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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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DULCIMER
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FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Think about
Non classifié
155
Piano & claviers
Piano seul
207
Piano, Voix
114
Piano, Voix et Guitare
104
Piano Facile
23
Piano grosses notes
15
Instruments en Do
14
Orgue
8
Accompagnement Piano
2
1 Piano, 4 mains
1
+ 4 instrumentations
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Guitares
Guitare notes et tablatures
21
Ligne De Mélodie, (Paroles) et Accords
9
Guitare
8
Basse electrique
6
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3
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1
Ukulele
1
Mandoline
1
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Chorale SATB
73
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14
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14
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8
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8
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8
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6
Voix Alto, Piano
2
Voix Soprano, Piano
1
Voix duo
1
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1
Chorale
1
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière et Piano
10
2 Saxophones (duo)
7
Saxophone Alto et Piano
7
2 Clarinettes (duo)
5
Clarinette et Piano
5
Clarinette
5
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Saxophones: 4 saxophones
5
Hautbois, Piano (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Soprano et Piano
4
2 Flûtes traversières (duo)
4
Flûte traversière
4
Saxophone Tenor
3
Ensemble de Flûtes
3
Saxophone Alto
3
Saxophone Tenor et Piano
3
Clarinette, Violon (duo)
2
3 Clarinettes (trio)
2
Clarinette, Trompette (duo)
2
Saxophone, Clarinette (duo)
2
Cor anglais, Piano
2
Trio de Flûtes: 3 flûtes
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
3 Saxophones (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano
1
Hautbois, Flûte
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de saxophones
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette (duo)
1
Saxophone Baryton, Piano
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Saxophone (partie séparée)
1
Saxophone Soprano
1
Clarinette Basse, Piano
1
Saxophone et Orgue
1
2 Hautbois (duo)
1
+ 43 instrumentations
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Cuivres
Trombone et Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor et Piano
5
Trompette
4
Trompette, Piano
3
Trombone
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Saxophone (duo)
2
Tuba et Piano
2
Cor anglais, Piano
2
Euphonium, Tuba (duo)
1
Euphonium, Piano (duo)
1
Euphonium
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
10
Violon et Piano
7
Alto, Piano
5
Violoncelle, Piano
5
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
3
Violoncelle
3
Trio à Cordes: 3 violoncelles
2
Violon, Violoncelle (duo)
2
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
2 Altos (duo)
1
Violon, Guitare (duo)
1
2 Violons (duo)
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
17
Batterie
16
Orchestre
16
Orchestre à Cordes
11
Orchestre de chambre
8
Ensemble Jazz
8
Jazz combo
4
Ensemble de Percussions
4
Ensemble de cuivres
3
Fanfare
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
PIANO
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TROMPETTE
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Think about
Guitare
Partitions à imprimer
8 partitions trouvées
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TIENTO PARA UN PENSADOR for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Daniel Cueto
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TIENTO PARA UN PENSADOR for gu
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Daniel Cueto
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401....
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Solo Guitar - Level 4 - SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.
$9.99
Chaconne
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Guitare
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Contemporain
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Adrian Borza
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Chaconne
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Adrian Borza
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SheetMusicPlus
Guitar - SKU: A0.1071448 Composed by Adrian Borza. 20th Century,Contemporary. Full Performance. Duration 411. Adrian Borza #2945703. Published by Adrian...
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Guitar - SKU: A0.1071448 Composed by Adrian Borza. 20th Century,Contemporary. Full Performance. Duration 411. Adrian Borza #2945703. Published by Adrian Borza (A0.1071448). Chaconne gives you a one-of-a-kind music experience, requiring not only to retune a classical guitar, but also to adjust the way you think about microtones. A standard guitar with no extra frets allows a completely different intonation than the twelve-tone equal temperament by producing quarter-tones. Chords will sound in tune on some strings, but this piece would have more out-of-tune notes on other strings.
$1.99
Canario
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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GIOVANNI GIROLAMO KAPSBERGER
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Canario
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Joabe Guilherme Oliveira
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1173858 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme. Baroque,Classical,H...
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Solo Guitar - Level 4 - SKU: A0.1173858 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme. Baroque,Classical,Historic,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #774010. Published by Joabe Guilherme Oliveira (A0.1173858). Transcription and fingering thinking about the campanelas and sound of the theorbo.
$1.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Key West Suite for Two Guitars. In three movements: 1. Seven-Mile Bridge, 2. Bolero del Atardecer,
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Guitare
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AVANCÉ
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Jose Lezcano
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Best wishes, Jose
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Key West Suite for Two Guitars
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Jose Manuel Lezcano
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Publ...
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Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Published by Jose Manuel Lezcano (A0.1009964). Key West Suite was composed in 2013 on commission from the Amaral Duo, Jorge Amaral and Mia Pomerantz. The three movements are inspired by various places in Key West, Florida, where I was serving as an Artist in Residence at the Studios of Key West in June 2013. I'm a Cuban-American born in Havana, and my influences include Cuban popular music (of course), Jazz, and the contrapuntal music of Bach and other Baroque composers. I think you can hear all of that in this piece. Jorge and MIa perform it beautifully on their CD, Key West, which I highly recommend. I'm a member of ASCAP and you can read more about my work and purchase other compositions at these sites. Best wishes, Jose.www.joselezcanocomposer.webs.com
$30.00
Nadir
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Guitare
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #62...
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Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Long Blue Highway
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Guitare
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Robert Dingus-DeVille
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Long Blue Highway
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Robert Dingus-DeVille
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SheetMusicPlus
Solo Guitar - SKU: A0.1025001 Composed by Robert Dingus-DeVille. Country,Pop,Rock. Individual part. 2 pages. Robert Dingus-DeVille #4326019. Published b...
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Solo Guitar - SKU: A0.1025001 Composed by Robert Dingus-DeVille. Country,Pop,Rock. Individual part. 2 pages. Robert Dingus-DeVille #4326019. Published by Robert Dingus-DeVille (A0.1025001). This is a an old-school, Hank Sr., type of country song. It's all about being so hurt and angry that one loses any capability of thinking rationally. Includes both lead sheet and melody score.
$2.99
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