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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Un Ano
Non classifié
424
Piano & claviers
Piano seul
1 242
Piano, Voix
518
Piano, Voix et Guitare
247
Piano Facile
148
1 Piano, 4 mains
53
Accompagnement Piano
19
Orgue
18
Piano grosses notes
10
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
2
Accordéon
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
5
Guitare (partie séparée)
4
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
2
Ensemble de guitares
2
2 Guitares (duo)
2
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
78
Voix seule
51
Voix Soprano, Piano
26
Chorale 3 parties
24
Voix basse, Piano
16
Voix Baryton, Piano
15
Voix haute
14
Voix Mezzo-Soprano, Piano
8
Voix Tenor, Piano
8
Pack Instrumental pour Chorale
6
Chorale 2 parties
4
Voix moyenne, Piano
3
Voix duo
3
Chorale TTBB
3
Voix duo, Piano
2
Voix basse
1
Voix Alto, Piano
1
Chorale SSAA
1
Voix Tenor
1
Chorale
1
+ 15 instrumentations
Retracter
Vents
Saxophone
108
Flûte traversière et Piano
79
Clarinette et Piano
49
Hautbois, Piano (duo)
45
Saxophone Alto et Piano
45
Clarinette
36
Flûte traversière
36
Quatuor de Saxophones: 4 saxophones
27
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
22
Saxophone Alto
15
Saxophone Baryton, Piano
15
Saxophone Tenor
15
Saxophone (partie séparée)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Soprano
9
Clarinette Basse, Piano
9
Cor anglais, Piano
7
Piccolo, Piano
6
Ocarina
6
2 Saxophones (duo)
6
Flûte, Violon, Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte à Bec
5
3 Saxophones (trio)
4
Saxophone et Piano
4
Quintette de Saxophone: 5 saxophones
3
Flûte à bec Soprano, Piano
3
Flûte à Bec, Piano
3
Hautbois
2
Flute (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Alto, Piano
2
Saxophone Baryton
2
Ensemble de Clarinettes
2
2 Clarinettes (duo)
2
Flûte à bec Tenor
2
2 Flûtes traversières (duo)
2
Hautbois (partie séparée)
1
Saxophone et Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Guitare
1
Instruments en Mib
1
2 Clarinettes, Piano
1
Ensemble de saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûte à bec (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Trombone et Piano
40
Cor et Piano
29
Trompette, Piano
28
Trompette
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Tuba et Piano
14
Euphonium, Piano (duo)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone
8
Cor anglais, Piano
7
Trombone (partie séparée)
6
Trombone basse et Piano
5
Cor
4
Trompette (partie séparée)
3
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 cors
2
Instruments en Sib
1
Trompette, Violoncelle et Piano
1
Quatuor de Cuivres
1
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
90
Violoncelle, Piano
74
Alto, Piano
46
Violon
45
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violoncelle
22
Alto seul
16
Harpe
14
Contrebasse, Piano (duo)
7
2 Violons (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Harpe et Piano
1
2 Violons, Piano
1
4 Violoncelles
1
Violon (partie séparée)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre
15
Orchestre d'harmonie
14
Orchestre à Cordes
14
Orchestre de chambre
7
Ensemble de cuivres
6
Ensemble Jazz
4
Batterie (partie séparée)
2
Jazz combo
2
Piano et Orchestre
2
Batterie
2
Ensemble de Percussions
1
Cloches
1
Orchestre, Violon
1
Marimba
1
Cajon
1
+ 10 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
Nouveautes
A-Z
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débutant
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expert
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Un Ano
Guitare
Partitions à imprimer
25 partitions trouvées
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1
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
39.6 €
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Guitare
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Bryan Johanson and Jesse McCann
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Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
#
Les Productions d'OZ - Digital
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SheetMusicPlus
ODE TO AN OVERO LIZARD (ODA A UN LAGARTO OVERO)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1189290 Composed by Claudio Amadeo…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1189290 Composed by Claudio Amadeo Viggiano. Folk,Latin,Multicultural,World. Individual part. 5 pages. Claudio viggiano #788919. Published by claudio viggiano (A0.1189290). An original work for classic guitar, kind of chamamé (argentine folklore). My email contact: clavi10@hotmail.com.
$4.00
3.69 €
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Guitare
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Claudio Amadeo Viggiano
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ODE TO AN OVERO LIZARD
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claudio viggiano
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SheetMusicPlus
Variations sur un thème russe
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-2606 Composed by Mikhail Glinka. Ar…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-2606 Composed by Mikhail Glinka. Arranged by Tristan Manoukian. Score. 8 pages. Les Productions d'OZ - Digital #DZ 2606. Published by Les Productions d'OZ - Digital (ZZ.DZ-2606). ISBN 9782897375232.
$5.95
5.49 €
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Guitare
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Mikhail Glinka
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Tristan Manoukian
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Variations sur un thème russe
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Jesús es mi Rey Soberano
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1018106 By Melodias Eternas. By Vi…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1018106 By Melodias Eternas. By Vicente Mendoza. Arranged by Evaristo Pulido. Classical,Praise & Worship,Sacred,Spiritual,Traditional. Individual part. 5 pages. Evaristo Pulido #622311. Published by Evaristo Pulido (A0.1018106). Jesús es mi Rey Soberano es un hermoso himno arreglado para guitarra clásica.
$12.00
11.06 €
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Guitare
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Melodias Eternas
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Evaristo Pulido
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Jesús es mi Rey Soberano
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Evaristo Pulido
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SheetMusicPlus
Choro pros Meus
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1322229 Composed by Adriano Assis.…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1322229 Composed by Adriano Assis. Classical,Jazz,Latin,Multicultural,World. Individual part. 6 pages. Adriano Assis #910572. Published by Adriano Assis (A0.1322229). O Choro é um estilo tradicional brasileiro, nesta composição tem elementos tradicionais e modernos como compassos compostos e harmonias cativantes, sem deixar de lado a melodia melancolica que faz parte do espirito do estilo. Choro es un estilo tradicional brasileño, en esta composición tiene elementos tradicionales y modernos como compases compuestos y armonÃas cautivadoras, sin dejar de lado la melodÃa melancólica que forma parte del espÃritu del estilo.Choro is a traditional Brazilian style, in this composition it has traditional and modern elements such as composed measures and captivating harmonies, without leaving aside the melancholic melody that is part of the spirit of the style.
$6.99
6.44 €
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Guitare
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Adriano Assis
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Choro pros Meus
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Adriano Assis
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SheetMusicPlus
Peated Waltzes
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Scor…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
5.49 €
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Guitare
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the Broad Bay
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Luciano Lima
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Peated Waltzes
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
5.49 €
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Guitare
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Intavolatura per chitarra e chitarriglia
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. Arranged by Pasquale Di Caro. Baroque,Renaissance. Individual part. 28 pages. Pasquale Di Caro #1079727. Published by Pasquale Di Caro (A0.1504269). Questa pubblicazione contiene tutta la sezione pertinente alla «chitarra a cinque cori in stile pizzicato», trascritta da una parte impiegando il sistema integrale (fedele all’originale), per consentire al lettore un’attenta comparazione, dall’altra il sistema interpretativo, contenente gli interventi adattivi e ricostruttivi. L’obiettivo di questo lavoro didattico-pratico è quello di presentare l’opera ai chitarristi interessati alla cosiddetta musica antica e di adattare le musiche alla chitarra di uso comune.Per le difficoltà sopra descritte e per l’atto stesso del trascrivere da uno strumento ad un altro, non è possibile ottenere con la chitarra moderna gli stessi effetti di quell’antica, per cui ho deciso di trattare queste intavolature cercando le migliori soluzioni per lo strumento di destinazione, evitando la strada filologica che comporterebbe il rischio di ottenere un risultato ambiguo che non riconosca la lezione originaria né tantomeno una moderna chiave di lettura.Le “suonate” sono numerate secondo l’ordine usato nella pubblicazione originaria. Le legature sono state aggiunte e possono essere modificate secondo il proprio gusto. Non ho inserito gli abbellimenti che possono essere usati a piacere come prevedeva la prassi esecutiva del tempo. Mancano gli andamenti che sono intrinsechi della forma e desumibili dal carattere musicale. I segni di ripetizione sono inseriti anche dove non erano previsti, per cui è stato necessario aggiungere alcune battute di raccordo, lasciando libera scelta all’esecutore. In alcuni casi ho preferito omettere e/o inserire delle note di riempimento e portare al basso alcune voci. Tra gli interventi apportati, i più significativi riguardano le modifiche di alcune note, l’uniformazione simmetrica di passaggi melodico-ritmici come nei casi degli incipit e dei valori di durata. Le modifiche sono state effettuate per rendere i brani più omogenei e simmetrici, laddove non era possibile eseguirli senza incorrere in sincopi armoniche o in ambigue riprese di ritornello, a volte modificando addirittura il tempo da 4/4 a 2/4. Per evidenziare il disegno ritmico ho preferito il tempo 3/4 al 3/2; in alcuni casi il 2/4 al 2/2 e così via, con la conseguente riduzione ritmica dei valori. Per tutti coloro che desiderino effettuare uno studio più attento e particolareggiato, consiglio vivamente di comparare la trascrizione integrale con quella interpretativa e di consultare l’intavolatura originale.
$5.99
5.52 €
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Guitare
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Carlo Calvi
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Pasquale Di Caro
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Intavolatura per chitarra e chitarriglia
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Pasquale Di Caro
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SheetMusicPlus
Le chemin de croix / Labyrinthe
Guitare
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
7.33 €
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinthe
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Les Productions d'OZ - Digital
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SheetMusicPlus
Basic Pieces for Guitar Volume 1
Guitare
Guitar - Beginning - Digital Download SKU: M0.95721MEB Composed by Juan Antonio Mur…
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Guitar - Beginning - Digital Download SKU: M0.95721MEB Composed by Juan Antonio Muro. Children and Young Beginner. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95721MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95721MEB). ISBN 9781619115439. 8.75x11.75 inches.This is the first in a two-volume collection of easy, short tunes and exercises for the young classical guitarist. Each chapter treats a separate basic mechanism of the right hand. The first section begins with simple touch exercises on one string, which contain small musical ideas with teacher accompaniment. Later pieces are designed to be played as solos with optional teacher accompaniment. These pieces are a great introduction to note-reading for the young player. Text written in English, Spanish, French and German. Includes access to online audio.Este es el primero de una colección de dos volúmenes de melodÃas y ejercicios fáciles y cortos para el joven guitarrista clásico. Cada capÃtulo trata un mecanismo básico separado de la mano derecha. La primera sección comienza con ejercicios táctiles simples en una cuerda, que contienen pequeñas ideas musicales con el acompañamiento del maestro. Las piezas posteriores están diseñadas para ser jugadas como solos con el acompañamiento opcional del maestro. Estas piezas son una gran introducción a la lectura de notas para el jugador joven. Texto escrito en inglés, español, francés y alemán.Squeeze Box Fairy Tales.
$19.99
18.43 €
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Guitare
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Juan Antonio Muro
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Basic Pieces for Guitar Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mamacha Ventura III
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1101040 By Leonardo Mendoza S. By …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1101040 By Leonardo Mendoza S. By Leonardo Mendoza S. Arranged by Leonardo Mendoza S. Chamber,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 24 pages. Leonardo Mendoza S. #704552. Published by Leonardo Mendoza S. (A0.1101040). Mamacha Ventura III, es un volumen de 6 piezas para guitarra sola, de las cuales están basadas en ritmos peruanos como; marinera, huayno, festejo, carnaval, etc. La obra está dedicada a mi bisabuela (Ventura) que provenÃa de Namora (un distrito de Cajamarca). Son obras muy contrastantes y, el tÃtulo es Mamacha Ventura III, porque hay dos volúmenes anteriores pero para piano solo.
$8.00
7.38 €
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Guitare
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Leonardo Mendoza S
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Leonardo Mendoza S
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Mamacha Ventura III
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Leonardo Mendoza S.
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
Guitare
Guitar - Digital Download SKU: A0.1070307 Composed by Juan Carlos Cortés Aguirre…
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Guitar - Digital Download SKU: A0.1070307 Composed by Juan Carlos Cortés Aguirre. 20th Century,Holiday,Instructional,Wedding. Full Performance. Duration 293. Juan Carlos Cortés Aguirre #4316841. Published by Juan Carlos Cortés Aguirre (A0.1070307). Trémolo para Guitarra Clásica (Guitarra Acústica). Composición musical por JUAN CARLOS CORTÉS. Puesto previamente una consideración para su interpretación, concepto y aprobación; siendo después elogiado favorablemente por algunos de los más aclamados Guitarristas del mundo como: Christopher Parkening, David Rusell, Ernesto Bitetti, Göran Söllscher, Carlos Posada Ramos y muchos más. Apropiado para los amantes del repertorio latinoamericano o neo clásico donde se demuestra un gran lucimiento técnico del trémolo para guitarra. Su nombre describe las campanas que presentan los armónicos iniciales, invocando a la oración, que se presenta luego reflexiva con el canto melodioso del trémolo, invitando al reconocimiento y la paz espiritual.
$2.25
2.07 €
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Guitare
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Juan Carlos Cortés Aguirre
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Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Aranda
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.742339 Composed by Jesus Maya Sant…
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Solo Guitar - Level 3 - Digital Download SKU: A0.742339 Composed by Jesus Maya Santacruz. Arranged by Javier Martinez Maya. 20th Century,Folk,Standards,World. Individual part. 5 pages. Arte Nova Music Lab #15749. Published by Arte Nova Music Lab (A0.742339). Este es un gran ejemplo de la gran musicalidad del compositor colombiano Jesús Maya Santacruz, nacido en Pasto. (1904-1985).
$10.00
9.22 €
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Guitare
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Jesus Maya Santacruz
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Javier Martinez Maya
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Aranda
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Arte Nova Music Lab
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SheetMusicPlus
Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.958663 Composed by Juan Carlos Cor…
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Solo Guitar - Level 5 - Digital Download SKU: A0.958663 Composed by Juan Carlos Cortés Aguirre. 20th Century,Standards. Individual part. 9 pages. Juan Carlos Cortés Aguirre #4313259. Published by Juan Carlos Cortés Aguirre (A0.958663). Trémolo para Guitarra Clásica (Guitarra Acústica). Composición musical por JUAN CARLOS CORTÉS.Puesto previamente a consideración para su interpretación, concepto y aprobación; siendo después elogiado favorablemente por algunos de los más aclamados Guitarristas del mundo como: Christopher Parkening, David Rusell, Ernesto Bitetti, Göran Söllscher, Carlos Posada Ramos y muchos más. Apropiado para recital con repertorio latinoamericano o neo clásico donde se demuestra un gran lucimiento técnico del trémolo para guitarra. Su nombre describe las campanas que presentan los armónicos iniciales, invocando a la oración, que se presenta luego reflexiva con el canto melodioso del trémolo, invitando al recogimiento y la paz espiritual.
$7.99
7.37 €
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Guitare
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Juan Carlos Cortés Aguirre
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Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Lakes Road
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4313 Composed by Michel Dalle A…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4313 Composed by Michel Dalle Ave. Score. 4 pages. Les Productions d'OZ - Digital #DZ 4313. Published by Les Productions d'OZ - Digital (ZZ.DZ-4313). Lakes Road is a piece for solo guitar.Composed in a style very popular with many guitarists of the 70s: Finger-picking. This is distinguished by an often joyful melody built on alternating bass, thus creating a sustained and dynamic rhythm.This composition is in line with this style,reminiscent of Ragtime, a musical genre originatingfrom Louisiana originally written for piano.«Lakes Road» est une pièce pour guitare seule.Composée dans un style très prisé par de nombreux guitaristes des années 70 : Le Finger-picking. Celui-ci se distingue par une mélodie souvent joyeuse construite sur des bassesalternées, créant ainsi un rythme soutenu et dynamique.Cette composition s'inscrit dans la lignée de ce style,rappelant le Ragtime, un genre musical originairede la Louisiane initialement écrit pour piano.
$3.95
3.64 €
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Guitare
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Michel Dalle Ave
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Lakes Road
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Les Productions d'OZ - Digital
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SheetMusicPlus
Aguado,Weiss,Barrios,Guastavino,Bogdanovi? : 5 morceaux classiques à jouer à la guitare un jour de pluie, Difficile, Vol. 1
Guitare
Téléchargez la tablature et la partition Guitare 5 morceaux classiques &agra…
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Téléchargez la tablature et la partition Guitare 5 morceaux classiques à jouer à la guitare un jour de pluie, Difficile, Vol. 1. Partition pour Guitare seule -- Classique
15.99 €
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Guitare
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Aguado,Weiss,Barrios,Guastavin
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5 morceaux classiques à jouer
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Tomplay
Nocturno (Nocturne)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.947089 By Federico Viel. By Federi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.947089 By Federico Viel. By Federico Viel. Classical,Romantic Period. Individual part. 2 pages. Federico Viel #552820. Published by Federico Viel (A0.947089). Nocturno es una composición inspirada en esas piezas tan caracterÃsticas del perÃodo romántico para piano de Schubert o Shumann, pero con un aire más moderno. Nocturne is a composition inspired by those pieces so characteristic of the romantic period for piano by Schubert or Schumann, but with a more modern air.
$2.00
1.84 €
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Guitare
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Federico Viel
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Nocturno
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Federico Viel
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SheetMusicPlus
CINEMA PARADISO Morricone - Guitar Arrang. by FLAVIO SALA
Guitare
Guitar - Advanced Intermediate - Digital Download By Ennio Morricone. Arranged by F…
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Guitar - Advanced Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Sala. 4 pages. Published by Flavio Sala
Nuovo Cinema Paradiso rappresenta, forse, la cima artistica di Andrea ed Ennio Morricone.<br> <br> Già colonna sonoradell’omonimo film (1988) di Giuseppe Tornatore, questa musica,proposta in qualsiasi versione in ogni parte del mondo (persino di canzone contesto), è entrata nell’immaginario collettivo degli italiani ed è, chissà, unadelle poche melodie da cui ogni italiano si sente rappresentato.<br> <br> La prima parte diquesto arrangiamento è ispirato alla versione di Pat Metheny, che si trova nel bellissimo album Beyond the Missouri Sky. Ridotto a sola chitarra, ho dovutoadottare un’insolita accordatura aperta:DBGDGD, ovvero RE-SI-SOL-RE-SOL-RE. Se scordarela quinta e la sesta corda è cosa abbastanza normale per chi conosce ilrepertorio per chitarra classica, non posso dire lo stesso per la prima corda, cosanecessaria, in questo caso, per ragioni di eseguibilità. Se da una parte lacorda perde di brillantezza, dall’altra ne acquista in morbidezza e dolcezza, sposandosibenissimo con la nostalgia di entrambi i temi.<br> <br> La seconda parte,il celebre Tema d’amore, è, invece,una vera e propria trascrizione, efficace e di complicata esecuzione, date ledifficoltà nella mano sinistra, necessarie a mantenere senso del legato ecantabilità.<br> <br> Bojano, 26 Novembre 2020,<br> <br> Flavio Sala.Nuovo Cinema Paradiso rappresenta, forse, la cima artistica di Andrea ed Ennio Morricone.<br> <br> Già colonna sonoradell’omonimo film (1988) di Giuseppe Tornatore, questa musica,proposta in qualsiasi versione in ogni parte del mondo (persino di canzone contesto), è entrata nell’immaginario collettivo degli italiani ed è, chissà, unadelle poche melodie da cui ogni italiano si sente rappresentato.<br> <br> La prima parte diquesto arrangiamento è ispirato alla versione di Pat Metheny, che si trova nel bellissimo album Beyond the Missouri Sky. Ridotto a sola chitarra, ho dovutoadottare un’insolita accordatura aperta:DBGDGD, ovvero RE-SI-SOL-RE-SOL-RE. Se scordarela quinta e la sesta corda è cosa abbastanza normale per chi conosce ilrepertorio per chitarra classica, non posso dire lo stesso per la prima corda, cosanecessaria, in questo caso, per ragioni di eseguibilità. Se da una parte lacorda perde di brillantezza, dall’altra ne acquista in morbidezza e dolcezza, sposandosibenissimo con la nostalgia di entrambi i temi.<br> <br> La seconda parte,il celebre Tema d’amore, è, invece,una vera e propria trascrizione, efficace e di complicata esecuzione, date ledifficoltà nella mano sinistra, necessarie a mantenere senso del legato ecantabilità.<br> <br> Bojano, 26 Novembre 2020,<br> <br> Flavio Sala.
$10.00
9.22 €
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Guitare
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Ennio Morricone
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CINEMA PARADISO Morricone - Guitar Arrang. by FLAVIO SALA
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Flavio Sala
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SheetMusicPlus
CAPRICHO ARABE for guitar by Tarrega - Rev. and fing. by Flavio Sala
Guitare
Guitar - Intermediate - Digital Download Composed by Francisco Tarrega (1852-1909). A…
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Guitar - Intermediate - Digital Download Composed by Francisco Tarrega (1852-1909). Arranged by Flavio Sala. 20th Century, Romantic Period, Post- Romantic. Score. 6 pages. Published by Flavio Sala
Francísco Tárrega (1852 – 1909) è il fondatore della Scuola Chitarristica Spagnola, la solache può vantare più di 150 anni distoria e un unico filo conduttore.<br> <br> Partitodall’opera di Fernando Sor (1778 –1839) e di Dionisio Aguado (1784 –1849), Tàrrega ampliò e affinò la tecnica, arricchendo la chitarra classica dinuovi mezzi espressivi e di repertorio. Tali innovazioni sono giunte fino ainostri giorni grazie ai suoi numerosi discepoli diretti, tra cui Miguel Llobet, Daniel Fortea e PascualRoch e indiretti: Andrés Segovia,Regino ed Eduardo Sainz de la Maza, AlirioDíaz, Pasqualino Garzia e molti altri.<br> <br> Emilio Pujol (1886 – 1980), che studiò con Tárrega durante gliultimi 7 anni di vita di quest’ultimo, raccolse l’eredità del Maestro in un monumentalemetodo, in 4 volumi, di inestimabile valore: la Escuela Razonada de la Guitarra,basada en los principios de la técnica de Tárrega, con una prefazione di Manuel De Falla, portando a termine ciò che perTárrega restò un sogno e che la morte prematura non gli permise neanche diiniziare.<br> <br> Il CaprichoÁrabe, scritto nel1899, è forse la composizione più celebrata di Tárrega, dopo Recuerdosde la Alhambra.<br> <br> In questarevisione ho tenuto presente la versione pubblicata in Spagna dall’editore UnionMusical Española e le biografie più importanti scritte su Tárrega:EmilioPujol: Tárrega (Edizioni: L’empreinte mélodique), Wolf Moser: Francisco Tárrega yla guitarra en España entre 1830 y 1960 (Edizioni: Piles) e AdriánRius Espinós: Francisco Tárrega, una biografíadocumental (Edizioni:Orphenica Lyra).<br> <br> Alla luce di taliletture, ho ritenuto opportuno segnare le dinamiche e omettere alcuniabbellimenti e glissati. Lo stesso Tárrega, infatti, pare ebbe dei ripensamentia riguardo. Ho mantenuto, pertanto, quelli nelle ripetizioni, tagliando glialtri. Ho aggiunto e cambiato alcune diteggiature di entrambe le mani, considerandol’evoluzione della chitarra classica anche dal punto di vista della costruzione,nonché la tecnica flamenca. Infine, l’idea nell’Introduzione, di eseguire laseconda scala discendente, interamente con la sola mano sinistra, è, invece,totalmente mia.<br> <br> Bojano, 29Settembre 2020.<br> <br> Flavio Sala.<br> <br> ***Francísco Tárrega (1852 – 1909) è il fondatore della Scuola Chitarristica Spagnola, la solache può vantare più di 150 anni distoria e un unico filo conduttore.<br> <br> Partitodall’opera di Fernando Sor (1778 –1839) e di Dionisio Aguado (1784 –1849), Tàrrega ampliò e affinò la tecnica, arricchendo la chitarra classica dinuovi mezzi espressivi e di repertorio. Tali innovazioni sono giunte fino ainostri giorni grazie ai suoi numerosi discepoli diretti, tra cui Miguel Llobet, Daniel Fortea e PascualRoch e indiretti: Andrés Segovia,Regino ed Eduardo Sainz de la Maza, AlirioDíaz, Pasqualino Garzia e molti altri.<br> <br> Emilio Pujol (1886 – 1980), che studiò con Tárrega durante gliultimi 7 anni di vita di quest’ultimo, raccolse l’eredità del Maestro in un monumentalemetodo, in 4 volumi, di inestimabile valore: la Escuela Razonada de la Guitarra,basada en los principios de la técnica de Tárrega, con una prefazione di Manuel De Falla, portando a termine ciò che perTárrega restò un sogno e che la morte prematura non gli permise neanche diiniziare.<br> <br> Il CaprichoÁrabe, scritto nel1899, è forse la composizione più celebrata di Tárrega, dopo Recuerdosde la Alhambra.<br> <br> In questarevisione ho tenuto presente la versione pubblicata in Spagna dall’editore UnionMusical Española e le biografie più importanti scritte su Tárrega:EmilioPujol: Tárrega (Edizioni: L’empreinte mélodique), Wolf Moser: Francisco Tárrega yla guitarra en España entre 1830 y 1960 (Edizioni: Piles) e AdriánRius Espinós: Francisco Tárrega, una biografíadocumental (Edizioni:Orphenica Lyra).<br> <br> Alla luce di taliletture, ho ritenuto opportuno segnare le dinamiche e omettere alcuniabbellimenti e glissati. Lo stesso Tárrega, infatti, pare ebbe dei ripensamentia riguardo. Ho mantenuto, pertanto, quelli nelle ripetizioni, tagliando glialtri. Ho aggiunto e cambiato alcune diteggiature di entrambe le mani, considerandol’evoluzione della chitarra classica anche dal punto di vista della costruzione,nonché la tecnica flamenca. Infine, l’idea nell’Introduzione, di eseguire laseconda scala discendente, interamente con la sola mano sinistra, è, invece,totalmente mia.<br> <br> Bojano, 29Settembre 2020.<br> <br> Flavio Sala.<br> <br> ***
$10.00
9.22 €
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Guitare
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Francisco Tarrega (1852-1909)
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Flavio Sala
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CAPRICHO ARABE for guitar by Tarrega - Rev. and fing. by Flavio Sala
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Flavio Sala
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SheetMusicPlus
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
Guitare
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac…
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Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.
$10.00
9.22 €
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Guitare
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Isaac Albeniz (1860-1909)
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Flavio Sala
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ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
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Flavio Sala
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SheetMusicPlus
Homage to Villa-Lobos and Other Compositions
Guitare
By Charles Postlewate. For Guitar (Classical). Classic. 96 pages. Published by Mel Bay Pub…
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By Charles Postlewate. For Guitar (Classical). Classic. 96 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743727. This is the first compilation of guitar music for a right hand technique that includes the little finger. The 12 complete compositions include original pieces by Charles Postlewate (Homage to Villa-Lobos, Variations on a Theme of Prokofiev and Improvisation on Green Dolphin Street), transcriptions of piano pieces by Claude Debussy (La puerta del vino and Dr. Gradus ad Parnassum), arrangements of Peruvian popular songs (Jose Maria and Virgins of the Sun) and new editions of standard repertoire pieces - two studies by Fernando Sor and the beautiful tremolo study by Agustin Barrios, An Alm for the Love of God. Postlewate also includes excerpts of two other standard repertoire pieces by Federico Moreno Torroba (Sonatina) and Heitor Villa-Lobos (Prelude #2) - which are published elsewhere under copyright restrictions - to show the advantage of using the little finger. These pieces demonstrate new right hand techniques for the classical guitar that use the little finger in the playing of scales, chords, arpeggios, tremolos and harmonics. They also show the advantage of using the little finger for speed, accuracy, strength and balance. This book is a companion to RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics , also by Charles Postlewate.Spanish DescriptionEsta es la primera recopilacion de musica para la guitarra usando una tecnica de la mano derecha de cinco dedos que incluye el dedo menique. Las 12 composiciones completas incluyen piezas originales por Charles Postlewate (Homenaje a Villa-Lobos, Varicaciones sobre un tema de Prokofiev e Improvisacion sobre La calle del delfin verde), transcripciones de piezas para piano por Claude Debussy (La puerta del vino y Dr. Gradus ad Parnassum), arreglos de canciones populares peruanas (Jose Maria y Virgenes del sol) y nuevas ediciones de piezas del repertorio tradicional-dos estudios por Fernando Sor y el bello estudio de tremolo por Agustin Barrios, Una limosna por el amor de Dios. Ademas, Postlewate incluye extractos de otras dos piezas del repertorio tradicional de Federico Moreno Torroba (Sonatina) y de Heitor Villa-Lobos (Prelude #2)-las cuales han sido publicadas y estan protegidas bajo derecho de autor-para mostrar la ventaja de usar el dedo menique. Estas piezas muestran nuevas tecnicas de la mano derecha para la guitarra clasica que usan el dedo menique para tocar escalas, acordes, arpegios, tremolos y arpegios. Tambien muestran la ventaja de usar el dedo menique para aumentar la velocidad, la exactitud, la fuerza y el equilibrio. Este libro acompana a RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics (ESTUDIOS PARA LOS CINCO DEDOS DE LA MANO DER*E*CHA usando acordes, arpegios, tremolos y armonicos) tambien por Charles Postlewate.ISBN 9781609743727. This is the first compilation of guitar music for a right hand technique that includes the little finger. The 12 complete compositions include original pieces by Charles Postlewate (Homage to Villa-Lobos, Variations on a Theme of Prokofiev and Improvisation on Green Dolphin Street), transcriptions of piano pieces by Claude Debussy (La puerta del vino and Dr. Gradus ad Parnassum), arrangements of Peruvian popular songs (Jose Maria and Virgins of the Sun) and new editions of standard repertoire pieces - two studies by Fernando Sor and the beautiful tremolo study by Agustin Barrios, An Alm for the Love of God. Postlewate also includes excerpts of two other standard repertoire pieces by Federico Moreno Torroba (Sonatina) and Heitor Villa-Lobos (Prelude #2) - which are published elsewhere under copyright restrictions - to show the advantage of using the little finger. These pieces demonstrate new right hand techniques for the classical guitar that use the little finger in the playing of scales, chords, arpeggios, tremolos and harmonics. They also show the advantage of using the little finger for speed, accuracy, strength and balance. This book is a companion to RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics , also by Charles Postlewate.Spanish DescriptionEsta es la primera recopilacion de musica para la guitarra usando una tecnica de la mano derecha de cinco dedos que incluye el dedo menique. Las 12 composiciones completas incluyen piezas originales por Charles Postlewate (Homenaje a Villa-Lobos, Varicaciones sobre un tema de Prokofiev e Improvisacion sobre La calle del delfin verde), transcripciones de piezas para piano por Claude Debussy (La puerta del vino y Dr. Gradus ad Parnassum), arreglos de canciones populares peruanas (Jose Maria y Virgenes del sol) y nuevas ediciones de piezas del repertorio tradicional-dos estudios por Fernando Sor y el bello estudio de tremolo por Agustin Barrios, Una limosna por el amor de Dios. Ademas, Postlewate incluye extractos de otras dos piezas del repertorio tradicional de Federico Moreno Torroba (Sonatina) y de Heitor Villa-Lobos (Prelude #2)-las cuales han sido publicadas y estan protegidas bajo derecho de autor-para mostrar la ventaja de usar el dedo menique. Estas piezas muestran nuevas tecnicas de la mano derecha para la guitarra clasica que usan el dedo menique para tocar escalas, acordes, arpegios, tremolos y arpegios. Tambien muestran la ventaja de usar el dedo menique para aumentar la velocidad, la exactitud, la fuerza y el equilibrio. Este libro acompana a RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics (ESTUDIOS PARA LOS CINCO DEDOS DE LA MANO DER*E*CHA usando acordes, arpegios, tremolos y armonicos) tambien por Charles Postlewate.
$12.99
11.98 €
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Guitare
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Charles Postlewate
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Homage to Villa-Lobos and Other Compositions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Latin-American Folk Music for Classic Guitar
Guitare
Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Lati…
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Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Latin American. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30826EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.
$12.99
11.98 €
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Guitare
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Guillermo Diego
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Latin-American Folk Music for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
You Can Teach Yourself Classic Guitar in Spanish
Guitare
By William Bay. For Guitar (Classical). Classic. 112 pages. Published by Mel Bay Publicati…
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By William Bay. For Guitar (Classical). Classic. 112 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740863. Esta edicion en espanol presenta un metodo facil de entender para aprender la guitarra clasica. Ofrece estudios y ejercicios basicos ademas de una amplia variedad de solos desde el Renacimiento hasta el siglo 20 en todas las teclas para guitarra. Presenta una tecnica de guitarra clasica esencial a traves de estudios graduados de compositores como Bach, Carcassi, Carulli, Diabelli, Dowland, Guiliani, Handel, Sor y muchos otros. Las posiciones I-V se abordan a fondo, dejando al estudiante preparado para asumir un repertorio mas desafiante. Notacion estandar.This Spanish edition presents an easy-to-understand method for learning the classic guitar. It offers foundational studies and exercises plus a wide assortment of Renaissance to 20th century solos in all guitar-friendly keys. Presents essential classic guitar technique through graded studies by composers such as Bach, Carcassi, Carulli, Diabelli, Dowland, Guiliani, Handel, Sor and many others. Positions I-V are thoroughly addressed leaving the student prepared to take on more challenging repertoire. Standard notation.ISBN 9781609740863. Esta edicion en espanol presenta un metodo facil de entender para aprender la guitarra clasica. Ofrece estudios y ejercicios basicos ademas de una amplia variedad de solos desde el Renacimiento hasta el siglo 20 en todas las teclas para guitarra. Presenta una tecnica de guitarra clasica esencial a traves de estudios graduados de compositores como Bach, Carcassi, Carulli, Diabelli, Dowland, Guiliani, Handel, Sor y muchos otros. Las posiciones I-V se abordan a fondo, dejando al estudiante preparado para asumir un repertorio mas desafiante. Notacion estandar.This Spanish edition presents an easy-to-understand method for learning the classic guitar. It offers foundational studies and exercises plus a wide assortment of Renaissance to 20th century solos in all guitar-friendly keys. Presents essential classic guitar technique through graded studies by composers such as Bach, Carcassi, Carulli, Diabelli, Dowland, Guiliani, Handel, Sor and many others. Positions I-V are thoroughly addressed leaving the student prepared to take on more challenging repertoire. Standard notation.
$14.99
13.82 €
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Guitare
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William Bay
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You Can Teach Yourself Classic Guitar in Spanish
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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