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Time Stand Still
Non classifié
137
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Piano seul
79
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16
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11
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9
Piano Facile
8
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
10
Piano, Guitare (duo)
6
Guitare
4
Basse electrique
2
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1
Mandoline
1
3 Guitares (trio)
1
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 4 instrumentations
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Voix
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72
Chorale SATB
15
Chorale 3 parties
7
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5
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2
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2
Voix seule
2
Voix Tenor, Piano
1
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1
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1
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1
Voix Baryton, Piano
1
Chorale SSAA
1
+ 8 instrumentations
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Saxophone
30
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21
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18
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15
Clarinette
11
Hautbois, Piano (duo)
11
Flûte traversière
10
2 Flûtes traversières (duo)
10
Saxophone Alto et Piano
10
Saxophone Tenor et Piano
9
Saxophone, Clarinette (duo)
8
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
2 Clarinettes (duo)
8
Quintette de Saxophone: 5 saxophones
7
Quatuor de Flûtes : 4 flûtes
6
Clarinette, Violon (duo)
5
2 Hautbois (duo)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette Basse, Piano
5
Clarinette, Trompette (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte, Saxophone (duo)
4
Cor anglais, Piano
4
Hautbois, Basson (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Saxophones: 4 saxophones
3
Flûte, Violon
3
Flûte à bec Soprano
3
Hautbois, Clarinette (duo)
3
Hautbois, Flûte
3
Flûte à bec Alto, Piano
2
Flûte, Trompette (duo)
2
Flûte, Clarinette (duo)
2
Clarinette et Alto
2
Piccolo, Piano
2
Ensemble de Clarinettes
2
Quintette de Flûte : 5 flûtes
2
Flûte, Alto (duo)
2
Hautbois, Violoncelle
2
Saxophone et Orgue
1
3 Clarinettes (trio)
1
2 Cors Anglais Et Pianoforte
1
Trio de Flûtes: 3 flûtes
1
Hautbois (partie séparée)
1
Flûte et Guitare
1
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Ensemble de saxophones
1
Flûte à Bec
1
+ 45 instrumentations
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Cuivres
Euphonium, Piano (duo)
12
Trompette
12
Trombone
12
Trompette, Piano
7
Trombone et Piano
7
Trompette, Saxophone (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor et Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor anglais, Piano
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Ensemble de Trombones
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
2 Cors (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
Cor
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
Trompette et Guitare
1
+ 18 instrumentations
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Cordes
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19
Alto, Piano
11
Violoncelle, Piano
10
Quatuor à cordes: 2 violons, alto, violoncelle
10
Harpe
7
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
Violon
4
2 Violoncelles (duo)
4
2 Altos (duo)
4
Violoncelle
3
2 Violons (duo)
3
Ensemble d'Altos
2
Trio à Cordes: violon, alto, violoncelle
2
Ensemble de Violons
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Violon, Guitare (duo)
1
+ 14 instrumentations
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Orchestre & Percussions
Fanfare
26
Orchestre d'harmonie
16
Orchestre à Cordes
6
Ensemble de cuivres
5
Orchestre
4
Batterie
4
Ensemble Jazz
4
Orchestre de chambre
3
Ensemble de Percussions
3
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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COR
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CORNET
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Vous avez sélectionné:
Time Stand Still
Guitare
Partitions à imprimer
4 partitions trouvées
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I Still Call Australia Home
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Guitare
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INTERMÉDIAIRE
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acquiring this unique sheet mu
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Peter Allen
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Rafael Milhomem
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I Still Call Australia Home
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Milhomusic
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional...
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Guitar - Level 3 - SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional,World. 31 pages. Milhomusic #942151. Published by Milhomusic (A0.1357622). I Still Call Australia Home - A Captivating Musical Journey for Choir and Guitar Orchestra by Rafael MilhomemIt is with immense pride that we present the sheet music for Rafael Milhomem's vibrant and passionate arrangement of Peter Allen's iconic I Still Call Australia Home. This brilliant work is a musical celebration of Australia, transforming Allen's timeless melody into a unique experience for choir and guitar orchestra.Arrangement Highlights:Celebrating Australian Identity: Milhomem's arrangement captures the essence of the original song, enriching it with emotional nuances and a distinctive touch, creating an atmosphere that resonates with the Australian soul.Captivating Interaction between Choir and Guitar Orchestra: The sheet music highlights a magical fusion of angelic voices and the vibrant strings of guitars, resulting in an engaging and memorable sonic experience.Eclectic Structure: Milhomem's ability to blend classical and contemporary elements provides a unique and emotionally rich interpretation of the piece, suitable for a variety of musical contexts.About the Arranger: Renowned for his passionate performances and innovative arrangements, Rafael Milhomem has invested his meticulous craftsmanship and passion into this creation. His artistic vision and technical prowess shine through, elevating the musical experience to new heights.Technical Information:Instrumentation: Choir and Guitar OrchestraApproximate Duration: [2´11´´]Experience the Australian Musical Magic: By acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience. Contact us for more details on how to make this captivating work part of your repertoire.We appreciate your consideration and look forward to contributing to the elevation of your musical expression.Check out another sheet music by Rafael Milhomem!!!#Classicalguitar #Guitarorquestra #guitarquartet #Guitarensemble #Choirandguitar #Childorchestra #Choir.
$8.00
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
Etude No 10 opus 60 for Guitar
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Guitare
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INTERMÉDIAIRE
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Matteo Carcassi
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Arte Nova Music Lab
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Etude No 10 opus 60 for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual...
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Solo Guitar - Level 3 - SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3007597. Published by Arte Nova Music Lab (A0.742404). Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuosoconcert guitarist.He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. Taken from https://en.wikipedia.org/wiki/Matteo_Carcassi
$5.00
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