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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CORNEMUSE
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582
PIANO & CLAVIERS
Piano, Voix et Guitare
430
Piano seul
284
Piano, Voix
235
Piano Facile
81
Instruments en Do
26
2 Pianos, 4 mains
25
Orgue
19
Accompagnement Piano
8
1 Piano, 4 mains
6
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Accordéon
1
Orgue, Piano (duo)
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
17
Guitare notes et tablatures
15
Guitare
12
Ukulele
10
Paroles et Accords
7
2 Guitares (duo)
7
Basse electrique
6
4 Guitares (Quatuor)
3
Mandoline
2
Piano, Guitare (duo)
1
Dulcimer
1
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VOIX
Chorale SATB
183
Chorale 3 parties
42
Chorale 2 parties
41
Chorale SSAA
23
Chorale TTBB
20
Chorale Unison
18
Voix duo, Piano
13
Voix Alto, Piano
6
Voix haute
4
Voix duo
4
Voix seule
3
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Voix basse, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale
1
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Hautbois, Piano (duo)
70
Flûte traversière et Piano
56
Saxophone Alto et Piano
41
Clarinette et Piano
39
Clarinette
33
Flûte traversière
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone Tenor et Piano
24
Saxophone Baryton, Piano
21
2 Saxophones (duo)
17
Quatuor de Saxophones: 4 saxophones
15
Hautbois (partie séparée)
13
2 Flûtes traversières (duo)
12
Flûte et Guitare
12
2 Clarinettes (duo)
12
Saxophone Alto
11
Quatuor de Clarinettes: 4 clarinettes
10
Ensemble de Flûtes
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone (partie séparée)
8
Saxophone, Clarinette (duo)
6
Quintette de Saxophone: 5 saxophones
6
Saxophone Soprano et Piano
5
Clarinette, Guitare (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Cor anglais, Piano
5
Flûte, Basson et Piano
5
Hautbois
4
3 Saxophones (trio)
4
Clarinette (partie séparée)
4
Clarinette, Violon (duo)
4
Quintette de Flûte : 5 flûtes
4
Trio de Flûtes: 3 flûtes
4
Flûte, Clarinette (duo)
4
Clarinette Basse, Piano
4
Hautbois, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Trompette (duo)
3
2 Flûte à bec (duo)
3
2 Saxophones, Piano
2
Saxophone Tenor
2
Ensemble de Clarinettes
2
Quatuor de Flûtes à bec
2
Clarinette, Basson, Piano (trio)
2
Clarinette et Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Alto et Piano
2
Flûte à Bec
2
Saxophone Soprano
2
Flûte, Hautbois (duo)
2
2 Hautbois (duo)
1
Flute (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano
1
Flûte à bec Soprano, Piano
1
Cornemuse
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Clarinette, Harpe (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon
1
Saxophone et Orgue
1
Flûte, Trombone (duo)
1
2 Clarinettes, Piano
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Ensemble de saxophones
1
2 Flûtes traversières, Piano
1
Hautbois, Clarinette (duo)
1
3 Clarinettes (trio)
1
Hautbois, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
Trombone et Piano
48
Trompette, Piano
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trompette
29
Cor et Piano
25
Trombone
17
Tuba et Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Tuba
9
Cor
9
2 Cors (duo)
7
2 Trompettes (duo)
5
Cor anglais, Piano
5
Quatuor de cuivres: 4 trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette (partie séparée)
3
2 Trombones (duo)
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres
2
Ensemble de Trompettes
2
Trombone (partie séparée)
2
Trompette, Saxophone (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone, Violon (duo)
1
Ensemble de Trombones
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
3 Trombones (trio)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
3 Euphoniums
1
Trompette, Trombone (duo)
1
Euphonium
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon et Piano
90
Alto, Piano
58
Violoncelle, Piano
56
Violon, Violoncelle (duo)
43
Violon
39
Harpe
39
Violoncelle (partie séparée)
25
2 Violons (duo)
25
Trio à Cordes: violon, alto, violoncelle
14
2 Altos (duo)
12
Alto (partie séparée)
11
Alto seul
10
Contrebasse, Piano (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle
7
Violon, Alto (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Piano Trio: Violon, Alto, Piano
6
Violon (partie séparée)
5
2 Violoncelles (duo)
4
Contre Basse
4
Trio à Cordes: 3 violoncelles
3
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
Trio à cordes: 3 altos
1
Violon, Basson (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
64
Orchestre d'harmonie
49
Orchestre
30
Ensemble de cuivres
18
Cloches
18
Ensemble Jazz
16
Orchestre de chambre
14
Jazz combo
6
Ensemble de Percussions
4
Percussion (partie séparée)
3
Fanfare
3
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Batterie
1
Xylophone
1
Marimba
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Where Is The Love
Guitare
Partitions à imprimer
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1
Love Of My Life
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1299289 By Queen. By Freddie Mercury. A…
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Guitar - Level 3 - Digital Download SKU: A0.1299289 By Queen. By Freddie Mercury. Arranged by Derek Hasted. 20th Century,Film/TV,Pop. 14 pages. Derek Hasted #889151. Published by Derek Hasted (A0.1299289). LOVE OF MY LIFE (Queen) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric GuitarDerek Hasted writes This delightful melody fits classical guitar like a glove.There are two arrangements in this one edition - one for “solo and accompaniment†and one where the roles swap over at each verse. The versions are otherwise identical. The first of these arrangements is ideal for a duo in which the abilities are slightly unequal.My arrangement is based on Queen’s Official Video and includes all the key changes and phrases except for one little piece of quasi-improvisation I have removed (which would otherwise leave one player looking at the floor in a duet performance!)There is an amount of fingering and slurring which may help to get the smoothest performance, but there are plenty of places where the music needs to breathe, so please don’t rush... I hope you enjoy playing this lovely and moving piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.57 €
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Guitare
#
Queen
#
Derek Hasted
#
Love Of My Life
#
Derek Hasted
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.41 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Where Is Love?
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Arranged by Derek Hasted. Broadway,Contemporary,Musical/Show. Individual part. 4 pages. Derek Hasted #3561145. Published by Derek Hasted (A0.797701). WHERE IS LOVE (from Oliver) - SOLO GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This beautiful piece from the Stage Show Oliver is a perfect fit for Classical Guitar. Many of the shapes will seem instantly familiar, and the arrangement is not tricky to play, meaning the sound is gentle and effortless.My arrangement is in 3 voices. The middle voice, which provides support for the sustained tune, needs to be subdued so the tune stays audible. Some of the rests in the middle voice are absent, so as not to crowd the page.I hope you enjoy playing this piece!
$4.99
4.57 €
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Guitare
#
Lionel Bart
#
Derek Hasted
#
Where Is Love?
#
Derek Hasted
#
SheetMusicPlus
Somewhere Out There
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899332 By Linda Ronstadt & James I…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899332 By Linda Ronstadt & James Ingram. By Barry Mann and James Horner. Arranged by Gerald Schleicher. Film/TV. Individual part. 2 pages. Gerald Schleicher #2942209. Published by Gerald Schleicher (A0.899332). This is a beautiful arrangement for classical guitar of a great love song.
$4.99
4.57 €
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Guitare
#
Linda Ronstadt & James Ingram
#
Gerald Schleicher
#
Somewhere Out There
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Gerald Schleicher
#
SheetMusicPlus
Like Someone In Love
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271541 By Bjork. By Bjork Gudmund…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271541 By Bjork. By Bjork Gudmundsdottir. Arranged by John Fries. 20th Century,Jazz,Standards. Individual part. 2 pages. John Fries #863940. Published by John Fries (A0.1271541). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Like Someone in Love is a popular song composed in 1944 by Jimmy Van Heusen, with lyrics by Johnny Burke. It was written (along with Sleigh Ride in July) for the 1944 film Belle of the Yukon, where it was sung by Dinah Shore. It was a hit for Bing Crosby in March 1945, reaching #15, and has since become a jazz standard.
$4.99
4.57 €
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Guitare
#
Bjork
#
John Fries
#
Like Someone In Love
#
John Fries
#
SheetMusicPlus
At the Safe Refuge
Guitare
Solo Guitar - Digital Download SKU: A0.1028150 Composed by Sotiris Andreou. Contemp…
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Solo Guitar - Digital Download SKU: A0.1028150 Composed by Sotiris Andreou. Contemporary. Individual part. 3 pages. Sotiris Andreou #3386421. Published by Sotiris Andreou (A0.1028150). The music is capable of transforming the soul. This composition is written with the intention of promoting the unique sound of the classical guitar by moving away from the already existing repertoire. It is music written with love, care and sincere passion for bringing us closer to a place where music becomes the bridge that connects us with that which we cannot see. You can listen to me performing the score from the website www.sotirisandreou.com
$15.99
14.65 €
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Guitare
#
Sotiris Andreou
#
At the Safe Refuge
#
Sotiris Andreou
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.41 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.41 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.41 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Homage to Villa-Lobos and Other Compositions
Guitare
By Charles Postlewate. For Guitar (Classical). Classic. 96 pages. Published by Mel Bay Pub…
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By Charles Postlewate. For Guitar (Classical). Classic. 96 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743727. This is the first compilation of guitar music for a right hand technique that includes the little finger. The 12 complete compositions include original pieces by Charles Postlewate (Homage to Villa-Lobos, Variations on a Theme of Prokofiev and Improvisation on Green Dolphin Street), transcriptions of piano pieces by Claude Debussy (La puerta del vino and Dr. Gradus ad Parnassum), arrangements of Peruvian popular songs (Jose Maria and Virgins of the Sun) and new editions of standard repertoire pieces - two studies by Fernando Sor and the beautiful tremolo study by Agustin Barrios, An Alm for the Love of God. Postlewate also includes excerpts of two other standard repertoire pieces by Federico Moreno Torroba (Sonatina) and Heitor Villa-Lobos (Prelude #2) - which are published elsewhere under copyright restrictions - to show the advantage of using the little finger. These pieces demonstrate new right hand techniques for the classical guitar that use the little finger in the playing of scales, chords, arpeggios, tremolos and harmonics. They also show the advantage of using the little finger for speed, accuracy, strength and balance. This book is a companion to RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics , also by Charles Postlewate.Spanish DescriptionEsta es la primera recopilacion de musica para la guitarra usando una tecnica de la mano derecha de cinco dedos que incluye el dedo menique. Las 12 composiciones completas incluyen piezas originales por Charles Postlewate (Homenaje a Villa-Lobos, Varicaciones sobre un tema de Prokofiev e Improvisacion sobre La calle del delfin verde), transcripciones de piezas para piano por Claude Debussy (La puerta del vino y Dr. Gradus ad Parnassum), arreglos de canciones populares peruanas (Jose Maria y Virgenes del sol) y nuevas ediciones de piezas del repertorio tradicional-dos estudios por Fernando Sor y el bello estudio de tremolo por Agustin Barrios, Una limosna por el amor de Dios. Ademas, Postlewate incluye extractos de otras dos piezas del repertorio tradicional de Federico Moreno Torroba (Sonatina) y de Heitor Villa-Lobos (Prelude #2)-las cuales han sido publicadas y estan protegidas bajo derecho de autor-para mostrar la ventaja de usar el dedo menique. Estas piezas muestran nuevas tecnicas de la mano derecha para la guitarra clasica que usan el dedo menique para tocar escalas, acordes, arpegios, tremolos y arpegios. Tambien muestran la ventaja de usar el dedo menique para aumentar la velocidad, la exactitud, la fuerza y el equilibrio. Este libro acompana a RIGHT HAND STUDIES FOR FIVE FINGERS using Chords, Arpeggios, Tremolos and Harmonics (ESTUDIOS PARA LOS CINCO DEDOS DE LA MANO DER*E*CHA usando acordes, arpegios, tremolos y armonicos) tambien por Charles Postlewate.
$12.99
11.9 €
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Guitare
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Charles Postlewate
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Homage to Villa-Lobos and Other Compositions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Amazing Grace - score for Solo Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.963091 Composed by Anonymous. Arra…
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Solo Guitar - Level 3 - Digital Download SKU: A0.963091 Composed by Anonymous. Arranged by Tim Brace. Christian,Folk,Praise & Worship,Standards,World. Individual part. 2 pages. Magnolia Arts #5997417. Published by Magnolia Arts (A0.963091). A very accessible arrangement of this traditional hymn, perhaps the most beloved hymn in Christian churches worldwide. Appropriate for intermediate level players. The arrangement is straightforward, transparent, and stays true to the melody. Created for playing in church services, it also makes a nice recital piece, and would be welcomed in any setting where traditional music is appropriate. This tune is known the world over. Tim's recording of it (see mp3) has been streamed on Spotify over 150,000 times.
$2.99
2.74 €
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Guitare
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Anonymous
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Tim Brace
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Amazing Grace - score for Solo Guitar
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Magnolia Arts
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SheetMusicPlus
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
Guitare
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac…
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Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.
$10.00
9.16 €
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Guitare
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Isaac Albeniz (1860-1909)
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Flavio Sala
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ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
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Flavio Sala
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SheetMusicPlus
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