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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Wagner
Non classifié
1 139
Piano & claviers
Piano, Voix
310
Piano seul
309
Piano Facile
112
Orgue
105
Piano Trio: piano, violon, violoncelle
21
Accompagnement Piano
17
Piano, Voix et Guitare
16
Instruments en Do
13
1 Piano, 4 mains
9
Orgue, Trompette (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Accordéon
2
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon, Voix
1
Clavier
1
Orgue, Piano (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Guitare
21
2 Guitares (duo)
9
Ukulele
5
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
3
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
2
Guitare (partie séparée)
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
239
Chorale 3 parties
152
Voix seule
72
Chorale 2 parties
71
Chorale
47
Chorale Unison
18
Chorale TTBB
16
Voix Soprano, Piano
12
Voix Tenor, Piano
9
Chorale SSAA
8
Voix Baryton, Piano
7
Pack Instrumental pour Chorale
6
Voix Soprano, Orchestre
2
Voix haute
2
Voix haute, Piano
1
Voix basse, Piano
1
Voix moyenne, Piano
1
+ 12 instrumentations
Retracter
Vents
Clarinette (partie séparée)
337
Saxophone (partie séparée)
299
Ensemble de Clarinettes
188
Quatuor de Saxophones: 4 saxophones
165
Flûte, Hautbois, Clarinette, Basson
155
Flute (partie séparée)
132
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
132
Hautbois (partie séparée)
109
Ensemble de saxophones
96
Quatuor de Clarinettes: 4 clarinettes
90
Ensemble de Flûtes
84
Quintette de Saxophone: 5 saxophones
84
Flûte traversière et Piano
73
Clarinette et Piano
48
Hautbois, Piano (duo)
39
Clarinette
37
Quatuor de Flûtes : 4 flûtes
36
Flûte traversière
30
Saxophone Alto et Piano
30
Saxophone Soprano et Piano
28
Saxophone Tenor et Piano
26
2 Saxophones (duo)
22
Quintette de Clarinettes: 5 clarinettes
19
Saxophone Alto
18
Saxophone
15
Hautbois
15
2 Flûtes traversières (duo)
14
2 Flûte à bec (duo)
13
Saxophone Baryton, Piano
13
Flûte, Clarinette, Cor, Basson (Quartet)
12
Cor anglais, Piano
11
Clarinette Basse, Piano
11
Piccolo
10
2 Clarinettes (duo)
8
Flûte, Clarinette (duo)
8
Quatuor de Flûtes à bec
6
Trio de Flûtes: 3 flûtes
6
Flûte à Bec
6
Saxophone Tenor
5
3 Clarinettes (trio)
5
5 Flûtes à bec
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violoncelle, Piano (trio)
4
Saxophone et Guitare
3
Flûte à bec Soprano, Piano
3
Harmonica
3
Flûte, Violon, Piano
3
Flûte et Guitare
3
Flûte, Violon
3
3 Saxophones (trio)
3
Clarinette, Basson (duo)
3
2 Saxophones, Piano
3
2 Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Saxophone, Clarinette (duo)
2
Flûte, Violoncelle
2
Flûte à Bec, Piano
2
Flûte, Violon, Guitare
2
Flûte à bec Soprano
2
Flûte, Basson et Piano
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto
2
Flûte, Clarinette et Basson
2
Clarinette, Guitare (duo)
2
Cor Anglais
2
Flûte à bec, Guitare (duo)
2
Clarinette Basse
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Basson (duo)
1
Ensemble à vent
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières, Piano
1
3 Hautbois
1
Clarinette, Trompette (duo)
1
Ocarina
1
2 Clarinettes, Basson
1
2 Flûtes à bec, Guitare
1
Piccolo, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
Saxophone, Basson (duo)
1
Flûte, Hautbois, Violon
1
Clarinette, Violon (duo)
1
Flûte, Trompette (duo)
1
Flûte, Trombone (duo)
1
+ 87 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
305
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
253
Trompette (partie séparée)
158
Tuba (partie séparée)
149
Cor (partie séparée)
147
Trombone et Piano
38
Trompette, Piano
37
Trompette
33
Cor et Piano
30
Cor
29
Tuba
28
Quatuor de cuivres: 4 cors
27
Trombone
25
Ensemble de Cors
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Quatuor de Cuivres
22
Quatuor de cuivres: 4 trombones
20
Euphonium, Piano (duo)
20
Ensemble de Trombones
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Tuba et Piano
12
Cor anglais, Piano
11
Quatuor de cuivres: 4 trompettes
10
2 Euphoniums et 2 Tubas
9
Ensemble de Trompettes
8
2 Trompettes (duo)
8
Euphonium
7
4 Tubas
7
Cornet A Pistons
6
Trompette, Trombone (duo)
6
Trio de Cuivres
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors (duo)
4
2 Trombones (duo)
4
3 Trombones (trio)
3
Euphonium, Tuba (duo)
3
3 Trompettes (trio)
3
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
2
Cor, Tuba (duo)
2
Cor Anglais
2
2 Tubas (duo)
1
Trombone, Orgue
1
Cor, Violoncelle et Piano
1
3 Cors (trio)
1
Trombone, Violon (duo)
1
Trombone basse et Piano
1
4 Euphoniums
1
Tuba et Orgue
1
Trombone, Cor (duo)
1
Trompette, Basson (duo)
1
Trompette, violon (duo)
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
276
Violon (partie séparée)
189
Violon et Piano
84
Contrebasse (partie séparée)
59
Violoncelle, Piano
58
Violoncelle (partie séparée)
51
Alto seul
47
Alto, Piano
46
Violon
41
Alto (partie séparée)
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violoncelle
28
Violon, Violoncelle (duo)
25
Harpe
19
2 Violons (duo)
17
Contre Basse
9
Trio à Cordes: violon, alto, violoncelle
9
Violon, Guitare (duo)
8
Violon, Alto (duo)
7
Contrebasse, Piano (duo)
7
4 Violoncelles
7
Quatuor à cordes : 4 altos
7
2 Violoncelles (duo)
7
2 Altos (duo)
6
Alto, Violoncelle (duo)
4
Violoncelle, Contrebasse (duo)
4
Violoncelle , Guitare (duo)
4
2 Violons, Piano
4
Trio à Cordes: 2 violons, violoncelle
4
Quatuor à cordes: 4 violons
4
Alto, Guitare (duo)
2
3 Contrebasses
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
1
2 Contrebasses (duo)
1
Harpe et Piano
1
Trio à Cordes: 2 violons, alto
1
Violon, Orgue
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Alto et Basson
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 856
Percussion (partie séparée)
198
Cloches
183
Orchestre
176
Orchestre à Cordes
174
Timbales (partie séparée)
90
Percussion
58
Ensemble de cuivres
47
Quintette à Vent
30
Orchestre de chambre
13
Fanfare
4
Timbales
3
Quatuor à Vent : 4 instruments à vents
3
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Instrumentation Flexible
1
Ensemble Jazz
1
Batterie
1
Jazz combo
1
Marimba
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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Matériel de musique
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Partitions Gratuites
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
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avec audio
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Vous avez sélectionné:
Wagner
Guitare
Partitions à imprimer
21 partitions trouvées
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1
Short wedding motif for guitar solo (based on Mendelssohn and Wagner)
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Guitare
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FACILE
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Felix Mendelssohn, Richard Wag
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David Warin Solomons
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Short wedding motif for guitar
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.578128 Composed by Felix Mendelssohn, Richard Wagner. Arranged by David Warin Solomons. 20th Century,Classical,Romantic ...
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Solo Guitar - Level 2 - SKU: A0.578128 Composed by Felix Mendelssohn, Richard Wagner. Arranged by David Warin Solomons. 20th Century,Classical,Romantic Period,Wedding. Individual part. 1 pages. David Warin Solomons #3541615. Published by David Warin Solomons (A0.578128). This little solo was originally used as an introduction for a song for my parents' 40th wedding anniversary,
$4.00
J.F. Wagner: Under The Double Eagle for guitar solo
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Guitare
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INTERMÉDIAIRE
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Classique
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J.F. Wagner
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Virtualsheetmusic
Instantly printable sheet music by Josef Franz Wagner for guitar solo of MEDIUM skill level. / classical,patriotic,standards,festival
Instantly printable sheet music by Josef Franz Wagner for guitar solo of MEDIUM skill level. / classical,patriotic,standards,festival
$5.97
Bridal Chorus from Lohengrin by Richard Wagner - Guitar Solo
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Guitare
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Richard Wagner
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Bridal Chorus from Lohengrin
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Musicnotes
Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instrum...
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Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Wedding, Traditional~~Wedding~~Classical~~Romantic~~Special Use
$2.99
Dick Wagner: Only Women Bleed for guitar
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Guitare
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INTERMÉDIAIRE
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Dick Wagner
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Virtualsheetmusic
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
$2.99
Dick Wagner: Only Women Bleed for guitar
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Guitare
#
INTERMÉDIAIRE
#
Dick Wagner
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Virtualsheetmusic
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
$2.99
Bridal Chorus (Here Comes the Bride), Trumpet Voluntary & Wedding March
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Guitare
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FACILE
#
Richard Wagner, Jeremiah Clark
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Keith W
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Bridal Chorus
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1490033 Composed by Richard Wagner, Jeremiah Clarke & Felix Mendelssohn. Arranged by Keith W. Gehle. Classical,Wedding. ...
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Solo Guitar - Level 2 - SKU: A0.1490033 Composed by Richard Wagner, Jeremiah Clarke & Felix Mendelssohn. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066896. Published by Keith Gehle (A0.1490033). Three wedding classics for the price of one!
$5.99
Wedding March, Trumpet Voluntary & Bridal Chorus (Here Comes the Bride)
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Guitare
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FACILE
#
Felix Mendelssohn, Jeremiah Cl
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Keith W
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Wedding March, Trumpet Volunta
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Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1490037 Composed by Felix Mendelssohn, Jeremiah Clarke & Richard Wagner. Arranged by Keith W. Gehle. Classical,Wedding. ...
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Solo Guitar - Level 2 - SKU: A0.1490037 Composed by Felix Mendelssohn, Jeremiah Clarke & Richard Wagner. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066900. Published by Keith Gehle (A0.1490037). Three wedding classics for the price on one!
$5.99
Trumpet Voluntary, Bridal Chorus (Here Comes the Bride) & Wedding March
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Guitare
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FACILE
#
Jeremiah Clarke, Richard Wagne
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Keith W
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Trumpet Voluntary, Bridal Chor
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Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1490035 Composed by Jeremiah Clarke, Richard Wagner & Felix Mendelssohn. Arranged by Keith W. Gehle. Classical,Wedding. ...
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Solo Guitar - Level 2 - SKU: A0.1490035 Composed by Jeremiah Clarke, Richard Wagner & Felix Mendelssohn. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066898. Published by Keith Gehle (A0.1490035). Three wedding classics for the price of one!
$5.99
"Bridal Chorus (Here Comes the Bride) from Lohengrin" for solo classical fingerstyle guitar
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Guitare
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DÉBUTANT
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Richard Wagner
#
Keith W
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"Bridal Chorus
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Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1416125 Composed by Richard Wagner. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part. 2 pages. Keith...
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Solo Guitar - Level 1 - SKU: A0.1416125 Composed by Richard Wagner. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part. 2 pages. Keith Gehle #997811. Published by Keith Gehle (A0.1416125). Love it or hate it, “Bridal Chorus†(also known as “here comes the brideâ€) is a time tested classic for wedding ceremonies and this version is sure to please players and listeners alike. Easy and straight forward, this arrangement includes detailed fingerings and interpretation in standard notation. There's also a version with TAB available on this site. Classical and acoustic wedding guitarists will get many miles out of this useful piece of music.
$1.99
Wedding March
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Guitare
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FACILE
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Classique
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Richard Wagner
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Martin Hegel
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Wedding March
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Schott Music - Digital
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SheetMusicPlus
Guitar - easy - SKU: S9.Q44865 From: Lohengrin. Composed by Richard Wagner. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 S...
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Guitar - easy - SKU: S9.Q44865 From: Lohengrin. Composed by Richard Wagner. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44865. Published by Schott Music - Digital (S9.Q44865). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
Prelude to Lohengrin
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Wagner
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Rod Whittle
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5 pages
#
Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Musi...
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Solo Guitar - Level 4 - SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #32829. Published by Maggie Creek Music (A0.899125). Arrangement for solo classical guitar; 5 pages; includes chords and notes on the form of the piece; published by Maggie Creek Music.
$9.00
Klassische Loog Gitarre
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Guitare
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DÉBUTANT
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Classique
#
Ludwig van Beethoven, Mit Musi
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Javier Marcó
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Klassische Loog Gitarre
#
Javier Marco
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozar...
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Solo Guitar - Level 1 - SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period. Individual part. 28 pages. Javier Marco #6357209. Published by Javier Marco (A0.842801). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).In Tabulatur und Noten.Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Chorfantasie, Op. 80Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147La Donna è MobileMenuett, BWV Anh 114Ode an die Freude, Op. 125la Primavera, RV. 269Pomp and Circumstance March Nº1, Op. 39Tannhäuser OvertureTreulich geführtWater Music, HWV 349
$9.99
Prelude to Parsifal
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Wagner
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Rod Whittle
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Prelude to Parsifal
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Musi...
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Solo Guitar - Level 4 - SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #3141147. Published by Maggie Creek Music (A0.899130). Solo classical guitar transcription 4 pp.
$7.00
Prelude to Lohengrin
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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Rod Whittle
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Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899128 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Musi...
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Solo Guitar - Level 3 - SKU: A0.899128 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #3037171. Published by Maggie Creek Music (A0.899128). Transcription for solo classical guitar. 5 pages. Study arrangement.
$9.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Deuxiéme Sonata by Benjamin Godard (1849-1895)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benj
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eri...
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Solo Guitar - Level 4 - SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
Deux élégies
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Guitare
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AVANCÉ
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Classique
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Claude Debussy and Richard Wag
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Tristan Manoukian
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Deux élégies
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-2324 Composed by Claude Debussy and Richard Wagner. Arranged by Tristan Manoukian. Score. 4 pages. Les Productions d'OZ -...
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Guitar - Advanced - SKU: ZZ.DZ-2324 Composed by Claude Debussy and Richard Wagner. Arranged by Tristan Manoukian. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2324. Published by Les Productions d'OZ - Digital (ZZ.DZ-2324). ISBN 9782897372415.
$3.95
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Bridal Chorus / Here Comes the Bride! for easy guitar solo
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Guitare
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FACILE
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Classique
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R
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K
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Bridal Chorus / Here Comes the
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Amadeus Music
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SheetMusicPlus
Composed by R. Wagner (1813-1883). Arranged by K. Krantz. For Guitar. Romantic Period,Wedding. Early Intermediate. Score. Published by Amadeus Music ...
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Composed by R. Wagner (1813-1883). Arranged by K. Krantz. For Guitar. Romantic Period,Wedding. Early Intermediate. Score. Published by Amadeus Music
$3.50
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