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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
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BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Non classifié
577
PIANO & CLAVIERS
Piano, Voix et Guitare
429
Piano seul
220
Piano, Voix
123
Piano Facile
84
Instruments en Do
37
Orgue
27
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
7
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Clavier
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
31
Guitare
28
Ukulele
16
Ligne De Mélodie, (Paroles) et Accords
10
Basse electrique
9
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
3
Paroles et Accords
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline
1
2 Guitares (duo)
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
162
Chorale 2 parties
51
Chorale 3 parties
43
Chorale Unison
30
Chorale TTBB
19
Voix duo, Piano
18
Chorale SSAA
13
Voix duo
8
Voix haute
5
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Voix Alto, Piano
1
Voix seule
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
29
Clarinette et Piano
26
Saxophone Alto et Piano
24
Flûte traversière
23
Saxophone Alto
23
Hautbois, Piano (duo)
23
Quatuor de Saxophones: 4 saxophones
22
Saxophone Tenor et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
2 Saxophones (duo)
19
Saxophone Tenor
17
Saxophone Soprano et Piano
17
Flûte, Hautbois, Clarinette, Basson
17
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette
16
Hautbois (partie séparée)
12
Quintette de Saxophone: 5 saxophones
9
Saxophone (partie séparée)
7
Flûte à bec Soprano
7
Cor anglais, Piano
7
Flûte à Bec
7
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Clarinette (duo)
7
Saxophone Baryton, Piano
7
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
7
3 Saxophones (trio)
6
Ensemble de Clarinettes
4
Saxophone, Clarinette (duo)
4
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Saxophone Soprano
3
Flûte à bec Tenor
3
Clarinette, Trompette (duo)
3
Ensemble de Flûtes
3
Flûte, Alto (duo)
3
Flûte, Violon, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon
2
Cor Anglais
2
Flûte, Alto et Piano
2
Clarinette, Basson (duo)
2
Ensemble de saxophones
2
Quatuor de Flûtes à bec
2
Clarinette, Violon (duo)
2
Flûte à bec Soprano, Piano
2
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
Flûte, Saxophone (duo)
2
Flûte et Guitare
2
Flûte, Clarinette et Basson
1
Clarinette, trompette et piano
1
Flûte, trombone et piano
1
Clarinette, Trombone (duo)
1
Flûte, Trompette (duo)
1
Saxophone et Piano
1
Flûte traversière, Orgue (duo)
1
2 Hautbois (duo)
1
Flute, harpe et violon
1
Saxophone et Guitare
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Clarinette et Alto
1
Hautbois, Basson (duo)
1
Ensemble De Flûte à bec
1
2 Flûte à bec (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois, Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone et Piano
27
Trompette
26
Trompette, Piano
21
Trombone
16
Cor et Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Tuba
10
Cor anglais, Piano
7
Trompette, Trombone (duo)
5
Quatuor de cuivres: 4 trombones
5
Cor
5
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
4
2 Trombones (duo)
3
Ensemble de Trompettes
3
Tuba et Piano
3
Trompette, Cor (duo)
3
Euphonium, Piano (duo)
3
Cor Anglais
2
Euphonium
2
Ensemble de Cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
1
3 Euphoniums
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
78
Violon et Piano
49
Violon
30
Violoncelle, Piano
28
Harpe
24
Violoncelle
24
Violon, Violoncelle (duo)
23
Alto, Piano
18
Trio à Cordes: violon, alto, violoncelle
11
2 Violons (duo)
8
Alto seul
7
Alto (partie séparée)
6
2 Violoncelles (duo)
5
Piano Trio: Violon, Alto, Piano
4
Contre Basse
4
Trio à Cordes: 2 violons, violoncelle
4
2 Harpes (duo)
3
2 Altos (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes: 3 violins
3
Violon, Alto (duo)
3
Contrebasse, Piano (duo)
3
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
1
Violon (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle (partie séparée)
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Violon, Guitare (duo)
1
2 Contrebasses (duo)
1
2 Violons, Piano
1
4 Violoncelles
1
Harpe, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
80
Orchestre
28
Cloches
24
Ensemble de cuivres
23
Orchestre à Cordes
23
Jazz combo
18
Orchestre de chambre
12
Ensemble Jazz
9
Batterie
7
Ensemble de Percussions
3
Fanfare
1
Marimba, Piano (duo)
1
Percussion
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
Used To Love
Guitare
Partitions à imprimer
28 partitions trouvées
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26
Will You Love Me Tomorrow (will You Still Love Me Tomorrow)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1132118 By The Shirelles. By Carol…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1132118 By The Shirelles. By Carole King and Gerry Goffin. Arranged by Michael Storeton-West. Pop. Individual part. 3 pages. Kicker Productions Ltd. #732355. Published by Kicker Productions Ltd. (A0.1132118). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$5.49
5 €
#
Guitare
#
The Shirelles
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Michael Storeton-West
#
Will You Love Me Tomorrow
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Kicker Productions Ltd.
#
SheetMusicPlus
Crazy In Love
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1312359 By Beyonce Featuring Jay-Z…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1312359 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by Hollywood Charts. Funk,Hip-Hop,Pop. Individual part. 3 pages. Hollywood Charts #901213. Published by Hollywood Charts (A0.1312359). Dive into the guitar of Beyoncé's anthem, Crazy In Love, with this expertly crafted transcription. An embodiment of early 2000s R&B fused with pop sensibilities, this track's guitar parts have their origins in a funky 70's Chi-Lites sample.  From the simple funk stabs that underpin the verses to the more pronounced riffs accentuating the track's infectious chorus, this transcription equips guitarists with the roadmap to replicate the distinct sounds that contribute to the song's iconic status.
$4.99
4.54 €
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Guitare
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Beyonce Featuring Jay-Z
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Hollywood Charts
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Crazy In Love
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Hollywood Charts
#
SheetMusicPlus
Love Really Hurts Without You
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1041640 By Billy Ocean. By Ben Fin…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1041640 By Billy Ocean. By Ben Findon and Les Charles. Arranged by Michael Storeton-West. Pop. Individual part. 3 pages. Kicker Productions Ltd. #646403. Published by Kicker Productions Ltd. (A0.1041640). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$4.99
4.54 €
#
Guitare
#
Billy Ocean
#
Michael Storeton-West
#
Love Really Hurts Without You
#
Kicker Productions Ltd.
#
SheetMusicPlus
I'm Beginning To See The Light
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Du…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #980800. Published by Christopher J. Malin (A0.1397472). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. If someone asks you to play a swing jazz tune this is a archetypical piece. This is a jazz classic! Every jazz guitarist should have this in their repitore. I love this tune! Hope you will too.
$4.99
4.54 €
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Guitare
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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Christopher J
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I'm Beginning To See The Light
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Christopher J. Malin
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SheetMusicPlus
All You Need Is Love
Guitare
Solo Guitar - Digital Download SKU: A0.832997 By The Beatles. By John Lennon and Pa…
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Solo Guitar - Digital Download SKU: A0.832997 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike West. Rock. Individual part. 4 pages. Kicker Productions Ltd. #5996097. Published by Kicker Productions Ltd. (A0.832997). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks.
$4.99
4.54 €
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Guitare
#
The Beatles
#
Mike West
#
All You Need Is Love
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Kicker Productions Ltd.
#
SheetMusicPlus
Crazy Little Thing Called Love
Guitare
Solo Guitar - Digital Download SKU: A0.833078 By Dwight Yoakam. By Freddie Mercury.…
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Solo Guitar - Digital Download SKU: A0.833078 By Dwight Yoakam. By Freddie Mercury. Arranged by Mike West. Rock. Individual part. 4 pages. Kicker Productions Ltd. #5998415. Published by Kicker Productions Ltd. (A0.833078). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks.
$4.99
4.54 €
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Guitare
#
Dwight Yoakam
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Mike West
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Crazy Little Thing Called Love
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Kicker Productions Ltd.
#
SheetMusicPlus
Suite Snow
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.752757 Composed by Kevin Love. Con…
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Solo Guitar - Level 1 - Digital Download SKU: A0.752757 Composed by Kevin Love. Contemporary,Standards. Individual part. 4 pages. Kevin Edward Love #23919. Published by Kevin Edward Love (A0.752757). I composed these pieces as 'bridging' material to move from single note melodies to simple arpeggios; with one exception, only a single finger is used in either hand at any given time; preparation exercises for each hand greatly facilitate learning. We both like the snow...
$2.50
2.28 €
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Guitare
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Kevin Love
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Suite Snow
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Kevin Edward Love
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SheetMusicPlus
Sweet Caroline
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamon…
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Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 55 pages. DanJonesGuitarist #811570. Published by DanJonesGuitarist (A0.1214983). Sweet Caroline - by Neil DiamondArranged for Guitar Quartet (with Optional Bass Guitar) by Dan Joneswww.danjonesguitarist.comThis arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.Sweet Caroline was released as a single by Neil Diamond in 1969. It enjoyed immediate chart success in the US, and further success in the UK in 1971. In recent years, it has had a resurgence in popularity, as it has been sung by supporters at sporting events due to its epic, stadium-rock quality. It is therefore much-known and loved by audiences of all generations.This arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.For a wealth of arrangements for guitar in ensemble or solo, writings, original works, teaching material, compositions and much more, please visit www.danjonesguitarist.com
$7.95
7.24 €
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Guitare
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Neil Diamond
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Dan Jones www
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Sweet Caroline
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DanJonesGuitarist
#
SheetMusicPlus
Heartbeats
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
4.54 €
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Guitare
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Jose Gonzalez
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Pablo Alcázar
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Heartbeats
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Pablo Alcázar
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SheetMusicPlus
Preludio
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert Pieces from 6 Centuries for Guitar (easy). This edition: Sheet music. Guitar - classical music - original pieces. Guitarissimo. 130 leichte Vortragsstücke aus 6 Jahrhunderten für Gitarre. Downloadable. Schott Music - Digital #Q46314. Published by Schott Music - Digital (S9.Q46314). Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers. The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance – Baroque – Classical period – Romanticism and early 20th century – modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method. Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter. The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much.
$21.99
20.02 €
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Guitare
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Preludio
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Schott Music - Digital
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Michelle
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1342617 By The Beatles. By John Le…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1342617 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christopher J. Malin. 20th Century,Chamber,Contemporary,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #928091. Published by Christopher J. Malin (A0.1342617). Solo jazz guitar chord/melody arrangement with tablature. Beautiful, instantly recognizable melody. One of The Beatles finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I realise there are many arrangments of this great song. Give mine a try...I tend to play this song as a ballad. It's such a beautiful melody no need to rush it. Better to relish it! I love this tune! Hope you will too.
$4.99
4.54 €
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Guitare
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The Beatles
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Christopher J
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Michelle
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Christopher J. Malin
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SheetMusicPlus
Satin Doll
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Bill…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Billy Strayhorn, Duke Ellington, and Johnny Mercer. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. Christopher J. Malin #933670. Published by Christopher J. Malin (A0.1348935). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This is a jazz classic! When I hear or play this song I think of my parents dancing to Satin Doll at Navy Pier in Chicago with the Duke's orchestra! His intro opening lick on the piano to that generation is like Clapton's Layla riff to my generation!I love this tune! Hope you will too.
$4.99
4.54 €
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Guitare
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Duke Ellington
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Christopher J
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Satin Doll
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Christopher J. Malin
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SheetMusicPlus
Shallow
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wy…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Individual part. 7 pages. B. McCormick #956465. Published by B. McCormick (A0.1372204). Shallow is a hit song by Lady Gaga and Bradley Cooper from the 2018 musical drama film A Star is Born. The song won several awards, including an Oscar, a Golden Globe, and four Grammys. It is a powerful duet that showcases the vocal talents and emotional connection of the two singers. Lady Gaga is one of the most influential and versatile artists of our time, with a range of genres and styles in her repertoire.This guitar fingerstyle sheet music arrangement of Shallow captures the essence and beauty of the original song, while adding some unique touches and embellishments. It is a higher intermediate level guitar piece that requires some technical skills and expressive playing. The arrangement closely follows the structure of the original song. The performance markings indicate the dynamics, tempo, articulation, and other aspects of how to play the piece. The piece also comes with a performance note that provides more details and tips on how to interpret the arrangement.This sheet music is perfect for guitarists who want to impress their audience with a stunning rendition of this popular song. It can be used as a solo piece or as part of a set list for various occasions. Whether you are a fan of Lady Gaga, A Star is Born, or just love beautiful music, this guitar fingerstyle sheet music arrangement of Shallow will make you feel the emotions and depth of this masterpiece.
$5.99
5.45 €
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Guitare
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Lady Gaga
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Barry McCormick
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Shallow
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B. McCormick
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SheetMusicPlus
Raindrops Keep Fallin' On My Head
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Ba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #933060. Published by Christopher J. Malin (A0.1348275). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable cheerful melody. One of Burt Bacharach's many fine pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the triad chords using a little hand vibrato, makes them sing a bit. I also slide up to the single notes at times. The tag at the end, is a nice jam in itself if playing with another guitar or bass, if solo I play it 4 times. Listeners will love this tune! Hope you will too.
$4.99
4.54 €
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Guitare
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B
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Christopher J
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Raindrops Keep Fallin' On My Head
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Christopher J. Malin
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SheetMusicPlus
Solitude
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #916882. Published by Christopher J. Malin (A0.1328873). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the A section in free time, adding improvisation. Then almost like a modern Power Ballad I play the B' section in a strong swing time. I repeat measures 11 to 14 three times! Then, I pull in the reins and slow her down towards the end and improvise freely at the bitter end. I love this tune! Hope you will too.
$7.00
6.37 €
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Guitare
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40s Instrumental Music
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Christopher J
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Solitude
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Christopher J. Malin
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SheetMusicPlus
All My Loving
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1472193 By The Beatles. By John Le…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Rock,Wedding. Individual part. 2 pages. MP Sheet Music #1049894. Published by MP Sheet Music (A0.1472193). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.
$4.99
4.54 €
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Guitare
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The Beatles
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Artur Freire
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All My Loving
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MP Sheet Music
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SheetMusicPlus
It's Only A Paper Moon
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #894466. Published by Christopher J. Malin (A0.1305049). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. The film Papermoon was named after the song! Very unusual.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I also wrote the lyrics under the chords/notes in the B section to help with the timing. This song is in an ABABA format. I love the light, childlike melody! Sounds great on acoustic and electric guitars.
$5.99
5.45 €
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Guitare
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Billy Rose, E
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Christopher J
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It's Only A Paper Moon
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Christopher J. Malin
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SheetMusicPlus
Selected Works, vol. 1
Guitare
The present collection is around the idea of paying homage to the people that each piece i…
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The present collection is around the idea of paying homage to the people that each piece is dedicated to.El Colibrí (Hummingbird): A meaningful bird within Central American indigenous mythology. Dedicated to my good friend and co-author Federico Sheppard, a very special human being with whom I have walked a long journey in a short time, to produce and publish the work of the great Agustín Barrios Mangoré.El Faro refers to the guidance of a lighthouse for the those navigating the sea, the light to point travellers in the right direction. This piece is dedicated to maestro Antonio Rodríguez Delgado, for his unconditional friendship, light, and guidance with the complex journey of our beloved instrument, so that it be used as a tool for self realization.Gratitude is dedicated to maestro Elias Barreiro for his tireless work and contribution to the global guitar practices, additionally, for his genuine friendship.Canción de Cuna is a piece that pretends to reflect the awakening of a new consciousness for humanity, the title (Lullaby) refers to the little person we all have inside.La présente collection est centrée sur l'idée de rendre hommage aux personnes auxquelles chaque pièce est dédiée.El Colibrí (Colibri) : Un oiseau significatif dans la mythologie indigène d'Amérique centrale. Dédicacé à mon bon ami et co-auteur Federico Sheppard, un être humain très spécial avec qui j'ai parcouru un long chemin en peu de temps, pour produire et publier l'œuvre du grand Agustín Barrios Mangoré.El Faro fait référence à la guidance d'un phare pour ceux qui naviguent en mer, la lumière pour orienter les voyageurs dans la bonne direction. Cette pièce est dédiée au maestro Antonio Rodríguez Delgado, pour son amitié inconditionnelle, sa lumière et son guidage dans le voyage complexe de notre instrument bien-aimé, afin qu'il soit utilisé comme un outil de réalisation de soi.Gratitude est dédiée au maestro Elias Barreiro pour son travail inlassable et sa contribution aux pratiques mondiales de la guitare, et en plus, pour son amitié sincère.Canción de Cuna est une pièce qui prétend refléter l'éveil d'une nouvelle conscience pour l'humanité, le titre (Berceuse) se réfère à la petite personne que nous avons tous à l'intérieur de nous
Song List: El Colibri El Faro Gratitud Cancion De Cuna
Song List
:
El Colibri
El Faro
Gratitud
Cancion De Cuna
$9.95
9.06 €
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Guitare
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Selected Works, vol. 1
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SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.46 €
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Guitare
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Johann Sebastian Bach
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Aleksander Wilgos
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J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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SheetMusicPlus
Penthouse Serenade
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1350480 Composed by Val Burton and…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #935289. Published by Christopher J. Malin (A0.1350480). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful melody. I think this one will make you a cut above the rest! A challenging but fullfilling piece of jazz music. This piece makes you stand out as a solo jazz guitarist of all idioms. This is for the chord expert. There are 44 different chords in this piece! Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This was on of Nat King Cole's signature pieces.I love this tune! Hope you will too.
$4.99
4.54 €
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Guitare
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Val Burton and Will Jason
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Christopher J
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Penthouse Serenade
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Christopher J. Malin
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SheetMusicPlus
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