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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Thou Art Love
Non classifié
964
Piano & claviers
Piano, Voix
469
Piano seul
297
Piano, Voix et Guitare
104
Piano Facile
92
Instruments en Do
60
Orgue
36
Accompagnement Piano
11
1 Piano, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Accordéon, Voix
1
Orgue, Trompette (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
20
Piano, Guitare (duo)
13
Basse electrique
10
2 Guitares (duo)
9
Ukulele
8
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
4
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
278
Chorale 3 parties
158
Chorale 2 parties
53
Voix Alto, Piano
35
Chorale TTBB
31
Voix Tenor
27
Chorale SSAA
27
Chorale Unison
25
Voix Soprano
23
Voix Baryton, Piano
21
Voix duo, Piano
14
Voix seule
10
Voix Soprano, Piano
10
Voix haute
8
Voix duo
5
Voix moyenne, Piano
5
Chorale
3
Voix basse, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
1
Voix duo, Orgue
1
Chorale SSATTB
1
Voix Tenor, Piano
1
Chorale SATTBB A Cappella
1
+ 19 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
120
Clarinette et Piano
117
Flûte traversière et Piano
113
Quatuor de Saxophones: 4 saxophones
102
Clarinette
90
Saxophone Alto et Piano
83
Flûte traversière
76
Flûte, Hautbois, Clarinette, Basson
75
Saxophone Alto
68
Saxophone Tenor et Piano
61
Saxophone Tenor
60
Saxophone (partie séparée)
57
2 Saxophones (duo)
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
2 Flûtes traversières (duo)
45
Hautbois (partie séparée)
41
Hautbois
31
Quintette de Saxophone: 5 saxophones
29
2 Clarinettes (duo)
28
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Baryton, Piano
26
Saxophone Soprano et Piano
26
Saxophone, Clarinette (duo)
23
Flûte, Clarinette (duo)
20
Clarinette, Violon (duo)
16
Hautbois, Basson (duo)
16
2 Flûte à bec (duo)
15
Quatuor de Flûtes : 4 flûtes
15
3 Saxophones (trio)
15
3 Clarinettes (trio)
14
2 Hautbois (duo)
13
Saxophone Soprano
13
Clarinette (partie séparée)
12
Hautbois, Clarinette (duo)
12
Clarinette, Trompette (duo)
10
Saxophone Baryton
10
Quintette de Clarinettes: 5 clarinettes
8
Clarinette et Alto
8
Flûte, Trompette (duo)
8
Hautbois, Flûte
8
Ensemble de saxophones
8
Flûte, Saxophone (duo)
8
Clarinette, Basson (duo)
7
Flûte à bec Soprano
7
Flûte, Clarinette et Basson
7
Cor anglais, Piano
7
Ensemble de Clarinettes
6
Quatuor de Flûtes à bec
5
Flûte, Violon
5
Clarinette Basse, Piano
5
Trio de Flûtes: 3 flûtes
5
Flûte, Violon, Piano
5
Flûte et Guitare
5
Flûte irlandaise
4
Flute (partie séparée)
4
Flûte à bec Alto
4
Ensemble de Flûtes
4
Flûte, Basson et Piano
3
Flûte, Alto (duo)
3
Quintette de Flûte : 5 flûtes
3
5 Flûtes à bec
3
Flûte à bec Soprano, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois, Clarinette (trio)
2
Harmonica
2
Flute, harpe et violon
2
Flûte, Alto et Piano
2
Hautbois, Guitare (duo)
2
Saxophone et Guitare
2
Flûte, Hautbois, Basson
2
Flûte, Violon et Violoncelle
2
Cor Anglais
2
3 Hautbois
1
Hautbois, Violoncelle
1
Flûte, Hautbois (duo)
1
Flûte à Bec
1
2 Flûtes à bec, Guitare
1
Ensemble De Flûte à bec
1
Clarinette Basse
1
2 Clarinettes, Piano
1
Clarinette, trompette et piano
1
Clarinette, Harpe (duo)
1
Flûte, trombone et piano
1
2 Saxophones, Piano
1
3 Flûtes à bec (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte et Trio à cordes
1
Flûte, Clarinette, Piano (trio)
1
+ 85 instrumentations
Retracter
Cuivres
Trompette
85
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
78
Trompette, Piano
78
Trombone et Piano
76
Cor et Piano
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Trombone
58
Cor
58
Tuba et Piano
46
Tuba
40
Trompette (partie séparée)
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trombone (partie séparée)
17
2 Trompettes (duo)
17
2 Cors (duo)
16
Quatuor de Cuivres
16
Trompette, Saxophone (duo)
16
Trompette, Trombone (duo)
13
2 Trombones (duo)
10
2 Tubas (duo)
9
Cor anglais, Piano
7
Euphonium, Piano (duo)
5
3 Trombones (trio)
4
Ensemble de Trompettes
4
Tuba (partie séparée)
3
Ensemble de Cors
3
Cor (partie séparée)
3
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
2
Instruments en Sib
2
Euphonium
2
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Trio de Cuivres
2
Cor Anglais
2
3 Trompettes (trio)
1
3 Cors (trio)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone, Piano
1
2 Cors Anglais Et Pianoforte
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
220
Alto, Piano
142
Violon et Piano
141
Violoncelle, Piano
112
Violoncelle
74
Violon, Violoncelle (duo)
60
Violon
58
Alto seul
52
Contre Basse
47
Contrebasse, Piano (duo)
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
2 Violons (duo)
30
Trio à Cordes: violon, alto, violoncelle
27
Trio à Cordes: 2 violons, violoncelle
24
Violon, Alto (duo)
23
Harpe
21
2 Altos (duo)
14
Alto (partie séparée)
13
Contrebasse (partie séparée)
13
2 Violoncelles (duo)
13
Violon (partie séparée)
8
Trio à cordes: 3 violins
8
Trio à Cordes: 3 violoncelles
7
Alto, Violoncelle (duo)
6
2 Contrebasses (duo)
6
4 Violoncelles
6
Harpe, Voix
6
Trio à Cordes: 2 violons, alto
5
Trio à cordes: 3 altos
5
Piano Trio: Violon, Alto, Piano
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
2 Harpes (duo)
3
Violoncelle , Guitare (duo)
3
Alto, Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violoncelle, Contrebasse (duo)
2
Violon, Clarinette, Piano (trio)
2
Violoncelle (partie séparée)
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
2 Violons, Piano
1
Harpe, Violon, Violoncelle
1
3 Harpes
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
123
Orchestre
80
Orchestre à Cordes
60
Ensemble de cuivres
34
Cloches
28
Orchestre de chambre
21
Ensemble Jazz
14
Percussion (partie séparée)
10
Ensemble de Percussions
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Jazz combo
6
Batterie
6
Batterie (partie séparée)
4
Marimba
4
Fanfare
3
Timbales (partie séparée)
2
Xylophone
2
Marimba, Piano (duo)
1
Percussion
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Thou Art Love
Guitare
Partitions à imprimer
31 partitions trouvées
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1
26
A romance without the words "I'm trying to forget you."
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Valery Dzyabenko
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A romance without the words &q
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Valery Dzyabenko
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.978116 Composed by Valery Dzyabenko. Contemporary,Country,Standards,World. Individual part. 6 pages. Valery Dzyabenko #5...
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Solo Guitar - Level 4 - SKU: A0.978116 Composed by Valery Dzyabenko. Contemporary,Country,Standards,World. Individual part. 6 pages. Valery Dzyabenko #5347637. Published by Valery Dzyabenko (A0.978116). A romance without words. Composition for classical guitar in three small parts. Love theme.
$3.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Penthouse Serenade
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Guitare
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AVANCÉ
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Jazz
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Contemporain
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Val Burton and Will Jason
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Christopher J
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Penthouse Serenade
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standard...
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Solo Guitar - Level 5 - SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #935289. Published by Christopher J. Malin (A0.1350480). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful melody. I think this one will make you a cut above the rest! A challenging but fullfilling piece of jazz music. This piece makes you stand out as a solo jazz guitarist of all idioms. This is for the chord expert. There are 44 different chords in this piece! Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This was on of Nat King Cole's signature pieces.I love this tune! Hope you will too.
$4.99
Fantasy on a Mozart Theme
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Guitare
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INTERMÉDIAIRE
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Classique
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Cree...
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Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
Love Hurts
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Guitare
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DÉBUTANT
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Contemporain
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Ernesto Nazareth
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Derek Hasted
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Love Hurts
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.797695 By Ernesto Nazareth. By Boudleaux Bryant. Arranged by Derek Hasted. 20th Century,Classical. 15 pages. Derek Hasted #35...
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Guitar - Level 1 - SKU: A0.797695 By Ernesto Nazareth. By Boudleaux Bryant. Arranged by Derek Hasted. 20th Century,Classical. 15 pages. Derek Hasted #3550449. Published by Derek Hasted (A0.797695). LOVE HURTS - GUITAR QUARTET/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This gloriously punchy piece has been performed by The Everly Brothers, Jim Capaldi, Roy Orbison and many more!I originally arranged this for my Guitar Workshop and it’s proved a real crowd pleaser at concerts, being easy, upbeat and well-known. The parts lock together securely and even an inexperienced ensemble can play this without a conductor. Yes, this really has been tried and tested in concert many times!A more experienced ensemble will enjoy playing this in a full-length concert - it offers a rewarding sound for little effort and takes away some of the pressure that comes from playing a varied concert!I hope you enjoy performing this piece!
$4.99
20 Greatest Hymns for Solo Guitar
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Guitare
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FACILE
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Various
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B
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20 Greatest Hymns for Solo Gui
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Ben Dockery
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1093821 Composed by Various. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Individual part. 23 pages. Ben Doc...
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Solo Guitar - Level 2 - SKU: A0.1093821 Composed by Various. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Individual part. 23 pages. Ben Dockery #697906. Published by Ben Dockery (A0.1093821). These classic hymns have been arranged for guitar solo or duet: melody with chords. Easy enough for early-intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our God, All Hail the Power of Jesus' Name, Amazing Grace, Be Thou My Vision, Blessed Assurance, Come, Thou Fount of Every Blessing, Come, Thou Long-Expected Jesus, He Leadeth Me, Holy, Holy, Holy, How Great Thou Art, It Is Well With My Soul, Jesus Paid It All, Jesus Loves Me, Just As I Am, Love Divine, All Loves Excelling, My Hope Is Built On Nothing Less, O For A Thousand Tongues To Sing, Rock Of Ages, To God Be The Glory, What A Friend We Have In Jesus.
$7.99
A Man Without Love (quando M'innamoro)
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Guitare
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FACILE
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Classique
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Engelbert Humperdinck
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Sergio Vettore
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A Man Without Love
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Sergio Vettore
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.934297 By Engelbert Humperdinck. By D. Pace, M. Panzeri, and R. Livraghi. Arranged by Sergio Vettore. Romantic Period. I...
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Solo Guitar - Level 2 - SKU: A0.934297 By Engelbert Humperdinck. By D. Pace, M. Panzeri, and R. Livraghi. Arranged by Sergio Vettore. Romantic Period. Individual part. 4 pages. Sergio Vettore #6854521. Published by Sergio Vettore (A0.934297). Engelbert Humperdinck a man without love easy arrangements for guitar duet.
$4.99
THE ENLIGHTMENT OF LOVE
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Guitare
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FACILE
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Gilbert Piger
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THE ENLIGHTMENT OF LOVE
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GJP Productions
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1018767 Composed by Gilbert Piger. Contemporary,World. Individual part. 3 pages. GJP Productions #2081507. Published by ...
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Solo Guitar - Level 2 - SKU: A0.1018767 Composed by Gilbert Piger. Contemporary,World. Individual part. 3 pages. GJP Productions #2081507. Published by GJP Productions (A0.1018767). Very expressive, was set aside for many years as a pencil in title of 'movie theme'. After some thought I finally settled on the title the enlightment of love.
$6.49
Love Really Hurts Without You
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Guitare
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INTERMÉDIAIRE
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Pop musique
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Billy Ocean
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Michael Storeton-West
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Love Really Hurts Without You
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Kicker Productions Ltd.
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1041640 By Billy Ocean. By Ben Findon and Les Charles. Arranged by Michael Storeton-West. Pop. Individual part. 3 pages....
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Solo Guitar - Level 3 - SKU: A0.1041640 By Billy Ocean. By Ben Findon and Les Charles. Arranged by Michael Storeton-West. Pop. Individual part. 3 pages. Kicker Productions Ltd. #646403. Published by Kicker Productions Ltd. (A0.1041640). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$4.99
Song Without Words No.2 (for 2 guitars)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Robin Hill
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Song Without Words No.2
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Robin Hill
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.890017 Composed by Robin Hill. 20th Century,Concert,Holiday,Love,Standards. Individual part. 16 pages. Robin Hill #35789...
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Solo Guitar - Level 4 - SKU: A0.890017 Composed by Robin Hill. 20th Century,Concert,Holiday,Love,Standards. Individual part. 16 pages. Robin Hill #3578963. Published by Robin Hill (A0.890017). Virtuosic and lyrical piece for two guitars (theme from 'Concerto Primavera').
$5.99
Trois Beaux Oiseaux du Paradis
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Maurice Ravel
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Rod Whittle
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2 pp
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Trois Beaux Oiseaux du Paradis
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3...
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Solo Guitar - Level 3 - SKU: A0.899132 Composed by Maurice Ravel. Arranged by Rod Whittle. Contemporary. Individual part. 2 pages. Maggie Creek Music #3868243. Published by Maggie Creek Music (A0.899132). For solo classical guitar; 2 pp; intermediate difficulty.Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music, including the Concerto, shows his love of the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Ravel wrote both music and lyrics for a number of songs including Trois Beaux Oiseaux du Paradis (Three Lovely Birds from Paradise - see below), composed in 1916 while he was posted in the French army during WW1, this at significant physical and mental cost (ref. Wikipedia). Thus the tragic lyrics arise from experience, and the music (Ravel was 40) is typically expressive and uncomplicated with the usual harmonic surprises.Three Lovely Birds from Paradise (English translation)Three lovely birds from Paradise(My beloved has to the fighting gone)Three lovely birds from ParadiseHave flown along this way.The first was bluer than Heaven's blue,(My beloved has to the fighting gone)The second white as the fallen snow,The third was wrapped in bright red glow.'Ye lovely birds from Paradise(My beloved has to the fighting gone)Ye lovely birds from ParadiseWhat bring ye then this way?''I bring to thee a glance of azure(Thy beloved has to the fighting gone)And I on fairest snow white browA fond kiss must leave, yet purer still.''Thou bright red bird from Paradise(My beloved has to the fighting gone)Thou bright red bird from Paradise,What brings thou to me?''A faithful heart all crimson red,(Thy beloved has to the fighting gone)''Ah! I feel my heart glowing cold…Take it also with thee.' Maurice Ravel (1914)
$4.00
"Be Thou My Vision" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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Keith Gehle
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"Be Thou My Vision"
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1420186 By Keith Gehle. By Keith W. Gehle. Celtic,Irish,New Age,Religious,Sacred,Wedding. Individual part. 3 pages. Keit...
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Solo Guitar - Level 3 - SKU: A0.1420186 By Keith Gehle. By Keith W. Gehle. Celtic,Irish,New Age,Religious,Sacred,Wedding. Individual part. 3 pages. Keith Gehle #1001604. Published by Keith Gehle (A0.1420186). Variations on an Irish Theme (Be Thou My Vision) was recorded as part of Keith’s album of 20 original guitar solos entitled Wintersong released in 2002.. The opening theme is followed by three variations and includes detailed fingerings in standard notation. There’s also a version available with TAB on this site. This ancient Irish melody can serve as a beautiful interlude during church services, gigs or wedding ceremonies. Here’s what one listener wrote of Wintersong:As a classical guitarist, I'm always on the lookout for new compositions. I have scoured the internet looking for new guitar music and Keith's Winter Song is the best thing I have seen in a year. If you like the sound of soothing classical guitar, I know you will like listening to this CD. If you’re a guitarist, I highly recommend buying the book of sheet music from Keith's website. I play at least a half dozen of these pieces at my gigs and I just love them. They range from easy to advanced intermediate in difficulty. I can't wait for Keith's next CD Songs of December which will be out for the holiday season!- Larry B.
$2.99
Fly Me To The Moon (in Other Words)
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Guitare
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FACILE
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Tony Bennett
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FERNANDO LUIZ NEVES
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Fly Me To The Moon
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Fernando Neves
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1305660 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. In...
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Solo Guitar - Level 2 - SKU: A0.1305660 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. Individual part. 3 pages. Fernando Neves #895115. Published by Fernando Neves (A0.1305660). “Fly Me to the Moonâ€, originally titled “In Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatra’s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatra’s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this enchanting melody being interpreted through fingerstyle guitar. The intricate fingerpicking technique could beautifully express the nuances of this timeless tune.Whether you’re a seasoned musician or a beginner, playing “Fly Me to the Moon†on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains score with and without tablature and also includes chords and fingering. 3 pages.
$19.97
2018 Holiday Contest Entry, "Away in a Manger"
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Guitare
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INTERMÉDIAIRE
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Noël
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James R
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R
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2018 Holiday Contest Entry, &q
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ralph scott carrier
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual ...
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Solo Guitar - Level 3 - SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual part. 2 pages. Ralph scott carrier #3680995. Published by ralph scott carrier (A0.924177). The beloved Away in a Manger, known to children from two years of age and up. In the key of D (major,) a simple and well known melody. Note: Although I do consider this a simple little song, any thought that this is an unusually easy guitar arrangement would be a mistake. This is, in fact, a rather challenging arrangement, especially the way I have tabbed it. Measures 6 - 9 are particularly difficult. If you can find an easier way to finger it, more power to you. Some contradictory information has been found regarding the attribution of the opus. Some have suggested it was from Martin Luther (himself,) but others have said it was written for his 400th anniversary. But the hymn book I found it in (to copy the lyrics) attributes it to a James R. Murray, so I have also given him credit. It was first published in 1884, in any event.
$1.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
All My Loving
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Guitare
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FACILE
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The Beatles
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Artur Freire
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All My Loving
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MP Sheet Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Rock,Wedding. Indi...
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Solo Guitar - Level 2 - SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Rock,Wedding. Individual part. 2 pages. MP Sheet Music #1049894. Published by MP Sheet Music (A0.1472193). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.
$4.99
Sweet Caroline
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Guitare
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INTERMÉDIAIRE
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Neil Diamond
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Dan Jones www
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Sweet Caroline
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 5...
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Guitar - Level 3 - SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 55 pages. DanJonesGuitarist #811570. Published by DanJonesGuitarist (A0.1214983). Sweet Caroline - by Neil DiamondArranged for Guitar Quartet (with Optional Bass Guitar) by Dan Joneswww.danjonesguitarist.comThis arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.Sweet Caroline was released as a single by Neil Diamond in 1969. It enjoyed immediate chart success in the US, and further success in the UK in 1971. In recent years, it has had a resurgence in popularity, as it has been sung by supporters at sporting events due to its epic, stadium-rock quality. It is therefore much-known and loved by audiences of all generations.This arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.For a wealth of arrangements for guitar in ensemble or solo, writings, original works, teaching material, compositions and much more, please visit www.danjonesguitarist.com
$7.95
Melodia De Amor
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Guitare
#
INTERMÉDIAIRE
#
Latin/Musique du monde
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John Rubino
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Melodia De Amor
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John Gavin
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1030998 Composed by John Rubino. Latin. Individual part. 2 pages. John Gavin #2119253. Published by John Gavin (A0.10309...
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Solo Guitar - Level 3 - SKU: A0.1030998 Composed by John Rubino. Latin. Individual part. 2 pages. John Gavin #2119253. Published by John Gavin (A0.1030998). This piece was a recently composed, it touches upon the love we share with our loved ones. I would suggest playing this piece with your own stylistic preferences. This piece would also be perfect for an intermediate level guitar student. As the melody and bass fingerings are very simple. Tab version will be released soon! Duration- 2:15 If you have any questions, input or ideas you can email me at: john.rubino87@gmail.com I would love you hear your thoughts!
$1.99
SPITTOON JUNE
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Guitare
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FACILE
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Country
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Darlene Fedele
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SPITTOON JUNE
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Darlene Fedele
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.982962 Composed by Darlene Fedele. Country. Individual part. 14 pages. Darlene Fedele #2076313. Published by Darlene Fed...
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Solo Guitar - Level 2 - SKU: A0.982962 Composed by Darlene Fedele. Country. Individual part. 14 pages. Darlene Fedele #2076313. Published by Darlene Fedele (A0.982962). A spoof of a country love song. He loves her, even though she chews tobacco. written in the style of a country love song.
$3.99
La llorona - Mexican traditional song for solo Guitar
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Guitare
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FACILE
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Anonymous
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Pablo Alcázar
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La llorona - Mexican tradition
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1264429 Composed by Anonymous. Arranged by Pablo Alcázar. Latin,Singer/Songwriter,Traditional. Individual part. 3 pag...
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Solo Guitar - Level 2 - SKU: A0.1264429 Composed by Anonymous. Arranged by Pablo Alcázar. Latin,Singer/Songwriter,Traditional. Individual part. 3 pages. Pablo Alcázar #857258. Published by Pablo Alcázar (A0.1264429). This arrangement for SOLO GUITAR of the famous traditional song La Llorona is for every guitarist that want to get introduced into traditional mexican music with a famous song that everyone loves. It's made for begginners guitarist as a challenge and for intermediate guitarist to be a great song to memorize. This arrangement have the fully essence of the song with a clear harmony, melody and waltz rhythm. Also it has a nicely made fingerpicking style and fingering decision by a professional guitarist with hundred of arrangements made.La Llorona is a Mexican folk song originated in the Tehuantepec isthmus region of Oaxaca. There is no unique version of the song and its date of creation is unknown. Although it is often associated with the legend of La Llorona, its relationship is uncertain. Many authors have created or derived verses that make it a story of love and pain representative of traditional music.
$4.99
I Surrender All
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Guitare
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INTERMÉDIAIRE
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J
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Janderson Gomes
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I Surrender All
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JANDERSON GOMES DA SILVA
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1130430 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Religious,Tradit...
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Solo Guitar - Level 3 - SKU: A0.1130430 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Religious,Traditional. Individual part. 6 pages. JANDERSON GOMES DA SILVA #730798. Published by JANDERSON GOMES DA SILVA (A0.1130430). This is a tablature version of the homonymous title material: “I Surrender Allâ€; traditional Christian hymn arranged for solo guitar with classical music elements and dissonant chords. The objective of this variant is to reach music lovers who do not have the theoretical knowledge of musical reading (score). The arrangement was created freely according to the arranger's sensibility and instrumental experience. Although created by a professional, in this version the work can be appropriated by amateurs who basically contemplate reading tablature.
$1.99
Guitar Tutor eBoox - Level 2 (Debut)
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Guitare
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DÉBUTANT
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Alison Jackson, Jonathan Eno B
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Guitar Tutor eBoox - Level 2
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Jonathan Eno
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.936705 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 21 pages. Jonathan Eno #6077325. Pu...
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Solo Guitar - Level 1 - SKU: A0.936705 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 21 pages. Jonathan Eno #6077325. Published by Jonathan Eno (A0.936705). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
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