English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Traditional, P
Non classifié
153
Piano & claviers
Piano seul
125
Piano Facile
73
Piano, Voix
60
Instruments en Do
47
Piano, Voix et Guitare
24
1 Piano, 4 mains
8
Orgue
5
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
4
Accordéon
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
11
Guitare notes et tablatures
11
Guitare
10
Banjo
4
Basse electrique
3
Mandoline
2
Dulcimer
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
63
Chorale 2 parties
18
Chorale TTBB
14
Chorale 3 parties
13
Chorale Unison
12
Voix duo
3
Voix duo, Piano
3
Chorale SSAA
2
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Voix seule
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière
22
Saxophone (partie séparée)
20
Clarinette
18
Flûte traversière et Piano
17
Saxophone Alto et Piano
15
Clarinette et Piano
14
Hautbois (partie séparée)
13
Saxophone Alto
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Tenor
11
Saxophone Tenor et Piano
11
2 Flûtes traversières (duo)
10
Hautbois, Piano (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
2 Saxophones (duo)
8
Quatuor de Saxophones: 4 saxophones
7
Saxophone Soprano et Piano
7
2 Clarinettes (duo)
4
Flûte à Bec
3
2 Flûte à bec (duo)
3
Clarinette, Basson (duo)
3
Flûte, Clarinette (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Violoncelle, Piano (trio)
3
Ensemble de Flûtes
3
Hautbois, Basson (duo)
3
Flûte, Violoncelle
2
Hautbois
2
Piccolo
2
Saxophone Baryton, Piano
2
Saxophone
2
Flûte et Guitare
2
3 Clarinettes (trio)
2
Saxophone Soprano
2
Flûte, Clarinette, Piano (trio)
2
3 Saxophones (trio)
2
Ensemble de Clarinettes
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois (duo)
1
Flûte à bec Soprano
1
Hautbois, Clarinette (duo)
1
Hautbois et alto (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette (partie séparée)
1
2 Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Clarinette, Violon (duo)
1
2 Flûtes traversières, Piano
1
Ocarina
1
Harmonica
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, trombone et piano
1
Saxophone et Piano
1
2 Clarinettes, Piano
1
+ 53 instrumentations
Retracter
Cuivres
Trompette
17
Cor
17
Trombone
15
Tuba
14
Euphonium
13
Trombone et Piano
13
Trompette, Piano
10
Cor et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de cuivres: 4 trombones
5
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Trombones (duo)
2
Trompette (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
1
Cor et Basson (duo)
1
Trompette, Basson (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 cors
1
+ 19 instrumentations
Retracter
Cordes
Violon et Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violoncelle, Piano
25
Violon
24
Alto, Piano
22
Violoncelle
22
Alto seul
12
Harpe
11
Contre Basse
10
2 Violons (duo)
9
Violon, Violoncelle (duo)
8
Alto (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Alto (duo)
5
4 Violoncelles
5
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
2
2 Harpes (duo)
2
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
2 Altos (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
24
Ensemble de cuivres
20
Orchestre à Cordes
17
Orchestre
16
Cloches
9
Orchestre de chambre
4
Jazz combo
2
Batterie
1
Ensemble Jazz
1
+ 4 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Traditional, P
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Partitions à imprimer
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E.P. Christy: Good Night Ladies - guitar solo
Guitare
Instantly printable sheet music by E.P. Christy for guitar solo of MEDIUM skill level. / f…
(+)
Instantly printable sheet music by E.P. Christy for guitar solo of MEDIUM skill level. / folk,traditional
$4.97
4.58 €
#
Guitare
#
E.P. Christy
#
Virtualsheetmusic
Sonidos Negros
Guitare
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part…
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called “Andalusian” cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called “Andalusian” cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99
6.44 €
#
Guitare
#
Richard Hirsch
#
Sonidos Negros
#
Richard Hirsch
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Miscellaneous: Father O'Flynn for guitar
Guitare
Instantly printable sheet music by Alfred P. Graves for guitar solo (chords) of EASY skill…
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Instantly printable sheet music by Alfred P. Graves for guitar solo (chords) of EASY skill level. / folk,irish,traditional,children
$4.97
4.58 €
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Guitare
#
Miscellaneous
#
Virtualsheetmusic
The Swan Lake
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1401912 By José Hernán Navar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1401912 By José Hernán Navarro Sánchez. By P. I. Chaikovski. Arranged by José Hernán Navarro Sánchez. 19th Century,Classical,Historic,Romantic Period,Traditional. Individual part. 2 pages. José Hernán Navarro Sánchez #985108. Published by José Hernán Navarro Sánchez (A0.1401912).
$3.99
3.68 €
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Guitare
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José Hernán Navarro Sánchez
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The Swan Lake
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José Hernán Navarro Sánchez
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SheetMusicPlus
It Is Well with My Soul (Guitar Solo or Duet)
Guitare
Easy Guitar (no TAB) - Level 2 - Digital Download SKU: A0.1075326 Composed by Phili…
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Easy Guitar (no TAB) - Level 2 - Digital Download SKU: A0.1075326 Composed by Philip P. Bliss. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score. 1 pages. Ben Dockery #679527. Published by Ben Dockery (A0.1075326). Arranged for guitar solo or duet: melody with chords. Great for preludes, offertories, postludes, and recitals. Easy intermediate level.
$2.99
2.76 €
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Guitare
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Philip P
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B
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It Is Well with My Soul
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Ben Dockery
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SheetMusicPlus
Silent Night
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1335243 By João Fernandes. By F…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1335243 By João Fernandes. By Franz Gruber. Arranged by João Fernandes. Christmas,Classical,Religious,Traditional. Individual part. 1 pages. João Fernandes #921067. Published by João Fernandes (A0.1335243). Silent Night - F. Gruber (arr: João Fernandes)Ho ho ho!! Do you like counterpoint? So enjoy this polyphonic version of this Christmas classic. I was only going to post it on the 24th, but I couldn't resist. Then I record again with better capture.P.s: only for people with artistic sensitivity.#MerryChristmas #SilentNight.
$5.00
4.61 €
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Guitare
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João Fernandes
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João Fernandes
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Silent Night
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João Fernandes
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SheetMusicPlus
Father O'Flynn
Guitare
By Alfred P. Graves. For guitar. Folk; Irish; Traditional. Easy Guitar. 2 pages. Published…
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By Alfred P. Graves. For guitar. Folk; Irish; Traditional. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.76 €
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Guitare
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Alfred P
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Irish
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Father O'Flynn
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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