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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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FLAMENCO
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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427
PIANO & CLAVIERS
Piano seul
127
Piano Facile
99
Instruments en Do
73
Piano, Voix
69
Piano, Voix et Guitare
44
Orgue
12
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
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GUITARES
Dulcimer
27
Ligne De Mélodie, (Paroles) et Accords
25
Guitare notes et tablatures
20
Guitare
15
Ukulele
6
Basse electrique
6
2 Dulcimers (duo)
4
Mandoline
4
Banjo
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Paroles et Accords
1
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VOIX
Chorale SATB
106
Chorale 3 parties
32
Chorale TTBB
29
Chorale SSAA
24
Chorale 2 parties
16
Voix Soprano, Piano
6
Chorale Unison
5
Voix moyenne, Piano
4
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Voix duo, Piano
2
Voix seule
1
Voix Tenor
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix haute
1
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VENTS
Ensemble de saxophones
27
Saxophone (partie séparée)
18
Quintette de Saxophone: 5 saxophones
17
Saxophone Alto
15
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Quatuor de Saxophones: 4 saxophones
12
Saxophone Alto et Piano
12
Flûte traversière
12
Flûte, Hautbois, Clarinette, Basson
11
Clarinette et Piano
10
Hautbois, Piano (duo)
10
Clarinette
9
Saxophone Tenor et Piano
8
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
6
Saxophone Tenor
5
Ensemble de Flûtes
5
Trio de Flûtes: 3 flûtes
4
Saxophone Soprano et Piano
4
Flûte et Guitare
4
Ensemble de Clarinettes
4
2 Flûtes traversières (duo)
4
Hautbois (partie séparée)
4
2 Clarinettes (duo)
3
Cor anglais, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Soprano
2
Clarinette (partie séparée)
2
Cor Anglais
2
3 Saxophones (trio)
2
Saxophone Baryton, Piano
2
Saxophone, Clarinette (duo)
2
Clarinette, Violon (duo)
2
3 Clarinettes (trio)
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Ocarina
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Flûte à bec Soprano
1
Flûte, Violon
1
Clarinette, Violoncelle (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Flûte
1
2 Hautbois (duo)
1
Harmonica
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette
15
Trombone et Piano
7
Trombone
6
Quatuor de Cuivres
5
Ensemble de Trombones
4
Trompette, Piano
4
Trompette (partie séparée)
3
Tuba et Piano
3
Ensemble de Trompettes
3
Cor et Piano
3
Cor anglais, Piano
3
Cor Anglais
2
Trombone (partie séparée)
2
Tuba
2
Cor (partie séparée)
2
Trompette, Saxophone (duo)
2
Trio de Cuivres
1
2 Tubas (duo)
1
Ensemble de Tubas
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon, Violoncelle (duo)
27
Violon
21
Violon et Piano
15
Violoncelle (partie séparée)
11
Trio à Cordes: 2 violons, violoncelle
10
Violoncelle, Piano
9
Harpe
9
Alto, Piano
6
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
4
Violon, Alto (duo)
3
Violon (partie séparée)
3
Alto seul
3
Violoncelle
2
2 Altos (duo)
2
Ensemble de Violons
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
1
Violoncelle, Orgue
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
4 Contrebasses
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
131
Orchestre
17
Cloches
14
Ensemble Jazz
10
Ensemble de cuivres
9
Orchestre à Cordes
9
Orchestre de chambre
7
Ensemble de Percussions
6
Fanfare
5
Percussion (partie séparée)
4
Jazz combo
3
Vibraphone
2
Batterie
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
The Song Is Ended
Guitare
Partitions à imprimer
15 partitions trouvées
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1
"Wintersong" album for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1411002 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1411002 By Keith Gehle. By Keith W. Gehle. Classical,Contemporary,Folk,New Age. Individual part. 47 pages. Keith Gehle #993372. Published by Keith Gehle (A0.1411002). Wintersong is a collection of 20 original compositions for solo guitar in standard notation ranging from very simple pieces for students (Prelude, Windsong, Contemplation) to more advanced and extended works (Daybreak, Montana, Reverie). This folio offers the classical or fingerstyle guitarist a body of ambient/pastoral pieces with a contemporary “new age†sound. If you’re a fan of Andrew York’s music, give these tunes a listen; you’re sure to find at least a few gems for your concert programs or gigs. Here’s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've bought… very pure acoustic sound. .. beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.The sample MP3 features three pieces: Montana, Kimberly’s Song (starting @ 4:23) and Into the Mist (starting at 6:26). There’s also a version of this collection available with TAB on this site.
$14.99
13.83 €
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Guitare
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Keith Gehle
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"Wintersong" album for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.68 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Classic Arrangements of Vintage Songs for Flatpicking Guitar
Guitare
Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.95744BCDEB…
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Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.95744BCDEB For the Young and Old. Composed by Steve Kaufman. Country. Bluegrass. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95744BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95744BCDEB). ISBN 9781610658782. 8.75x11.75 inches.This book and online audio set was intended for the mature picker who desires great arrangements to the classic songs we hear, sing, and play. Included are great sounding solid songs which are fun to play, but not with those impossible blinding runs. This unique book is also perfect for the beginner who is ready to branch into the intermediate world of guitar. Amazing Grace, Blue Ridge Mountain Blues, When The Roses Bloom In Dixie Land, Georgia Mail, When You And I Were Young Maggie are just a few of the 45 full blown songs in this terrific volume. Lyrics, notation and TAB along with pictures, and performance notes are all included; another must-have from Steve Kaufman. Includes access to online audio.
$19.99
18.45 €
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Guitare
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Steve Kaufman
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Classic Arrangements of Vintage Songs for Flatpicking Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
4 French folk songs for solo guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.575964 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.575964 Composed by Traditional. Arranged by David Warin Solomons. Folk,Standards,World. Individual part. 4 pages. David Warin Solomons #32101. Published by David Warin Solomons (A0.575964). Four simple extended arrangements for classical guitar of folk songs from France: Voici la Toussaint Berceuse Sur le bord du petit bois joli La Vendange The audio sample is an electronic preview.
$9.00
8.31 €
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Guitare
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Traditional
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David Warin Solomons
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4 French folk songs for solo guitar
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David Warin Solomons
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SheetMusicPlus
The 59th Street Bridge Song (feelin' Groovy)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1348389 By Simon And Garfunkel. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348389 By Simon And Garfunkel. By Paul Simon. Arranged by Kim Codo. 20th Century,Classical,Contest,Festival,Folk,Pop. Individual part. 2 pages. Kim Codo #933164. Published by Kim Codo (A0.1348389). This is an intermediate fingerstyle guitar arrangement that's intended to be played at a more moderate groove tempo than the Simon and Garfunkel original. The player needs to maintain a steady medium swing feel (except for the rallentando).
$4.99
4.61 €
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Guitare
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Simon And Garfunkel
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Kim Codo
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The 59th Street Bridge Song
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Kim Codo
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SheetMusicPlus
You've Got A Friend In Me
Guitare
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1044225 By Randy Newman A…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1044225 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Toni Lindgren. Broadway,Children,Film/TV,Musical/Show. Score. 5 pages. Toni Lindgren #648968. Published by Toni Lindgren (A0.1044225). This is a simplified arrangement of the chords to Disney's Toy Story theme by Randy Newman. It's intended for players who are still in the earlier stages of rhythm technique development and are currently focusing on expanding their knowledge of basic open chords. There are no barre chords (with the exception of a small one string barre for the basic F chord) and all the extended voicings of the original song have been removed, but these chords will still function over the original song melody. The score includes these basic open chords, their relevant diagrams, the song lyrics, and notation of the melody, which can be sung over the guitar or played by another instrument.
$4.99
4.61 €
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Guitare
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Randy Newman And Lyle Lovett
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Toni Lindgren
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You've Got A Friend In Me
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Toni Lindgren
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SheetMusicPlus
Spanish Guitar Study
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
1.84 €
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Guitare
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Adelita by Francisco Tárrega
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.910911 Composed by Francisco Tarre…
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Solo Guitar - Level 2 - Digital Download SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Individual part. 1 pages. Zellev Music #6253151. Published by Zellev Music (A0.910911). Adelita is a charming mazurka written by Francisco Tárrega that has been recorded by many famous guitarists.the intended beats per minute of a particular tempo indicator was ambiguous at best. Tárrega could well have intended the tempo to be faster than what we today conceive of as Lento. Therefore, you may choose to play the piece faster than the 60 bpm I've listed, opting for a faster 80–90 in the Andante range.Adelita is deceptively simple. If you are a novice guitarist, you may feel it is within your reach based on hearing the first half of the song. Even if you've mastered barres, upon reaching measures 11 and 12, you may reach an impasse. Playing the slurs fluidly requires a well-developed little finger. Therefore, I recommend not trying to learn the piece until you've developed both comfort with barres and sufficient strength and flexibility in the little finger to play clear hammer-ons and pull-offs.
$2.00
1.85 €
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Guitare
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Francisco Tarrega
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Zellev
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Adelita by Francisco Tárrega
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Zellev Music
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SheetMusicPlus
Havana
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.935134 By Camila Cabello. By Adam …
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Solo Guitar - Level 3 - Digital Download SKU: A0.935134 By Camila Cabello. By Adam Feeney, Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Andrew Wotman, Brandon Perry, Brian Dong Ho Lee, Brian Lee, Brittany Hazzard, Camila Cabello, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, Pharrell, Ramon Ayala, and etc. Arranged by Simon Dawson. Pop. Individual part. 7 pages. Dawson Music UK #5793665. Published by Dawson Music UK (A0.935134). This is an arrangement of Havana by Camila Cabello, feat. Young Thug, for solo classical guitar. Scored in standard notation only, this is a full song arrangement which features an instrumental section in the middle centred around the bass line of the song for a little extra guitar flare. Itâ??s in the key of A minor to lend itself to the natural resonance of the guitar.This version is intended to be played a little slower and more rubato than the original to bring out the expressive qualities of the melody and character within this instrumentation. Although, it can be played faster like the original if preferred. This is an intermediate piece of approximately grade 5-6 level (ABRSM). Follow the link to a full performance on YouTube, or contact me directly for further information at simon@dawsonmusic.co.uk. www.dawsonmusic.co.uk
$4.99
4.61 €
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Guitare
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Camila Cabello
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Simon Dawson
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Havana
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Dawson Music UK
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SheetMusicPlus
Yesterday
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1281463 By The Beatles. By John Le…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1281463 By The Beatles. By John Lennon and Paul McCartney. Arranged by Pedro Abreu. 20th Century,Classical,Pop,Singer/Songwriter,Standards. Individual part. 2 pages. All Music #872806. Published by All Music (A0.1281463). This is a classical guitar arrangement of the song Yesterday by Paul McCartney, created by Pedro Abreu. It is written in C major and is intended for classical guitarists. The arrangement is a beautiful rendition of the classic song and is sure to delight fans of both classical guitar and Paul McCartney's great heritage.
$5.00
4.61 €
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Guitare
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The Beatles
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Pedro Abreu
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Yesterday
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All Music
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SheetMusicPlus
As I Roved Out (Solo Fingerstyle Arrangement)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1437953 By Traditional. By Harriso…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1437953 By Traditional. By Harrison Marsh. Arranged by Harrison Marsh. Celtic,Folk,Irish,Multicultural,Traditional,World. Individual part. 3 pages. Harrison Marsh #1018019. Published by Harrison Marsh (A0.1437953). A Traditional Irish Air arranged for solo fingerstyle guitar. This arrangment is standard tuning also makes an effective extended intro to the song.
$2.50
2.31 €
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Guitare
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Traditional
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Harrison Marsh
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As I Roved Out
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Harrison Marsh
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SheetMusicPlus
Selected Operatic Fantasies of Mertz
Guitare
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.83 €
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Guitare
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Aisatsana
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1277898 By Aphex Twin. By Richard …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1277898 By Aphex Twin. By Richard D James. Arranged by Jonathan Godfrey. 21st Century,Contemporary. Individual part. 3 pages. Jonathan Godfrey #869599. Published by Jonathan Godfrey (A0.1277898). Aphex Twin closes out the monumental 2014 album Syro with the haunting balad Aisatsana, composer Richard James's wife's name spelled backwards. It was originally written for a player piano suspended on a swinging pendelum that created the Doppler Effect for the listener. This swinging would be replaced on the album with the simple yet ethereal atmosphere of bird-song.This guitar arrangement includes fingerings that emphasize the sustain each note, which gives it a lush character that is true to the original. It can be performed on classical or acoustic fingerstyle guitar.
$4.99
4.61 €
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Guitare
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Aphex Twin
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Jonathan Godfrey
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Aisatsana
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Jonathan Godfrey
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SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitare
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95
15.64 €
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Guitare
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Ernesto Garcia de Leon
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Ernesto García de León - 20 Estudios
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Michael Lorimer Editions
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SheetMusicPlus
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