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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time Was
Non classifié
3 255
Piano & claviers
Piano seul
1 698
Piano, Voix
735
Piano, Voix et Guitare
315
Piano Facile
231
Instruments en Do
159
Orgue
104
Accompagnement Piano
74
Piano Trio: piano, violon, violoncelle
35
1 Piano, 4 mains
30
2 Pianos, 4 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quatuor: piano, 2 violons, violoncelle
9
Clavecin
7
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Accordéon
3
Piano grosses notes
2
2 Pianos, 8 mains
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
182
Guitare notes et tablatures
129
Ligne De Mélodie, (Paroles) et Accords
84
Basse electrique
38
Mandoline
38
Ukulele
31
2 Guitares (duo)
29
Paroles et Accords
12
Piano, Guitare (duo)
11
Guitare (partie séparée)
8
Mandoline, Guitare (duo)
7
Banjo
5
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
2 Mandolines (duo)
1
Mandoline, Piano (duo)
1
Ensemble de guitares
1
Guitare, Orchestre
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
731
Chorale 3 parties
208
Chorale 2 parties
160
Chorale TTBB
99
Chorale SSAA
80
Chorale Unison
73
Voix duo, Piano
70
Voix Tenor, Piano
52
Voix Alto, Piano
44
Voix Soprano, Piano
43
Voix Baryton, Piano
35
Voix duo
29
Voix seule
25
Voix moyenne, Piano
9
Voix haute
9
Voix Tenor
6
Chorale SSAATTBB
4
Voix basse, Piano
3
Chorale SSAATB
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
519
Flûte traversière et Piano
338
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
334
Clarinette et Piano
280
Quatuor de Saxophones: 4 saxophones
260
Saxophone, Clarinette (duo)
250
2 Clarinettes (duo)
220
Flûte, Hautbois, Clarinette, Basson
218
Quintette de Saxophone: 5 saxophones
214
Saxophone Alto et Piano
187
Hautbois, Piano (duo)
184
2 Flûtes traversières (duo)
182
Clarinette, Violon (duo)
164
Quatuor de Clarinettes: 4 clarinettes
163
Saxophone Soprano et Piano
144
Clarinette, Trompette (duo)
138
Saxophone Tenor et Piano
131
Flûte traversière
129
Clarinette
120
Flûte, Clarinette (duo)
108
Saxophone Alto
106
2 Hautbois (duo)
99
Hautbois, Basson (duo)
87
Flûte, Violon
86
Clarinette et Alto
85
Saxophone Tenor
85
Hautbois, Clarinette (duo)
84
Ensemble de saxophones
84
Flûte, Saxophone (duo)
82
Hautbois, Flûte
81
Cor anglais, Piano
81
Saxophone Baryton, Piano
78
Saxophone (partie séparée)
75
Ensemble de Clarinettes
69
Quatuor de Flûtes : 4 flûtes
68
Flûte, Trompette (duo)
65
Flûte, Alto (duo)
61
Clarinette Basse, Piano
54
Hautbois (partie séparée)
50
Saxophone
45
Ensemble de Flûtes
41
Flûte à bec Soprano
35
3 Saxophones (trio)
34
Quintette de Clarinettes: 5 clarinettes
30
Quintette de Flûte : 5 flûtes
25
2 Flûte à bec (duo)
24
Flûte et Guitare
23
Ensemble De Flûte à bec
23
3 Clarinettes (trio)
22
Trio de Flûtes: 3 flûtes
20
Saxophone Soprano
17
Quatuor de Flûtes à bec
16
Clarinette, Guitare (duo)
15
Cor Anglais
14
Clarinette, Basson (duo)
13
Flute (partie séparée)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Ocarina
9
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à bec Alto
8
Clarinette, Violoncelle (duo)
7
Flûte, Violoncelle
7
Hautbois
7
Flûte à Bec
7
3 Flûtes à bec (trio)
7
Piccolo, Piano
6
5 Flûtes à bec
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte à bec Alto, Piano
5
Harmonica
5
Clarinette (partie séparée)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte à bec Soprano, Piano
5
2 Flûtes traversières, Piano
4
Flûte, Hautbois (duo)
4
Hautbois, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte, Alto et Piano
3
Flûte, Violon, Piano
3
2 Clarinettes, Piano
3
Flûte à bec Tenor
3
Flûte, Clarinette et Basson
3
Flûte irlandaise
2
Clarinette Basse
2
Saxophone et Orgue
2
Saxophone et Guitare
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à Bec, Piano
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière, Basse continue
2
Cor anglais, Guitare (duo)
2
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle
1
Cor anglais et Harpe (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
Flûte à bec, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
Ensemble à vent
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Piano
1
Saxophone Baryton
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
423
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Trombone et Piano
179
Trompette, Saxophone (duo)
174
Trompette, Piano
146
Trompette
136
2 Trombones (duo)
105
Cor et Piano
101
Quatuor de Cuivres
99
Trompette, Trombone (duo)
97
2 Trompettes (duo)
95
Trombone
89
Euphonium, Piano (duo)
86
Cor anglais, Piano
81
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Tuba et Piano
45
Ensemble de Trombones
37
Ensemble de Trompettes
36
Cor
33
Trompette (partie séparée)
29
Quatuor de cuivres: 4 trombones
27
Tuba
22
Quatuor de cuivres: 4 cors
20
Trombone (partie séparée)
19
2 Cors (duo)
19
2 Euphoniums et 2 Tubas
16
Cor Anglais
14
Ensemble de Cors
14
Trio de Cuivres
9
Euphonium
6
Quatuor de cuivres: 4 trompettes
5
Trompette, Cor (duo)
5
2 Tubas (duo)
5
4 Tubas
5
Tuba (partie séparée)
4
2 Cors Anglais Et Pianoforte
4
Cor (partie séparée)
4
Tuba et Orgue
4
Trombone basse et Piano
3
3 Trombones (trio)
3
3 Trompettes (trio)
2
Trombone, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
Trombone basse
1
Trombone, Tuba (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
572
Violon et Piano
341
Violoncelle, Piano
256
Alto, Piano
256
Violon, Violoncelle (duo)
178
Violon
177
Violoncelle
127
2 Violons (duo)
121
2 Violoncelles (duo)
107
2 Altos (duo)
107
Trio à Cordes: violon, alto, violoncelle
106
Violon, Alto (duo)
105
Harpe
95
Trio à Cordes: 2 violons, violoncelle
83
Quintette à cordes: 2 violons, alto, violoncelle, basse
82
Alto seul
60
2 Harpes (duo)
47
Contrebasse, Piano (duo)
32
Alto (partie séparée)
21
Violon, Guitare (duo)
18
4 Violoncelles
16
Contre Basse
15
Ensemble de Violons
15
Alto, Violoncelle (duo)
13
Ensemble d'Altos
13
Violon (partie séparée)
13
Trio à Cordes: 3 violoncelles
13
Violoncelle , Guitare (duo)
11
Harpe, Flûte (duo)
9
Contrebasse (partie séparée)
8
Piano Trio: Violon, Alto, Piano
8
Trio à cordes: 3 violins
6
Trio à cordes: 3 altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
6
Alto, Guitare (duo)
5
Violoncelle, Orchestre
4
Violoncelle, Basse continue
3
Harpe, Voix
3
4 Contrebasses
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orgue
2
Violoncelle (partie séparée)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Alto, Orgue
1
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Harpe et mandoline
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
869
Orchestre à Cordes
248
Orchestre
228
Ensemble de cuivres
154
Ensemble Jazz
112
Orchestre de chambre
96
Batterie
43
Cloches
42
Jazz combo
35
Ensemble de Percussions
20
Fanfare
19
Batterie (partie séparée)
4
Percussion (partie séparée)
4
Vibraphone
4
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Xylophone
1
2 Marimbas
1
Voix Mezzo-Soprano, Orchestre
1
Ensemble d'École
1
Orchestre, Violon
1
+ 17 instrumentations
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Vous avez sélectionné:
Time Was
Guitare
Partitions à imprimer
182 partitions trouvées
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176
Stewart Dave : Lily Was Here (niveau intermédiaire)
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Guitare
#
INTERMÉDIAIRE
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Rock
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Pop musique
#
Stewart Dave
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Lily Was Here
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Tomplay
Telechargez la tablature et la partition Guitare Lily Was Here (niveau intermediaire) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Pop/roc...
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Telechargez la tablature et la partition Guitare Lily Was Here (niveau intermediaire) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Pop/rock
5.99€
Stewart Dave : Lily Was Here (niveau facile)
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Guitare
#
FACILE
#
Rock
#
Pop musique
#
Stewart Dave
#
Lily Was Here
#
Tomplay
Telechargez la tablature et la partition Guitare Lily Was Here (niveau facile) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Pop/rock...
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Telechargez la tablature et la partition Guitare Lily Was Here (niveau facile) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Pop/rock
5.99€
Stewart Dave : Lily Was Here (niveau difficile)
#
Guitare
#
AVANCÉ
#
Rock
#
Pop musique
#
Stewart Dave
#
Lily Was Here
#
Tomplay
Telechargez la tablature et la partition Guitare Lily Was Here (niveau difficile) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Pop/rock...
(+)
Telechargez la tablature et la partition Guitare Lily Was Here (niveau difficile) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Pop/rock
5.99€
Stewart Dave : Lily Was Here (niveau facile/intermédiaire)
#
Guitare
#
FACILE
#
Rock
#
Pop musique
#
Stewart Dave
#
Lily Was Here
#
Tomplay
Telechargez la tablature et la partition Guitare Lily Was Here (niveau facile/intermediaire) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- ...
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Telechargez la tablature et la partition Guitare Lily Was Here (niveau facile/intermediaire) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Pop/rock
5.99€
Stewart Dave : Lily Was Here (niveau très facile)
#
Guitare
#
DÉBUTANT
#
Rock
#
Pop musique
#
Stewart Dave
#
Lily Was Here
#
Tomplay
Telechargez la tablature et la partition Guitare Lily Was Here (niveau très facile) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Po...
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Telechargez la tablature et la partition Guitare Lily Was Here (niveau très facile) de Stewart Dave. Tab pour Guitare melodique avec band/orchestre -- Pop/rock
5.99€
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Timeless Solos for Guitar
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Guitare
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INTERMÉDIAIRE
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Contemporain
#
William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate-Advanced - SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William...
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Guitar (fingerpicking) - Intermediate-Advanced - SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
Variations on a Sentimental Theme
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Guitare
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INTERMÉDIAIRE
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Classique
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Luiz José Maria de Oliveira
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Rui Namora
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Variations on a Sentimental Th
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Rui Namora
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1488584 Composed by Luiz José Maria de Oliveira (1821-1883). Arranged by Rui Namora. 19th Century,Classical,Romantic Pe...
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Solo Guitar - Level 3 - SKU: A0.1488584 Composed by Luiz José Maria de Oliveira (1821-1883). Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 12 pages. Rui Namora #1065450. Published by Rui Namora (A0.1488584). Luiz José Maria de Oliveira, a man of many trades, was born in Portugal in 1821.He lived until 1883 in Coimbra, where he was a musician and composer, lithographer, merchant and hairdresser. These Variations on a Sentimental Theme, from his guitar magazine O Conimbricense Armónico published between 1848-49 are one of the rare examples of composition for the 6 string guitar in Portugal during the first half of the 19th century. This fingered and revised edition corrects some minor mistakes in the original. It contains all my research and newly discovered informations about this previously unknown composer.Full bio here
$8.99
VALSA SENTIMENTOS (FEELINGS WALTZ) ANTÔNIO JUSTINO RIBEIRO - FOR GUITAR SOLO
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Guitare
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DÉBUTANT
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Classique
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FALLAHIN SCORE EDITIONS
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Marcelo Fallahin
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VALSA SENTIMENTOS
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Fallahin Score Editions
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.518902 By FALLAHIN SCORE EDITIONS. By ANTÔNIO JUSTINO RIBEIRO. Arranged by Marcelo Fallahin. Classical. Individual p...
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Solo Guitar - Level 1 - SKU: A0.518902 By FALLAHIN SCORE EDITIONS. By ANTÔNIO JUSTINO RIBEIRO. Arranged by Marcelo Fallahin. Classical. Individual part. 3 pages. Fallahin Score Editions #129583. Published by Fallahin Score Editions (A0.518902). Antônio Justino Ribeiro (1889 - 1961) was a former Brazilian slave who gained education and became a scholarly musician. He was a guitarist, a music teacher and a relevant composer. He directed bands and orchestras in small villages around his remote homtown. Marcelo Fallahin restored and published twenty of his pieces for guitar, written in the 1920s.
$8.00
God's Time Is The Very Best Time, BWV 106 by J.S. Bach
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Guitare
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INTERMÉDIAIRE
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Classique
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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God's Time Is The Very Best Ti
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Aaron Larget-Caplan
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1356074 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Classical,Early Music...
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Solo Guitar - Level 3 - SKU: A0.1356074 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Classical,Early Music,Sacred,Spiritual. Individual part. 4 pages. Aaron Larget-Caplan #940737. Published by Aaron Larget-Caplan (A0.1356074). A beautiful and solemn solo by Johann Sebastian Bach arranged for guitar by award winning composer, arranger, and guitarist Aaron Larget-Caplan.An early cantata, BWV 106 is assumed to have been written as a funeral cantata while Bach was in Mühlhausen, Germany. In the original, two recorders echo each other in the melody. Due to lack of sustain and technical issues, the guitar is unable to copy that effect fully, but the performer should be aware.Arranged for moderate level and above players, the solo is written in Drop D (E string 6 tuned down to D).  Most of the playing is in the first three positions and ornamentation is optional.A note on the history of the work, arrangement, and recording are included, as well as a page for ornament realizations.
$5.00
Good Time - Guitar
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Guitare
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Rock
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Owl City
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John Wasson
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Good Time - Guitar
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Owl City. Arranged by John Wasson. Pop; Rock. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Owl City. Arranged by John Wasson. Pop; Rock. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Time in the Past
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Guitare
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INTERMÉDIAIRE
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Marco William Duranti
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Time in the Past
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Marco William Duranti
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1243384 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Full Performance. Duration 1...
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Guitar - Level 3 - SKU: A0.1243384 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Full Performance. Duration 151. Marco William Duranti #838345. Published by Marco William Duranti (A0.1243384). Time in the Past This is one of my early works that was originally written back in 1987. It is a well balanced piece with a very strong melody that pleases the ear. It gives the listener a pleasant feeling, something that could have been composed in the Classical period and this explains the title.
$1.99
Time in the Past
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Guitare
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INTERMÉDIAIRE
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Marco William Duranti
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Time in the Past
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Marco William Duranti
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1243377 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Individual part. 2 page...
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Solo Guitar - Level 3 - SKU: A0.1243377 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Individual part. 2 pages. Marco William Duranti #838338. Published by Marco William Duranti (A0.1243377). Time in the Past This is one of my early works that was originally written back in 1987. It is a well balanced piece with a very strong melody that pleases the ear. It gives the listener a pleasant feeling, something that could have been composed in the Classical period and this explains the title.
$3.49
As Time Goes
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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is a jazz song written by Herm
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Justin James Adu Acquah
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John Fries
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As Time Goes
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271465 Composed by Justin James Adu Acquah. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual par...
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Solo Guitar - Level 4 - SKU: A0.1271465 Composed by Justin James Adu Acquah. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863866. Published by John Fries (A0.1271465). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. As Time Goes By is a jazz song written by Herman Hupfeld in 1931. It became famous when it was featured in the 1942 Warner Bros. film Casablanca.
$4.99
The Time Between Genesis 1:1 and 1:2
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Guitare
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INTERMÉDIAIRE
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J
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The Time Between Genesis 1:1 a
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J.S. Jacques
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jac...
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Solo Guitar - Level 3 - SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jacques #3586003. Published by J.S. Jacques (A0.1028595). This piece was composed for solo classical guitar, but it could be performed on a variety of instruments. Excellent for guitar students, especially those seeking to learn the higher regions of the fret board. A choice piece for guitarists of all levels wishing to improve their a ( p), m, i right hand pattern. An excellent piece for church services, especially as it centers on a cryptic chapter of Bible history.If you would like to know how I play it, I'll be happy to make a YouTube tutorial. If so, or if you have questions about the title or anything else, feel free to email me at jerjacques@gmail.com.A performance would typically be around 80 BPM and last 1:40 to 2 minutes.
$2.60
"Seven Guitar Solos from Space and Time"
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Guitare
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INTERMÉDIAIRE
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New Age
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Keith Gehle
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"Seven Guitar Solos from
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith ...
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Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
Prélude A minor
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Guitare
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INTERMÉDIAIRE
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Jean Francaix
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Prélude A minor
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate - SKU: S9.Q7265 For guitar. Composed by Jean Francaix. This edition: Sheet music. Guitar Archive. Downloadable. Duration 1:...
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Guitar - intermediate - SKU: S9.Q7265 For guitar. Composed by Jean Francaix. This edition: Sheet music. Guitar Archive. Downloadable. Duration 1:30. Schott Music - Digital #Q7265. Published by Schott Music - Digital (S9.Q7265). Key: A minor.Only three pieces within his comprehensive oeuvre were written by Françaix for this instrument. The French composer felt much more connected with the harp, a typical French instrument. The Prélude, published here for the first time, was composed in 1956 and is a marvellous, rather easy-to-play piece of music with its smooth flow of arpeggios. The disguising of the key, A Minor, that is characteristic of Françaix, evokes the Impressionist tone colours of the composer's great predecessors.
$9.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Acoustic Music Source Book
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Guitare
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DÉBUTANT
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Richard L
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Acoustic Music Source Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Beginning - SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr....
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Guitar (all) - Beginning - SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr. American Music. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #21665EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21665EB). ISBN 9781619110991. 8.75x11.75 inches.Bill Bay asked me to write a follow up book to my last book, The Bluegrass Pickers Tune Book (20233). If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. The focus of this book, The Acoustic Source Book is on roots and old-time music. The book is focused on the time period from late 1800's until 1940's.There are a few songs from The Bluegrass Book that were too important to be left out. I decided not to use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birth of jazz, ragtime, and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900's there were rags, blues, gospel, Tin-Pan Alley, jug band, spiritual, old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana.There are some great songs that are popular roots, bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.
$29.99
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