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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
SAXOPHONE
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Non classifié
821
PIANO & CLAVIERS
Piano seul
791
Piano, Voix
139
Piano, Voix et Guitare
117
Piano Facile
83
Instruments en Do
48
Orgue
45
1 Piano, 4 mains
24
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
12
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
7
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
3
Clavecin
2
Piano grosses notes
2
2 Accordéons
1
1 Piano, 6 mains
1
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GUITARES
Guitare
51
Ukulele
42
Guitare notes et tablatures
34
Ligne De Mélodie, (Paroles) et Accords
14
Guitare (partie séparée)
9
4 Guitares (Quatuor)
9
2 Guitares (duo)
4
Dulcimer
3
Basse electrique
2
Mandoline
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
Banjo
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
246
Chorale 3 parties
84
Chorale 2 parties
41
Chorale TTBB
35
Chorale SSAA
22
Chorale Unison
17
Voix duo, Piano
9
Voix Soprano, Piano
7
Voix Alto, Piano
5
Voix haute
5
Voix Baryton, Piano
5
Voix duo
3
Voix Tenor, Piano
3
Voix seule
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Voix Tenor
1
Chorale
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
84
Quatuor de Saxophones: 4 saxophones
83
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
Clarinette et Piano
63
Saxophone Alto et Piano
53
Flûte, Hautbois, Clarinette, Basson
52
Hautbois, Piano (duo)
52
Saxophone (partie séparée)
38
2 Saxophones (duo)
37
Saxophone Soprano et Piano
36
Clarinette
35
Quintette de Saxophone: 5 saxophones
35
2 Flûtes traversières (duo)
32
Flûte traversière
32
Saxophone Tenor et Piano
32
2 Clarinettes (duo)
31
Saxophone Alto
31
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Tenor
21
Saxophone Baryton, Piano
21
Ensemble de Flûtes
19
Ensemble de Clarinettes
16
Flûte, Clarinette (duo)
15
Cor anglais, Piano
13
Saxophone, Clarinette (duo)
12
Hautbois (partie séparée)
12
Clarinette, Violon (duo)
11
Clarinette, Trompette (duo)
11
Quatuor de Flûtes : 4 flûtes
10
Clarinette Basse, Piano
9
Hautbois, Basson (duo)
9
Flûte, Alto (duo)
8
Quintette de Clarinettes: 5 clarinettes
7
2 Hautbois (duo)
7
Hautbois, Flûte
7
Hautbois, Clarinette (duo)
7
Flûte à Bec
6
Trio de Flûtes: 3 flûtes
6
Flûte, Trompette (duo)
6
3 Clarinettes (trio)
6
5 Flûtes à bec
5
Clarinette et Alto
5
Clarinette, Guitare (duo)
5
Flûte, Violon
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette, Piano (trio)
4
Saxophone Soprano
4
Ensemble de saxophones
4
Quintette de Flûte : 5 flûtes
3
Hautbois, Guitare (duo)
3
Quatuor de Flûtes à bec
3
Flûte et Guitare
3
Hautbois
3
Flûte, Violon, Piano
3
Clarinette, Basson (duo)
3
2 Flûte à bec (duo)
3
Cor anglais, Guitare (duo)
3
Clarinette, Violoncelle, Piano (trio)
2
Saxophone et Harpe
2
Saxophone Baryton
2
Flute (partie séparée)
2
Clarinette, Violoncelle (duo)
2
Harmonica
2
3 Saxophones (trio)
2
Piccolo, Piano
2
Flûte, Hautbois (duo)
2
Saxophone et Guitare
1
Flûte, Clarinette et Basson
1
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
2 Flûtes traversières, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
Clarinette, Trombone (duo)
1
Clarinette, Harpe (duo)
1
Flute, alto, violoncelle et guitare
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
Hautbois et alto (duo)
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
Trombone et Piano
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette
39
Trompette, Piano
35
Cor et Piano
29
Cor
22
Trombone (partie séparée)
22
Tuba et Piano
21
Trombone
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette (partie séparée)
15
Cor anglais, Piano
13
Tuba
11
Trompette, Saxophone (duo)
11
2 Trompettes (duo)
10
Euphonium, Piano (duo)
10
2 Trombones (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Trombones
5
Quatuor de Cuivres
5
Quatuor de cuivres: 4 trombones
4
2 Cors (duo)
4
Trompette, violon (duo)
3
Ensemble de Trompettes
3
Cor anglais, Guitare (duo)
3
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
Cor et Harpe
1
Tuba et Orgue
1
Trompette, Harpe
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Cor Anglais
1
Cor (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
194
Violon et Piano
93
Violoncelle, Piano
74
Alto, Piano
66
Violon
54
Violoncelle
46
Harpe
43
2 Violons (duo)
28
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
25
Contrebasse, Piano (duo)
20
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
14
2 Violoncelles (duo)
12
Contre Basse
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto (partie séparée)
9
2 Altos (duo)
9
Contrebasse (partie séparée)
6
Violon (partie séparée)
5
2 Harpes (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
Harpe, Violon (duo)
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Basse continue
1
Alto et Basson
1
Harpe, Voix
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
229
Orchestre
121
Orchestre à Cordes
92
Cloches
69
Ensemble Jazz
69
Ensemble de cuivres
60
Orchestre de chambre
27
Jazz combo
17
Ensemble de Percussions
11
Batterie
9
Fanfare
6
Batterie (partie séparée)
4
Xylophone, Piano
2
Vibraphone
1
Piano et Orchestre
1
Marimba
1
3 Percussions
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Turn It Down!
Guitare
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Turn It Loose
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1400325 By The Judds. This edition:…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1400325 By The Judds. This edition: scorch. Country. Score. 2 pages. Hal Leonard - Digital #871780. Published by Hal Leonard - Digital (HX.1400325).
$2.99
2.72 €
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Guitare
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The Judds
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Turn It Loose
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Hal Leonard - Digital
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SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
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Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.55 €
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Guitare
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Nocturne
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Maggie Creek Music
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SheetMusicPlus
Spanish Nocturne
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1253431 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1253431 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #847092. Published by Doug Smith Guitar Studio (A0.1253431). Spanish Nocturne is a guitar solo that brings out the special character of the A or 5th string. The melody sets the mood as it begins in the bass and then gently moves to the trebles and develops into an extended arpeggio section before returning in ornamental fashion to highlight the bass strings.
$2.99
2.72 €
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Guitare
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Doug Smith
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Spanish Nocturne
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Doug Smith Guitar Studio
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SheetMusicPlus
Give It Up Or Turnit A Loose
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1248793 By James Brown. This editio…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1248793 By James Brown. This edition: scorch. Funk,Pop,Soul. Score. 1 pages. Hal Leonard - Digital #7056. Published by Hal Leonard - Digital (HX.1248793).
$2.99
2.72 €
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Guitare
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James Brown
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Give It Up Or Turnit A Loose
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Hal Leonard - Digital
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SheetMusicPlus
Nocturne Op.9 No.1 by Chopin - Guitar Solo (Full Score)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1262476 Composed by Frederic Chopi…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1262476 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Individual part. 6 pages. Sheet Music To Play Editions #855501. Published by Sheet Music To Play Editions (A0.1262476). Nocturne Op.9 No.1 in Bb minor. Arrangement for Advanced Guitar Solo. With Full Score. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
6.36 €
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Guitare
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Frederic Chopin
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César Madeira
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Nocturne Op.9 No.1 by Chopin - Guitar Solo
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Sheet Music To Play Editions
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SheetMusicPlus
Nocturne Op. 9 No. 2
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1135273 By Frederic Chopin. By Fre…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1135273 By Frederic Chopin. By Frederic Chopin. Arranged by Stefan Dulov. Classical,Romantic Period. Individual part. 6 pages. Stefan Dulov #735314. Published by Stefan Dulov (A0.1135273). This is an arrangement for classical guitar of the probably most popular Nocturne by Frederic Chopin, Polish composer and virtuoso pianist of the Romantic period. Its difficulty level is moderate to advanced and it is in standard guitar tuning. Standard guitar notation, tabs and detailed left hand fingering included. Duration of the piece is about 4 minutes. I hope you will enjoy learning and playing this beautiful melody!
$5.00
4.55 €
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Guitare
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Frederic Chopin
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Stefan Dulov
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Nocturne Op. 9 No. 2
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Stefan Dulov
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SheetMusicPlus
När ljuset återvänder (When the Light Returns)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.999763 Composed by Tomas Ericsson.…
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Solo Guitar - Level 2 - Digital Download SKU: A0.999763 Composed by Tomas Ericsson. Contemporary,Standards. Individual part. 1 pages. Tomas Ericsson #6681269. Published by Tomas Ericsson (A0.999763). Since we've past the darkest time of the year I found the title to be suitable for this short piece.It should be played as described, thoughtfully, with somewhat rubato.Appropriate for schools, students or anyone with some experience of note reading.Duration: 1.50Performing Rights Organization: STIM (Sweden).
$3.00
2.73 €
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Guitare
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Tomas Ericsson
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När ljuset återvänder
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Tomas Ericsson
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SheetMusicPlus
THE RETURN
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1018766 Composed by Gilbert Piger.…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1018766 Composed by Gilbert Piger. Contemporary,World. Individual part. 3 pages. GJP Productions #2075447. Published by GJP Productions (A0.1018766). Over all a nice piece but I cannot recall the situation why I wrote it.
$5.50
5.01 €
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Guitare
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Gilbert Piger
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THE RETURN
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GJP Productions
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SheetMusicPlus
The William Bay Collection - Sacred Guitar Solo Anthology #2
Guitare
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List: Adoro Devote All My Trials All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks Balm in Gilead Benediction Bread of the World Eucharistic Hymn Canticle #1 Canticle #2 Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby Come to the Feast Compline Consecration Deep River Evening Prayer Gloria God Unseen Yet Ever Near St Flavian Have Thine Own Way, Lord Adelaide He Hideth My Soul Kirkpatrick Crosby Here, O My Lord, I See Thee Face to Face Penitentia Higher Ground Gabriel Oatman Hold to God’s Unchanging Hand Eiland Holy Is The Lord I Love to Tell the Story Fischer Hankey At the Cross Hudson Watts I Will Arise and Go to Jesus Arise I Will Praise Him Harris More Love to Thee Doane Prentiss Jesu, Joy of Man’s Desiring Jesus Paid It All Grape HallI Am Coming, Lord Hartsough Jesus Spreads His Banner O’er Us Autumn Just As I Am Woodworth Kyrie Eleison Lamb Of God Lenten Meditation Let All Mortal Flesh Keep Silence Picardy Let Us Break Bread Together Light Of The World Litany Lonesome Valley Look Down That Lonesome Road Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby Lord, Speak to Me Canonbury Meditation on Psalm My Faith Looks Up to Thee Olivet My Lord, My God My Shepherd Will Supply My Need Resignation Nearer, My God, to Thee Bethany Never Alone Anon Night Prayer Nobody Knows The Trouble I’ve Seen O Esca Viatorum Pass Me Not Doane Crosby Only Trust Him Stockton Peace Praxis Pietatis Melica Prayer Prayer of Simeon Psalm 102:1 Hear My Prayer, O Lord Psalm 118:24 This Is the Day That the Lord Hath Made Psalm 119:28 My Soul Is Heavy with Sorrow Psalm 126:6 They That Sow in Tears Psalm 128:1 Blessed Are They That Fear the Lord Psalm 139:7 Where Shall I Go From Thy Spirit Psalm 142:3 When My Spirit Grows Faint Within Me Psalm 144:3 Lord, What Is Man Psalm 16:1 Keep Me Safe, O God Psalm 19:1 The Heavens Declare the Glory of God Psalm 34:18 The Lord Is Close to the Broken Hearted Psalm 65:2 Thou That Hearest Prayer Psalm 88:13 Unto Thee Have I Cried, O Lord Rendez a Dieu Sanctus Shall We Gather at the River Lowry Softly And Tenderly Sometimes I Feel Like a Motherless Child St Gregory Chorale Steal Away Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman Swing Low, Sweet Chariot The Lord’s Supper Way To God Be the Glory Doane Crosby Turn Your Eyes Upon Jesus He Is Lord Wade In The Water Wayfaring Stranger We Give Thee Thanks Were You There What a Friend We Have in Jesus Converse When I Lay My Burdens Down
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God’s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man’s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O’er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I’ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord’s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
22.76 €
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Guitare
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The William Bay Collection - Sacred Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
4.55 €
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Guitare
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.S. Bach for Guitar
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Aaron Larget-Caplan
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.46 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
There and Back Again
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.525316 By John David Morgan. By Jo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.525316 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual part. 11 pages. John David Morgan #135855. Published by John David Morgan (A0.525316). A piece in the style of One Step Closer to Cool. If you pair the two titles the chuckle is: I was uncool. I got one step closer to cool. Now I'm back to uncool again:-) Musically there is some fun syncopation and plenty of harmonic twists and turns. It may even expand your harmonic vocabularly.
$4.00
3.64 €
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Guitare
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John David Morgan
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John David Morgan
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There and Back Again
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John David Morgan
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SheetMusicPlus
10 Sketches
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4261 Composed by José Mora-Jiménez.…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4261 Composed by José Mora-Jiménez. Score. 21 pages. Les Productions d'OZ - Digital #DZ 4261. Published by Les Productions d'OZ - Digital
Après avoir été quelque temps éloigné de la composition classique, j'ai décidé de me lancer un défi et d'écrire un court morceau de guitare par jour. Je l'ai fait pendant un mois et j'ai fini avec une vingtaine de "Sketches". L'idée de départ était de réaliser des pièces courtes pour les enfants. Certaines se sont révélées trop difficiles pour les étudiants et pourraient donc devenir des pièces plus longues à l'avenir. D?autres, je n?ai tout simplement pas beaucoup aimé. Au final, j'ai sélectionné les 10 Sketches qui m'ont le plus plu. Ces 10 morceaux sont destinés à des joueurs de niveau intermédiaire et chacun d'entre eux se concentre sur un aspect technique ou musical. After being some time away from classical composition I decided to challenge myself and write one short guitar piece daily. I did it for a month and ended up with around 20 "Sketches". The original idea was to make short pieces for children. Some turned out to be too difficult for students, so they might become longer pieces in the future. Some others I just didn't like that much. In the end I selected the 10 Sketches that I liked the most. These 10 pieces are intended for intermediate level players and each of them focuses on a technical or musical aspect.Après avoir été quelque temps éloigné de la composition classique, j'ai décidé de me lancer un défi et d'écrire un court morceau de guitare par jour. Je l'ai fait pendant un mois et j'ai fini avec une vingtaine de "Sketches". L'idée de départ était de réaliser des pièces courtes pour les enfants. Certaines se sont révélées trop difficiles pour les étudiants et pourraient donc devenir des pièces plus longues à l'avenir. D?autres, je n?ai tout simplement pas beaucoup aimé. Au final, j'ai sélectionné les 10 Sketches qui m'ont le plus plu. Ces 10 morceaux sont destinés à des joueurs de niveau intermédiaire et chacun d'entre eux se concentre sur un aspect technique ou musical. After being some time away from classical composition I decided to challenge myself and write one short guitar piece daily. I did it for a month and ended up with around 20 "Sketches". The original idea was to make short pieces for children. Some turned out to be too difficult for students, so they might become longer pieces in the future. Some others I just didn't like that much. In the end I selected the 10 Sketches that I liked the most. These 10 pieces are intended for intermediate level players and each of them focuses on a technical or musical aspect.
$10.95
9.97 €
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Guitare
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José Mora-Jiménez
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10 Sketches
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Les Productions d'OZ - Digital
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.55 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.55 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.55 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Lua Nascente
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Ol…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Oliveira de Santana / Leonardo Costa Dela Coleta. Arranged by Leo Costa. Classical,Contemporary,Jazz,Latin,Multicultural,World. Individual part. 4 pages. Leo Costa #853791. Published by Leo Costa (A0.1260598). Lua Nascente is a work for solo guitar which brings deep references to Brazilian regional rhythms such as ijexá, maracatu and baião.The original and virtuoso arrangement, written by the artist himself, brings references from popular music closer to the erudite universe without losing the connection with the lyrical narrative that makes it sound like a song. Influenced by great names in Brazilian guitar such as João Pernambuco, Garoto and Paulo Bellinati, Leo Costa proposes his own look at the instrument. It brings complex sonority due to the diversity of elements worked on the same instrument. Starting with low dynamics, full of natural harmonics, the music gradually grows and shows the clearest and strongest notes, reaching the fortissimo at its peak, to fall again afterwards, bringing precisely the figurative sense of a nocturnal trip/journey, with ups and downs, in the light of an imaginary moon that illuminates the Brazilian hinterland and our interior.The music follows unusual paths but at the same time brings constancy in the repetitive marking of the bass, proposing to be a reduced form of the rhythmic orchestra of an ijexá.
$5.00
4.55 €
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Guitare
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Leo Costa
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Leo Costa
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Lua Nascente
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Leo Costa
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SheetMusicPlus
Scenes From the Life of Death, Part 1
Guitare
Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
1.81 €
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death, Part 1
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Silver Sickle Publications
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SheetMusicPlus
Scenes From the Life of Death, Part 3
Guitare
Guitar - Digital Download SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #6103011. Published by Silver Sickle Publications (A0.1070392). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
1.81 €
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death, Part 3
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Silver Sickle Publications
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SheetMusicPlus
Scenes From the Life of Death, Part 2
Guitare
Guitar - Digital Download SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #6103009. Published by Silver Sickle Publications (A0.1070390). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
1.81 €
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death, Part 2
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Silver Sickle Publications
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SheetMusicPlus
Prelude No 3 in C (Streams)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
2.72 €
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Guitare
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Bittersweet Symphony
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1212661 Composed by Thomas Mark Harmer …
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Guitar - Level 3 - Digital Download SKU: A0.1212661 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Pop,Rock. 36 pages. DanJonesGuitarist #809981. Published by DanJonesGuitarist (A0.1212661). Bittersweet Symphony - The Verve Arranged for Intermediate Guitar Quartet by Dan Jones www.danjonesguitarist.com This arrangement is suitable for guitarists of an intermediate standard. Your download will provide you with: A full score with the parts shown in notes and TAB A score with just notes (to facilitate page turns for directors) All parts in notes and TAB Parts with just notes. Bittersweet Symphony is a single taken from the 1997 album Urban Hymns.  The song become an iconic anthem of the 1990’s making this an excellent and original concert or encore item.  The repeated motif heard in the track was taken as a sample from an orchestral arrangement of the Rolling Stones classic ‘The Last Time’ by The Andrew Oldham Orchestra. Years of legal wrangling over copyright followed the single’s huge success. In 2019, following the death of their former manager, Keith Richards and Mick Jagger returned all rights of authorship to The Verve. This arrangement gives equal melodic interest to all players. A video of the arrangement will be uploaded before the end of May 2023.  You can find a huge range of solo and chamber music for guitar in all styles at www.danjonesguitarist.com I hope you enjoy performing Bittersweet Symphony as much as I enjoyed arranging it.Â
$7.95
7.24 €
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Guitare
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Thomas Mark Harmer Nichols and Tim Baxter
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Dan Jones www
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Bittersweet Symphony
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DanJonesGuitarist
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.54 €
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
MAIDHAN TWILIGHT - Tondi. FR Original Works.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1047787 By Tondi Rangkuti a.k.a To…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1047787 By Tondi Rangkuti a.k.a Tondi. FR. By Tondi Rangkuti a.k.a Tondi. FR. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,Classical,Jazz,Multicultural,Romantic Period,World. Individual part. 9 pages. ToRa Swarna Diva #652226. Published by ToRa Swarna Diva (A0.1047787). This is a composition written by Tondi Rangkuti a.k.a Tondi. FR which was originally written in full orchestral arrangement format. And this sheet is a derivative form or arrangement into a Guitar Classic format also by Tondi. FR. Melodic and emotional of this composition was so very powerful. Because it is a contemplation of various old photos from the Classic era of Medan City, the city which was previously given the title 'Paris Van Sumatra' because of its beauty at that time. A plantation city and has the most modern facilities in its era. Buildings with art deco architecture and lush and large trees. This composition is a Tribute to this City. The composition starts with the Asymmetrical Time of 9/4 then turn to 4/2 and Key Minor. In Section B then modulate to A Major. Then a very emotional Fragment was in the E Phrygian scale. Where the ability to play Malay and Hijaz-style mood music is needed. Melodies are basically built from simple motifs. But then it was developed to be very wide. A picture of music that tells about the beauty of the romantic classical era. Download this beautiful composition immediately for only $22.
$22.00
20.03 €
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Guitare
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Tondi Rangkuti a
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Tondi Rangkuti a
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MAIDHAN TWILIGHT - Tondi. FR Original Works.
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ToRa Swarna Diva
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SheetMusicPlus
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