English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
9
Librairie
Musicale
7
Matériel
de Musique
28
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
123
PIANO & CLAVIERS
Piano seul
107
Piano, Voix
57
Piano, Voix et Guitare
31
Piano Facile
6
Piano Trio: piano, violon, violoncelle
4
Orgue
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Instruments en Do
2
1 Piano, 4 mains
2
Piano grosses notes
1
Accompagnement Piano
1
Piano (partie séparée)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
27
Guitare
9
Basse electrique
8
Paroles et Accords
6
Ukulele
3
Guitare (partie séparée)
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare Tab, Voix, Basse, Batterie
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
112
Chorale 2 parties
58
Voix duo, Piano
46
Chorale Unison
32
Chorale 3 parties
17
Chorale TTBB
8
Voix duo
4
Voix basse, Piano
2
Soli, choeur mixte et accompagnement
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
Clarinette et Piano
8
Saxophone (partie séparée)
8
Saxophone Tenor et Piano
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone Alto et Piano
7
Saxophone Soprano et Piano
6
Flûte traversière et Piano
4
Hautbois, Piano (duo)
3
Ensemble de Clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Cor anglais, Piano
2
Clarinette (partie séparée)
2
2 Clarinettes (duo)
2
Ensemble de Flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quatuor de Flûtes : 4 flûtes
1
Clarinette
1
Flute (partie séparée)
1
2 Flûtes traversières (duo)
1
Saxophone Alto
1
3 Saxophones (trio)
1
Flûte, Violon
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone (partie séparée)
6
Trompette (partie séparée)
6
Trombone et Piano
6
Trompette
4
Cor et Piano
3
Trompette, Piano
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
2 Trombones (duo)
2
Cor
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Ensemble de Trombones
2
Trombone
1
Tuba et Piano
1
Cor (partie séparée)
1
3 Trombones (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon et Piano
7
2 Violoncelles (duo)
6
Violoncelle, Piano
5
Alto, Piano
4
Trio à Cordes: violon, alto, violoncelle
3
Harpe
3
Piano Trio: Violon, Alto, Piano
3
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
4 Violoncelles
2
2 Altos (duo)
1
Alto seul
1
Violon
1
Violon, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
66
Batterie
30
Orchestre
19
Ensemble de Percussions
11
Ensemble de cuivres
6
Ensemble Jazz
5
Orchestre de chambre
5
Cloches
5
Percussion (partie séparée)
4
Orchestre à Cordes
3
Fanfare
2
Percussion
1
Timbales (partie séparée)
1
Batterie (partie séparée)
1
Jazz combo
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
The Temple
Guitare
Partitions à imprimer
9 partitions trouvées
<
1
Temple Canyon Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.954901 Composed by Jim Bosse. 20th…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.954901 Composed by Jim Bosse. 20th Century,Concert,Contemporary,Folk. Individual part. 19 pages. Jim Bosse #4403950. Published by Jim Bosse (A0.954901). Temple Canyon Suite is a set of five classical guitar solo pieces inspired by beautiful locations in the Rocky Mountains of Colorado. Performance time for the entire suite is 20 minutes. The pieces work well as individual concert selections or as a suite, ranging in the intermediate to advanced level of performance demand. All five pieces, performed by Jim, may be viewed by logging on to YouTube and searching jimbosseguitar. Individual movement titles are: Domum Relinquenti, Gravia Corde, Restoracio/Temple Canyon, Rock at Beaver Creek, and Mining Camp at Badger Creek. Jim's website is www.facebook.com/jimbosseguitar .
$5.99
5.49 €
#
Guitare
#
Jim Bosse
#
Rocky Mountains of Colorado
#
Temple Canyon Suite
#
Jim Bosse
#
SheetMusicPlus
Temple Canyon Suite
Guitare
Guitar - Digital Download SKU: A0.1070333 Composed by Jim Bosse. 20th Century,Conce…
(+)
Guitar - Digital Download SKU: A0.1070333 Composed by Jim Bosse. 20th Century,Concert,Contemporary,Folk. Full Performance. Duration 1161. Jim Bosse #4404510. Published by Jim Bosse (A0.1070333). Temple Canyon Suite is a set of five pieces for solo classical guitar, inspired by beautiful locations in the Rocky Mountains of Colorado. Individual movement titles are: Domum Relinquenti, Gravia Corde, Restoracio/Temple Canyon, Rock at Beaver Creek, and Mining Camp at Badger Creek. This recording is the composer performing. Videos of this suite, also performed by the composer, can be viewed by logging on to YouTube and searching jimbosseguitar Jim's website is www.facebook.com/jimbosseguitar .
$2.99
2.74 €
#
Guitare
#
Jim Bosse
#
Temple Canyon Suite
#
Jim Bosse
#
SheetMusicPlus
Temple Canyon
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.954918 Composed by Jim Bosse. 20th…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.954918 Composed by Jim Bosse. 20th Century,Concert,Contemporary,Folk. Individual part. 6 pages. Jim Bosse #4571605. Published by Jim Bosse (A0.954918). This is the third movement of Temple Canyon Suite, a set of five classical guitar solo pieces inspired by beautiful locations in the Rocky Mountains of Colorado. Performance time for this piece is 4 minutes 27 seconds. Performance demand is in the intermediate to advanced level. All five pieces, performed by Jim, may be viewed by logging on to YouTube and searching jimbosseguitar. Jim's website is www.facebook.com/jimbosseguitar .
$1.99
1.83 €
#
Guitare
#
Jim Bosse
#
Temple Canyon
#
Jim Bosse
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.62 €
#
Guitare
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Domum Relinquenti and Gravia Corde
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.954917 Composed by Jim Bosse. 20th…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.954917 Composed by Jim Bosse. 20th Century,Concert,Contemporary. Individual part. 8 pages. Jim Bosse #4571585. Published by Jim Bosse (A0.954917). These are the first two movements of Temple Canyon Suite, a set of five classical guitar solo pieces inspired by beautiful locations in the Rocky Mountains of Colorado. Performance time for these two pieces is 7 minutes 33 seconds. These piece project a dark mood. The titles are in Latin and translate to Leaving Home and Heavy Heart. Performance demand is in the intermediate to advanced level. All five pieces, performed by Jim, may be viewed by logging on to YouTube and searching jimbosseguitar. Jim's website is www.facebook.com/jimbosseguitar .
$1.99
1.83 €
#
Guitare
#
Jim Bosse
#
Domum Relinquenti and Gravia Corde
#
Jim Bosse
#
SheetMusicPlus
Sebastian
Guitare
Solo Guitar - Digital Download SKU: A0.980798 Composed by Mark Greer. Christian,Pra…
(+)
Solo Guitar - Digital Download SKU: A0.980798 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, LLC #4807885. Published by The CHOSEN Company, LLC (A0.980798). Dedicated to the life and works of Sebastian Temple, my friend and mentor.
$3.99
3.66 €
#
Guitare
#
Mark Greer
#
Sebastian
#
The CHOSEN Company, LLC
#
SheetMusicPlus
Rock at Beaver Creek
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.954919 Composed by Jim Bosse. 20th…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.954919 Composed by Jim Bosse. 20th Century,Concert,Contemporary,Folk. Individual part. 5 pages. Jim Bosse #4571627. Published by Jim Bosse (A0.954919). This is the fourth movement of Temple Canyon Suite, a set of five classical guitar solo pieces inspired by beautiful locations in the Rocky Mountains of Colorado. Performance time for this piece is 2 minutes 05 seconds. Performance demand is in the intermediate to advanced level. All five pieces, performed by Jim, may be viewed by logging on to YouTube and searching jimbosseguitar. Jim's website is www.facebook.com/jimbosseguitar .
$1.99
1.83 €
#
Guitare
#
Jim Bosse
#
Rock at Beaver Creek
#
Jim Bosse
#
SheetMusicPlus
Mining Camp at Badger Creek
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.954920 Composed by Jim Bosse. 20th…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.954920 Composed by Jim Bosse. 20th Century,Concert,Contemporary,Folk. Individual part. 9 pages. Jim Bosse #4571643. Published by Jim Bosse (A0.954920). This is the final movement of Temple Canyon Suite, a set of five classical guitar solo pieces inspired by beautiful locations in the Rocky Mountains of Colorado. Performance time for this piece is 5 minutes 13 seconds. Performance demand is in the intermediate to advanced level. All five pieces, performed by Jim, may be viewed by logging on to YouTube and searching jimbosseguitar. Jim's website is www.facebook.com/jimbosseguitar .
$1.99
1.83 €
#
Guitare
#
Jim Bosse
#
Mining Camp at Badger Creek
#
Jim Bosse
#
SheetMusicPlus
SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
Guitare
Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay …
(+)
Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay Publications - Digital Sheet Music #30796EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459691. 8.75x11.75 inches.<br> <br> Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.ISBN 9781513459691. 8.75x11.75 inches.<br> <br> Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.
$17.99
16.5 €
#
Guitare
#
SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
