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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
With One Look
Sheetmusicplus
Non classifié
1 650
Piano & claviers
Piano seul
325
Piano, Voix
314
Piano Facile
234
Instruments en Do
80
Piano, Voix et Guitare
61
Accompagnement Piano
26
Orgue
18
1 Piano, 4 mains
9
Accordéon
7
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
2
Piano grosses notes
1
Clavecin
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
54
Guitare notes et tablatures
50
Ligne De Mélodie, (Paroles) et Accords
18
Basse electrique
16
2 Guitares (duo)
15
Ukulele
7
Mandoline
3
2 Ukuleles
2
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
Ensemble de Ukulélés
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
188
Chorale 3 parties
70
Chorale TTBB
69
Chorale SSAA
36
Chorale 2 parties
31
Voix Soprano, Piano
21
Voix Baryton, Piano
18
Chorale Unison
13
Voix duo, Piano
5
Voix haute
4
Voix Soprano
4
Voix Alto, Piano
3
Voix duo
3
Voix Tenor
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix seule
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
276
Quintette de Saxophone: 5 saxophones
224
Quatuor de Saxophones: 4 saxophones
221
Saxophone Alto et Piano
218
Saxophone Tenor et Piano
131
Saxophone Alto
115
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Saxophone Soprano et Piano
100
Saxophone (partie séparée)
96
Saxophone Tenor
91
Flûte, Hautbois, Clarinette, Basson
77
3 Saxophones (trio)
77
Saxophone Baryton, Piano
77
Clarinette et Piano
60
Hautbois, Piano (duo)
57
Saxophone Soprano
50
Flûte traversière et Piano
49
Saxophone Baryton
48
Flûte traversière
48
Clarinette
47
Ensemble de saxophones
43
Quatuor de Flûtes : 4 flûtes
40
2 Clarinettes (duo)
40
Hautbois
34
2 Flûtes traversières (duo)
32
Quintette de Clarinettes: 5 clarinettes
29
Quatuor de Clarinettes: 4 clarinettes
27
Ensemble de Clarinettes
26
Hautbois, Basson (duo)
22
Hautbois (partie séparée)
21
3 Clarinettes (trio)
20
Hautbois, Violoncelle
18
Quintette de Flûte : 5 flûtes
18
2 Hautbois (duo)
16
Quatuor de Flûtes à bec
11
Flûte, Hautbois, Clarinette (trio)
9
5 Flûtes à bec
9
Flûte, Clarinette (duo)
8
2 Flûte à bec (duo)
7
Ensemble de Flûtes
7
2 Saxophones, Piano
6
Clarinette Basse, Piano
6
Flûte à bec Soprano
5
Flûte à Bec
5
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Violoncelle (duo)
4
Saxophone, Clarinette (duo)
4
Clarinette, Violon (duo)
3
Flûte, Violoncelle
3
Flûte, Clarinette et Basson
3
Clarinette, Trompette (duo)
3
Flûte, Trombone (duo)
3
Clarinette (partie séparée)
2
Flûte, Hautbois, Piano (trio)
2
Ensemble De Flûte à bec
2
Flute (partie séparée)
2
Saxophone
2
Clarinette Basse
2
Clarinette, Trombone (duo)
2
Flûte, Saxophone (duo)
2
Cor anglais, Piano
2
Flûte à bec Alto
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Clarinette, Guitare (duo)
2
Cor Anglais
1
Instruments en Mib
1
Flûte et Trio à cordes
1
Hautbois, Guitare (duo)
1
Flûte, Violon
1
Hautbois, trombone (duo)
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Basson
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
221
Trombone et Piano
153
Quatuor de Cuivres: 2 trompettes, Cor, trombone
113
Trombone
112
Quatuor de Cuivres : 2 trompettes, trombone, tuba
74
2 Trombones (duo)
73
Cor et Piano
67
Trompette, Piano
58
Trompette
53
Tuba et Piano
49
Ensemble de Trompettes
47
Cor
43
Tuba
40
Trombone (partie séparée)
40
Trompette, Trombone (duo)
37
Quatuor de Cuivres
32
Quatuor de cuivres: 4 trombones
22
2 Trompettes (duo)
19
Ensemble de Trombones
17
2 Cors (duo)
14
Euphonium, Piano (duo)
10
Trio de Cuivres
10
Trompette (partie séparée)
7
3 Trombones (trio)
6
2 Euphoniums et 2 Tubas
6
Ensemble de Cors
5
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
5
Trombone basse
5
Trombone, Cor (duo)
4
Quatuor de cuivres: 4 trompettes
4
Trombone basse et Piano
4
Tuba et Orgue
4
Trompette, Cor (duo)
3
Trompette, Saxophone (duo)
3
3 Trompettes (trio)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
4 Tubas
2
Cor anglais, Piano
2
Cor, Violoncelle (duo)
2
Trompette, Basson (duo)
2
Cor Anglais
1
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Trombone, Violon (duo)
1
Cor et Basson (duo)
1
Trompette, Violoncelle (duo)
1
Bass Clef Instruments
1
Instruments en Sib
1
Euphonium
1
Trombone, Orgue
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Alto (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violoncelle, Piano
88
Violoncelle
80
Violon et Piano
74
Alto, Piano
68
Quintette à cordes: 2 violons, alto, violoncelle, basse
67
Violon
60
Alto seul
56
Trio à Cordes: violon, alto, violoncelle
50
Contrebasse, Piano (duo)
35
2 Violons (duo)
34
Contre Basse
30
Violon, Violoncelle (duo)
24
2 Violoncelles (duo)
23
2 Altos (duo)
18
Harpe
18
Violon, Alto (duo)
12
Trio à Cordes: 2 violons, violoncelle
9
4 Violoncelles
8
Alto (partie séparée)
7
Ensemble d'Altos
7
Ensemble de Violons
7
Violon (partie séparée)
6
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
5
Contrebasse (partie séparée)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
3
Violon, Basson (duo)
3
Trio à cordes: 3 violins
3
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Basson
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
1
2 Violoncelles, Piano
1
Harpe, Flûte (duo)
1
4 Harpes
1
Alto et Harpe
1
Violon, Orgue
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
184
Cloches
130
Ensemble Jazz
58
Orchestre
48
Orchestre à Cordes
42
Batterie
28
Ensemble de cuivres
18
Jazz combo
12
Orchestre de chambre
10
Xylophone, Piano
5
Percussion (partie séparée)
4
Marimba
4
Fanfare
3
Vibraphone
3
Xylophone
2
Batterie (partie séparée)
2
Piano et Orchestre
1
Ensemble de Percussions
1
2 Xylophones
1
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
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Partitions Gratuites
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Partitions Numériques
54
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
With One Look
SheetMusicPlus
Partitions à imprimer
54 partitions trouvées
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1
26
51
Just One Look
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Guitare
#
INTERMÉDIAIRE
#
Doris Troy
#
Victoria Rose
#
Just One Look
#
Victoria Rose
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1086016 By Doris Troy. By Doris Payne and Gregory Carroll. Arranged by Victoria Rose. 20th Century,Pop,Rock. Individual ...
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Solo Guitar - Level 3 - SKU: A0.1086016 By Doris Troy. By Doris Payne and Gregory Carroll. Arranged by Victoria Rose. 20th Century,Pop,Rock. Individual part. 4 pages. Victoria Rose #690209. Published by Victoria Rose (A0.1086016). This a solo Fingerstyle / Classical guitar arrangement of Just One Look by Doris Troy & Linda Ronstadt with both TAB and Standard Notation.
$4.99
The Look Of Love
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Sergio Mendes & Brasil '66
#
Christopher J
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The Look Of Love
#
Christopher J. Malin
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1297727 By Sergio Mendes & Brasil '66. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,J...
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Solo Guitar - Level 4 - SKU: A0.1297727 By Sergio Mendes & Brasil '66. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Jazz,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #887699. Published by Christopher J. Malin (A0.1297727). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bacharach/David's finer pieces. A sensual piece of music. Should be played as such. Play in a legato style with subtle finger vibrato on the long single notes. I like to play this on a guitar equiped with a vibrato to also add a little flair to the ending chords. Have fun with this one!This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
One Last Wish
#
Guitare
#
INTERMÉDIAIRE
#
Film/TV
#
Soundtrack
#
Derek Hasted
#
One Last Wish
#
Derek Hasted
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510...
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Guitar - Level 3 - SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Ode To Joy (from Symphony No. 9) (Guitar solo) - with Tabs
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Guitare
#
FACILE
#
Classique
#
André Alberto Santos
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André Alberto Santos
#
Ode To Joy
#
Soul - Musical Creations
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1203244 By André Alberto Santos. By Ludwig van Beethoven. Arranged by André Alberto Santos. Classical,Romantic Per...
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Solo Guitar - Level 2 - SKU: A0.1203244 By André Alberto Santos. By Ludwig van Beethoven. Arranged by André Alberto Santos. Classical,Romantic Period,Wedding. Individual part. 2 pages. Soul - Musical Creations #801917. Published by Soul - Musical Creations (A0.1203244). Beethoven's Ode to Joy is a work of art that transcends time and cultural barriers. It is a celebration of life and still moves people around the world today.If you're looking for a unique and soulful arrangement of Beethoven's Ode to Joy, we have the perfect solution for you! We offer the complete score with a special arrangement in PDF, which will surprise and delight your listeners.With the arrangement score of Ode to Joy in PDF, you will have the freedom to create a unique and authentic interpretation of this Beethoven masterpiece. In addition, the digital format greatly facilitates the study and rehearsal process.Get now the score with the special arrangement of Beethoven's Ode to Joy in PDF, and experience all the beauty and grandeur of this masterpiece in an exclusive way and surprise everyone with this arrangement!PDF sheet music Ode to Joy BeethovenBeethoven Ode to Joy complete sheet musicOde to Joy Beethoven sheet music high qualityEasy Beethoven Ode to Joy sheet musicSimple Beethoven Ode to Joy sheet musicOde to Joy Beethoven sheet music for teachingOde to Joy Beethoven sheet music for conservatoryOde to Joy Beethoven sheet music for download.
$1.99
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
#
Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
Fantasy on a Mozart Theme
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Guitare
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INTERMÉDIAIRE
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Classique
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Rod Whittle
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for solo classical guitar
#
Fantasy on a Mozart Theme
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Cree...
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Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
The Water Is Wide For Guitar-Tablature Edition
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Guitare
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INTERMÉDIAIRE
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Traditional
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Neal Fitzpatrick
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The Water Is Wide For Guitar-T
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.955271 Composed by Traditional. Arranged by Neal Fitzpatrick. Folk,Standards,Traditional,World. Individual part. 2 pages...
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Solo Guitar - Level 3 - SKU: A0.955271 Composed by Traditional. Arranged by Neal Fitzpatrick. Folk,Standards,Traditional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #4833389. Published by Neal Fitzpatrick Editions (A0.955271). The traditional folk song The Water Is Wide here is arranged for solo guitar. This edition is in standard notation form with accompanying tablature and is in the key of G Major. This arrangement is ideal for anyone looking to transition to intermediate level and more advanced finger style playing or for players of any level.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$4.99
ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
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Guitare
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DÉBUTANT
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Classique
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L
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Arezzo Music
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ode to joy in d guitar sheet m
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Arezzo Music
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1244072 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical. Individual pa...
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Solo Guitar - Level 1 - SKU: A0.1244072 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical. Individual part. 1 pages. Arezzo Music #839047. Published by Arezzo Music (A0.1244072). Ode to joy in d guitar sheet music - arezzo sheet music engraver for beginnerswe present a beginner-friendly guitar sheet music arrangement of Beethoven's iconic Ode to Joy in the key of D major, engraved with precision using Arezzo, the renowned sheet music engraving software. Immerse yourself in the uplifting melodies of this timeless composition as we guide you through the steps to master this classic piece on the guitar. Whether you're a beginner guitarist or someone looking to learn this famous melody, this sheet music tutorial is perfect for you. Follow along with the provided sheet music and discover the joy of playing Ode to Joy on the guitar. The notation, meticulously engraved with Arezzo, ensures clarity and readability, making it easier for beginners to learn and play. Join us as we delve into the world of Beethoven's masterpiece, and let the guitar bring the joy of music into your life. Don't forget to like, comment, and subscribe to our channel for more beginner-friendly sheet music tutorials and captivating performances.  ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
$2.99
Four Colors
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Greg Hays
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Four Colors
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Greg Hays
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.934521 Composed by Greg Hays. Contemporary. Individual part. 7 pages. Greg Hays #4744585. Published by Greg Hays (A0.934...
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Solo Guitar - Level 3 - SKU: A0.934521 Composed by Greg Hays. Contemporary. Individual part. 7 pages. Greg Hays #4744585. Published by Greg Hays (A0.934521). What do colors sound like? As a musician, I have often experienced associating a color with particular sounds and entire pieces that I have played. These four short pieces represent how I experience the colors Amethyst, Sapphire, Bronze, and Periwinkle through sound. Read more about it here https://greghays.us/index.php/2019/07/15/four-colors/Great for someone looking for new guitar music and to experience the world in a different way!
$12.50
Cowboy Fora Da Lei
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Guitare
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INTERMÉDIAIRE
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Aluisio De Vasconcellos Didier
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Hebinho Aguiar
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Cowboy Fora Da Lei
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HEBER DE SOUZA AGUIAR
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1209502 Composed by Aluisio De Vasconcellos Didier. Arranged by Hebinho Aguiar. Country,Multicultural,Rock,World. Indivi...
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Solo Guitar - Level 3 - SKU: A0.1209502 Composed by Aluisio De Vasconcellos Didier. Arranged by Hebinho Aguiar. Country,Multicultural,Rock,World. Individual part. 7 pages. HEBER DE SOUZA AGUIAR #807644. Published by HEBER DE SOUZA AGUIAR (A0.1209502). Are you looking for an exciting and energetic acoustic guitar arrangement of the classic Brazilian song Cowboy Fora da Lei? Look no further than this dynamic arrangement, available exclusively on ArrangeMe!Crafted by a talented musician with a deep understanding of Brazilian music, this arrangement captures all of the energy and passion of the original song, infusing it with a fresh, modern twist that is sure to get your toes tapping and your heart racing. Featuring intricate fingerpicking patterns, driving rhythms, and soaring melodies, this arrangement is a true celebration of the rich musical heritage of Brazil.Whether you're a seasoned musician looking to expand your repertoire or simply a fan of Brazilian music looking for a fresh take on a beloved classic, this arrangement is sure to impress. So why wait? Download your copy today and experience the thrill and excitement of Cowboy Fora da Lei like never before!
$12.99
"Be Thou My Vision" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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Keith Gehle
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"Be Thou My Vision"
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1420186 By Keith Gehle. By Keith W. Gehle. Celtic,Irish,New Age,Religious,Sacred,Wedding. Individual part. 3 pages. Keit...
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Solo Guitar - Level 3 - SKU: A0.1420186 By Keith Gehle. By Keith W. Gehle. Celtic,Irish,New Age,Religious,Sacred,Wedding. Individual part. 3 pages. Keith Gehle #1001604. Published by Keith Gehle (A0.1420186). Variations on an Irish Theme (Be Thou My Vision) was recorded as part of Keith’s album of 20 original guitar solos entitled Wintersong released in 2002.. The opening theme is followed by three variations and includes detailed fingerings in standard notation. There’s also a version available with TAB on this site. This ancient Irish melody can serve as a beautiful interlude during church services, gigs or wedding ceremonies. Here’s what one listener wrote of Wintersong:As a classical guitarist, I'm always on the lookout for new compositions. I have scoured the internet looking for new guitar music and Keith's Winter Song is the best thing I have seen in a year. If you like the sound of soothing classical guitar, I know you will like listening to this CD. If you’re a guitarist, I highly recommend buying the book of sheet music from Keith's website. I play at least a half dozen of these pieces at my gigs and I just love them. They range from easy to advanced intermediate in difficulty. I can't wait for Keith's next CD Songs of December which will be out for the holiday season!- Larry B.
$2.99
Riely's Dance
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by ...
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Solo Guitar - Level 3 - SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by Jim Bosse (A0.954944). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Toy for Timothy
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Toy for Timothy
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim Bosse (A0.954946). This is the third movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required, to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Toy for Timothy was written in a Native American style, highlighting this aspect of Timothy's genetic heritage. Performance time is 3 minutes and 42 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Air for Chiara
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Air for Chiara
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim Bosse (A0.954947). This is the fourth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Air for Chiara was written in a Scottish style, highlighting her genetic heritage. Performance time is 2 minutes and 36 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Soren's Jig
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Soren's Jig
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954949 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 11 pages. Jim Bosse #4574679. Published by Ji...
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Solo Guitar - Level 3 - SKU: A0.954949 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 11 pages. Jim Bosse #4574679. Published by Jim Bosse (A0.954949). This is the final movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Soren's Jig was written in a Scottish style, highlighting his genetic heritage. As the finale for this suite, each other gandkid's theme is revisited. Performance time is 4 minutes and 09 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Lullaby for Mirabai
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim Bosse (A0.954948). This is the fifth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Lullaby for Mirabai was written in a Scottish style, highlighting her genetic heritage. Performance time is 3 minutes and 30 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Analysia's Margarita
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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piece
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Analysia's Margarita
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954945 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574665. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954945 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574665. Published by Jim Bosse (A0.954945). This is the second movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar solo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Analysia's Margarita was inspired by a street merchant melody that I heard in the Andes. I used this melody to give this piece a Peruvean flavor. Performance time is 3 minutes and 34 seconds with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Suite Grandkids
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Suite Grandkids
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954913 Composed by Jim Bosse. Concert,Contemporary. Individual part. 36 pages. Jim Bosse #4412049. Published by Jim Boss...
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Solo Guitar - Level 3 - SKU: A0.954913 Composed by Jim Bosse. Concert,Contemporary. Individual part. 36 pages. Jim Bosse #4412049. Published by Jim Bosse (A0.954913). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar solo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Individual titles are: Riely's Dance, Ananlysia's Margarita, Toy for Timothy, Air for Chiara, Lullaby for Mirabai, and Soren's Jig. Performance demand level is mostly intermediate with a few advanced sections. Multi-tasking required as percussion is played with feet. Jim's web site is www.facebook.com/jimbosseguitar
$4.99
Blind Joe Death
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Andrew Lardner
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Blind Joe Death
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate - SKU: M0.30599EB Composed by Andrew Lardner. Adult Contemporary. Contemporary. E-book. Mel Bay Publications - Dig...
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Guitar (fingerpicking) - Intermediate - SKU: M0.30599EB Composed by Andrew Lardner. Adult Contemporary. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30599EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30599EB). ISBN 9781619117198. 8.75x11.75 inches.John Fahey transformed the world of acoustic flat-top steel-string guitar by bringing it to the concert stage as a respected, solo instrument. Blind Joe Death: Volume 1 looks at the important people and genres that shaped him as a composer. This volume focuses on Side 1 of the original 1967 Blind Joe Death LP, a collection of mostly traditional music that was adapted for solo guitar. Hints of Fahey's early influences endured throughout his career as a composer, yet early on, and in Blind Joe Death, a unique voice is coming into focus-one that is not afraid to explore the avant-garde with journeys into collage and expressionism. Six extensively edited solos from Blind Joe Death are included in Volume 1: On Doing an Evil Deed Blues, St. Louis Blues, Poor Boy a Long Ways from Home, Uncloudy Day, John Henry and In Christ There Is No East or West. Within these transcriptions, Andrew Lardner has provided admirers of John Fahey's body of work with the essential keys to launch their own journeys into replicating the sounds and style of Fahey's landmark solos from Blind Joe Death.
$17.99
Variations on God Rest Ye Merry, Gentlemen
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Guitare
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INTERMÉDIAIRE
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Traditional
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Derek Hasted
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Variations on God Rest Ye Merr
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1310190 By Traditional. By Anonymous. Arranged by Derek Hasted. Christmas,Comedy,Traditional. 17 pages. Derek Hasted #899328....
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Guitar - Level 3 - SKU: A0.1310190 By Traditional. By Anonymous. Arranged by Derek Hasted. Christmas,Comedy,Traditional. 17 pages. Derek Hasted #899328. Published by Derek Hasted (A0.1310190). Variations on GOD REST YE MERRY, GENTLEMEN - 3+ GuitarsFor 3 or more Classical or Acoustic Guitars - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Running for almost four minutes, these four variations on “God Rest Ye Merry, Gentlemen†present this well-known Christmas carol in 4 styles, with nods to well-known composers and themes, mixing hints of Bach (amongst others) with Tango and Pop, all underpinning the familiar Carol.The variations can be played singly, but as presented they run seamlessly from one to another to make a continuous performance piece ideal for school and adult Christmas concerts.I hope you enjoy playing this quirky Christmas arrangement!For another quirky Christmas piece, look out for my “Pachelbel’s Carol†- find it using the link below.This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$3.99
All The Small Things
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Guitare
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FACILE
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Blink 182
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Hollywood Charts
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All The Small Things
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Hollywood Charts
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1491288 By Blink 182. By Mark Hoppus, Tom DeLonge, and Travis Barker. Arranged by Hollywood Charts. Pop,Punk,Rock. Indiv...
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Solo Guitar - Level 2 - SKU: A0.1491288 By Blink 182. By Mark Hoppus, Tom DeLonge, and Travis Barker. Arranged by Hollywood Charts. Pop,Punk,Rock. Individual part. 5 pages. Hollywood Charts #1068026. Published by Hollywood Charts (A0.1491288). Unlock the infectious energy of Blink-182’s iconic hit All The Small Things with this meticulously crafted note-for-note guitar transcription. Perfectly suited for guitarists who read standard notation, this sheet music offers a faithful and detailed rendition of every riff, chord, and melodic line that made the song a pop-punk anthem. Whether you're a seasoned musician looking to expand your repertoire or a dedicated fan eager to bring this classic track to life on your instrument, this transcription ensures you capture the essence of the original recording with precision and flair. Ideal for performances, practice sessions, or simply enjoying the thrill of playing along to one of the most beloved songs of the early 2000s, this sheet music is an essential addition to any guitarist's collection.
$5.99
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