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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLE DE GA…
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31
Partitions
Numériques
92
Librairie
Musicale
192
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de Musique
440
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Non classifié
1292
PIANO & CLAVIERS
Piano, Voix et Guitare
770
Piano seul
629
Piano, Voix
180
Piano Facile
169
Piano grosses notes
35
Orgue
31
Instruments en Do
29
2 Pianos, 4 mains
22
1 Piano, 4 mains
16
Accompagnement Piano
9
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
2
Orgue, Trompette (duo)
2
1 Piano, 6 mains
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
165
Guitare
92
Ukulele
52
Ligne De Mélodie, (Paroles) et Accords
19
2 Guitares (duo)
15
4 Guitares (Quatuor)
14
Paroles et Accords
14
Banjo
9
Basse electrique
9
Piano, Guitare (duo)
6
Mandoline
5
3 Guitares (trio)
2
Guitare (partie séparée)
1
Dulcimer
1
Ensemble de guitares
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
226
Chorale 3 parties
96
Chorale 2 parties
70
Chorale TTBB
50
Chorale SSAA
31
Chorale Unison
22
Voix duo, Piano
11
Voix duo
9
Voix haute
6
Voix Alto, Piano
6
Voix Soprano, Piano
3
Voix Tenor
2
Voix moyenne, Piano
2
Soli, choeur mixte et accompagnement
1
Voix Baryton
1
Voix seule
1
Chorale SSATBB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
2 Saxophones (duo)
102
Quintette de Saxophone: 5 saxophones
89
Quatuor de Saxophones: 4 saxophones
73
Flûte, Hautbois, Clarinette, Basson
58
2 Clarinettes (duo)
52
Flûte traversière et Piano
50
2 Flûtes traversières (duo)
46
Clarinette et Piano
41
Hautbois, Piano (duo)
41
Flûte traversière
37
Saxophone (partie séparée)
35
Quintette de Flûte : 5 flûtes
34
Saxophone, Clarinette (duo)
33
Clarinette, Violon (duo)
28
Clarinette
26
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Alto et Piano
24
3 Saxophones (trio)
24
Quintette de Clarinettes: 5 clarinettes
23
Hautbois (partie séparée)
22
Saxophone Alto
21
Saxophone Tenor et Piano
21
Quatuor de Flûtes : 4 flûtes
20
Flûte et Guitare
20
Ensemble de saxophones
19
Flûte, Clarinette (duo)
18
Ensemble de Flûtes
17
2 Hautbois (duo)
17
Hautbois, Basson (duo)
16
Clarinette, Trompette (duo)
16
Saxophone Soprano et Piano
15
Flûte, Violon
15
Ensemble de Clarinettes
14
Saxophone Baryton, Piano
14
Clarinette et Alto
12
Flûte, Saxophone (duo)
12
Hautbois, Flûte
11
Cor anglais, Piano
10
Hautbois, Clarinette (duo)
10
Flûte, Trompette (duo)
9
Flûte, Alto (duo)
8
3 Clarinettes (trio)
8
Clarinette, Guitare (duo)
7
Clarinette (partie séparée)
7
2 Flûte à bec (duo)
6
Flûte, Hautbois, Clarinette (trio)
5
Flûte à bec Soprano
5
Hautbois
5
Hautbois, Guitare (duo)
5
Flûte, Clarinette et Basson
5
Quatuor de Flûtes à bec
5
Trio de Flûtes: 3 flûtes
5
Saxophone Baryton
4
Saxophone Tenor
4
Cor anglais, Guitare (duo)
4
3 Flûtes à bec (trio)
3
Flûte à Bec
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto
3
Saxophone et Orgue
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flute (partie séparée)
3
Saxophone Soprano
3
Clarinette, Basson (duo)
3
Clarinette Basse, Piano
3
Flûte, Hautbois (duo)
3
Hautbois, Violoncelle
2
5 Flûtes à bec
2
Cor Anglais
2
Flûte à bec Soprano, Piano
2
Saxophone et Guitare
2
Flûte à bec Tenor
2
Saxophone
1
Harmonica
1
Flûte, Hautbois, Basson
1
Flûte irlandaise
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Flûte, Violoncelle
1
Hautbois, violon (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Trompette
36
Ensemble de Trombones
26
Trombone et Piano
26
Trompette, Saxophone (duo)
26
Cor et Piano
22
Trombone
21
Trompette, Trombone (duo)
20
Tuba
19
2 Trombones (duo)
19
2 Trompettes (duo)
18
Cor
16
Trompette, Piano
16
Tuba et Piano
15
Quatuor de cuivres: 4 trombones
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Quatuor de Cuivres
11
Cor anglais, Piano
10
Ensemble de Trompettes
8
Trombone (partie séparée)
8
2 Cors (duo)
7
Trompette (partie séparée)
5
Cor (partie séparée)
5
Trio de Cuivres
5
Tuba (partie séparée)
4
Euphonium, Piano (duo)
4
Cor anglais, Guitare (duo)
4
Quatuor de cuivres: 4 trompettes
3
Trompette, Basson (duo)
3
Trompette, Cor (duo)
3
2 Tubas (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Cor, Violoncelle (duo)
2
Cor Anglais
2
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
4 Tubas
2
Trombone, Cor (duo)
1
Cor et Basson (duo)
1
Trompette, Violoncelle (duo)
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
318
Violon, Violoncelle (duo)
176
Violon
172
Trio à Cordes: violon, alto, violoncelle
128
Violon et Piano
84
2 Violons (duo)
47
Violoncelle, Piano
44
Quintette à cordes: 2 violons, alto, violoncelle, basse
41
Harpe
37
Violoncelle (partie séparée)
34
2 Altos (duo)
31
Violoncelle
31
Alto, Piano
29
Violon, Alto (duo)
27
Alto seul
27
2 Violoncelles (duo)
25
Contre Basse
17
Contrebasse, Piano (duo)
14
Alto (partie séparée)
14
Violon (partie séparée)
11
Ensemble d'Altos
8
4 Violoncelles
8
Violon, Guitare (duo)
7
Ensemble de Violons
7
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle , Guitare (duo)
5
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes : 4 altos
3
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Harpe et Piano
2
Trio à cordes: 3 violins
2
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Voix
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
Alto, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
275
Orchestre à Cordes
179
Orchestre
63
Ensemble Jazz
41
Orchestre de chambre
40
Ensemble de cuivres
29
Marimba
19
Cloches
15
Fanfare
15
Percussion (partie séparée)
10
Ensemble de Percussions
8
Jazz combo
7
Batterie
7
Vibraphone
3
Xylophone
1
Instrumentation Flexible
1
Quintette à Vent
1
Batterie (partie séparée)
1
Marimba, Piano (duo)
1
Instrumentations suivantes
Retracter
AUTRES
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Where You Are
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"More... Jazz Licks at Your Fingertips" for Guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.809110 Composed by Tony Benade. In…
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Solo Guitar - Level 5 - Digital Download SKU: A0.809110 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573821. Published by Tony Benade (A0.809110). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.
$29.95
27.67 €
#
Guitare
#
the end of the study, you can improve on the enitre song
#
Tony Benade
#
"More... Jazz Licks at Your Fingertips" for Guitar
#
Tony Benade
#
SheetMusicPlus
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.
$5.00
4.62 €
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Guitare
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Jeremiah Lawson
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in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
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Jeremiah Lawson
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SheetMusicPlus
Where Is Love?
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Arranged by Derek Hasted. Broadway,Contemporary,Musical/Show. Individual part. 4 pages. Derek Hasted #3561145. Published by Derek Hasted (A0.797701). WHERE IS LOVE (from Oliver) - SOLO GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This beautiful piece from the Stage Show Oliver is a perfect fit for Classical Guitar. Many of the shapes will seem instantly familiar, and the arrangement is not tricky to play, meaning the sound is gentle and effortless.My arrangement is in 3 voices. The middle voice, which provides support for the sustained tune, needs to be subdued so the tune stays audible. Some of the rests in the middle voice are absent, so as not to crowd the page.I hope you enjoy playing this piece!
$4.99
4.61 €
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Guitare
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Lionel Bart
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Derek Hasted
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Where Is Love?
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Derek Hasted
#
SheetMusicPlus
Don't Say I Don't Take You Anywhere (Solo Guitar Score)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.788089 Composed by Antonius Agung …
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Solo Guitar - Level 3 - Digital Download SKU: A0.788089 Composed by Antonius Agung Setiawan. Contemporary. Individual part. 3 pages. Antonius Agung Setiawan #4822873. Published by Antonius Agung Setiawan (A0.788089). Don't Say I Don't Take You Anywhere by Antonius Agung SetiawanOriginal solo guitar compositionFingerstyle guitar composition, Easy to playInstagram @ https://www.instagram.com/pakagung/youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg
$5.99
5.53 €
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Guitare
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Antonius Agung Setiawan
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Don't Say I Don't Take You Anywhere
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Antonius Agung Setiawan
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SheetMusicPlus
Unto You
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1400040 By Linda Kennedy. By Linda…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1400040 By Linda Kennedy. By Linda Kennedy. Arranged by Linda Kennedy. Christian. Individual part. 4 pages. Linda Kennedy #983269. Published by Linda Kennedy (A0.1400040). This is a song where I wrote the lyrics based on a book I had recently read. Â I arranged the Dulcimer music for it and it is my first attempt. Â The lyrics are very special to me.
$4.99
4.61 €
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Guitare
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Linda Kennedy
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Linda Kennedy
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Unto You
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Linda Kennedy
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SheetMusicPlus
Where's My Baby
Guitare
Solo Guitar - Digital Download SKU: A0.1027376 Composed by Errol Lewis. Blues. Indi…
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Solo Guitar - Digital Download SKU: A0.1027376 Composed by Errol Lewis. Blues. Individual part. 1 pages. Errol Lewis #4852403. Published by Errol Lewis (A0.1027376). A sad, heart-rending story.Grievous enough to move macho men to tears.Just what you need to get into the Blues mood.Test yourself.
$1.99
1.84 €
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Guitare
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Errol Lewis
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Where's My Baby
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Errol Lewis
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SheetMusicPlus
Going Where The Wind Blows (Solo Guitar Score)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.788306 Composed by Antonius Agung …
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Solo Guitar - Level 4 - Digital Download SKU: A0.788306 Composed by Antonius Agung Setiawan. Contemporary. Individual part. 4 pages. Antonius Agung Setiawan #5311611. Published by Antonius Agung Setiawan (A0.788306). Going Where The Wind Blows by Antonius Agung SetiawanOriginal solo guitar compositionFingerstyle guitar composition, Easy to playInstagram @ https://www.instagram.com/pakagung/youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg#guitaronlybypakagung.
$6.75
6.24 €
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Guitare
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Antonius Agung Setiawan
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Going Where The Wind Blows
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Antonius Agung Setiawan
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SheetMusicPlus
My coffee, Your milk tea
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1182835 By PuPaDuPP. By Pesol Nuam…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1182835 By PuPaDuPP. By Pesol Nuamkhayan (PuPaDuPP). Classical,Folk,Pop. Individual part. 3 pages. PuPaDuPP #782582. Published by PuPaDuPP (A0.1182835). For more works and videos CLICK HEREMy original work - My distant oneHope you enjoy and hope my music will take you somewhere beautiful.
$2.99
2.76 €
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Guitare
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PuPaDuPP
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My coffee, Your milk tea
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PuPaDuPP
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SheetMusicPlus
Nana para Ti, Lullaby for you
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.978004 Composed by Alfred Feenstra…
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Solo Guitar - Level 4 - Digital Download SKU: A0.978004 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4983277. Published by Alfred Feenstra (A0.978004). A happy song for you; Nana para ti.A song written for all the people who might like the song and want to play it. That where my intentions when I wrote it.
$4.00
3.7 €
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Guitare
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Alfred Feenstra
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Nana para ti
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Nana para Ti, Lullaby for you
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Alfred Feenstra
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SheetMusicPlus
Where's Hiccup?
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1356696 By Various. By John Powell…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1356696 By Various. By John Powell. Arranged by Celil Refik Kaya. Classical,Film/TV. Individual part. 3 pages. Celil Refik Kaya #941338. Published by Celil Refik Kaya (A0.1356696). An excerpt from Dreamwork's How to Train Your Dragon Where's Hiccup? by John Powell arranged for Solo Classical GuitarIncludes the Main Theme Arranged by Celil Refik KayaTabs and Sheet Music included
$6.99
6.46 €
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Guitare
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Various
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Celil Refik Kaya
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Where's Hiccup?
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Celil Refik Kaya
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SheetMusicPlus
Somewhere In Time
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271471 By Allen Comyns. By B.A. R…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jazz,Standards. Individual part. 2 pages. John Fries #863872. Published by John Fries (A0.1271471). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
4.61 €
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Guitare
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Allen Comyns
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Let It Be
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.487626 By Kris Allen and The Beatl…
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Solo Guitar - Level 1 - Digital Download SKU: A0.487626 By Kris Allen and The Beatles. By John Lennon and Paul McCartney. Arranged by Best Music Coach and Dan Spencer. 20th Century,Pop. Individual part. 3 pages. Best Music Coach #105185. Published by Best Music Coach (A0.487626). Level 1: Notation for Solo guitar. Lyrics and words are included so you know where you are in the song at all times!
$5.99
5.53 €
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Guitare
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Kris Allen and The Beatles
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Let It Be
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Best Music Coach
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.84 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Fingerpicking Guitar for the Young Beginner
Guitare
Composed by William Bay. Young Beginner. All Styles. E-book and online audio. Published by…
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Composed by William Bay. Young Beginner. All Styles. E-book and online audio. Published by Mel Bay Publications - Digital Sheet Music (M0.20626BCDEB). - e-book and online audio - All Styles - Mel Bay Publications - Digital Sheet Music
ISBN 9781610652032. This beginner's approach to playing fingerstyle guitar uses well-known folk songs to develop left and right-hand techniques. The tunes are first introduced with simplified chords and accompaniment provided by an easy downward strum of the thumb. Next, the thumb and three fingers pluck simultaneously to produce block chords, and finally render more complex arpeggiated patterns. While barre chords are judiciously avoided throughout, the alternating bass concept is presented with full-strength chords using all six strings where applicable. While the melodies are shown in standard notation, the lyrics and companion audio serve as rhythmic guides to the student; neither note nor tablature reading ability is required to complete this enjoyable course. Includes access to online audio.
$9.99
9.23 €
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Guitare
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William Bay
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Fingerpicking Guitar for the Young Beginner
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Anonymous Soldier (for Guitar)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1371167 Composed by Emiliano Brune…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1371167 Composed by Emiliano Brunetti. Chamber,Romantic Period. Individual part. 4 pages. Emiliano Brunetti #955418. Published by Emiliano Brunetti (A0.1371167). Anonymous Soldier seeks to portray the fight between what you need to do and what you want to do. It reflects that battle against the Impostor Syndrome, which tells you how far you are from where you really belong. It is my everyday fight for my dreams, despite how hard they are to achieve, and despite the conflicting context I might be living in (writing classical music from my home of Argentina). This piece explores the use of tremolo effect, which is usually found in advanced pieces. As I am not able to play pieces like Recuerdos de la Alhambra (Tárrega) or Una Limosna por el Amor de Dios (Barrios), I tried to write a piece with this technique I enjoy listening to a lot, in a way that I can perform it while improving my playing.
$2.00
1.85 €
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Guitare
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Emiliano Brunetti
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Anonymous Soldier
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Emiliano Brunetti
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.47 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.47 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.47 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Clergy's Lamentation (Arranged for Guitar)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1193396 By Turlough O'carolan. By …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1193396 By Turlough O'carolan. By Turlough O'carolan. Arranged by Victor Araújo. Baroque,Celtic,Classical,Folk,Irish,Traditional. Individual part. 1 pages. Arezzo Music #792855. Published by Arezzo Music (A0.1193396). In this arrangement you'll hear a beautiful rendition of the traditional Irish song Clergy's Lamentation, arranged for guitar. The haunting melody of this tune are brought to life through the expressiveness of the arrangement. As you listen, you'll be transported to the windswept landscapes of Ireland, where the song's origins lie. The guitar arrangement brings out the song's Celtic roots, with fingerpicking patterns that evoke the sound of the harp and delicate ornamentation that captures the essence of traditional Irish music.If you're a guitarist who loves exploring new styles and expanding your repertoire, you'll want to get your hands on the sheet music for this arrangement. Don't miss your chance to learn this beautiful piece of music and add it to your collection. Click the link in the video description to purchase the sheet music today.
$2.99
2.76 €
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Guitare
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Turlough O'carolan
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Victor Araújo
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Clergy's Lamentation
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Arezzo Music
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SheetMusicPlus
The Essential Classical Guitar Scale Book
Guitare
Guitar - Intermediate - Digital Download Composed by David N Isaacs. Classical. E-book a…
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Guitar - Intermediate - Digital Download Composed by David N Isaacs. Classical. E-book and online audio. 48 pages. Mel Bay Publications - Digital Sheet Music #30865EB. Published by Mel Bay Publications - Digital Sheet Music
Item Number: M0.30865EB ISBN 9781513455013. The Essential Classical Guitar Scale Book can be used by all guitarists no matter where you are on your path to mastering the instrument. For the teacher and student, this book is essential because it is a complete and codified scale system that can be used to learn proper finger placement, coordination, music theory, practice techniques, and a general knowledge of the guitar fretboard. In addition to the traditional 2 and 3 octave scales, modes, whole tone, and diminished scales are covered. Useful practice schedules for mastery are also included. Work on theory, sight reading, tone, synchronization, speed, legato and more while keeping scale practice fresh.
$12.99
12 €
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Guitare
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David N Isaacs
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The Essential Classical Guitar Scale Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.23 €
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Guitare
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Song Of The Jet (samba Do Avião)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1115898 Composed by Antonio Carlos…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1115898 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Luiz Duarte. 20th Century,Jazz,Latin,Multicultural,Standards,World. Individual part. 4 pages. Alan Anunciação #717621. Published by Alan Anunciação (A0.1115898). In this video, we will show you how to play the famous Samba do Avião (Song of the Jet) by Tom Jobim - Sheet Music + Tablature. This beautiful song was written in the late 1960s and has become one of the most famous and well-known samba tunes of all time. This is an arrangement that, according to my teacher Luiz, is a combination of arrangements he likes, such as Gamela and Baden Powell. If you're a fan of Brazilian music and want to learn how to play the famous Samba do Avião (Song of the Jet) then this video is for you! We'll teach you the chords and melody of this beautiful song, so you can enjoy it wherever you go.
$6.00
5.54 €
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Guitare
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Antonio Carlos Jobim and Gene Lees
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Luiz Duarte
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Song Of The Jet
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Alan Anunciação
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SheetMusicPlus
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