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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
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3 Marimbas
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Formation musicale - Solfège
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Eight Octatonic Studies for Guitar
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Cen…
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Guitar - Advanced Intermediate - Digital Download Composed by Kenneth Pasciak. 21st Century, Etudes and Exercises, Repertoire, Recital. Solo Part. 14 pages. Published by Kenneth Pasciak
Inspired by Toru Takemitsu and Leo Brouwer, Eight Octatonic Studies features eight short studies for classical or electric guitar. Each study explores the expressive potential of a single octatonic collection (also referred to as an octatonic scale or diminished scale). Studies I, IV and VI feature ostinato patterns that support evocative melodies. Study II is an exercise in octatonic counterpoint and imitation. Studies III and VII feature octatonic scalar motives punctuated by dyads and seventh chords. Study V simulates a tonal context, implying the key of D flat major. Finally, Study VIII explores the intervallic relationships inherent in an octatonic collection. Includes preface, 9 pages sheet musicInspired by Toru Takemitsu and Leo Brouwer, Eight Octatonic Studies features eight short studies for classical or electric guitar. Each study explores the expressive potential of a single octatonic collection (also referred to as an octatonic scale or diminished scale).
Studies I, IV and VI feature ostinato patterns that support evocative melodies. Study II is an exercise in octatonic counterpoint and imitation. Studies III and VII feature octatonic scalar motives punctuated by dyads and seventh chords. Study V simulates a tonal context, implying the key of D flat major. Finally, Study VIII explores the intervallic relationships inherent in an octatonic collection. Includes preface, 9 pages sheet music
$6.99
6.34 €
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Guitare
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Kenneth Pasciak
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Eight Octatonic Studies for Guitar
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Kenneth Pasciak
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SheetMusicPlus
Diatonic Arpeggios for Classical Guitar
Guitare
Guitar (classical and lute) - Intermediate - Digital Download Composed by Kenneth Mey…
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Guitar (classical and lute) - Intermediate - Digital Download Composed by Kenneth Meyer. Technique, Theory and Reference. Style. E-book. 44 pages. Mel Bay Publications - Digital Sheet Music #30615EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117358.<br> <br> Diatonic Arpeggios for Classical Guitar provides extended arpeggios for all chords over the full range of the guitar's tessitura. The fingerings provided for the left hand present a wide variety of shifting possibilities: open-string, glide, free-finger and squeeze shifts. Right-hand fingerings demonstrate sequencing patterns that will improve control and dexterity when navigating the thorniest concert repertoire.ISBN 9781619117358.<br> <br> Diatonic Arpeggios for Classical Guitar provides extended arpeggios for all chords over the full range of the guitar's tessitura. The fingerings provided for the left hand present a wide variety of shifting possibilities: open-string, glide, free-finger and squeeze shifts. Right-hand fingerings demonstrate sequencing patterns that will improve control and dexterity when navigating the thorniest concert repertoire.
$12.99
11.78 €
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Guitare
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Kenneth Meyer
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Diatonic Arpeggios for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.8 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Diatonic Note Practice
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1212356 Composed by Amy Warmenhove…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1212356 Composed by Amy Warmenhoven. Blues,Children,Classical,Folk,Rock. Individual part. 2 pages. Amy Warmenhoven #809858. Published by Amy Warmenhoven (A0.1212356). Introduction to notes on all six strings of the guitar in standard tuning, beginning with the low E-String.
$1.99
1.8 €
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Guitare
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Amy Warmenhoven
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Diatonic Note Practice
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Amy Warmenhoven
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SheetMusicPlus
Instant Guitar Chord Finder
Guitare
Guitar (flatpicking) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.947…
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Guitar (flatpicking) - Beginning; Intermediate; Advanced - Digital Download SKU: M0.94794EB Composed by William Bay. Rock & Blues. E-book. Mel Bay Publications - Digital Sheet Music #94794EB. Published by Mel Bay Publications - Digital Sheet Music (M0.94794EB). ISBN 9781609741907. 8.75x11.75 inches.Here’s a quick reference guide to essential guitar chord forms. Every chord is spelled out in notation indicating each note’s position or function within the chord (Root, 3rd, 5th, 7th, etc.). The three most popular forms of each particular chord are shown in three different locations on the guitar fretboard. A diagram of the entire fretboard reveals the location of every tonic or root tone for each chord. In addition, handy side tabs help you locate the exact chord form needed in seconds. This book is available in full-size (94794) or reduced case-size (94824) editions. From each tonic note, the following chords are presented in multiple forms: Major, Minor, Dominant 7th, Diminished, Augmented, Minor Seventh, Sixth, 7#5, 7b5, Major 7th, Major 7b3, Minor 7b5, 7sus4, Minor 6th, 9th, Major 9th, 9#5, 9b5, 7b9, 7#9, 6 add 9, 7#9, 11th, Augmented 11th, 13th, 13 b9, 13 b9 b5. That’s some 324 chords in all. Just imagine what you might do with them!
$12.99
11.78 €
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Guitare
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William Bay
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Intermediate
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Instant Guitar Chord Finder
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.44 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
Guitar Scale Chart (Guitar Scales & Modes)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1278818 Composed by Joe Harris. Bl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1278818 Composed by Joe Harris. Blues,Country,Instructional,Jazz,Rock. Individual part. 4 pages. Joseph Harris #870382. Published by Joseph Harris (A0.1278818). As part of the Fretboard Discovery Series, the Guitar Scale Chart illustrates the most common scales and modes including the major scale, all forms of the minor scale, pentatonic and blues scales, and traditional modes. Scale degrees are identified, and the primary chord type for which each scale can be played is referenced. Each scale diagram shows the tonic locations, and each has all five positions allowing for playing across the entire fretboard. The scales can easily be transposed to different keys using the instructions provided. Joe Harris has a Master of Music Degree in Composition from the University of Southern California.
$9.99
9.06 €
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Guitare
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Joe Harris
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Guitar Scale Chart
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Joseph Harris
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SheetMusicPlus
Frère Jacques
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1125213 Composed by Traditional An…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1125213 Composed by Traditional Anon. Arranged by Brian Streckfus. Children,Classical,Early Music,Traditional. Individual part. 1 pages. Brian Streckfus #725994. Published by Brian Streckfus (A0.1125213). 1. Guitar Arrangement ~ 2. Beginner ~ 3. Guitar Tab ~ 4. Less stereotypical chords ~ 5. Tonic, subdominant and dominant scale degrees are color coded.
$1.99
1.8 €
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Guitare
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Traditional Anon
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Brian Streckfus
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Frère Jacques
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Brian Streckfus
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SheetMusicPlus
Lazy guitars - an improvisation for 4 guitars (mp3)
Guitare
Guitar - Digital Download SKU: A0.1059617 Composed by David Warin Solomons. 20th Ce…
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Guitar - Digital Download SKU: A0.1059617 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 408. David Warin Solomons #3517667. Published by David Warin Solomons (A0.1059617). Improvisation for 4 guitars based on an ostinato in which the bass goes down by semitones from tonic to dominant and back.
$2.50
2.27 €
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Guitare
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David Warin Solomons
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Lazy guitars - an improvisation for 4 guitars
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David Warin Solomons
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SheetMusicPlus
Guitar Sonata No. 8
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.985332 Composed by Jeremiah Lawson…
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Solo Guitar - Level 4 - Digital Download SKU: A0.985332 Composed by Jeremiah Lawson. Contemporary. Individual part. 3 pages. Jeremiah Lawson #6833459. Published by Jeremiah Lawson (A0.985332). This is a single-movement sonata with two themes in two different octatonic scales and I aimed to make the themes as bluesy and rock-friendly as possible given the constraint of octatonic themes. Performance time is roughly 4:30 and the score is 3 pages.
$5.00
4.53 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 8
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Jeremiah Lawson
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SheetMusicPlus
Enigmatic Gavotte
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1459973 Composed by Stanley M Hoff…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1459973 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical. Individual part. 1 pages. Stanleymhoffman.com #1038986. Published by stanleymhoffman.com (A0.1459973). My brief musical composition, Enigmatic Gavotte for guitar solo, served as a brief, modal study for my Enigmatic Dance Suite for vibraphone solo which I also completed in 2024. The rhythms for the beginning and reprise of Enigmatic Gavotte are inspired by those found in the Gavotte from French Suite No. 5 by J. S. Bach, BWV 816. The middle of the piece effectively runs those rhythms and the pervasive octatonic pitches backwards at the interval of a tritone. Enjoy! --- Music: © Copyright 2024 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved.
$2.00
1.81 €
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Guitare
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Stanley M Hoffman
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Stanley M Hoffman
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Enigmatic Gavotte
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stanleymhoffman.com
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SheetMusicPlus
Black Falcon
Guitare
Solo Guitar - Digital Download SKU: A0.1015930 Composed by Frank A. Wallace. 20th C…
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Solo Guitar - Digital Download SKU: A0.1015930 Composed by Frank A. Wallace. 20th Century,Contemporary. Individual part. 8 pages. Gyre Music #5022343. Published by Gyre Music (A0.1015930). Black Falconby Frank A. Wallaceguitar soloDuration: 9 minutes; 7 pagesSkill level: large stretches and fast scalesWritten: March, 2013, for Edel MuñozInstrumentation: classical guitar soloRecording: on Elemental CD by Frank Wallace for Gyre, 2014; and a single FLAC file also by Frank Wallace on GyreBlack Falcon is a guitar solo written for Cuban guitarist Edel Muñoz, who I first met at the 2011 St. Joseph Guitar Festival. Edel had returned to St. Joseph to perform his competition winner’s concert. We met again at Classical Minds in Houston in June 2012 at which point we got to hear each others’ concerts. Edel is one of the most suave and subtle yet powerful players I have ever heard. I was thrilled that he asked me to write a piece for him.At the time of composition I generally used various techniques for generating musical ideas developed over the previous years. But I tossed those ideas out the door and wrote from pure inspiration. The result is my first piece that uses the octatonic, or diminished scale. It alternates between dramatic chordal outbursts and flowing bass melodies. Black Falcon is in two sections: Larghissimo in 4/2 and Allegro in 12/8. This is a pattern I have used in several solo works and one duo that I call my Raptor Series.All Gyre Publications are ASCAPGyre PublicationsCopyright ©2013 Frank A. WallaceCover photography and design by Nancy KnowlesAll rights reserved.
$10.95
9.93 €
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Guitare
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Frank A
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Black Falcon
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Gyre Music
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SheetMusicPlus
Invocation of Darkness
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1243643 By Brad Rau. By Brad Rau. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.1243643 By Brad Rau. By Brad Rau. 20th Century. Individual part. 6 pages. Brad Rau #838597. Published by Brad Rau (A0.1243643). This piece was composed by Brad Rau for solo guitar. Rau has always been fascinated with dark, evil, sounding music, and this is his attempt to write some that are truly dark. This is also inspired when Rau has a kidney rupture that eventually causes him to have it removed. This was recorded on Brad's third album, In a Very Unusual Manner. The main theme is based on two minor chords a tritone apart. It then accelerates in tempo into an octatonic excitement with constant time signature changes that jar the listener. Then the main theme comes back, this time in Tremolo. It ends with the same solo theme it begins with. The piece is inspired by works of Erik Satie, Invocation and Dance by Joaquin Rodrigo, and the Usher Waltz by Nikita Koshkin.
$6.99
6.34 €
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Guitare
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Brad Rau
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Invocation of Darkness
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Brad Rau
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.21 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Study: Secondary Dominance
Guitare
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Brian Streckfus #764059. Published by Brian Streckfus (A0.1163714). This piece gives practice in understanding sophisticated chord progressions that use secondary dominance (temporary key changes). For Example:Key of E minor:G E7 Am The E7 chord does not belong (diatonic) in the key of E minor. However, it is the V7 chord of the A minor chord. Therefor, the E7 chord is a dominant chord, it is just not the primary dominant 7th chord in the key of e minor, it's a secondary one. In measure 13 of this piece there is a G#dim7 chord that leads steretypically to A minor. This is the same trick explained earlier, just the chords are ever so slightly different by one note, drastically changing the name of the chord. G#dim7 does not belong (diatonic) in the key of E minor. Tips:1. Secondary dominance allows a composer to get to any chord and key in a seamless sounding way.2. Secondary dominance is a common way to incorporate more chromaticism in compositions.
$1.99
1.8 €
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Guitare
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Brian Streckfus
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Study: Secondary Dominance
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Brian Streckfus
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SheetMusicPlus
Suite in D Lydian Mixed Mode
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation. Â The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.
$12.00
10.88 €
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Guitare
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Socrates Arvanitakis
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Suite in D Lydian Mixed Mode
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Socrates Arvanitakis
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SheetMusicPlus
Single String Major Scale Study For Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.955380 Composed by Neal Fitzpatrick. Arrange…
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Solo Guitar - Digital Download SKU: A0.955380 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Country,Jazz,Rock. Individual part. 6 pages. Neal Fitzpatrick Editions #5739231. Published by Neal Fitzpatrick Editions (A0.955380). This study focuses on ascending diatonic major scales on each single string of the guitar. Each group begins with quarter notes and proceeds through various divisions of the beat. This exercise can hone your shifting acuity and precision while improving fretboard knowledge. These patterns are excellent workouts for any guitarist and for metal and jazz players in particular. These exercises can be played by both pick and finger style players. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$2.50
2.27 €
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Guitare
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Neal Fitzpatrick
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Neal Fitzpatrick
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Single String Major Scale Study For Guitar
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Neal Fitzpatrick Editions
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SheetMusicPlus
Etude in the Phrygian Mode
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.923977 Composed by Ted Stanley. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.923977 Composed by Ted Stanley. 20th Century. Individual part. 3 pages. Ted Stanley #5806855. Published by Ted Stanley (A0.923977). From a series of Diatonic Pieces for solo guitar. These pieces employ no accidentals other than those in the key signature. Like several of the others, this piece is a virtual moto perpetuo with minimalist qualities.Contact: tstanley@fsu.edu (email).
$2.99
2.71 €
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Guitare
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Ted Stanley
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Etude in the Phrygian Mode
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Ted Stanley
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SheetMusicPlus
Air in the Dorian Mode
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.923972 Composed by Ted Stanley. Co…
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Solo Guitar - Level 4 - Digital Download SKU: A0.923972 Composed by Ted Stanley. Contemporary,Renaissance. Individual part. 3 pages. Ted Stanley #5354955. Published by Ted Stanley (A0.923972). AIR IN THE DORIAN MODE is from a series of Diatonic Pieces for solo guitar in which no accidentals (other than those in the key signature) are employed. Although some are straight-forward minimalism, and some have Romantic tendencies, AIR has the quality of a Renaissance lute piece.The sound sample is from a cassette recording I made in the 1980s, thus the authentic hiss and wobble. Contact: tstanley@fsu.edu (email).
$2.99
2.71 €
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Guitare
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Ted Stanley
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Air in the Dorian Mode
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Ted Stanley
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SheetMusicPlus
Giuliani Reharmonized (Right-Hand Exercises for Guitar)
Guitare
Guitar - Level 3 - Digital Download SKU: A0.820284 Composed by Mauro Giuliani, Kenn…
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Guitar - Level 3 - Digital Download SKU: A0.820284 Composed by Mauro Giuliani, Kenneth Pasciak. Arranged by Kenneth Pasciak. Instructional. Educational Exercises. 29 pages. Kenneth Pasciak #4293691. Published by Kenneth Pasciak (A0.820284). Giuliani Reharmonized - Twenty Studies: Harmonic Variations of Selected Exercises by Mauro Giuliani for Classical GuitarFirst published in 1812, Mauro Giuliani's Op. 1, Studio per la Chitarra, remains an indispensable resource for classical guitarists. Part I, Degli arpeggi esercizio per la mano destra (also known as 120 Exercises for the Right Hand), in particular, is arguably the direction toward which many performers, teachers and students turn when seeking to refine their right-hand technique.This collection of twenty studies builds upon selected exercises by Giuliani and adapts them to 13 major and 13 minor keys organized by ascending or descending fifths, as well as to various harmonic contexts that feature diatonic and chromatic sequences within particular keys.Kenneth Pasciak Music Publishingkenpasciak.comhttps://linktr.ee/kp_sheetmusic/
$7.99
7.24 €
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Guitare
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Mauro Giuliani, Kenneth Pasciak
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Kenneth Pasciak
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Giuliani Reharmonized
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Kenneth Pasciak
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SheetMusicPlus
Dialethia
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1028190 Composed by Jeremy Hart. 2…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1028190 Composed by Jeremy Hart. 20th Century,Contemporary. Individual part. 8 pages. Jeremy Graham Hart #6590411. Published by Jeremy Graham Hart (A0.1028190). Dialethia is, at its core, an internal dialogue on style, musical language and authenticity. Through its many, abrupt and questioning diversions it portrays a process of self-interrogation which can become quite confrontational at times. Despite this the music always returns to the simple diatonic melody that forms the principle character of this work, regardless of the metamorphoses of its harmonization. This is of course with the exception of the closing passages, in which the work retains a melodic construction of limited intervallic usage taken from the previous diversion. Though, whether this retention represents an answer or a lingering question is not made clear.
$4.99
4.52 €
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Guitare
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Jeremy Hart
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Dialethia
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Jeremy Graham Hart
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SheetMusicPlus
pimami - an etude for solo guitar in the mixolydian mode
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.923974 Composed by Ted Stanley. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.923974 Composed by Ted Stanley. 20th Century. Individual part. 4 pages. Ted Stanley #5791539. Published by Ted Stanley (A0.923974). A quasi-minimalist piece for solo guitar. From my series of diatonic pieces for guitar that employ no accidentals, other than those in the key signature. The right hand plays the same pattern throughout (pimami) with each successive note on a different string. The recording was made on a cheap cassette player in the late 1980's; thus the authentic hiss and wobble. The meditative aspect of the piece can be enhanced by the burning of incense: a secondary title is Raga Nag Champa.Contact: tstanley@fsu.edu (email).
$2.99
2.71 €
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Guitare
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Ted Stanley
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pimami - an etude for solo guitar in the mixolydian mode
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Ted Stanley
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SheetMusicPlus
Prelude in the Ionian Mode
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.923978 Composed by Ted Stanley. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.923978 Composed by Ted Stanley. 20th Century,Baroque. Individual part. 6 pages. Ted Stanley #5798433. Published by Ted Stanley (A0.923978). One of my Diatonic Pieces for solo guitar that employ no accidentals outside the key signature. A bit Baroque in the middle.Contact: tstanley@fsu.edu email.
$2.99
2.71 €
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Guitare
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Ted Stanley
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Prelude in the Ionian Mode
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Ted Stanley
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SheetMusicPlus
Achieving Guitar Artistry - Triads
Guitare
Guitar (flatpicking) - Intermediate-Advanced - Digital Download Composed by William B…
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Guitar (flatpicking) - Intermediate-Advanced - Digital Download Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM24EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117266.<br> <br> This book of triadic concepts is as much for the ears as it is for the hands. Playing harmonized scales in triadic form is very helpful for the progressing guitarist. By working through these exercises, the guitarist will learn the harmonic sound of each key and develop a strong sense of melodic and harmonic voice leading. These studies contain interesting melodic content and are very fun to play. The keys are presented in tonic major and tonic minor rather than tonic major and relative minor. This is the second book in Mel Bay's Achieving Guitar Artistry series and follows the initial Linear Etudes text. Readers should develop a routine of practicing one key per day for the best results. Mastery of this book will do much to enhance the guitarist's sense of voice leading, note reading and improvising.ISBN 9781619117266.<br> <br> This book of triadic concepts is as much for the ears as it is for the hands. Playing harmonized scales in triadic form is very helpful for the progressing guitarist. By working through these exercises, the guitarist will learn the harmonic sound of each key and develop a strong sense of melodic and harmonic voice leading. These studies contain interesting melodic content and are very fun to play. The keys are presented in tonic major and tonic minor rather than tonic major and relative minor. This is the second book in Mel Bay's Achieving Guitar Artistry series and follows the initial Linear Etudes text. Readers should develop a routine of practicing one key per day for the best results. Mastery of this book will do much to enhance the guitarist's sense of voice leading, note reading and improvising.
$17.99
16.31 €
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Guitare
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William Bay
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Achieving Guitar Artistry - Triads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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