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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
CORNEMUSE
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FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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MANDOLINE
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OCARINA
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SAXOPHONE
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93
PIANO & CLAVIERS
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58
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49
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20
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14
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9
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8
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4
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1
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GUITARES
Guitare notes et tablatures
8
Guitare
7
Banjo
2
Basse electrique
1
Dulcimer
1
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VOIX
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19
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5
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4
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2
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1
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Hautbois, Piano (duo)
11
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7
2 Flûtes traversières (duo)
6
2 Saxophones (duo)
6
Clarinette et Piano
5
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5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte traversière
4
Saxophone Alto et Piano
4
Clarinette
4
Flûte, Clarinette (duo)
3
2 Clarinettes (duo)
3
Hautbois (partie séparée)
2
Saxophone Soprano et Piano
2
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2
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1
Flute, harpe et violon
1
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1
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1
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1
Saxophone Tenor et Piano
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto
1
Saxophone (partie séparée)
1
2 Saxophones, Piano
1
Flûte à Bec
1
Clarinette, Basson (duo)
1
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1
2 Flûtes traversières, Piano
1
Harmonica
1
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CUIVRES
Trompette, Piano
5
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2 Trompettes (duo)
5
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5
Trombone et Piano
3
Trombone
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
2
Trompette, Trombone, Piano
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Trompette, Trombone (duo)
2
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Trombones, Piano
1
2 Tubas (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Cors (duo)
1
Cor et Harpe
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Euphonium, Piano (duo)
1
Tuba
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Trompette, Saxophone (duo)
1
Ensemble de Trombones
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CORDES
Violon et Piano
14
Violoncelle, Piano
11
Quatuor à cordes: 2 violons, alto, violoncelle
8
Alto, Piano
5
Violon, Violoncelle (duo)
5
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
Violon
3
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
Alto, Violoncelle (duo)
1
2 Violons, Piano
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Alto et Basson
1
Harpe, Voix
1
2 Violoncelles, Piano
1
Harpe, Violoncelle (duo)
1
2 Violons (duo)
1
4 Contrebasses
1
4 Violoncelles
1
Alto seul
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
43
Orchestre
7
Cloches
4
Orchestre de chambre
3
Ensemble de cuivres
3
Batterie
1
Orchestre, Violon
1
Marimba
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
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The three sons
Guitare
Partitions à imprimer
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Vivaldi: Spring from 'The Four Seasons'
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.951424 Composed by Antonio Vivaldi…
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Solo Guitar - Level 4 - Digital Download SKU: A0.951424 Composed by Antonio Vivaldi. Arranged by Andrew Howes. Baroque,Standards,World. Individual part. 19 pages. Andrew Howes #6216761. Published by Andrew Howes (A0.951424). A very enjoyable piece to play for guitar ensembles, it lends itself very well to our instrument and provides a satisfying level of technical difficulty and interpretative insight. My own ensemble thoroughly enjoys playing it - only three more movements to transcribe!
$6.00
5.53 €
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Guitare
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Antonio Vivaldi
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Andrew Howes
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Vivaldi: Spring from 'The Four Seasons'
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Andrew Howes
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Julio S Sagreras Guitar Lessons Book 1-3
Guitare
Composed by Julio Sagreras. For Guitar (Classical). Classic. Intermediate. E-book. 128 pag…
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Composed by Julio Sagreras. For Guitar (Classical). Classic. Intermediate. E-book. 128 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741556. The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to Latin American guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book.
$24.99
23.02 €
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Guitare
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Julio Sagreras
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Julio S Sagreras Guitar Lessons Book 1-3
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Lecciones 4-6, Tecnica superior
Guitare
Composed by Julio Salvador Sagreras. Arranged by Michael Savary. Downloadable. Chant…
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Composed by Julio Salvador Sagreras. Arranged by Michael Savary. Downloadable. Chanterelle #Q556031. Published by Chanterelle
English * German.<br> <br> Ever since they were published, these studies, influenced by Aguado, but with an added Latin flavour, have always retained their popularity with pupils and teachers alike. An ideal and natural way of learning the basic skills of the classical guitar. This sequel to the first three lessons includes the demanding "6th Lessons" and the "Tecnica superior".
$34.99
32.23 €
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Guitare
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Julio Salvador Sagreras
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Michael Savary
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Lecciones 4-6, Tecnica superior
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Chanterelle
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SheetMusicPlus
Melody Guitar Book 2: Strings 4-6
Guitare
Guitar - Level 1 - Digital Download SKU: A0.977918 Composed by Tom Godfrey. Instruc…
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Guitar - Level 1 - Digital Download SKU: A0.977918 Composed by Tom Godfrey. Instructional. Educational Method. 92 pages. Tom Godfrey #4822759. Published by Tom Godfrey (A0.977918). The Godfrey Guitar System series includes four Melody Guitar books that focus on melody playing and music reading and three Rhythm Guitar books that focus on chords and accompaniment patterns. Melody Guitar Book 2 picks up where Melody Guitar Book 1, leaves off. You will learn notes on strings 4-6, as well as the minor pentatonic, blues, and chromatic scales as you progress through 160 melodies and exercises. Along the way, you will be introduced to sharps and flats, articulations, musical roadmaps, tempo markings, and much more. Melody Guitar Book 2 also includes several duets that you can play with a friend or a teacher. The Melody Guitar and Rhythm Guitar books together will help you build a solid foundation for any style of music. Visit www.godfreyguitarlessons.com for free supplementary downloads and online lesson information.
$11.00
10.13 €
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Guitare
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Tom Godfrey
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Melody Guitar Book 2: Strings 4-6
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Tom Godfrey
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SheetMusicPlus
Twinkle,Twinkle Little Star For Guitar Trio
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1199999 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1199999 Composed by Traditional. Arranged by Neal Fitzpatrick. Classical,Country,Folk,Jazz,Traditional. 2 pages. Neal Fitzpatrick Editions #798822. Published by Neal Fitzpatrick Editions (A0.1199999). Twinkle,Twinkle Little Star here is arranged for three guitars. This arrangement is in the first position in the familiar key of G Major. The parts are designed so that each participant can switch play each part. This essentially makes it a three-fold learning tool for the students by their being able to play in different registers in the first position and understand the harmonized melody for all perspectives. The student gets a chance to perform the melody and also be part of the accompaniment. Great for schools, group guitar lessons and private studios.
$2.50
2.3 €
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Guitare
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Traditional
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Neal Fitzpatrick
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Twinkle,Twinkle Little Star For Guitar Trio
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Neal Fitzpatrick Editions
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SheetMusicPlus
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