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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Use Me - Trombone 3
Non classifié
357
Piano & claviers
Piano seul
274
Piano, Voix
133
Piano, Voix et Guitare
85
Piano Facile
67
Instruments en Do
33
Orgue
26
Accompagnement Piano
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Guitare
20
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
14
Basse electrique
13
Piano, Guitare (duo)
4
Paroles et Accords
3
Guitare (partie séparée)
2
Dulcimer
2
Ukulele Baryton
1
2 Guitares (duo)
1
3 Guitares (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
166
Chorale 3 parties
133
Chorale TTBB
79
Chorale SSAA
78
Chorale 2 parties
31
Chorale Unison
30
Voix duo, Piano
14
Voix duo
5
Voix haute
3
Chorale
2
Voix Soprano, Piano
2
Voix Alto, Piano
1
Voix seule
1
Voix Soprano
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
28
Hautbois, Piano (duo)
18
Saxophone (partie séparée)
17
Flûte traversière et Piano
17
Saxophone Tenor et Piano
17
Saxophone Alto et Piano
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Alto
11
Clarinette et Piano
9
Clarinette
9
Ensemble de Flûtes
9
Flûte, Hautbois, Clarinette, Basson
7
2 Saxophones (duo)
7
Flûte traversière
7
Clarinette (partie séparée)
6
Saxophone Tenor
6
Ensemble de saxophones
6
Clarinette, Guitare (duo)
5
Saxophone Soprano et Piano
5
Saxophone Baryton, Piano
5
2 Clarinettes (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte et Guitare
4
Ensemble de Clarinettes
3
Quintette de Saxophone: 5 saxophones
3
3 Clarinettes (trio)
3
2 Flûtes traversières (duo)
3
Clarinette Basse, Piano
3
Hautbois (partie séparée)
3
2 Saxophones, Piano
2
Flûte à bec Soprano
2
Quintette de Flûte : 5 flûtes
2
3 Saxophones (trio)
2
Hautbois, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone et Orgue
2
Flute (partie séparée)
2
Flûte, Alto et Piano
2
Trio de Flûtes: 3 flûtes
2
2 Hautbois (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Orgue
1
2 Flûte à bec (duo)
1
Clarinette, trompette et piano
1
Hautbois
1
Cor Anglais
1
Flûte irlandaise
1
Cor anglais, Guitare (duo)
1
Flûte, Violon
1
Flûte à bec Alto
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
Flûte, Violon et Violoncelle
1
Hautbois, Guitare (duo)
1
Flûte, Basson et Piano
1
Flûte, trombone et piano
1
Flûte, Clarinette (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
+ 56 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
18
Trompette
13
Trompette, Piano
8
Cor et Piano
8
Euphonium, Piano (duo)
5
Cor
3
Cor (partie séparée)
2
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
1
Euphonium
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Trompettes
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Piano
1
Ensemble de Tubas
1
4 Tubas
1
Tuba (partie séparée)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
86
Violon
23
Violon, Violoncelle (duo)
22
Violon et Piano
22
Trio à Cordes: violon, alto, violoncelle
16
Harpe
15
Violoncelle, Piano
11
Alto, Piano
11
2 Violons (duo)
6
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
5
2 Violoncelles (duo)
5
Violon, Alto (duo)
5
Alto seul
5
4 Violoncelles
4
Contre Basse
3
Contrebasse (partie séparée)
3
Contrebasse, Piano (duo)
2
3 Harpes
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
2 Altos (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
61
Orchestre à Cordes
43
Orchestre
31
Cloches
30
Jazz combo
30
Ensemble de cuivres
19
Ensemble Jazz
17
Orchestre de chambre
15
Batterie
13
Ensemble de Percussions
12
Fanfare
5
Percussion (partie séparée)
2
Batterie (partie séparée)
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Use Me - Trombone 3
Guitare
Partitions à imprimer
20 partitions trouvées
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1
Fly Me To The Moon (in Other Words)
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Guitare
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INTERMÉDIAIRE
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Tony Bennett
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Christopher J
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Fly Me To The Moon
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1310263 By Tony Bennett. By Bart Howard. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Pop,S...
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Solo Guitar - Level 3 - SKU: A0.1310263 By Tony Bennett. By Bart Howard. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #899378. Published by Christopher J. Malin (A0.1310263). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bart Howard's finer pieces. He's from Iowa! This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. There are many arrangements of this song. Give mine a go, it's a bit different. Sounds great on acoustic and electric guitars.
$4.99
STUDY nº 3 op. 60 [ by Matteo Carcassi ]: guitar solo
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Guitare
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FACILE
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Matteo Carcassi
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Cristiano Sousa
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STUDY nº 3 op. 60 [ by Ma
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Cristiano Sousa
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.941927 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual par...
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Solo Guitar - Level 2 - SKU: A0.941927 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6866407. Published by Cristiano Sousa (A0.941927). Study n°3 (Andantino) is focused at arpeggiation displayed in tuplets. To left hand, there is little difficulties rather than smooth voice leading. The fingering presented, however, give the sound expected. Right hand requires a diferenciation between inner, upper and bottom voices and it provides some challenge as well a give good field to mastering skills. This edition features detailled fingerings. You can contact me at cristiano.sousa.santos@gmail.com
$5.99
Remember Me (duo)
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Guitare
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INTERMÉDIAIRE
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Kristen Anderson-Lopez and Rob
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Justin Craig
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Miguel
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Remember Me
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JCMuse
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1326574 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Justin Craig. Film/TV,Mariachi,Singer/Songwrite...
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Solo Guitar - Level 3 - SKU: A0.1326574 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Justin Craig. Film/TV,Mariachi,Singer/Songwriter. Individual part. 1 pages. JCMuse #914722. Published by JCMuse (A0.1326574). A solo guitar arrangment of the theme from Coco. Specfically from the reunion scene with Coco & Miguel. Interemediate classical guitar with lyrics.
$4.99
Guitar Tutor eBoox - Level 3 (Debut)
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Guitare
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FACILE
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Methodes
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Alison Jackson, Jonathan Eno B
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Guitar Tutor eBoox - Level 3
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Jonathan Eno
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.936704 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077327. Pu...
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Solo Guitar - Level 2 - SKU: A0.936704 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077327. Published by Jonathan Eno (A0.936704). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument orâ?¦ even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Donâ??t Stop Me Now â?? QueenHold My Hand â?? Jess GlynneSuper Mario Theme â?? Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
Will You Love Me Tomorrow (will You Still Love Me Tomorrow)
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Guitare
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INTERMÉDIAIRE
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Pop musique
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The Shirelles
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Michael Storeton-West
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Will You Love Me Tomorrow
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Kicker Productions Ltd.
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1132118 By The Shirelles. By Carole King and Gerry Goffin. Arranged by Michael Storeton-West. Pop. Individual part. 3 pa...
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Solo Guitar - Level 3 - SKU: A0.1132118 By The Shirelles. By Carole King and Gerry Goffin. Arranged by Michael Storeton-West. Pop. Individual part. 3 pages. Kicker Productions Ltd. #732355. Published by Kicker Productions Ltd. (A0.1132118). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$5.49
You Really Got Me
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Guitare
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Contemporain
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Van Halen
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Mike West
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You Really Got Me
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Kicker Productions Ltd.
#
SheetMusicPlus
Solo Guitar - SKU: A0.833398 By Van Halen. By Ray Davies. Arranged by Mike West. Contemporary. Individual part. 3 pages. Kicker Productions Ltd. #606553...
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Solo Guitar - SKU: A0.833398 By Van Halen. By Ray Davies. Arranged by Mike West. Contemporary. Individual part. 3 pages. Kicker Productions Ltd. #6065535. Published by Kicker Productions Ltd. (A0.833398). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks.
$4.99
Rescue Me
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Guitare
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FACILE
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Pop musique
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Fontella Bass
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Mike West
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Rescue Me
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Kicker Productions Ltd.
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1041222 By Fontella Bass. By Carl Smith and Raynard Miner. Arranged by Mike West. Pop. Individual part. 3 pages. Kicker ...
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Solo Guitar - Level 2 - SKU: A0.1041222 By Fontella Bass. By Carl Smith and Raynard Miner. Arranged by Mike West. Pop. Individual part. 3 pages. Kicker Productions Ltd. #645955. Published by Kicker Productions Ltd. (A0.1041222). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$4.99
Build Me Up, Buttercup
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Guitare
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Soul/R&B
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The Foundations
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Mike West
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Build Me Up, Buttercup
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Kicker Productions Ltd.
#
SheetMusicPlus
Solo Guitar - SKU: A0.832986 By The Foundations. By Michael D'Abo and Tony MacAuley. Arranged by Mike West. Soul. Individual part. 3 pages. Kicker Produ...
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Solo Guitar - SKU: A0.832986 By The Foundations. By Michael D'Abo and Tony MacAuley. Arranged by Mike West. Soul. Individual part. 3 pages. Kicker Productions Ltd. #5994911. Published by Kicker Productions Ltd. (A0.832986). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks.
$4.99
(you Make Me Feel Like) A Natural Woman
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Guitare
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INTERMÉDIAIRE
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Pop musique
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Aretha Franklin
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Michael Storeton-West
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(you Make Me Feel Like) A Natu
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Kicker Productions Ltd.
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1041585 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Michael Storeton-West. Pop. Indi...
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Solo Guitar - Level 3 - SKU: A0.1041585 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Michael Storeton-West. Pop. Individual part. 4 pages. Kicker Productions Ltd. #646343. Published by Kicker Productions Ltd. (A0.1041585). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$4.99
Heartbeats
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jose Gonzalez
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Pablo Alcázar
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Heartbeats
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Si...
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Solo Guitar - Level 4 - SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
The Last Waltz
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Guitare
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INTERMÉDIAIRE
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Engelbert Humperdinck
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Peng Chen
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The Last Waltz
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JCmusic.com
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1298656 By Engelbert Humperdinck. By Barry Mason and Les Reed. Arranged by Peng Chen. Jazz,Pop,Romantic Period. Individu...
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Solo Guitar - Level 3 - SKU: A0.1298656 By Engelbert Humperdinck. By Barry Mason and Les Reed. Arranged by Peng Chen. Jazz,Pop,Romantic Period. Individual part. 4 pages. JCmusic.com #888534. Published by JCmusic.com (A0.1298656). This song for intermediate fingerstyle performance, I played it with capo on 2nd fret, speed of 108 BPM. I added some jazz chords and wrote a different ending for it, I also changed the rhythm to swing which make me feel smoother. During the recording, I tried again to create my own guitar tone. I used my Boss OC-5 pedal to create an extra bass track and carefully mixed with the original guitar sound. I recommend you use headphones when watch my youtube video.
$9.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
14 arrangements for guitar solo
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Guitare
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INTERMÉDIAIRE
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Traditional, Jerome Kern
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David Warin Solomons
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14 arrangements for guitar sol
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.577583 Composed by Traditional, Jerome Kern. Arranged by David Warin Solomons. 20th Century,Classical,Folk,World. Indivi...
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Solo Guitar - Level 3 - SKU: A0.577583 Composed by Traditional, Jerome Kern. Arranged by David Warin Solomons. 20th Century,Classical,Folk,World. Individual part. 23 pages. David Warin Solomons #2063603. Published by David Warin Solomons (A0.577583). This album comprises 14 arrangements for guitar solo - each piece is also available separately on this site but this album provides a considerable discount. The sound sample is John Mitchell's performance of Paddywhack variations and the video is my performance of Jermoe Kern's They'll never believe meThe pieces are: Paddywhack variations 4 French Folksongs (Voici la Toussaint, Berceuse, Sur le bord du petit bois joli, La Vendange) Hebridean Love Lilt Morning has broken (Bunessan) Never weather beaten sail Variations on Frère Jacques Variations on Le coq est mort and 4 songs by Jerome Kern: Smoke gets in your eyes They'll never believe me Long ago and far away Can't help loving that man.
$23.00
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
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Malaguena
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Ernesto Lecuona
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Lacy Reynolds
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Malaguena
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Lacy Reynolds
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.896462 Composed by Ernesto Lecuona. Arranged by Lacy Reynolds. Contemporary. Individual part. 3 pages. Lacy Reynolds #45...
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Solo Guitar - Level 3 - SKU: A0.896462 Composed by Ernesto Lecuona. Arranged by Lacy Reynolds. Contemporary. Individual part. 3 pages. Lacy Reynolds #4574939. Published by Lacy Reynolds (A0.896462). This solo guitar arrangement of Malaguena started out as my senior project where I only had to listen to this piece by ear and write down only 2 minutes of the song. This evolved into me finishing the whole song because it was so enjoyable to listen to. This flamenco styled piece is for solo guitar. .
$4.99
Il cielo dietro il monte
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kyle Rowan
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Il cielo dietro il monte
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Penguinman Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1023046 Composed by Kyle Rowan. Contemporary. Individual part. 3 pages. Penguinman Music #4595893. Published by Penguinm...
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Solo Guitar - Level 4 - SKU: A0.1023046 Composed by Kyle Rowan. Contemporary. Individual part. 3 pages. Penguinman Music #4595893. Published by Penguinman Music (A0.1023046). Il cielo dietro il monte was composed in 2011 in Maccagno, Italy, as part of the soundSCAPE Festival's Fresh Ink project in collaboration with the Civico Museo Parisi-Valle. The piece shares the title of the work that inspired it, a painting by Maria Clara Quarenghi. Il cielo dietro il monte, or the sky behind the mountains, is a beautiful composition of blues and greens, light and dark. The twin guitars form a delicate texture of quiet harmonics to complement the subtlety of the painting.Il cielo dietro il monte was composed for Andy Booth and Declan Zapala.Learn more about me and my music at www.penguinmanmusic.com
$5.00
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
10 Studies in a Minimal Style for Guitar
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Aleksander Wilgos
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10 Studies in a Minimal Style
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Aleksander Wilgos
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1211957 Composed by Aleksander Wilgos. Classical,Contemporary. Individual part. 15 pages. Aleksander Wilgos #809497. Pub...
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Solo Guitar - Level 3 - SKU: A0.1211957 Composed by Aleksander Wilgos. Classical,Contemporary. Individual part. 15 pages. Aleksander Wilgos #809497. Published by Aleksander Wilgos (A0.1211957). 10 Studies in a Minimal Style for Guitar by Aleksander WilgosI came to the idea of composing this set of studies because I wanted to enrich educational guitar repertoire with some modern sounding pieces. I also wanted to keep them simple, yet interesting for young people.Minimal style is great for both tasks. My students already played those studies with engagement and joy.Tehnical and musical difficulty is between beginner and intermediate. Studies are designed in a progressive mode, so the last study is probably the most difficult to play.More about me:www.facebook.com/wilgos.guitarwww.youtube.com/@wilgos.guitar
$9.99
The Guitar Études
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Guitare
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Methodes Etudes
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Apostolos Paraskevas
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The Guitar Études
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Silver Sickle Publications
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SheetMusicPlus
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silve...
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
tudes for Solo Guitar
The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the ?manner? of an tude that deals with specific aspects of guitar techniques and musicianship in general.
These tudes are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.
I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.
Titles:
1 with false optimism
2 with moderate sadness
3 with just the two of you
4 with a touch of impatience
5 with a touch of grandeur
6 with a counterpoint attitude
7 with a touch of shame
8 with a touch of boredom
9 going and never coming back
10 with a peaceful anger
11 without the heavy ones
12 without hope
13 without sense of humor
14 with a masculine attitude
15 with two little bears in mind
16 without hesitation
17 with shameless vibrato
18 with a touch of distress
19 without fear of failure
20 with this and that
21 with a kind motion
22 with a rondo attitude
23 with suspense
24 with everything you may have
$22.00
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