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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Three Movements
Non classifié
660
Piano & claviers
Piano seul
231
Orgue
40
Piano, Voix et Guitare
20
2 Pianos, 4 mains
13
Piano Trio: piano, violon, violoncelle
11
Piano, Voix
8
Piano Facile
8
1 Piano, 4 mains
7
Clavecin
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Instruments en Do
1
+ 9 instrumentations
Retracter
Guitares
Guitare
22
2 Guitares (duo)
2
Guitare notes et tablatures
2
Ukulele
2
2 Mandolines (duo)
1
Voix
Chorale SATB
60
Chorale 3 parties
12
Chorale Unison
10
Chorale TTBB
8
Chorale SSAA
3
Voix Soprano, Piano
2
Chorale 2 parties
2
Soli, choeur mixte et accompagnement
1
Voix Tenor, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
Clarinette et Piano
51
Flûte traversière et Piano
36
Hautbois, Piano (duo)
32
Saxophone Alto et Piano
28
2 Flûtes traversières (duo)
28
Quatuor de Saxophones: 4 saxophones
25
Saxophone Soprano et Piano
22
Quatuor de Clarinettes: 4 clarinettes
22
Ensemble de saxophones
19
Flûte, Hautbois, Clarinette (trio)
19
2 Clarinettes (duo)
16
Flûte, Hautbois, Clarinette, Basson
14
3 Clarinettes (trio)
11
Clarinette
11
Quintette de Saxophone: 5 saxophones
10
Quatuor de Flûtes : 4 flûtes
10
Trio de Flûtes: 3 flûtes
10
Flûte traversière
10
Hautbois, Basson (duo)
9
2 Saxophones (duo)
9
Saxophone Tenor et Piano
8
Ensemble de Clarinettes
7
3 Saxophones (trio)
7
Saxophone Baryton, Piano
6
Flûte, Clarinette et Basson
6
Flûte, Clarinette (duo)
6
Flûte, Hautbois, Basson
5
Clarinette Basse, Piano
5
Ensemble de Flûtes
5
Flûte, Violon
4
Flûte et Guitare
4
Flûte, Violoncelle
4
Clarinette, Violoncelle (duo)
4
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette (partie séparée)
3
2 Flûte à bec (duo)
3
Cor anglais, Piano
3
Hautbois (partie séparée)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Guitare (duo)
2
2 Hautbois (duo)
2
Flûte à Bec
2
Flûte, Violoncelle, Piano (trio)
2
5 Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Saxophone Alto
2
Flûte, Hautbois (duo)
2
Saxophone et Orgue
2
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Piano
1
Flûte, Alto et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Soprano
1
Saxophone (partie séparée)
1
Clarinette, Trombone (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, Alto (duo)
1
2 Clarinettes, Basson
1
Saxophone, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Flûte, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
2 Clarinettes, Piano
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Flûte, Basson et Piano
1
Saxophone
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Flute, harpe et violon
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, alto et harpe
1
3 Flûtes à bec (trio)
1
Clarinette, Violon (duo)
1
Flute (partie séparée)
1
+ 73 instrumentations
Retracter
Cuivres
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette, Piano
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Tuba et Piano
17
Euphonium, Piano (duo)
16
Cor et Piano
13
Trompette
10
Trombone
8
Ensemble de Trombones
8
Cor
6
Quatuor de cuivres: 4 trombones
6
2 Trombones (duo)
5
Trompette (partie séparée)
4
Ensemble de Trompettes
4
Tuba
4
2 Tubas (duo)
4
3 Trombones (trio)
4
2 Cors (duo)
4
Cor anglais, Piano
3
Cor, Violoncelle (duo)
3
Quatuor de cuivres: 4 cors
3
4 Tubas
3
2 Trompettes (duo)
3
Trombone, Orgue
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse
2
Trombone, violoncelle (duo)
2
3 Euphoniums
2
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
2 Euphoniums (duo)
1
Trombone (partie séparée)
1
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle (duo)
1
Cor (partie séparée)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Tuba (duo)
1
Tuba (partie séparée)
1
Trombone et orchestre
1
Ensemble de Cors
1
Quatuor de Cuivres
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
83
Violon et Piano
57
Violoncelle, Piano
36
Alto, Piano
34
Trio à Cordes: violon, alto, violoncelle
29
Violon, Alto (duo)
16
Violon
15
Violoncelle
14
2 Altos (duo)
10
Alto (partie séparée)
8
2 Violons (duo)
8
Alto, Violoncelle (duo)
7
Violon, Violoncelle (duo)
7
Violon (partie séparée)
6
2 Violoncelles (duo)
6
Violoncelle, Contrebasse (duo)
6
Trio à cordes: 3 violins
6
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Contrebasse (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
2
Harpe
2
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble d'Altos
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orgue
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violoncelles
1
Violoncelle, Basse continue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto seul
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Contre Basse
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
270
Orchestre
106
Orchestre de chambre
64
Orchestre à Cordes
56
Ensemble de cuivres
35
Ensemble de Percussions
7
Cloches
6
Piano et Orchestre
5
Batterie
2
Vibraphone
2
Fanfare
1
Marimba
1
Vibraphone et Marimba
1
Percussion (partie séparée)
1
Ensemble Jazz
1
+ 10 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
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CLARINETTE
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DULCIMER
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GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
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Vous avez sélectionné:
Three Movements
Guitare
Partitions à imprimer
22 partitions trouvées
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1
Key West Suite for Two Guitars. In three movements: 1. Seven-Mile Bridge, 2. Bolero del Atardecer,
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Guitare
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AVANCÉ
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Jose Lezcano
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Best wishes, Jose
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Key West Suite for Two Guitars
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Jose Manuel Lezcano
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Publ...
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Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Published by Jose Manuel Lezcano (A0.1009964). Key West Suite was composed in 2013 on commission from the Amaral Duo, Jorge Amaral and Mia Pomerantz. The three movements are inspired by various places in Key West, Florida, where I was serving as an Artist in Residence at the Studios of Key West in June 2013. I'm a Cuban-American born in Havana, and my influences include Cuban popular music (of course), Jazz, and the contrapuntal music of Bach and other Baroque composers. I think you can hear all of that in this piece. Jorge and MIa perform it beautifully on their CD, Key West, which I highly recommend. I'm a member of ASCAP and you can read more about my work and purchase other compositions at these sites. Best wishes, Jose.www.joselezcanocomposer.webs.com
$30.00
The Traveler - Solo Guitar piece in three movements
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Guitare
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AVANCÉ
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Ayala Asherov
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The Traveler - Solo Guitar pie
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Mix Meter Music Publishing Company
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.960824 Composed by Ayala Asherov. Contemporary,Instructional,Jewish,Standards. Individual part. 10 pages. Mix Meter Musi...
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Solo Guitar - Level 5 - SKU: A0.960824 Composed by Ayala Asherov. Contemporary,Instructional,Jewish,Standards. Individual part. 10 pages. Mix Meter Music Publishing Company #5718479. Published by Mix Meter Music Publishing Company (A0.960824). The Traveler is a solo guitar piece in three movements, challenging melodic and fun. 7 min.
$10.99
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Sonatine champêtre
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Guitare
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FACILE
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Erik Otte
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Sonatine champêtre
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Erik Otte
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1370321 Composed by Erik Otte. 20th Century,Classical,Contemporary. Individual part. 3 pages. Erik Otte #954696. Publish...
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Solo Guitar - Level 2 - SKU: A0.1370321 Composed by Erik Otte. 20th Century,Classical,Contemporary. Individual part. 3 pages. Erik Otte #954696. Published by Erik Otte (A0.1370321). A little Sonatine in three movements for a guitar student.
$9.95
The Color of Fire is
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Guitare
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David Lucas Frith
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The Color of Fire is
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David Frith
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SheetMusicPlus
Solo Guitar - SKU: A0.904118 Composed by David Lucas Frith. Concert,Contemporary. Individual part. 17 pages. David Frith #33299. Published by David Frit...
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Solo Guitar - SKU: A0.904118 Composed by David Lucas Frith. Concert,Contemporary. Individual part. 17 pages. David Frith #33299. Published by David Frith (A0.904118). The Color of Fire is, for guitar and piano, paints a picture of a fire in various scenes. This piece was written for Jacob Cypranowski. It's three movements, I. Brilliant, II. Changing, and III. Renewed are all inspired by fire. The first movement is all about the brilliance of color in a flame, and how calming it can be to just watch a fire. The second movement is about how quickly a fire can change, and how dangerous it can become. The final movement is about how the color of a flame is constantly renewed and fresh, even as the flame dies.
$1.99
Saudades for Solo Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mason Peralta
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Saudades for Solo Guitar
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Mason Peralta
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1027912 Composed by Mason Peralta. Contemporary. Individual part. 8 pages. Mason Peralta #3087169. Published by Mason Pe...
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Solo Guitar - Level 4 - SKU: A0.1027912 Composed by Mason Peralta. Contemporary. Individual part. 8 pages. Mason Peralta #3087169. Published by Mason Peralta (A0.1027912). Saudades for solo guitar is a concert work in three movements written by US national prize-winning guitarist Mason Peralta. The term Saudades refers to a sense of nostalgia and longing yet this work, through the influence of jazz and modern classical language, reflects a sense of optimism and triumph. Click to hear samples of each movement.Number of pages: 7Total time: approx. 7 minutes, 30 secondshttps://masonperalta.com
$7.99
Sonatina for Solo Guitar
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Guitare
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AVANCÉ
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Contemporain
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Brian Bunker
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Sonatina for Solo Guitar
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Brian C. Bunker
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.976106 Composed by Brian Bunker. Contemporary. Individual part. 7 pages. Brian C. Bunker #4995415. Published by Brian C....
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Solo Guitar - Level 5 - SKU: A0.976106 Composed by Brian Bunker. Contemporary. Individual part. 7 pages. Brian C. Bunker #4995415. Published by Brian C. Bunker (A0.976106). A simple, clear work in three movements for Solo Guitar, with a Sonata-Allegro opening, a slow middle movement, and a Rondo in 6/8. A mixture of modal and tonal materials gives a unique and colorful sound to the piece, full of interest and melodic sweep.
$3.99
[Brooks] Sonata for Solo Guitar
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Guitare
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Contemporain
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Richard Brooks
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[Brooks] Sonata for Solo Guita
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American Composers Alliance Inc.
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SheetMusicPlus
Solo Guitar - SKU: A0.952188 Composed by Richard Brooks. Contemporary. Individual part. 12 pages. American Composers Alliance Inc. #4414881. Published b...
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Solo Guitar - SKU: A0.952188 Composed by Richard Brooks. Contemporary. Individual part. 12 pages. American Composers Alliance Inc. #4414881. Published by American Composers Alliance Inc. (A0.952188). A sonata in three movements for solo guitar - PDF download includes score.
$7.95
Gigue
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
Quintet for Guitar and Strings
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Alan Rae Dalziel
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Quintet for Guitar and Strings
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Alan Rae Dalziel
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1031219 Composed by Alan Rae Dalziel. Romantic Period. Individual part. 21 pages. Alan Rae Dalziel #3490483. Published b...
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Solo Guitar - Level 4 - SKU: A0.1031219 Composed by Alan Rae Dalziel. Romantic Period. Individual part. 21 pages. Alan Rae Dalziel #3490483. Published by Alan Rae Dalziel (A0.1031219). A piece in three movements for classical guitar and string quartet in a romantic/classical style.
$10.99
Sonata No. 1
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Guitare
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Contemporain
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Ryan Bair
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Sonata No. 1
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Ryan G. Bair
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SheetMusicPlus
Solo Guitar - SKU: A0.1030904 Composed by Ryan Bair. Contemporary. Individual part. 6 pages. Ryan G. Bair #119529. Published by Ryan G. Bair (A0.1030904...
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Solo Guitar - SKU: A0.1030904 Composed by Ryan Bair. Contemporary. Individual part. 6 pages. Ryan G. Bair #119529. Published by Ryan G. Bair (A0.1030904). Sonata No. 1 for Classical guitar, in three movements. Tuning- DADGBE.
$4.99
Classical Guitar Sonata No. 02 in E Minor "The Emerald Castle"
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Guitare
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Contemporain
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Ken Turley
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Classical Guitar Sonata No. 02
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Ken Turley
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SheetMusicPlus
Solo Guitar - SKU: A0.926048 Composed by Ken Turley. 20th Century,Contemporary. Individual part. 6 pages. Ken Turley #6248631. Published by Ken Turley (...
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Solo Guitar - SKU: A0.926048 Composed by Ken Turley. 20th Century,Contemporary. Individual part. 6 pages. Ken Turley #6248631. Published by Ken Turley (A0.926048). Three movements of intermediate difficulty with contrasting moods, somewhat dark and moody alternating with bubbling energy. Â Audio clip is the third movement. Â YouTube is 1st movement.
$5.00
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Peated Waltzes
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Guitare
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AVANCÉ
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the Broad Bay
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Luciano Lima
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Peated Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ...
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Guitar - Advanced - SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
Rebetiko Suita in La Minore
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Guitare
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AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Rebetiko Suita in La Minore
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1421796 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 19 pages. Socrates Arvanitakis #10031...
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Solo Guitar - Level 5 - SKU: A0.1421796 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 19 pages. Socrates Arvanitakis #1003143. Published by Socrates Arvanitakis (A0.1421796). Rebetiko Suita in La MinoreThis six-movement suite is in rebetiko style and it  starts with an introductory prelude rather than an improvisatory taximi. It also introduces the Syrtos rhythm in 2/4 but the main concentration is in the three main rhythms of Rebetiko in Zeibekiko 9/4, Hassapiko 2/4 or 4/4, and Antikristos 9/8.Two main scales are used throughout, the harmonic and the melodic minor and the order of the six movements is:1 Preludio2 Zeibekikos3 Syrtos4 Hassapikos 15 Hassapikos 2 - (Hassapikos 1 D.C.)6 AntikristosThe above titles are also given as internal active links and clicking on them brings the user to the relevant music page where clicking at the title of the piece brings again to the index.Socrates ArvanitakisLondon 2024.
$12.00
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Guitare
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INTERMÉDIAIRE
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Classique
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Gordon Mizzi
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Saints and Fireworks: The Musi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music ...
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Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
Vivaldi: Spring from 'The Four Seasons'
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Andrew Howes
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Vivaldi: Spring from 'The Four
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Andrew Howes
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.951424 Composed by Antonio Vivaldi. Arranged by Andrew Howes. Baroque,Standards,World. Individual part. 19 pages. Andrew...
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Solo Guitar - Level 4 - SKU: A0.951424 Composed by Antonio Vivaldi. Arranged by Andrew Howes. Baroque,Standards,World. Individual part. 19 pages. Andrew Howes #6216761. Published by Andrew Howes (A0.951424). A very enjoyable piece to play for guitar ensembles, it lends itself very well to our instrument and provides a satisfying level of technical difficulty and interpretative insight. My own ensemble thoroughly enjoys playing it - only three more movements to transcribe!
$6.00
Guitar Sonata No. 2 in C major
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 2 in C major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jerem...
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Solo Guitar - Level 3 - SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jeremiah Lawson (A0.985324). I composed my second guitar sonata in 2010. Guitar Sonata No. 2 in C major is six pages long, has two movements, and its estimated performance time is 8:30 to 9:00. The first movement, Inner Visions & Power Puffs, is a zippy sonata form opening with a 12-bar blues Theme 1. After a conventional modulating transition Theme 2 appears in the traditional key of G major. The title of the movement alludes to the Stevie Wonder album Innervisions and, of course, the Powerpuff Girls. The sonata form has a climax by way of three Bartok pizzicati on the dominant pedal to depict the girls defeating Mojo Jojo and putting him in jail. The second movement is a lullaby with variations. The lullaby is an original song I used to sing for one of my nieces to help her fall asleep. The complete sonata has been recorded by Daniel Estrem and is available on the Magnatune release Estrem Plays Lawson.http://magnatune.com/artists/albums/estrem-estremlawson/I played movement 1 at a Seattle Classic Guitar Society open mic in 2012 on a warm summer Friday night and there were kids playing and screaming in the background, which helped set the mood of the sonata rather than break it.
$5.00
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
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Guitare
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AVANCÉ
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Jeremiah Lawson
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in memoriam Aretha Franklin: a
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published ...
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Solo Guitar - Level 5 - SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.
$5.00
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