English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
10
Partitions
Numériques
114
Librairie
Musicale
403
Matériel
de Musique
750
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1910
PIANO & CLAVIERS
Piano seul
1828
Piano Facile
718
Piano, Voix et Guitare
710
Piano, Voix
673
Orgue
136
Instruments en Do
75
Piano grosses notes
42
1 Piano, 4 mains
39
Accompagnement Piano
16
Piano Trio: piano, violon, violoncelle
15
Piano (partie séparée)
11
2 Pianos, 4 mains
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
6
Clavier
5
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
279
Guitare notes et tablatures
153
Guitare
114
Ukulele
20
Basse electrique
20
Paroles et Accords
15
2 Guitares (duo)
10
Guitare (partie séparée)
9
Piano, Guitare (duo)
9
Banjo
8
4 Guitares (Quatuor)
7
Basse électrique (partie séparée)
5
Dulcimer
5
3 Guitares (trio)
4
Ensemble de guitares
2
Partitions De Groupes
1
Mandoline
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
642
Chorale 3 parties
159
Chorale 2 parties
140
Chorale Unison
122
Chorale TTBB
80
Voix duo, Piano
41
Chorale SSAA
37
Voix Alto, Piano
34
Voix Tenor
27
Voix Soprano
26
Voix duo
21
Voix Soprano, Piano
17
Chorale
9
Voix seule
6
Voix haute
4
Voix moyenne, Piano
4
Chorale SSAATTBB
3
Chorale SSATTB
1
Voix basse
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
164
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
145
Flûte, Hautbois, Clarinette, Basson
133
Saxophone (partie séparée)
131
Quintette de Saxophone: 5 saxophones
112
2 Saxophones (duo)
104
Flûte traversière et Piano
102
Clarinette
90
Saxophone Alto et Piano
87
Hautbois, Piano (duo)
82
Clarinette et Piano
77
Flûte traversière
72
Saxophone Tenor et Piano
66
Quatuor de Clarinettes: 4 clarinettes
62
Hautbois (partie séparée)
60
2 Flûtes traversières (duo)
55
2 Clarinettes (duo)
45
Saxophone Alto
44
Saxophone Soprano et Piano
44
Clarinette (partie séparée)
33
Ensemble de Flûtes
31
Saxophone Baryton, Piano
30
3 Saxophones (trio)
27
Ensemble de Clarinettes
26
Quatuor de Flûtes : 4 flûtes
25
Flûte, Clarinette (duo)
22
3 Clarinettes (trio)
21
Ensemble de saxophones
18
Clarinette, Violon (duo)
16
Cor anglais, Piano
15
Quintette de Flûte : 5 flûtes
15
Flute (partie séparée)
15
2 Hautbois (duo)
14
Saxophone, Clarinette (duo)
14
Hautbois, Basson (duo)
14
Cor Anglais
13
Quintette de Clarinettes: 5 clarinettes
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Trio de Flûtes: 3 flûtes
10
Flûte et Guitare
10
Clarinette, Trompette (duo)
9
Flûte, Violon
9
Hautbois
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte à bec Soprano
7
Quatuor de Flûtes à bec
7
Flûte, Saxophone (duo)
7
2 Flûte à bec (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette et Alto
7
Hautbois, Clarinette (duo)
7
Flûte irlandaise
6
2 Flûtes traversières, Piano
5
Clarinette, Guitare (duo)
5
2 Clarinettes, Piano
5
Flûte, Clarinette, Piano (trio)
5
Saxophone Tenor
5
Hautbois, Flûte
5
Instruments en Mib
4
Flûte, Alto (duo)
4
Saxophone Soprano
4
Clarinette, Basson (duo)
4
Piccolo
4
Flûte, Trompette (duo)
4
2 Hautbois, Piano
3
Harmonica
3
Flûte, Violon et Violoncelle
3
Flûte à bec Soprano, Piano
3
Clarinette Basse, Piano
3
Flûte, Hautbois, Piano (trio)
3
3 Flûtes à bec (trio)
3
Flute, harpe et violon
3
Flûte, Hautbois (duo)
3
Flûte, Clarinette et Basson
3
Flûte à bec Alto, Piano
3
Saxophone
3
Flûte, trombone et piano
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone Baryton
2
Ensemble De Flûte à bec
2
Flûte, Clarinette, Violon (trio)
2
Saxophone et Harpe
2
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Basson
1
Flûte, Alto et Piano
1
Flûte, Trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Basson et Piano
1
Flûte à bec Tenor
1
Saxophone et Orgue
1
Flûte à Bec
1
5 Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Violon
1
Flûte traversière, Orgue (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte et Trio à cordes
1
Hautbois, Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Harpe
1
Flûte, Violoncelle
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
172
Trombone et Piano
89
Quatuor de Cuivres
88
Trompette, Piano
76
Trompette (partie séparée)
67
Trompette
67
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Cor
58
Cor et Piano
53
Trombone (partie séparée)
48
Trombone
44
2 Trombones (duo)
38
Quatuor de cuivres: 4 trombones
37
Tuba
36
Tuba et Piano
34
Cor (partie séparée)
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Trompette, Saxophone (duo)
18
2 Trompettes (duo)
18
Cor anglais, Piano
15
2 Cors (duo)
13
Cor Anglais
13
Trompette, Trombone (duo)
12
Tuba (partie séparée)
12
Ensemble de Trombones
11
Ensemble de Trompettes
10
Euphonium, Piano (duo)
9
Quatuor de cuivres: 4 cors
8
2 Tubas (duo)
6
2 Euphoniums (duo)
6
Trio de Cuivres
6
Bass Clef Instruments
5
Trompette, Cor (duo)
5
Quatuor de cuivres: 4 trompettes
5
Instruments en Sib
4
Ensemble de Cors
4
Euphonium, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums et 2 Tubas
3
4 Tubas
3
2 Cors, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
2
Trombone basse
2
Euphonium
2
Cor et Harpe
2
Tuba ou Euphonium ou Saxhorn
2
Trompette, Harpe
1
Trombone et orchestre
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
322
Violon et Piano
138
Violon
118
Violoncelle, Piano
102
Alto, Piano
101
Quintette à cordes: 2 violons, alto, violoncelle, basse
93
Harpe
68
Violoncelle (partie séparée)
67
Violon, Violoncelle (duo)
55
Alto seul
53
2 Violons (duo)
52
Trio à Cordes: violon, alto, violoncelle
44
Contre Basse
34
2 Violoncelles (duo)
32
Violon, Alto (duo)
31
Contrebasse, Piano (duo)
29
2 Altos (duo)
23
Alto (partie séparée)
21
Violoncelle
21
Contrebasse (partie séparée)
16
Trio à Cordes: 2 violons, violoncelle
16
Violon (partie séparée)
15
2 Harpes (duo)
13
Alto, Violoncelle (duo)
10
Violoncelle, Contrebasse (duo)
8
4 Violoncelles
7
Violon, Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
7
Quatuor à cordes: 4 violons
7
Ensemble de Violons
6
Trio à cordes: 3 violins
6
Trio à Cordes: 2 violons, alto
6
Violoncelle , Guitare (duo)
5
Harpe, Voix
5
Trio à Cordes: 3 violoncelles
5
Harpe, Flûte (duo)
4
2 Contrebasses (duo)
4
Alto et Harpe
3
2 Violons, Piano
3
4 Contrebasses
3
Harpe, Violon (duo)
3
Ensemble d'Altos
3
Harpe, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
2
2 Violoncelles, Piano
2
2 Altos, Piano
2
Violoncelle, Orgue
2
Harpe, Trombone (duo)
2
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe (partie séparée)
1
Harpe, Violon, Violoncelle
1
Trio à cordes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
538
Orchestre
189
Orchestre à Cordes
125
Ensemble Jazz
104
Ensemble de cuivres
65
Cloches
54
Fanfare
41
Orchestre de chambre
37
Jazz combo
25
Percussion (partie séparée)
25
Batterie
18
Batterie (partie séparée)
16
Ensemble de Percussions
16
Marimba
5
Vibraphone
3
Timbales (partie séparée)
3
Xylophone, Piano
2
Percussion
1
Ensemble d'École
1
Piano et Orchestre
1
Xylophone
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
What the?
Guitare
Partitions à imprimer
114 partitions trouvées
<
1
26
51
....
101
Carols of Suite 1225 / What Child Is This?
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316982 By The Candlelight Guitari…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1316982 By The Candlelight Guitarist. By Bradley Powell and traditional. Arranged by Bradley Powell. Christmas,Folk,Holiday,Renaissance,Traditional. Individual part. 4 pages. Geofonica Artistworks #905018. Published by Geofonica Artistworks (A0.1316982). This two-song arrangement or Carols of Suite 1225 and What Child Is This? is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell), featuring relaxing classical guitar versions of 14 traditional Christmas carols. These two-songs use fingerstyle classical guitar, with a mix of modern folk-classical and Renaissance flavor. They can be seen and heard, in sequence, performed by the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 2) at the very beginning of the video. Also, check out the Candlelight Guitarist official video of Part 1, which includes a similar take on this opener Carols of Suite 1225: https://youtu.be/g4QRqTcNGtkABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.74 €
#
Guitare
#
The Candlelight Guitarist
#
Bradley Powell
#
Carols of Suite 1225 / What Child Is This?
#
Geofonica Artistworks
#
SheetMusicPlus
What A Wonderful World
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.58 €
#
Guitare
#
Louis Armstrong
#
Richard Hirsch
#
and 3&
#
What A Wonderful World
#
Richard Hirsch
#
SheetMusicPlus
"What Child is This?" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1413860 By Keith Gehle. By Traditi…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1413860 By Keith Gehle. By Traditional English Melody. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Individual part. 2 pages. Keith Gehle #995646. Published by Keith Gehle (A0.1413860). â??What Child is This?â? was recorded as part of Keithâ??s 2006 recording entitled Songs of December, an album of Christmas and seasonal pieces for solo guitar. This comfortable arrangement includes detailed fingerings in standard notation. There's also a version with TAB available on this site. What Child is This? is must have for Christmas holiday gatherings and church services.
$2.99
2.74 €
#
Guitare
#
Keith Gehle
#
Keith W
#
"What Child is This?" for solo classical fingerstyle guitar
#
Keith Gehle
#
SheetMusicPlus
That's what's the matter
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1322038 Composed by St. Foster. Ar…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1322038 Composed by St. Foster. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 4 pages. Songbooks.info #910456. Published by songbooks.info (A0.1322038). These Folk and Gospel Songs and Traditionals were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Folk und Gospel Songs und Traditionals wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$1.99
1.83 €
#
Guitare
#
St
#
Bettina Schipp
#
That's what's the matter
#
songbooks.info
#
SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
#
Guitare
#
Brian Streckfus
#
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
#
Brian Streckfus
#
SheetMusicPlus
What Child is This (classical guitar quartet)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.775416 Composed by Anon. Arranged …
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.775416 Composed by Anon. Arranged by John Pinno. Christmas. Individual part. 16 pages. John Pinno #2888315. Published by John Pinno (A0.775416). An arrangement for classical guitar quartet of the Christmas tune What Child is This, with a score and individual guitar parts.For any questions or concerns contact John Pinno a jpinno093@hotmail.com Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$10.00
9.17 €
#
Guitare
#
Anon
#
John Pinno
#
What Child is This
#
John Pinno
#
SheetMusicPlus
Guitar Compendium
Guitare
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
(+)
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Theorie. The Praxis System. Downloadable. Op. Vol. 1. Advance Music #Q54672. Published by Advance Music
English.<br> <br> Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or
$23.99
22.01 €
#
Guitare
#
Guitar Compendium
#
Advance Music
#
SheetMusicPlus
What Is A Youth
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.900136 Composed by Nino Rota. Arra…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.900136 Composed by Nino Rota. Arranged by Ivan Paschoito. Contemporary. Individual part. 4 pages. Ivan Paschoito #6211369. Published by Ivan Paschoito (A0.900136). This is the real Romeo and Juliet theme, the complete song as performed in Zeffirelli's movie.
$4.99
4.58 €
#
Guitare
#
Nino Rota
#
Ivan Paschoito
#
What Is A Youth
#
Ivan Paschoito
#
SheetMusicPlus
What Makes You Beautiful
Guitare
Solo Guitar - Digital Download SKU: A0.961484 By One Direction. By Carl Falk, Rami …
(+)
Solo Guitar - Digital Download SKU: A0.961484 By One Direction. By Carl Falk, Rami Yacoub, and Savan Kotecha. Arranged by Colin Tommis. Pop. Individual part. 2 pages. Colin Tommis #4624389. Published by Colin Tommis (A0.961484). This is just one of a large collection of arrangements of popular tunes for advanced classical or acoustic guitar players - or very good intermediate-standard players. In some cases, ideas from the original are developed so that the piece can sustain interest as an instrumental piece. There is no tablature and no chords, just music notation.
$4.99
4.58 €
#
Guitare
#
One Direction
#
Colin Tommis
#
What Makes You Beautiful
#
Colin Tommis
#
SheetMusicPlus
What Wondrous Love is This - vocal trio
Guitare
Choral Voice,SSA chorus, guitar - Level 2 - Digital Download SKU: A0.801282 Compose…
(+)
Choral Voice,SSA chorus, guitar - Level 2 - Digital Download SKU: A0.801282 Composed by Unknown. Arranged by Connie Boss. A Cappella,Sacred,Spiritual. Score. 2 pages. Connie Boss #5178747. Published by Connie Boss (A0.801282). A Capella for a vocal trio - one part is a moving part from the other two.
$5.50
5.04 €
#
Guitare
#
Unknown
#
Connie Boss
#
What Wondrous Love is This - vocal trio
#
Connie Boss
#
SheetMusicPlus
Here, There And Everywhere
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1379392 By George Benson. By John …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1379392 By George Benson. By John Lennon and Paul McCartney. Arranged by Colin Tommis. 20th Century,Contemporary,Singer/Songwriter. Individual part. 1 pages. Colin Tommis #964075. Published by Colin Tommis (A0.1379392). What a lovely tune. This is quite an accesible arrangement for intermediate guitarists.
$6.49
5.95 €
#
Guitare
#
George Benson
#
Colin Tommis
#
Here, There And Everywhere
#
Colin Tommis
#
SheetMusicPlus
Dance on a Theme of McCauley (Guitar Trio)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.945435 Composed by Sean Michael Ba…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.945435 Composed by Sean Michael Batura. 20th Century,Baroque,Contemporary,Jazz,Latin. Individual part. 24 pages. Sean Michael Batura #5792487. Published by Sean Michael Batura (A0.945435). This piece is about 2:45 long, and is fun for beginners as well as advanced players. Guitars 2 and 3 are almost entirely in first position. Part 1 is suitable for intermediate to advanced players, while parts 2 and 3 are somewhat accessible to beginners. Interpretation is left up to the players. If you have questions, feel free to contact me at https://seanbatura.com/contact/.
$7.99
7.33 €
#
Guitare
#
Sean Michael Batura
#
Dance on a Theme of McCauley
#
Sean Michael Batura
#
SheetMusicPlus
Guitar Compendium
Guitare
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
(+)
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Guitar. The Praxis System. Downloadable. Op. Vol. 3. Advance Music #Q54673. Published by Advance Music
The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or ...
$23.99
22.01 €
#
Guitare
#
Guitar Compendium
#
Advance Music
#
SheetMusicPlus
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawso…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.
$5.00
4.59 €
#
Guitare
#
Jeremiah Lawson
#
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
#
Jeremiah Lawson
#
SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.58 €
#
Guitare
#
Richard Hirsch
#
Big Drum
#
Richard Hirsch
#
SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
(+)
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.59 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
(7 min
#
Excerpt from Lulu Suite
#
Maggie Creek Music
#
SheetMusicPlus
Reflections: Ten Solos for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardo…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
18.34 €
#
Guitare
#
Michael Reardon
#
Reflections: Ten Solos for Guitar
#
Songburd Music
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.62 €
#
Guitare
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Jazz Guitar Technique
Guitare
Guitar (jazz and contemporary) - Beginning- Intermediate - Digital Download Breaking…
(+)
Guitar (jazz and contemporary) - Beginning- Intermediate - Digital Download Breaking the Skill Barrier. Composed by Andrew Green. Technique, Theory, Reference & Rhythm. E-book. 112 pages. Mel Bay Publications - Digital Sheet Music #097005761XEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118409.<br> <br> When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you can't play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldn't matter, since you couldn't play them anyway. This book presents serious chops-building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. The material is written in standard notation.
$17.99
16.5 €
#
Guitare
#
Andrew Green
#
Rhythm
#
Jazz Guitar Technique
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.58 €
#
Guitare
#
Judy Garland
#
Richard Hirsch
#
and 3&
#
Over The Rainbow
#
Richard Hirsch
#
SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.35 €
#
Guitare
#
Larry Williams
#
Larry Williams Compositions- The Guitar Book
#
Larry Andrew Williams
#
SheetMusicPlus
"Be Thou My Vision" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1420186 By Keith Gehle. By Keith W…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1420186 By Keith Gehle. By Keith W. Gehle. Celtic,Irish,New Age,Religious,Sacred,Wedding. Individual part. 3 pages. Keith Gehle #1001604. Published by Keith Gehle (A0.1420186). Variations on an Irish Theme (Be Thou My Vision) was recorded as part of Keith’s album of 20 original guitar solos entitled Wintersong released in 2002.. The opening theme is followed by three variations and includes detailed fingerings in standard notation. There’s also a version available with TAB on this site. This ancient Irish melody can serve as a beautiful interlude during church services, gigs or wedding ceremonies. Here’s what one listener wrote of Wintersong:As a classical guitarist, I'm always on the lookout for new compositions. I have scoured the internet looking for new guitar music and Keith's Winter Song is the best thing I have seen in a year. If you like the sound of soothing classical guitar, I know you will like listening to this CD. If you’re a guitarist, I highly recommend buying the book of sheet music from Keith's website. I play at least a half dozen of these pieces at my gigs and I just love them. They range from easy to advanced intermediate in difficulty. I can't wait for Keith's next CD Songs of December which will be out for the holiday season!- Larry B.
$2.99
2.74 €
#
Guitare
#
Keith Gehle
#
"Be Thou My Vision" for solo classical fingerstyle guitar
#
Keith Gehle
#
SheetMusicPlus
David J. Matthews: The Best Of What's Around for guitar
Guitare
Instantly printable sheet music by Dave Matthews Band for guitar solo (chords) of EASY ski…
(+)
Instantly printable sheet music by Dave Matthews Band for guitar solo (chords) of EASY skill level. / pop,rock,children
$5.97
5.48 €
#
Guitare
#
David J. Matthews
#
Virtualsheetmusic
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
