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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Six
Non classifié
1 555
Piano & claviers
Piano seul
979
Piano Facile
266
Piano, Voix
242
Piano, Voix et Guitare
135
Orgue
126
Instruments en Do
66
1 Piano, 4 mains
32
Piano grosses notes
14
1 Piano, 6 mains
13
Piano Trio: piano, violon, violoncelle
13
Accordéon
10
2 Pianos, 4 mains
6
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
355
Guitare
164
Ligne De Mélodie, (Paroles) et Accords
63
Ukulele
57
Basse electrique
23
2 Guitares (duo)
18
Paroles et Accords
13
Mandoline
7
Ukulele Baryton
5
Banjo
5
Piano, Guitare (duo)
5
3 Guitares (trio)
4
Dulcimer
4
Guitare (partie séparée)
4
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
Ensemble de Ukulélés
2
Ensemble de guitares
1
Partitions De Groupes
1
Basse électrique (partie séparée)
1
Dobro
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
373
Chorale 3 parties
83
Chorale 2 parties
47
Chorale TTBB
43
Chorale Unison
36
Chorale SSAA
25
Voix Soprano, Piano
16
Pack Instrumental pour Chorale
6
Chorale
5
Voix duo, Piano
5
Voix Baryton, Piano
5
Voix seule
4
Voix duo
4
Chorale SSATB
3
Voix Tenor, Piano
3
Chorale SSATTB
3
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
2
Voix Tenor
2
Voix basse, Piano
1
Voix haute
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Voix basse
1
Voix, Guitare
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
137
Flûte traversière et Piano
119
Quatuor de Saxophones: 4 saxophones
105
2 Saxophones (duo)
96
Quatuor de Clarinettes: 4 clarinettes
88
Clarinette et Piano
86
2 Flûtes traversières (duo)
85
Hautbois, Piano (duo)
72
2 Clarinettes (duo)
71
Flûte traversière
59
Saxophone Alto et Piano
53
Flûte, Hautbois, Clarinette, Basson
50
Clarinette
48
Saxophone Tenor et Piano
45
Saxophone Alto
44
Saxophone
43
Saxophone Tenor
40
Quintette de Saxophone: 5 saxophones
38
Quatuor de Flûtes : 4 flûtes
38
Flûte, Violon, Piano
36
Saxophone Soprano et Piano
36
Flûte, Clarinette (duo)
33
Saxophone (partie séparée)
32
Ensemble de Flûtes
31
Saxophone Baryton, Piano
30
3 Clarinettes (trio)
30
3 Saxophones (trio)
26
Ensemble de Clarinettes
25
Cor anglais, Piano
24
Hautbois, Basson (duo)
23
2 Hautbois (duo)
23
2 Flûte à bec (duo)
23
Flûte, Violon
19
Clarinette Basse, Piano
19
Saxophone, Clarinette (duo)
18
Clarinette, Violon (duo)
16
Clarinette, Basson (duo)
15
Flûte, Alto (duo)
15
Ensemble de saxophones
15
Flûte, Hautbois, Clarinette (trio)
15
Clarinette (partie séparée)
15
Flûte et Guitare
14
Hautbois, Clarinette (duo)
14
Clarinette et Alto
12
Trio de Flûtes: 3 flûtes
12
Hautbois (partie séparée)
11
Clarinette, Trompette (duo)
11
Clarinette, Violoncelle (duo)
10
Flûte, Violoncelle
10
Flûte, Clarinette et Basson
8
Quatuor de Flûtes à bec
8
Flûte, Trompette (duo)
7
Saxophone Soprano
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Saxophone (duo)
6
Flûte, Hautbois, Basson
6
Flûte à bec Soprano
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Flûte
6
Hautbois et alto (duo)
5
Hautbois, Violoncelle
5
Flûte à Bec
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Flûtes à bec (trio)
5
Clarinette, Harpe (duo)
5
Hautbois
5
Flûte à bec Alto
4
Ensemble De Flûte à bec
4
Flute (partie séparée)
4
Clarinette, Guitare (duo)
4
2 Flûtes traversières, Piano
4
Hautbois, violon (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle, Piano (trio)
3
2 Clarinettes, Piano
2
Flûte, Alto et Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Harpe et Violoncelle
2
Harmonica
2
Flûte et Trio à cordes
2
Flûte traversière, Basse continue
2
Hautbois, Harpe
2
Clarinette Basse
2
Flûte à bec Alto, Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ocarina
1
3 Hautbois
1
Ensemble de Hautbois
1
Piccolo, Piano
1
5 Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûtes, Basse continue
1
Hautbois, Violon, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Instruments en Mib
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois (duo)
1
Flute, harpe et violon
1
Flûte irlandaise
1
4 Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à bec Tenor
1
+ 99 instrumentations
Retracter
Cuivres
Quatuor de Cuivres
116
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Trombone et Piano
69
Trompette
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette, Piano
43
Cor et Piano
40
Euphonium, Piano (duo)
38
Trombone
36
2 Trombones (duo)
29
2 Trompettes (duo)
26
Cor anglais, Piano
24
Tuba et Piano
23
Ensemble de Trombones
21
Trompette (partie séparée)
19
2 Cors (duo)
17
Cor
17
Trombone (partie séparée)
16
Trompette, Saxophone (duo)
14
Trompette, Trombone (duo)
12
Tuba
10
Quatuor de cuivres: 4 cors
8
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de cuivres: 4 trombones
7
2 Tubas (duo)
6
Cor (partie séparée)
4
Trompette, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
2 Euphoniums (duo)
4
Tuba (partie séparée)
3
Trombone, Cor (duo)
3
Euphonium
3
Tuba et Orgue
3
Trombone basse
3
3 Trombones (trio)
3
4 Tubas
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Tuba (duo)
2
3 Euphoniums
2
Trombone, Tuba (duo)
2
Bass Clef Instruments
2
Cor, Tuba (duo)
2
Trio de Cuivres
2
3 Tubas (trio)
2
Ensemble de Cors
2
2 Cors Anglais Et Pianoforte
2
Quatuor de cuivres: 4 trompettes
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Cor et Harpe
1
Instruments en Sib
1
3 Cors (trio)
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
270
Violon et Piano
149
Violon
94
Violoncelle, Piano
87
Alto, Piano
87
2 Violoncelles (duo)
71
2 Violons (duo)
64
Violoncelle
59
Violon, Alto (duo)
59
Harpe
57
Trio à Cordes: violon, alto, violoncelle
49
2 Altos (duo)
44
Violon, Violoncelle (duo)
43
Alto seul
28
Violon (partie séparée)
24
Contrebasse, Piano (duo)
19
2 Harpes (duo)
16
Alto, Violoncelle (duo)
15
Trio à Cordes: 2 violons, violoncelle
13
Alto (partie séparée)
13
Violoncelle, Contrebasse (duo)
11
Harpe, Flûte (duo)
11
Violon, Guitare (duo)
10
Contrebasse (partie séparée)
8
Contre Basse
8
Violoncelle , Guitare (duo)
6
Violon, Basse continue
5
Trio à Cordes: 3 violoncelles
5
Ensemble de Violoncelles
4
4 Violoncelles
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle (partie séparée)
4
2 Contrebasses (duo)
3
Violon, Basson (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
3
Trio à cordes: 3 altos
3
Alto, Guitare (duo)
2
3 Harpes
2
Quatuor à cordes: 4 violons
2
5 Harpes
2
Ensemble d'Altos
2
Violoncelle, Basse continue
2
Trio à cordes
1
2 Violons et Basse continue
1
Ensemble de Violons
1
Alto et Harpe
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orchestre
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
Harpe, Voix
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
473
Orchestre à Cordes
146
Orchestre
90
Cloches
90
Ensemble de cuivres
88
Orchestre de chambre
52
Ensemble Jazz
30
Batterie
30
Jazz combo
26
Ensemble de Percussions
18
Percussion (partie séparée)
10
Fanfare
8
Marimba
6
Quintette à Vent
3
Batterie (partie séparée)
3
Xylophone, Piano
3
Vibraphone
2
Quintette de Cuivres: autres combinaisons
1
2 Caisses Claires (duo)
1
Caisse Claire
1
2 Xylophones
1
Piano et Orchestre
1
2 Marimbas
1
Timbales (partie séparée)
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
13
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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The Six
Guitare
Partitions à imprimer
164 partitions trouvées
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151
Prelude No 4 in Em (Fire In The Sky)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Simon James
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Prelude No 4 in Em
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DML
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published ...
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Solo Guitar - Level 4 - SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published by DML (A0.1189647). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. This Prelude is based on the use of thirds and sixths on the guitar. These intervals are the easiest to play on guitar and the sweetest sounding though they can still be used dramatically as in this work. The middle section, or B section if you prefer, uses chords with dissonance built into the chord shape and which are also not too difficult to play.
$2.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Erik Satie - Six Gnossiennes and Three Gymnopédies. Arrangement for Classical Guitar.
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Six Gnossiennes a
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Guilherme Facchetti
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1489109 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Classical,Romantic Period,Standards,Tradit...
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Solo Guitar - Level 4 - SKU: A0.1489109 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Classical,Romantic Period,Standards,Traditional. Individual part. 37 pages. Guilherme Facchetti #1065958. Published by Guilherme Facchetti (A0.1489109). This arrangement of the Six Gnossiennes, and Three Gymnopédies for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “Rouart, Lerolle & Cie.” Paris, France. Les Éditions Outremontaises, 2006, Montreal, Canada. And “Edition Peters”, 1986, Leipzig, German.
$27.99
Six Guitar Duets for the development of Sight Reading Intermediate Level
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Guitare
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FACILE
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Dennis Greensmith
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Dennis Greensmith
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Six Guitar Duets for the devel
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Dennis Greensmith
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pages. Dennis Green...
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Solo Guitar - Level 2 - SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pages. Dennis Greensmith #4361477. Published by Dennis Greensmith (A0.954714). Six Spanish and Latin American duets written for finger style guitar for sight reading development at Intermediate level (Trinity College London Grade 3 to 5). I have arranged and written a number of popular Spanish and Latin American songs specifically to help the development of Sight Reading at Intermediate Level - this means you should be able to read and play finger style guitar from Early intermediate levee (Grade 3 Trinity College) or above. In the range Grade 3 to 5 the keys used in sight reading exams are C major/A minor, G Major /E minor (one sharp) and F Major/D Minor (one flat) and this book contains songs using these keys. This verison of the book contains no marking on the music at all except the key and time signature in order to develop sight reading and note recognition skills. Both parts of the duet are written at the same level so you can interchange which part you wish to play. This book will also be made available on the SMP with full supporting information for those players who wish to play the songs as normal notation reading.The audio tracks to listen to the songs can be found at https://www.greensmith.info/duet-and-ensemble-materials/six-duets-for-sight-reading/and further information about other fingers style duets I have written and arranged can be found at https://www.guitarfingers.co.uk
$16.00
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Guitare
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INTERMÉDIAIRE
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Classique
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Gordon Mizzi
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Saints and Fireworks: The Musi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music ...
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Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
South of the Border
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Guitare
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FACILE
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Alison Skarratt
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South of the Border
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Alison Skarratt
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1366987 Composed by Alison Skarratt. Blues,Classical,Film/TV,Holiday. Individual part. 1 pages. Alison Skarratt #951328....
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Solo Guitar - Level 2 - SKU: A0.1366987 Composed by Alison Skarratt. Blues,Classical,Film/TV,Holiday. Individual part. 1 pages. Alison Skarratt #951328. Published by Alison Skarratt (A0.1366987). A rhythmic piece inspired by journeys to visit loved ones in faraway places. This composition features various articulations such as glissandi and harmonics and is suitable for an intermediate player. It requires the sixth string to be dropped to D.
$1.99
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
Ballet a las seis (at six o'clock Ballet )
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Alfred Feenstra, classical gui
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Ballet a las seis
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.977999 Composed by Alfred Feenstra, classical guitarist. 20th Century. Individual part. 3 pages. Alfred Feenstra #498222...
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Solo Guitar - Level 3 - SKU: A0.977999 Composed by Alfred Feenstra, classical guitarist. 20th Century. Individual part. 3 pages. Alfred Feenstra #4982225. Published by Alfred Feenstra (A0.977999). Ballet fantasy, composed for classical guitar by Alfred and played in the Roman theatre of Sagunto in Spain.
$4.00
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
South of the Border
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Guitare
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INTERMÉDIAIRE
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Doug Smith
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South of the Border
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1166208 Composed by Doug Smith. Classical,Folk,Instructional,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #...
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Solo Guitar - Level 3 - SKU: A0.1166208 Composed by Doug Smith. Classical,Folk,Instructional,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #766591. Published by Doug Smith Guitar Studio (A0.1166208). South of ther Border offers a little flavor of Mexico with strummed chords, arpeggios, slurs, some repeated sixteenth notes, a little percussion a turning melodic line set in the first amd second positions in the key of A major.
$1.99
Erik Satie - Six Gnossiennes. Arrangement for Classical Guitar. Score and Tablature.
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Six Gnossiennes.
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Guilherme Facchetti
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1488364 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standard...
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Solo Guitar - Level 4 - SKU: A0.1488364 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standards. Individual part. 24 pages. Guilherme Facchetti #1065253. Published by Guilherme Facchetti (A0.1488364). This arrangement of the Gnossiennes Nº1, 2, 3, 4, 5, and 6 for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. And Les Éditions Outremontaises 2006, Montreal, Canada. This sheet music contain score and tablature.
$19.99
Erik Satie - Six Gnossiennes. Arrangement for Classical Guitar.
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Six Gnossiennes.
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Guilherme Facchetti
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1488755 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standard...
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Solo Guitar - Level 4 - SKU: A0.1488755 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standards. Individual part. 14 pages. Guilherme Facchetti #1065606. Published by Guilherme Facchetti (A0.1488755). This arrangement of the Gnossiennes Nº1, 2, 3, 4, 5, and 6 for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. And Les Éditions Outremontaises 2006, Montreal, Canada.
$19.99
Pieces for six-string guitar. Part 6.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019415 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 205 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019415 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 205 pages. Konstantin Shchenitsyn #3379371. Published by Konstantin Shchenitsyn (A0.1019415). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 12.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019421 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 156 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019421 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 156 pages. Konstantin Shchenitsyn #3379391. Published by Konstantin Shchenitsyn (A0.1019421). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 10.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019419 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 177 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019419 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 177 pages. Konstantin Shchenitsyn #3379383. Published by Konstantin Shchenitsyn (A0.1019419). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 9.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019418 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 162 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019418 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 162 pages. Konstantin Shchenitsyn #3379381. Published by Konstantin Shchenitsyn (A0.1019418). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 4.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019413 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 181 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019413 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 181 pages. Konstantin Shchenitsyn #3379365. Published by Konstantin Shchenitsyn (A0.1019413). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 3.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019412 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 153 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019412 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 153 pages. Konstantin Shchenitsyn #3379363. Published by Konstantin Shchenitsyn (A0.1019412). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 7.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019416 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 182 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019416 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 182 pages. Konstantin Shchenitsyn #3379373. Published by Konstantin Shchenitsyn (A0.1019416). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 11.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019420 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 174 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019420 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 174 pages. Konstantin Shchenitsyn #3379387. Published by Konstantin Shchenitsyn (A0.1019420). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 8.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019417 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 188 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019417 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 188 pages. Konstantin Shchenitsyn #3379379. Published by Konstantin Shchenitsyn (A0.1019417). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part 2.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019411 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 146 pages. Konstantin Shchenitsyn ...
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Solo Guitar - Level 3 - SKU: A0.1019411 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 146 pages. Konstantin Shchenitsyn #3379361. Published by Konstantin Shchenitsyn (A0.1019411). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Pieces for six-string guitar. Part1.
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Guitare
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INTERMÉDIAIRE
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Konstantin Shchenitsyn
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Pieces for six-string guitar.
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1019404 Composed by Konstantin Shchenitsyn. Contemporary,Instructional,Standards. Individual part. 162 pages. Konstantin...
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Solo Guitar - Level 3 - SKU: A0.1019404 Composed by Konstantin Shchenitsyn. Contemporary,Instructional,Standards. Individual part. 162 pages. Konstantin Shchenitsyn #3376971. Published by Konstantin Shchenitsyn (A0.1019404). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
Six Airs
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Guitare
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Fernando Sor
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Six Airs
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Schott Music - Digital
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SheetMusicPlus
Guitar - SKU: S9.Q3539 From Mozart's The Magic Flute. Composed by Fernando Sor. This edition: Sheet music. Downloadable. Schott Music - Digital #...
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Guitar - SKU: S9.Q3539 From Mozart's The Magic Flute. Composed by Fernando Sor. This edition: Sheet music. Downloadable. Schott Music - Digital #Q3539. Published by Schott Music - Digital (S9.Q3539).
$9.99
SIX PRELUDES - Solo Guitar
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Guitare
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INTERMÉDIAIRE
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Contemporain
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LINCOLN BRADY
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SIX PRELUDES - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.803063 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary. Individual part. 16 pages. LINCOLN BRADY #5032465. ...
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Solo Guitar - Level 3 - SKU: A0.803063 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary. Individual part. 16 pages. LINCOLN BRADY #5032465. Published by LINCOLN BRADY (A0.803063). Composed for Solo Guitar in a mainly contemporary tonal/neo-romantic style featuring: - 'Preludio Notturno' - 'Preludio Romantico' - 'Preludio Misterioso' - 'Preludio Molto Ritmico' - 'Preludio Vivo' - 'Preludio Con Amore' Playing standards range from intermediate to advanced. The audio example featured is - 'Preludio Molto Ritmico'.
$9.99
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