright (niveau intermédiaire, lead guitar) de The Offspring. Tab pour Lead Guitar -- Pop/rock
5.99 €
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Guitare
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The Offspring
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The Kids Aren't Alright
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Tomplay
The Offspring : The Kids Aren't Alright (niveau intermédiaire, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare The Kids Aren't Alrigh…
(+)
Téléchargez la tablature et la partition Guitare The Kids Aren't Alright (niveau intermédiaire, rhythm guitar) de The Offspring. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
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Guitare
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The Offspring
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The Kids Aren't Alright
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Tomplay
The Offspring : The Kids Aren't Alright (niveau très facile, lead guitar)
Guitare
Téléchargez la tablature et la partition Guitare The Kids Aren't Alrigh…
(+)
Téléchargez la tablature et la partition Guitare The Kids Aren't Alright (niveau très facile, lead guitar) de The Offspring. Tab pour Lead Guitar -- Pop/rock
5.99 €
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Guitare
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The Offspring
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The Kids Aren't Alright
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Tomplay
The Offspring : The Kids Aren't Alright (niveau facile/intermédiaire, lead guitar)
Guitare
Téléchargez la tablature et la partition Guitare The Kids Aren't Alrigh…
(+)
Téléchargez la tablature et la partition Guitare The Kids Aren't Alright (niveau facile/intermédiaire, lead guitar) de The Offspring. Tab pour Lead Guitar -- Pop/rock
5.99 €
#
Guitare
#
The Offspring
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The Kids Aren't Alright
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Tomplay
The Offspring : The Kids Aren't Alright (niveau très facile, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare The Kids Aren't Alrigh…
(+)
Téléchargez la tablature et la partition Guitare The Kids Aren't Alright (niveau très facile, rhythm guitar) de The Offspring. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
#
Guitare
#
The Offspring
#
The Kids Aren't Alright
#
Tomplay
The Offspring : The Kids Aren't Alright (niveau facile/intermédiaire, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare The Kids Aren't Alrigh…
(+)
Téléchargez la tablature et la partition Guitare The Kids Aren't Alright (niveau facile/intermédiaire, rhythm guitar) de The Offspring. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
#
Guitare
#
The Offspring
#
The Kids Aren't Alright
#
Tomplay
The Offspring : The Kids Aren't Alright (niveau facile, lead guitar)
Guitare
Téléchargez la tablature et la partition Guitare The Kids Aren't Alrigh…
(+)
Téléchargez la tablature et la partition Guitare The Kids Aren't Alright (niveau facile, lead guitar) de The Offspring. Tab pour Lead Guitar -- Pop/rock
5.99 €
#
Guitare
#
The Offspring
#
The Kids Aren't Alright
#
Tomplay
The Offspring : The Kids Aren't Alright (niveau facile, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare The Kids Aren't Alrigh…
(+)
Téléchargez la tablature et la partition Guitare The Kids Aren't Alright (niveau facile, rhythm guitar) de The Offspring. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
#
Guitare
#
The Offspring
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The Kids Aren't Alright
#
Tomplay
Traditionnel : The Night is Bright (Ночь светла)
Guitare
Téléchargez la tablature et la partition Guitare The Night is Bright (???? ?…
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Téléchargez la tablature et la partition Guitare The Night is Bright (???? ??????) de Traditionnel. Tab pour Guitare seule -- Musique du monde
4.99 €
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Guitare
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Traditionnel
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The Night is Bright
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Tomplay
Traditionnel : The Night is Bright (Ночь светла) (niveau débutant, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare The Night is Bright (???? ?…
(+)
Téléchargez la tablature et la partition Guitare The Night is Bright (???? ??????) (niveau débutant, guitare seule) de Traditionnel. Tab pour Guitare seule -- Musique du monde
4.99 €
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Guitare
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Traditionnel
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The Night is Bright
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Tomplay
Traditionnel : The Night is Bright (Ночь светла) (niveau très facile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare The Night is Bright (???? ?…
(+)
Téléchargez la tablature et la partition Guitare The Night is Bright (???? ??????) (niveau très facile, guitare seule) de Traditionnel. Tab pour Guitare seule -- Musique du monde
4.99 €
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Guitare
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Traditionnel
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The Night is Bright
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Tomplay
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