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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Hell
Sheetmusicplus
Non classifié
664
Piano & claviers
Piano seul
506
Piano, Voix et Guitare
195
Piano, Voix
184
Piano Facile
176
Instruments en Do
48
1 Piano, 4 mains
36
Orgue
28
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano grosses notes
9
Accordéon
6
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Accompagnement Piano
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
57
Guitare notes et tablatures
45
Ukulele
28
Guitare
25
Basse electrique
15
2 Guitares (duo)
9
Mandoline
6
Piano, Guitare (duo)
6
Banjo
5
Dulcimer
5
Guitare (partie séparée)
2
Dobro
1
Paroles et Accords
1
Ukulele Baryton
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
224
Chorale 3 parties
69
Pack Instrumental pour Chorale
49
Chorale TTBB
47
Chorale SSAA
40
Chorale 2 parties
34
Chorale Unison
23
Chorale SSATB
4
Voix seule
4
Voix Soprano, Piano
4
Voix haute
2
Chorale SSATTB
2
Voix duo
1
Chorale SSAATB
1
Voix Tenor, Piano
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
62
Saxophone (partie séparée)
58
Flûte traversière
43
Clarinette
38
Saxophone Tenor
37
Saxophone Alto
34
Flûte, Hautbois, Clarinette, Basson
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Hautbois (partie séparée)
26
2 Saxophones (duo)
23
Flûte traversière et Piano
22
Clarinette et Piano
20
Hautbois, Piano (duo)
16
2 Flûtes traversières (duo)
16
Quintette de Saxophone: 5 saxophones
15
Saxophone Alto et Piano
14
2 Flûte à bec (duo)
13
2 Clarinettes (duo)
12
Clarinette (partie séparée)
12
Quatuor de Clarinettes: 4 clarinettes
11
Ensemble de Clarinettes
11
Saxophone Tenor et Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Hautbois
7
Ensemble de Flûtes
7
Quatuor de Flûtes : 4 flûtes
7
Flute (partie séparée)
6
2 Hautbois (duo)
6
Flûte, Clarinette (duo)
6
Flûte à bec Soprano
5
Hautbois, Clarinette (duo)
5
Flûte, Hautbois (duo)
4
Ocarina
4
Saxophone Soprano et Piano
4
Flûte à bec Alto
3
Ensemble de saxophones
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
3 Saxophones (trio)
2
Flûte à bec Alto, Piano
2
Quintette de Flûte : 5 flûtes
2
Harmonica
2
Clarinette, Violon (duo)
2
Flûte à Bec
2
Clarinette et Alto
1
2 Clarinettes, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
Hautbois, Flûte
1
2 Flûtes traversières, Piano
1
Flûte, Violon
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Saxophone
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, trompette et piano
1
Saxophone Baryton, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Trompette (partie séparée)
44
Trompette
44
Trombone
41
Cor
27
Trombone (partie séparée)
26
Tuba
21
Cor et Piano
20
Trompette, Piano
20
Trombone et Piano
15
2 Trompettes (duo)
13
2 Trombones (duo)
11
Euphonium
9
2 Cors (duo)
7
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
6
Trompette, Trombone (duo)
6
3 Trompettes (trio)
6
Tuba et Piano
5
Cor (partie séparée)
4
Trompette, Cor (duo)
4
Quatuor de Cuivres
4
Trompette, Saxophone (duo)
3
Tuba et Orgue
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle et Piano
1
Cor Anglais
1
Ensemble de Trombones
1
3 Trombones (trio)
1
Cor et Harpe
1
Tuba (partie séparée)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
157
Violon et Piano
69
Violon
54
Violoncelle, Piano
52
Alto, Piano
52
Violoncelle
48
Alto seul
28
Harpe
25
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
20
Contrebasse, Piano (duo)
18
2 Violons (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
2 Violoncelles (duo)
12
2 Altos (duo)
9
Contre Basse
8
Alto (partie séparée)
7
Violon, Alto (duo)
7
2 Contrebasses (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violon (partie séparée)
6
4 Violoncelles
3
Contrebasse (partie séparée)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
243
Fanfare
75
Orchestre
29
Ensemble Jazz
28
Orchestre à Cordes
19
Cloches
15
Ensemble de cuivres
14
Orchestre de chambre
10
Batterie
8
Ensemble de Percussions
5
Jazz combo
5
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Xylophone
2
Orchestre, Violon
1
Piano et Orchestre
1
Marimba
1
+ 12 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
Noviscore
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expert
avec audio
avec vidéo
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Vous avez sélectionné:
This Hell
SheetMusicPlus
Partitions à imprimer
25 partitions trouvées
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1
A Special Place (In Hell)
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Guitare
#
Robert Dingus-DeVille
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A Special Place
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Robert Dingus-DeVille
#
SheetMusicPlus
Solo Guitar - SKU: A0.1025003 Composed by Robert Dingus-DeVille. Contemporary,Country,Folk. Individual part. 5 pages. Robert Dingus-DeVille #4332843. Pu...
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Solo Guitar - SKU: A0.1025003 Composed by Robert Dingus-DeVille. Contemporary,Country,Folk. Individual part. 5 pages. Robert Dingus-DeVille #4332843. Published by Robert Dingus-DeVille (A0.1025003). Even the kindest saints among us have had relapses where we imagine consequences in the hereafter for certain people. This is a list of those consequences set to a country gospel melody.
$2.99
Hell's On Fire
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Guitare
#
Rock
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America
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Hell's On Fire
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Hal Leonard - Digital
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SheetMusicPlus
Easy Guitar (no TAB) - SKU: HX.1292299 By America. This edition: scorch. Pop,Rock. Score. 2 pages. Hal Leonard - Digital #254117. Published by Hal Leona...
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Easy Guitar (no TAB) - SKU: HX.1292299 By America. This edition: scorch. Pop,Rock. Score. 2 pages. Hal Leonard - Digital #254117. Published by Hal Leonard - Digital (HX.1292299).
$2.99
Michelle
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Guitare
#
FACILE
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Rock
#
The Beatles
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Christopher J
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Michelle
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1342617 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christopher J. Malin. 20th Century,Chamber,Contem...
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Solo Guitar - Level 2 - SKU: A0.1342617 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christopher J. Malin. 20th Century,Chamber,Contemporary,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #928091. Published by Christopher J. Malin (A0.1342617). Solo jazz guitar chord/melody arrangement with tablature. Beautiful, instantly recognizable melody. One of The Beatles finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I realise there are many arrangments of this great song. Give mine a try...I tend to play this song as a ballad. It's such a beautiful melody no need to rush it. Better to relish it! I love this tune! Hope you will too.
$4.99
Hello, Goodbye
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Guitare
#
Rock
#
The Beatles
#
Hello, Goodbye
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Hal Leonard - Digital
#
SheetMusicPlus
Easy Guitar (no TAB) - Interactive Download SKU: HX.315509 By The Beatles. This edition: Interactive Download,scorch. Pop,Rock. Score. 2 pages. Published...
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Easy Guitar (no TAB) - Interactive Download SKU: HX.315509 By The Beatles. This edition: Interactive Download,scorch. Pop,Rock. Score. 2 pages. Published by Hal Leonard - Digital (HX.315509).
$2.99
Just Tell Her Jim Said Hello
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Guitare
#
Elvis Presley
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Just Tell Her Jim Said Hello
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Hal Leonard - Digital
#
SheetMusicPlus
Easy Guitar (no TAB) - SKU: HX.1291659 By Elvis Presley. This edition: scorch. Gospel,Pop,Rock. Score. 1 pages. Hal Leonard - Digital #440390. Published...
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Easy Guitar (no TAB) - SKU: HX.1291659 By Elvis Presley. This edition: scorch. Gospel,Pop,Rock. Score. 1 pages. Hal Leonard - Digital #440390. Published by Hal Leonard - Digital (HX.1291659).
$2.99
The Open Tuning Chord Book
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Guitare
#
DÉBUTANT
#
Methode : Gammes & Accords
#
Methodes
#
Felix Schell
#
The Open Tuning Chord Book
#
Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Felix Schell. All Styles. E-book. 48 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.98286EB). - e-book - All Styles - Mel Bay Pu...
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Composed by Felix Schell. All Styles. E-book. 48 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.98286EB). - e-book - All Styles - Mel Bay Publications - Digital Sheet Music
ISBN 9781609742478. This book presents a comprehensive guide to guitar chords and scales in the popular G,D,E,A, and D minor tuning. In addition to their application as elementary accompaniment, there is sufficient material here for soloing and improvisation.
$12.99
Élégie
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Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
#
Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Moves Like Jagger
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Guitare
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INTERMÉDIAIRE
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Maroon 5 Featuring Christina A
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TopDots Orchestrations
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Moves Like Jagger
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TopDots Orchestrations
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.496393 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellback. Arranged by...
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Solo Guitar - Level 3 - SKU: A0.496393 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellback. Arranged by TopDots Orchestrations. Contemporary,Pop. Individual part. 15 pages. TopDots Orchestrations #110597. Published by TopDots Orchestrations (A0.496393). Key Gm. NOTE: DOWN 4 SEMITONES FROM ORIGINAL RECORDED KEY Tempo 128bpm Based upon the live recording, this classic song has been faithfully reproduced, playable by an ensemble of 4 rhythm section players, 4 front line players plus singers – lead and group. * Our Professional Arranger series includes parts of the highest quality and are note-for-note accurate to the original recording. All solos are meticulously and faithfully recreated so that bands and ensembles can authentically reproduce the sound of the original. All audio examples are produced ONLY from the musical parts contained in this arrangement. As a professional product, our audio examples do not include the vocal melody of the song. *Additional parts to supplement and augment this arrangement are included in the Educational Edition of this work. Separate Xtra Packs are available for this song. (Also available in keys of Bm and Em).
$4.99
Eyes Closed
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Guitare
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FACILE
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Ed Sheeran
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Enrique Rojas
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Eyes Closed
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Enrique Rojas Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1297191 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Enrique Rojas. Pop,Singer/Song...
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Solo Guitar - Level 2 - SKU: A0.1297191 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Enrique Rojas. Pop,Singer/Songwriter,Wedding. Individual part. 4 pages. Enrique Rojas Music #887270. Published by Enrique Rojas Music (A0.1297191). This is a fingerstyle guitar arrangement to be played as soloist or with accompaniment for the song Eyes Closed by Ed Sheeran. This easy arrangement is ideal for guitarists who would like to include popular music into their repertoire. It uses standard tuning and open chords to maximize open strings to harmonize with the melody. The Key is D Major. Standard tuning and capo on 2nd fret.
$4.99
California Dreamin'
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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The Mamas And The Papas
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Jim Bosse
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California Dreamin'
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.955052 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Jim Bosse. Oldies. Individual par...
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Solo Guitar - Level 4 - SKU: A0.955052 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Jim Bosse. Oldies. Individual part. 4 pages. Jim Bosse #4603195. Published by Jim Bosse (A0.955052). This arrangement is for classical guitar solo with a performance time of 4 minutes. Demand level is advanced intermediate. This arrangement is in a José Feliciano style, and somehow, a Carlos Santana style ending snuck in. Jim's website is www.facebook.com/jimbosseguitar .
$4.99
Ricordi di Ellesponto
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Classique
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Socrates Arvanitakis
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Ricordi di Ellesponto
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1470251 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 6 pages. Socrates Arvanitakis #104799...
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Solo Guitar - Level 3 - SKU: A0.1470251 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 6 pages. Socrates Arvanitakis #1047998. Published by Socrates Arvanitakis (A0.1470251). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata refers to the Hellespont Straits between Europe and Asia.
$3.00
Blank Space
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Guitare
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FACILE
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Pop musique
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Taylor Swift
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Timothy A
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Blank Space
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Helisek Music Publishing
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.745419 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Timothy A. Helisek. Inst...
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Solo Guitar - Level 2 - SKU: A0.745419 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Timothy A. Helisek. Instructional,Pop,Rock. Individual part. 4 pages. Helisek Music Publishing #353376. Published by Helisek Music Publishing (A0.745419). This arrangement of Blank Space by Taylor Swift great for students learning how to read traditional music notation on guitar. It is for beginner or early intermediate guitar and may be played on electric, acoustic or nylon string guitar. It could be played as a solo or as a duet if another guitarist plays the chord accompaniment. For more information on the arranger, Timothy A. Helisek, visit www.timhelisek.com or connect on FaceBook at www.facebook.com/helisekmusic.
$4.99
14 arrangements for guitar solo
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Guitare
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INTERMÉDIAIRE
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Traditional, Jerome Kern
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David Warin Solomons
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14 arrangements for guitar sol
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.577583 Composed by Traditional, Jerome Kern. Arranged by David Warin Solomons. 20th Century,Classical,Folk,World. Indivi...
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Solo Guitar - Level 3 - SKU: A0.577583 Composed by Traditional, Jerome Kern. Arranged by David Warin Solomons. 20th Century,Classical,Folk,World. Individual part. 23 pages. David Warin Solomons #2063603. Published by David Warin Solomons (A0.577583). This album comprises 14 arrangements for guitar solo - each piece is also available separately on this site but this album provides a considerable discount. The sound sample is John Mitchell's performance of Paddywhack variations and the video is my performance of Jermoe Kern's They'll never believe meThe pieces are: Paddywhack variations 4 French Folksongs (Voici la Toussaint, Berceuse, Sur le bord du petit bois joli, La Vendange) Hebridean Love Lilt Morning has broken (Bunessan) Never weather beaten sail Variations on Frère Jacques Variations on Le coq est mort and 4 songs by Jerome Kern: Smoke gets in your eyes They'll never believe me Long ago and far away Can't help loving that man.
$23.00
Moonlight Serenade
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Guitare
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INTERMÉDIAIRE
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Glenn Miller and Mitchell Pari
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Victoria Rose
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Moonlight Serenade
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Victoria Rose
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1073228 Composed by Glenn Miller and Mitchell Parish. Arranged by Victoria Rose. 20th Century,Jazz,Standards. Individual...
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Solo Guitar - Level 3 - SKU: A0.1073228 Composed by Glenn Miller and Mitchell Parish. Arranged by Victoria Rose. 20th Century,Jazz,Standards. Individual part. 3 pages. Victoria Rose #677491. Published by Victoria Rose (A0.1073228). This is a classical guitar finger style arrangement of the Big Band hit, Moonlight Serenade by Glenn Miller. This contains both Standard Notation and TAB and is suitable for Intermediate Guitarists.
$4.99
Heartaches By The Number
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Guitare
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Rock
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Ray Price, Guy Mitchell
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Heartaches By The Number
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Ray Price, Guy Mitchell. This edition: Interactive Download. Country, Pop, Rock. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.297708). - - Co...
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By Ray Price, Guy Mitchell. This edition: Interactive Download. Country, Pop, Rock. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.297708). - - Country,Pop,Rock - Hal Leonard - Digital Sheet Music
$2.99
Clown
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Soul/R&B
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Emeli Sande
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Colin Tommis
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Clown
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Colin Tommis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.961503 By Emeli Sande. By Emeli Sande, Grant Mitchell, and Shahid Khan. Arranged by Colin Tommis. R & B. Individual part...
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Solo Guitar - Level 4 - SKU: A0.961503 By Emeli Sande. By Emeli Sande, Grant Mitchell, and Shahid Khan. Arranged by Colin Tommis. R & B. Individual part. 3 pages. Colin Tommis #4821239. Published by Colin Tommis (A0.961503). This is just one of a large collection of arrangements of popular tunes for advanced classical or acoustic guitar players - or very good intermediate-standard players. In some cases, ideas from the original are developed so that the piece can sustain interest as an instrumental piece. There is no tablature and no chords, just music notation.
$4.99
Sleigh Ride
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Guitare
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Noël
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Mitchell Parish
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Sleigh Ride
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Hal Leonard - Digital
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SheetMusicPlus
Solo Guitar - SKU: HX.343643 By Mitchell Parish. This edition: scorch. Christmas,Holiday,Winter. Individual part. 4 pages. Published by Hal Leonard - Di...
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Solo Guitar - SKU: HX.343643 By Mitchell Parish. This edition: scorch. Christmas,Holiday,Winter. Individual part. 4 pages. Published by Hal Leonard - Digital (HX.343643).
$4.99
Both Sides Now
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Guitare
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Folk Rock
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Rock
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Joni Mitchell
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Both Sides Now
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Hal Leonard - Digital
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SheetMusicPlus
Solo Guitar - SKU: HX.476129 By Joni Mitchell. Edited by Charles Duncan. This edition: scorch. Folk,Pop,Rock. Individual part. 2 pages. Hal Leonard - Di...
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Solo Guitar - SKU: HX.476129 By Joni Mitchell. Edited by Charles Duncan. This edition: scorch. Folk,Pop,Rock. Individual part. 2 pages. Hal Leonard - Digital #262462. Published by Hal Leonard - Digital (HX.476129).
$4.99
Paddywack variations for guitar solo
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Guitare
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INTERMÉDIAIRE
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Traditional
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David Warin Solomons
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Paddywack variations for guita
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.576092 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Individual part. 2 pages. Dav...
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Solo Guitar - Level 3 - SKU: A0.576092 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Individual part. 2 pages. David Warin Solomons #2030523. Published by David Warin Solomons (A0.576092). Variations on the old Irish Jigg tune Paddywhack for classical guitar. The sound sample was performed (sight-read) by John Mitchell A video of this piece can be seen at... http://www.youtube.com/watch?v=x2BrkEReugs.
$7.00
End Credits
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Bruno Coulais
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Eduardo Arantes
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End Credits
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Eduardo Arantes
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.509419 Composed by Bruno Coulais. Arranged by Eduardo Arantes. Film/TV. Individual part. 2 pages. Eduardo Arantes #12025...
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Solo Guitar - Level 4 - SKU: A0.509419 Composed by Bruno Coulais. Arranged by Eduardo Arantes. Film/TV. Individual part. 2 pages. Eduardo Arantes #120259. Published by Eduardo Arantes (A0.509419). Coraline Soundtrack by Bruno Coulais - End Credits Hello, my friends, this is the only arrangement of End Credits for Fingerstyle guitar I've seen in the internet. don't waste time and guarantee your copy now!
$7.00
Milk
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Guitare
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INTERMÉDIAIRE
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Garbage
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Eugene Chernov
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Milk
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Eugene Chernov
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1246100 By Garbage. By Butch Vig, Doug Erickson, Shirley Manson, and Steve Marker. Arranged by Eugene Chernov. 20th Cent...
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Solo Guitar - Level 3 - SKU: A0.1246100 By Garbage. By Butch Vig, Doug Erickson, Shirley Manson, and Steve Marker. Arranged by Eugene Chernov. 20th Century,Pop,Rock. Individual part. 4 pages. Eugene Chernov #840967. Published by Eugene Chernov (A0.1246100). Hello! This is a fingerstyle guitar arrangement of the song Milk from Garbage's debut album. The arrangement is not overly complex, but it captures the wonderful melody and chord progression of the song. Thank you for your support. Enjoy!
$5.00
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