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433
PIANO & CLAVIERS
Piano seul
434
Piano, Voix
171
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5
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1
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34
Clarinette (partie séparée)
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26
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19
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17
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16
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15
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15
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12
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11
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11
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11
Clarinette
11
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10
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8
Saxophone Alto
6
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5
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4
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4
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3
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2
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2
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2 Clarinettes, Piano
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Flûte, Trompette (duo)
1
Flûte, Clarinette et Basson
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Clarinette et Alto
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Flûte, Saxophone (duo)
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Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Trombone (partie séparée)
28
Trompette (partie séparée)
20
Trompette, Piano
18
Cor (partie séparée)
15
Trombone et Piano
15
Quatuor de Cuivres
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Tuba (partie séparée)
11
Ensemble de Trompettes
7
Cor et Piano
7
Quatuor de cuivres: 4 trombones
6
Cor
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Cors (duo)
4
2 Trombones (duo)
4
Trombone
4
Trompette
4
Tuba
4
Trombone basse
3
Ensemble de Trombones
3
Euphonium
3
2 Trompettes (duo)
3
Trompette, Cor (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Tubas (duo)
2
Tuba et Piano
2
Cor et Harpe
1
4 Tubas
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
Trompette, Trombone (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
41
Violon (partie séparée)
23
Violoncelle, Piano
21
Alto, Piano
18
Violon
17
Contrebasse (partie séparée)
14
2 Violons (duo)
11
Alto (partie séparée)
10
2 Violoncelles (duo)
9
Harpe
8
Violoncelle (partie séparée)
8
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
7
Violon, Violoncelle (duo)
6
2 Altos (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Harpe, Violon (duo)
4
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
3
Violoncelle
3
Harpe, Violoncelle (duo)
3
2 Harpes (duo)
3
Alto seul
3
Harpe (partie séparée)
2
Alto et Harpe
2
Violoncelle, Orgue
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violons
1
2 Violons, Piano
1
4 Violoncelles
1
Contre Basse
1
Harpe et Orgue
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
335
Orchestre
47
Orchestre à Cordes
32
Ensemble de cuivres
18
Percussion (partie séparée)
17
Fanfare
16
Cloches
9
Ensemble Jazz
9
Jazz combo
9
Orchestre de chambre
6
Batterie (partie séparée)
3
Batterie
3
Timbales (partie séparée)
2
Xylophone
1
Xylophone, Piano
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Ensemble d'École
1
Marimba
1
Percussion
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Ensemble de Percussions
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AUTRES
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1
L'Alba
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1240838 By Marco William Duranti. By Ma…
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Guitar - Level 3 - Digital Download SKU: A0.1240838 By Marco William Duranti. By Marco William Duranti. Arranged by Marco William Duranti. 21st Century,Classical,Contemporary. Full Performance. Duration 168. Marco William Duranti #836230. Published by Marco William Duranti (A0.1240838). Music for Classical and Acoustic Guitar players:The Italian title L'Alba (The Sunrise) tells you what this music is all about. Â A sweet and very melodic composition that lends well to your own imagination...
$1.99
1.83 €
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Guitare
#
Marco William Duranti
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Marco William Duranti
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L'Alba
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Marco William Duranti
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SheetMusicPlus
L'Alba
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1240836 By Marco William Duranti. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1240836 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Individual part. 2 pages. Marco William Duranti #836224. Published by Marco William Duranti (A0.1240836). Music for Classical and Acoustic Guitar players:The Italian title L'Alba (The Sunrise) tells you what this music is all about. A sweet and very melodic composition that lends well to your own imagination...
$3.49
3.21 €
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Guitare
#
Marco William Duranti
#
L'Alba
#
Marco William Duranti
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Classical Guitar Pedagogy
Guitare
By Anthony L Glise. For Guitar (Classical). Classic. Published by Mel Bay Publications, In…
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By Anthony L Glise. For Guitar (Classical). Classic. Published by Mel Bay Publications, Inc
ISBN 9781609740948. This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach." This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.
$29.99
27.62 €
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Guitare
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Anthony L Glise
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Classical Guitar Pedagogy
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Mel Bay Publications, Inc
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.32 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe …
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Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.
$30.00
27.62 €
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Guitare
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Jean-Philippe Rameau
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Maël Fauvy
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RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
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Mfp Éditions
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SheetMusicPlus
He's A Pirate
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, H…
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Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Film/TV. 31 pages. DanJonesGuitarist #914884. Published by DanJonesGuitarist (A0.1326741). The Theme from Pirates of the CaribbeanArranged for Guitar Ensemble by Dan Jones www.danjonesguitarist.comArrangé pour ensemble de guitares par Dan Jones www.danjonesguitarist.comThe Theme from Pirates of the Caribbean is arranged for l'Ensemble Guitare de Basse-Goulaine. I would like to thank them for asking me to make the arrangement and for their hard work.Le thème de Pirates des Caraïbes est arrangé pour l'Ensemble Guitare de Basse-Goulaine. Je voudrais les remercier de m'avoir demandé de faire l'arrangement et pour leur travail.A single download of the sheet music will give you:(1) A title page(2) A score in notes and TAB(3) A score with notes only (to help directors with page turns)(4) All parts in notes and TAB(5) All parts with notes only.Un seul téléchargement de la partition vous donnera :(1) Une page de titre(2) Une partition en notes et TAB(3) Une partition avec notes uniquement (pour aider les réalisateurs à tourner les pages)(4) Toutes les parties avec les notes et TAB(5) Toutes les parties avec notes uniquement.www.danjonesguitarist.com.
$7.95
7.32 €
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Guitare
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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Dan Jones www
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He's A Pirate
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DanJonesGuitarist
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SheetMusicPlus
If I Fell
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1045112 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1045112 By The Beatles. By John Lennon and Paul McCartney. Arranged by NATHAN L HATICO. Classical,Contemporary,Jazz,Pop,Rock. Individual part. 4 pages. Nathan L. Hatico #649677. Published by Nathan L. Hatico (A0.1045112). This arrangement was inspired by Earl Klugh's recording of the song on his Naked Guitar CD. The melody line switches back and forth between the upper and lower registers and some sections have been reharmonized. This arrangement will work played in strict time, but I prefer to play it freely and expressively. It isn't too difficult and should be accessible to the intermediate level player.
$4.99
4.59 €
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Guitare
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The Beatles
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NATHAN L HATICO
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If I Fell
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Nathan L. Hatico
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SheetMusicPlus
Test Upload - Coplas
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1029519 Composed by Unknown. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1029519 Composed by Unknown. Arranged by Njål Gunnar Støyva. Folk,World. Individual part. 3 pages. EWIS Music #5017371. Published by EWIS Music (A0.1029519). This is a test upload, it will be replaced with a version with updated information and design in 2020.Tune from Latin America. Arranged for solo guitar by Njål Gunnar Støyva.
$1.99
1.83 €
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Guitare
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Unknown
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Njål Gunnar Støyva
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Test Upload - Coplas
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EWIS Music
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SheetMusicPlus
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Rhythm Guitar I and II
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1379183 By Jacques Cameron. By Jos…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1379183 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 1 pages. Legacy Artists #963861. Published by Legacy Artists (A0.1379183). This sheet music features the rhythm guitar partitions for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Rhythm Guitar I and II.
$2.99
2.75 €
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Guitare
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Jacques Cameron
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Jacques Cameron - Stendhal Syndrome
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Legacy Artists
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SheetMusicPlus
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Electric Guitar Lead III
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1379177 By Jacques Cameron. By Jos…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1379177 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 1 pages. Legacy Artists #963854. Published by Legacy Artists (A0.1379177). This sheet music features the third lead electric guitar partition for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Electric Guitar Lead III.
$2.99
2.75 €
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Guitare
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Jacques Cameron
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Jacques Cameron - Stendhal Syndrome
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Legacy Artists
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SheetMusicPlus
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Bass Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1379185 By Jacques Cameron. By Jos…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1379185 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 1 pages. Legacy Artists #963864. Published by Legacy Artists (A0.1379185). This sheet music features the bass guitar partition for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Bass Guitar.
$2.99
2.75 €
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Guitare
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Jacques Cameron
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Jacques Cameron - Stendhal Syndrome
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Legacy Artists
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SheetMusicPlus
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Electric Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1378122 By Jacques Cameron. By Jos…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1378122 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 7 pages. Legacy Artists #962743. Published by Legacy Artists (A0.1378122). This sheet music features the electric guitar solos for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Electric Guitar Lead I, Electric Guitar Lead II, Electric Guitar Lead III, Rhythm Guitar I & II, Bass Guitar.
$5.99
5.52 €
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Guitare
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Jacques Cameron
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II, Bass Guitar.
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Jacques Cameron - Stendhal Syndrome
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Legacy Artists
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SheetMusicPlus
Test Upload - Canoe Song
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1029517 Composed by Unknown. Arran…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1029517 Composed by Unknown. Arranged by EWIS Music. World. Individual part. 2 pages. EWIS Music #5011703. Published by EWIS Music (A0.1029517). This is a test upload, it will be replaced with a version with updated information and design in 2020.Indian tune from North America. Arranged for solo guitar by Njål Gunnar Støyva.
$1.99
1.83 €
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Guitare
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Unknown
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EWIS Music
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Test Upload - Canoe Song
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EWIS Music
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SheetMusicPlus
Primeras Lecciones Guitarra para Principiantes: Aprender Notas / Tocando Solos
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.99931BCDSPEB Learning Notes/…
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Guitar (all) - Beginning - Digital Download SKU: M0.99931BCDSPEB Learning Notes/Playing Solos. Composed by William Bay. Adult Contemporary. First Lessons - Spanish. All styles. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99931BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99931BCDSPEB). ISBN 9781619112827. 8.75x11.75 inches.Esta introducción paso a paso muy fácil de entender para la lectura de notas y la interpretación en solo de guitarra presenta notas básicas en la primera posición. Cuenta con un acompañamiento de audio y video en lÃnea con secciones especiales sobre tipos de guitarras, preguntas frecuentes, cómo encadenar una guitarra, términos musicales y de guitarra.• fácil de entender, introducción paso a paso para la lectura de notas y la interpretación en solitario de guitarra• Presenta notas básicas en primera posición.• acompañamiento de acompañamiento de audio y video en lÃnea • Secciones especiales sobre tipos de guitarras, preguntas frecuentes, cómo encadenar una guitarra, términos musicales y de guitarra. This very easy to understand, step by step introduction to note reading and guitar solo performance presents basic notes in first position. It features a companion play-along online audio and video with special sections on types of guitars, frequently asked questions, how to string a guitar, musical and guitar terms.• easy to understand, step by step introduction to note reading and guitar solo performance presents basic notes in first position • companion play-along online audio & video• special sections on types of guitars, frequently asked questions, how to string a guitar, musical and guitar terms. Written in Spanish only.
$9.99
9.2 €
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Guitare
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William Bay
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Primeras Lecciones Guitarra para Principiantes: Aprender Notas / Tocando Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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