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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Was (Not Was)
Non classifié
3 253
Piano & claviers
Piano seul
1 731
Piano Facile
568
Piano, Voix
552
Piano, Voix et Guitare
319
Instruments en Do
171
Orgue
108
Accompagnement Piano
101
1 Piano, 4 mains
48
Piano grosses notes
48
Piano Trio: piano, violon, violoncelle
33
2 Pianos, 4 mains
23
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Clavecin
9
Piano Quatuor: piano, 2 violons, violoncelle
6
Accordéon
6
Piano (partie séparée)
5
Orgue, Piano (duo)
4
2 Pianos, 8 mains
2
Fake Book
1
Instrument seul et Orgue
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
826
Mandoline
286
Guitare
230
Ukulele
71
Ligne De Mélodie, (Paroles) et Accords
64
Basse electrique
36
2 Guitares (duo)
29
Dulcimer
18
Banjo
11
4 Guitares (Quatuor)
9
Guitare (partie séparée)
8
Piano, Guitare (duo)
8
Mandoline, Guitare (duo)
6
Ensemble de guitares
5
Paroles et Accords
4
3 Guitares (trio)
4
2 Mandolines (duo)
3
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
Guitare, Orchestre
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
720
Chorale 3 parties
169
Chorale TTBB
115
Chorale SSAA
115
Chorale 2 parties
93
Chorale Unison
51
Voix duo, Piano
37
Voix Alto, Piano
25
Voix Tenor, Piano
22
Voix Soprano, Piano
19
Voix seule
16
Voix Baryton, Piano
13
Voix haute
13
Voix Tenor
12
Voix duo
10
Voix basse, Piano
4
Chorale SSAATTBB
3
Voix Soprano
3
Chorale SSATB
3
Chorale SSATTB
2
Voix moyenne, Piano
2
Chorale SAATB A Cappella
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
358
Flûte traversière et Piano
339
Clarinette et Piano
288
Ocarina
280
Flûte à bec Soprano
275
Harmonica
237
Quatuor de Saxophones: 4 saxophones
206
Flûte à bec Alto
193
Flûte, Hautbois, Clarinette, Basson
190
Quintette de Saxophone: 5 saxophones
157
Saxophone Alto et Piano
151
Hautbois, Piano (duo)
130
Quatuor de Clarinettes: 4 clarinettes
127
2 Saxophones (duo)
113
Ensemble de saxophones
111
Flûte traversière
108
Saxophone Soprano et Piano
104
Saxophone Tenor et Piano
86
Clarinette
80
Ensemble de Clarinettes
79
Saxophone Alto
73
2 Clarinettes (duo)
65
Saxophone (partie séparée)
65
Saxophone Baryton, Piano
61
2 Flûtes traversières (duo)
61
Quatuor de Flûtes : 4 flûtes
60
Ensemble de Flûtes
53
Cor anglais, Piano
52
3 Clarinettes (trio)
45
3 Saxophones (trio)
44
Saxophone Tenor
42
Flûte à bec Alto, Piano
34
Clarinette Basse, Piano
30
Hautbois (partie séparée)
29
Saxophone, Clarinette (duo)
27
2 Flûtes traversières, Piano
26
Quintette de Clarinettes: 5 clarinettes
25
Quatuor de Flûtes à bec
25
Flûte, Clarinette (duo)
24
Flûte et Guitare
23
2 Flûte à bec (duo)
21
Quintette de Flûte : 5 flûtes
21
Trio de Flûtes: 3 flûtes
20
2 Hautbois (duo)
17
Clarinette, Violon (duo)
17
Hautbois, Basson (duo)
14
Clarinette, Basson (duo)
13
Clarinette, Trompette (duo)
12
Cor Anglais
11
Flûte, Violon
10
Clarinette et Alto
10
Hautbois, Flûte
9
Hautbois, Clarinette (duo)
9
Clarinette, Guitare (duo)
9
5 Flûtes à bec
9
Saxophone Soprano
8
Flûte, Alto (duo)
8
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Saxophone (duo)
8
Flute (partie séparée)
7
Flûte, Violoncelle
7
Flûte, Trompette (duo)
7
Ensemble De Flûte à bec
6
Flûte, Clarinette, Piano (trio)
6
Flûte, Clarinette et Basson
6
Flûte à Bec
6
Hautbois
5
Flûte à bec Soprano, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Violoncelle, Piano (trio)
4
Flûte irlandaise
4
Piccolo
4
Saxophone et Guitare
4
Clarinette, Trombone (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte à bec Tenor
3
Piccolo, Piano
3
2 Clarinettes, Piano
3
Flute, harpe et violon
3
Flûte, Hautbois, Basson
3
Flûte, Violon, Piano
3
Flûte traversière, Basse continue
3
Saxophone
3
Flûte, Alto et Piano
2
Ensemble de Hautbois
2
2 Clarinettes, Basson
2
Flûte, Basson et Piano
2
2 Saxophones, Piano
2
Clarinette, Harpe (duo)
2
Cor anglais, Guitare (duo)
2
Saxophone et Orgue
2
Clarinette, Violoncelle (duo)
2
Ensemble à vent
2
Hautbois, Guitare (duo)
2
Hautbois, Harpe
1
4 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Piano
1
Clarinette Basse
1
Flûte, Trombone (duo)
1
Flûte, alto et harpe
1
Flûte et Trio à cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes à bec, Guitare
1
Instruments en Mib
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Guitare
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violoncelle
1
Clarinette, Orgue
1
Cor anglais et Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec, Piano
1
+ 114 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
293
Quatuor de Cuivres : 2 trompettes, trombone, tuba
192
Trombone et Piano
111
Trompette
106
Trompette, Piano
97
Cor et Piano
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Quatuor de Cuivres
53
Cor anglais, Piano
52
Trombone
51
Euphonium, Piano (duo)
45
Quatuor de cuivres: 4 trombones
33
Cor
32
Tuba et Piano
32
Ensemble de Trombones
31
2 Trompettes (duo)
29
Trompette (partie séparée)
28
2 Cors (duo)
27
Ensemble de Trompettes
26
Tuba
26
Trombone (partie séparée)
25
2 Trombones (duo)
24
Trompette, Trombone (duo)
19
Trompette, Saxophone (duo)
17
Quatuor de cuivres: 4 cors
14
Ensemble de Cors
14
Euphonium
12
Quatuor de cuivres: 4 trompettes
11
Cor Anglais
11
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
5
4 Tubas
5
3 Cors (trio)
4
Trompette, Cor (duo)
4
3 Trombones (trio)
4
Trombone basse
3
Trompette, violon (duo)
3
3 Tubas (trio)
3
Tuba (partie séparée)
2
Trombone, Orgue
2
Bass Clef Instruments
2
Instruments en Sib
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
Cor (partie séparée)
2
3 Trompettes (trio)
2
Trombone basse et Piano
1
2 Cors, Piano
1
Ensemble de Tubas
1
Trio de Cuivres
1
Trompette, Euphonium (duo)
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Clarinette, Cor (duo)
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
625
Violon et Piano
354
Harpe
256
Violoncelle, Piano
254
Alto, Piano
249
Violon
156
Violoncelle
136
Trio à Cordes: violon, alto, violoncelle
116
Violon, Violoncelle (duo)
107
2 Violons (duo)
72
2 Violoncelles (duo)
48
Alto seul
45
Violon, Alto (duo)
43
Trio à Cordes: 2 violons, violoncelle
38
2 Altos (duo)
36
2 Harpes (duo)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Contrebasse, Piano (duo)
24
Contre Basse
23
Alto (partie séparée)
20
4 Violoncelles
16
Violon, Guitare (duo)
16
Ensemble de Violons
13
Trio à Cordes: 3 violoncelles
12
Ensemble d'Altos
11
Quatuor à cordes : 4 altos
11
Violon (partie séparée)
10
Harpe, Flûte (duo)
10
Alto, Violoncelle (duo)
10
Quatuor à cordes: 4 violons
9
Contrebasse (partie séparée)
8
Trio à cordes: 3 violins
7
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 altos
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto, Guitare (duo)
4
2 Violons, Piano
4
2 Contrebasses (duo)
3
4 Contrebasses
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
3
Flûte, Contrebasse (duo)
2
Violoncelle (partie séparée)
2
Ensemble de Violoncelles
2
Violoncelle, Orgue
2
Alto et Harpe
2
3 Harpes
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe et mandoline
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon, Violoncelle
1
Harpe et Piano
1
Harpe, Trombone (duo)
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
757
Orchestre
295
Orchestre à Cordes
266
Jazz combo
215
Ensemble de cuivres
174
Ensemble Jazz
137
Orchestre de chambre
101
Cloches
52
Ensemble de Percussions
35
Fanfare
22
Batterie
14
Marimba
11
Vibraphone
9
Batterie (partie séparée)
5
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Ensemble d'École
1
Xylophone ou Marimba ou Vibraphone
1
2 Marimbas
1
Orchestre, Violon
1
Bongos
1
Xylophone, Piano
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Vous avez sélectionné:
Was (Not Was)
Guitare
Partitions à imprimer
230 partitions trouvées
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226
Horch, was kommt von draußen rein
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Guitare
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FACILE
#
Traditional
#
Bettina Schipp
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Horch, was kommt von drau&szli
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songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1341096 Composed by Traditional. Arranged by Bettina Schipp. Folk,Multicultural,Traditional,World. Individual part. 2 pa...
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Solo Guitar - Level 2 - SKU: A0.1341096 Composed by Traditional. Arranged by Bettina Schipp. Folk,Multicultural,Traditional,World. Individual part. 2 pages. Songbooks.info #926670. Published by songbooks.info (A0.1341096). German Folks songs, rearranged for fingerpicking on the Guitar. Notated in classical notation and in the well-known tablature for string instruments. The songs were recorded at a slow tempo, with a metronome in the background. Have fun making music...!Deutsche Volkslieder, neu arrangiert für das Fingerpicking auf der Gitarre. Notiert in klassischer Notation sowie in der bekannten Tabulatur für Saiteninstrumente. Die Songs wurde in langsamen Tempo aufgenommen, mit einem Metronom im Hintergrund. Viel Spaß beim Musizieren...!
$1.99
Malaguena (for solo guitar) (Standard Notation)
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Guitare
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AVANCÉ
#
Flamenco
#
Brian Hayes
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Malaguena
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Brian Hayes
#
SheetMusicPlus
Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian H...
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Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian Hayes
This is a flamenco guitar arrangement of Malaguea, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona?s invention but was taken from the ?Malaguea? flamencoform, originating out of Mlaga, Spain, in the 19th century. ?Malaguea,? andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is ?in the style of Sabicas,? a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona?sMalaguea is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.
$6.99
"Die Wespe/La Guêpe/The Wasp (Yellow Jacket) für Gitarre solo (02/GS)
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Guitare
#
INTERMÉDIAIRE
#
Josef Peter Traun
#
Tabulatur).
#
"Die Wespe/La Guêpe
#
Traun
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1468976 Composed by Josef Peter Traun. Classical,Latin. Individual part. 20 pages. Traun #1047046. Published by Traun (A...
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Solo Guitar - Level 3 - SKU: A0.1468976 Composed by Josef Peter Traun. Classical,Latin. Individual part. 20 pages. Traun #1047046. Published by Traun (A0.1468976). Komposition für Gitarre solo (Notation & Tabulatur).
$6.00
There was a Lad was born in Kyle
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Guitare
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INTERMÉDIAIRE
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
R
#
Bettina Schipp
#
There was a Lad was born in Ky
#
songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1334252 Composed by R. Burns. Arranged by Bettina Schipp. Celtic,Folk,Irish,Traditional. Individual part. 2 pages. Songb...
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Solo Guitar - Level 3 - SKU: A0.1334252 Composed by R. Burns. Arranged by Bettina Schipp. Celtic,Folk,Irish,Traditional. Individual part. 2 pages. Songbooks.info #920490. Published by songbooks.info (A0.1334252). Songs from Ireland & Great Britain - arranged for Guitar fingerpicking. The songs were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Songs aus Irland und Großbritannien - für das Fingerpicking mit der Gitarre arrangiert. Die Songs wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$2.49
Interrupted Dance (He Who Sings is Not Always Happy)
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Rocco Di Pietro
#
Interrupted Dance
#
Rocco Di Pietro
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
Dream Not Of Today
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Guitare
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Apostolos Paraskevas
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Dream Not Of Today
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070393 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz. Full Performance. Duration 335. Silver Sickle Publications #6...
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Guitar - SKU: A0.1070393 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz. Full Performance. Duration 335. Silver Sickle Publications #6103013. Published by Silver Sickle Publications (A0.1070393). Dream Not of Today is a lullaby and a night storytelling fable with heroes, challenges and romances. It's a lullaby for the brave kids and for those adults full of emotions, who want to sleep at the end of it and only after all the good guys have already won. It is written in a jazzier and continuing motivic development style as almost a Theme and Variations. It was composed in 2013 and commissioned by and dedicated to Laura Young.
$1.99
Dream Not of Today
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Guitare
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Apostolos Paraskevas
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Dream Not of Today
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - SKU: A0.942089 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz,World. Individual part. 6 pages. Silver Sickle Publication...
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Solo Guitar - SKU: A0.942089 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz,World. Individual part. 6 pages. Silver Sickle Publications #5041113. Published by Silver Sickle Publications (A0.942089). Dream Not of Today is a lullaby and a night storytelling fable with heroes, challenges and romances. It's a lullaby for the brave kids and for those full of emotions adults who want to sleep at the end of it and only after all the good guys had already won. It is written in a jazzier and continuing motivic development style as almost a Theme and Variations. It was composed in 2013, commissioned by and dedicated to Laura Young.
$7.99
Як тебе не любити, Києве мій / How can I not to love you, my Kyiv guitar score / tabs
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Guitare
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INTERMÉDIAIRE
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Eugen Sedko
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Eugen Sedko
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Як тебе Ð
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Eugen Sedko
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1041207 By Eugen Sedko. By Ihor Shamo. Arranged by Eugen Sedko. 20th Century,Multicultural,Patriotic,World. Individual p...
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Solo Guitar - Level 3 - SKU: A0.1041207 By Eugen Sedko. By Ihor Shamo. Arranged by Eugen Sedko. 20th Century,Multicultural,Patriotic,World. Individual part. 3 pages. Eugen Sedko #645938. Published by Eugen Sedko (A0.1041207). This beautiful song about Kyiv was composed 60 years ago by Ukrainian composer Ihor Shamo, lyrics by Dmytro Lutsenko. This song became an official anthem of Kyiv, capital of Ukraine. Guitar arrangement by Eugen Sedko. See more arrangements on my profile here or on http://eugensedko.com/en/.
$7.99
What Was I Made For?
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Guitare
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INTERMÉDIAIRE
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Film/TV
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Billie Eilish
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Dondee Magnata
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What Was I Made For?
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Dondee Magnata
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1489295 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dondee Magnata. Film/TV,Pop. Ind...
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Solo Guitar - Level 3 - SKU: A0.1489295 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dondee Magnata. Film/TV,Pop. Individual part. 3 pages. Dondee Magnata #1066153. Published by Dondee Magnata (A0.1489295). Fingerstyle Guitar Arrangement of What Was I Made For?Dive deep into the emotional resonance of What Was I Made For? with this meticulously crafted fingerstyle guitar arrangement. Designed for intermediate to advanced guitarists, this arrangement captures the song's delicate nuances and poignant melodies, allowing you to express its haunting beauty through your fingertips. Each note is carefully placed to stay true to the original while offering a unique, immersive experience that will captivate both you and your audience. Perfect for personal enjoyment, performances, or as a valuable addition to your repertoire.
$5.99
Was machst du mit dem Knie, lieber Hans?
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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R
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Bettina Schipp
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Was machst du mit dem Knie, li
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315256 Composed by R. Fall. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 6 pages. S...
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Solo Guitar - Level 4 - SKU: A0.1315256 Composed by R. Fall. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 6 pages. Songbooks.info #904002. Published by songbooks.info (A0.1315256). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Armer Mann by N. Von Wilm Arranged for Guitar Notes Only
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Guitare
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Nicolai Von Wilm
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John Murphy
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Armer Mann by N. Von Wilm Arra
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John Murphy
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SheetMusicPlus
Solo Guitar - SKU: A0.841179 Composed by Nicolai Von Wilm. Arranged by John Murphy. Concert,Romantic Period. Individual part. 1 pages. John Murphy #4641...
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Solo Guitar - SKU: A0.841179 Composed by Nicolai Von Wilm. Arranged by John Murphy. Concert,Romantic Period. Individual part. 1 pages. John Murphy #4641895. Published by John Murphy (A0.841179). Armer Mann (Op81 N0 3) by N. Von Wilm (1834-1911) is a beautiful melodic piece with subtle harmonies that suit the intimate characteristics of the solo guitar version. I was able to use the original piano key of A minor in this guitar arrangement because the melody sits so perfectly on the 1st and 2nd strings of the guitar. A unique opportunity to explore inspiring music written for piano but that sounds equally at home on the guitar. Guitar Level: intermediate This Guitar arrangement is available in 3 versions: 1. Score (notes and Tab) 2. Notes Only 3. Tab only for Guitar
$3.99
Santa Lucia For Guitar Duo Notes Only For Guitar Part 2
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Guitare
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Traditional
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John Murphy
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Santa Lucia For Guitar Duo Not
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John Murphy
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SheetMusicPlus
Solo Guitar - SKU: A0.841155 Composed by Traditional. Arranged by John Murphy. Pop,World. Individual part. 1 pages. John Murphy #2001583. Published by J...
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Solo Guitar - SKU: A0.841155 Composed by Traditional. Arranged by John Murphy. Pop,World. Individual part. 1 pages. John Murphy #2001583. Published by John Murphy (A0.841155). Santa Lucia is a traditional Neapolitan song. The original lyrics of Santa Lucia celebrate the picturesque waterfront district, Borgo Santa Lucia, in the Bay of Naples, in the invitation of a boatman to take a turn in his boat, to better enjoy the cool of the evening. The song was also recorded by Elvis Presley on the 1965 album Elvis for Everyone and featured in the film Viva Las Vegas.
$1.99
Santa Lucia For Guitar Duo Notes Only For Guitar Part 1
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Guitare
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Traditional
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John Murphy
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Santa Lucia For Guitar Duo Not
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John Murphy
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SheetMusicPlus
Solo Guitar - SKU: A0.841154 Composed by Traditional. Arranged by John Murphy. Pop,World. Individual part. 1 pages. John Murphy #2001581. Published by J...
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Solo Guitar - SKU: A0.841154 Composed by Traditional. Arranged by John Murphy. Pop,World. Individual part. 1 pages. John Murphy #2001581. Published by John Murphy (A0.841154). Santa Lucia is a traditional Neapolitan song. The original lyrics of Santa Lucia celebrate the picturesque waterfront district, Borgo Santa Lucia, in the Bay of Naples, in the invitation of a boatman to take a turn in his boat, to better enjoy the cool of the evening. The song was also recorded by Elvis Presley on the 1965 album Elvis for Everyone and featured in the film Viva Las Vegas.
$1.99
Paranoid Android
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Radiohead
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Patommavat Thammachard
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Paranoid Android
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PTNote Music
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SheetMusicPlus
By Radiohead. By Colin Greenwood, Edward O\'Brien, Jonathan Greenwood, Philip Selway, and Thomas Yorke. Arranged by Patommavat Thammachard. Blues...
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By Radiohead. By Colin Greenwood, Edward O\'Brien, Jonathan Greenwood, Philip Selway, and Thomas Yorke. Arranged by Patommavat Thammachard. Blues, Classical, Contemporary, Pop, Rock. Individual part. 4 pages. PTNote Music #704753. Published by PTNote Music
If \'Creep\' was the song that made the band famous, \'Paranoid Android\' was another step forward for Radiohead to become a legend of the late \'90s .This arrangement is for solo guitar, which more suitable for intermediate and Advance players.Patommavat Thammachard (PTNoteMusic)
$13.90
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
Pieces Froides : No. 1. Airs a faire fuir: I. D'une maniere particuliere (In a Very Unusual Manner)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Brad Rau
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Brad Rau
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Pieces Froides : No. 1. Airs a
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Brad Rau
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad Rau #838582. Publ...
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Solo Guitar - Level 4 - SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad Rau #838582. Published by Brad Rau (A0.1243618). D'une Manière Très Particulière was originally written for solo piano and has been arranged for solo guitar by Brad Rau. Fingering suggestions have been added to make it easier to play. The original piece was notated without measures; however, measures have been added to make learning easier. The pieces also do not have a key signature. However, it seems to begin in C minor. It has been transposed to A minor to make it easier to play. This is from a set of pieces Erik Satie wrote in 1897 called Pieces Froides or Cold Pieces. The first set of pieces is called Airs à faire fuir or Tunes to Make You Run Away. This movement is called D'une manière très particulière or In a Very Unusual Manner. In these sets of pieces, Satie writes in the enigmatic he used to compose the Gymnopedies and Gnossienne composed earlier. This little-known piece is rarely played on guitar but works really well.
$4.99
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
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White Christmas
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Guitare
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FACILE
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Noël
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Bing Crosby
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Bettina Schipp
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White Christmas
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1341281 By Bing Crosby. By Irving Berlin. Arranged by Bettina Schipp. 20th Century,Christian,Christmas,Religious,Traditi...
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Solo Guitar - Level 2 - SKU: A0.1341281 By Bing Crosby. By Irving Berlin. Arranged by Bettina Schipp. 20th Century,Christian,Christmas,Religious,Traditional. Individual part. 3 pages. Songbooks.info #926856. Published by songbooks.info (A0.1341281). White Christmas was written in 1940 by US composer Irving Berlin (1888-1989). In 1942 the song was recorded for the film Holiday Inn. Bing Crosby's version, published in 1947, has sold an estimated 50 million copies, making it the best-selling single worldwide.The song was arranged for the Guitar and notated in classical musical notation and tablature.The sound of a piano was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!White Christmas wurde 1940 vom US-Komponisten Irving Berlin (1888-1989) geschrieben. 1942 wurde das Lied für den Film Holiday Inn aufgenommen. Die 1947 veröffentlichte Version von Bing Crosby verkaufte sich bisher geschätzte 50 Millionen mal, und ist somit die bisher meistverkaufte Single Weltweit.Das Lied wurde für die Gitarre arrangiert und in klassischer Notenschrift und Tabulatur notiert.In der Vertonung wurde der Sound eines Pianos verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
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Moon River
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andy Williams
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Bettina Schipp
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Moon River
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1354362 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,...
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Solo Guitar - Level 4 - SKU: A0.1354362 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Musical/Show. Individual part. 3 pages. Songbooks.info #939079. Published by songbooks.info (A0.1354362). Moon River - 1961, music: Henry Mancini, lyrics: Johnny Mercer - was composed for the film Breakfast at Tiffany's, in which the song was sung by Audrey Hepburn. The composers received the Oscar for the best film song in 1962, and the song is considered a contribution to the Great American Songbook.The song was arranged for the Guitar and notated in classical musical notation and tablature.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Moon River - 1961, Musik: Henry Mancini, Text: Johnny Mercer - wurde für den Film Frühstück bei Tiffany komponiert, in dem das Lied von Audrey Hepburn gesungen wurde. Die Komponisten erhielten hierfür 1962 den Oscar für den besten Filmsong, das Lied wird als ein Beitrag zum Great American Songbook gerechnet.Das Lied wurde für die Gitarre arrangiert und in klassischer Notenschrift und Tabulatur notiert.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
Singin' In The Rain
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Guitare
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INTERMÉDIAIRE
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Jazz
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Arthur Freed and Nacio Herb Br
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Bettina Schipp
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Singin' In The Rain
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1347177 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Musical...
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Solo Guitar - Level 3 - SKU: A0.1347177 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Individual part. 3 pages. Songbooks.info #931971. Published by songbooks.info (A0.1347177). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was arranged for the Guitar and notated in classical musical notation and tablature.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Gitarre arrangiert und in klassischer Notenschrift und Tabulatur notiert.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
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