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CITHARE
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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AFRICAIN
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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difficulté (tous)
débutant
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intermédiaire
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avec vidéo
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Non classifié
1222
PIANO & CLAVIERS
Piano seul
284
Piano Facile
208
Piano, Voix
155
Piano, Voix et Guitare
121
Accordéon
24
Instruments en Do
23
Piano Trio: piano, violon, violoncelle
9
Orgue
6
Accompagnement Piano
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
1
Piano grosses notes
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
39
Guitare
36
Basse electrique
25
Ligne De Mélodie, (Paroles) et Accords
15
Paroles et Accords
5
Ukulele
4
4 Guitares (Quatuor)
4
2 Guitares (duo)
2
Banjo
2
Ensemble de guitares
2
Ensemble de Ukulélés
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
102
Chorale 3 parties
37
Voix Baryton, Piano
35
Voix Alto, Piano
27
Voix Soprano, Piano
24
Voix Tenor, Piano
23
Chorale TTBB
19
Chorale SSAA
19
Voix haute
14
Chorale 2 parties
12
Voix basse, Piano
12
Chorale Unison
11
Voix seule
7
Voix duo
6
Voix basse
4
Voix Tenor
4
Voix duo, Piano
4
Voix moyenne, Piano
1
Chorale
1
Chorale SSATTB
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
153
Quatuor de Saxophones: 4 saxophones
135
Clarinette
132
2 Flûte à bec (duo)
132
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
121
Clarinette et Piano
119
Hautbois, Piano (duo)
119
Flûte traversière et Piano
113
Quintette de Saxophone: 5 saxophones
110
Flûte traversière
107
Flûte, Hautbois, Clarinette, Basson
107
2 Flûtes traversières (duo)
85
Saxophone Alto
85
Saxophone Alto et Piano
82
Saxophone Tenor
79
Flûte irlandaise
78
2 Clarinettes (duo)
74
Saxophone Tenor et Piano
67
2 Hautbois (duo)
65
Hautbois
63
Hautbois, Clarinette (duo)
53
3 Saxophones (trio)
41
Flûte, Clarinette (duo)
36
Hautbois (partie séparée)
35
3 Clarinettes (trio)
35
Saxophone
25
Flûte, Hautbois (duo)
24
Flûte, Clarinette et Basson
24
Quatuor de Clarinettes: 4 clarinettes
22
Flûte à bec Soprano
21
Saxophone Soprano et Piano
15
Saxophone (partie séparée)
14
Ensemble de Clarinettes
11
Hautbois, Flûte
10
Quatuor de Flûtes : 4 flûtes
8
Saxophone Baryton
8
Saxophone Baryton, Piano
8
Saxophone Soprano
8
Ensemble de Flûtes
8
Cor anglais, Piano
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Basson (duo)
6
Saxophone, Clarinette (duo)
5
5 Flûtes à bec
5
Clarinette, Violon (duo)
5
Ensemble de saxophones
5
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Hautbois, Basson
3
Flûte, Violon
3
Quatuor de Flûtes à bec
3
Clarinette, Basson (duo)
3
Ocarina
3
Flûte à bec Alto
3
Flûte à bec Alto, Piano
3
Trio de Flûtes: 3 flûtes
2
Clarinette (partie séparée)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte et Guitare
2
Flûte à Bec
2
Hautbois, Basson et Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Saxophone (duo)
2
Flûte traversière, Orgue (duo)
1
2 Hautbois, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Trompette (duo)
1
Saxophone et Guitare
1
Instruments en Mib
1
Ensemble De Flûte à bec
1
Piccolo
1
Flûte à bec Soprano, Piano
1
Clarinette, Trompette (duo)
1
Harmonica
1
2 Clarinettes, Piano
1
3 Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Clarinette Basse, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Trompette, Piano
112
Trompette
106
Trombone
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
101
Cor
99
Cor et Piano
92
Trombone et Piano
83
Tuba et Piano
81
Tuba
73
2 Trompettes (duo)
68
2 Trombones (duo)
65
2 Cors (duo)
59
2 Tubas (duo)
52
Trompette, Trombone (duo)
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Trompette, Cor (duo)
17
Quatuor de Cuivres
8
Ensemble de Trompettes
7
Trompette (partie séparée)
7
Ensemble de Trombones
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
5
Cor (partie séparée)
5
Trombone (partie séparée)
4
Euphonium
4
Ensemble de Cors
3
Trompette, Saxophone (duo)
3
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Trio de Cuivres
2
3 Trombones (trio)
2
Trompette, Tuba (duo)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse
1
Instruments en Sib
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
205
Alto, Piano
140
Violon et Piano
138
Violon
130
Violoncelle
116
Violoncelle, Piano
115
Alto seul
94
2 Violons (duo)
85
Contre Basse
76
Quintette à cordes: 2 violons, alto, violoncelle, basse
75
2 Violoncelles (duo)
73
2 Altos (duo)
68
Violon, Violoncelle (duo)
66
Contrebasse, Piano (duo)
65
Violon, Alto (duo)
60
2 Contrebasses (duo)
50
Harpe
36
Trio à Cordes: 2 violons, violoncelle
26
Quintette à cordes : 2 violons, alto et 2 violoncelles
19
Trio à Cordes: violon, alto, violoncelle
15
Alto (partie séparée)
9
Violoncelle, Contrebasse (duo)
7
Violon (partie séparée)
5
Alto, Violoncelle (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
Piano Trio: Violon, Alto, Piano
3
2 Harpes (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Violoncelles, Piano
2
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
Alto et Basson
1
4 Harpes
1
Trio à cordes
1
2 Altos, Piano
1
Violon, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
99
Orchestre
57
Orchestre à Cordes
38
Ensemble de cuivres
27
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
23
Ensemble Jazz
22
Cloches
13
Jazz combo
10
Orchestre de chambre
9
Batterie
8
Ensemble de Percussions
3
Percussion (partie séparée)
3
Fanfare
3
Xylophone, Piano
2
Xylophone
1
Marimba, Piano (duo)
1
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
With or Without You
Guitare
Partitions à imprimer
36 partitions trouvées
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26
U2 : With or Without You (niveau intermédiaire, rhythm guitar 1)
Guitare
Téléchargez la tablature et la partition Guitare With or Without You (niveau…
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Téléchargez la tablature et la partition Guitare With or Without You (niveau intermédiaire, rhythm guitar 1) de U2. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
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Guitare
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U2
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With or Without You
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Tomplay
U2 : With or Without You (niveau intermédiaire, rhythm guitar 2)
Guitare
Téléchargez la tablature et la partition Guitare With or Without You (niveau…
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Téléchargez la tablature et la partition Guitare With or Without You (niveau intermédiaire, rhythm guitar 2) de U2. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
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Guitare
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U2
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With or Without You
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Tomplay
Song Without Words No. 1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.963093 Composed by Tim Brace. 20th…
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Solo Guitar - Level 3 - Digital Download SKU: A0.963093 Composed by Tim Brace. 20th Century,Concert,Contemporary,Standards. Individual part. 3 pages. Magnolia Arts #6013173. Published by Magnolia Arts (A0.963093). This is a very lyrical piece for solo guitar (classical/finger-style) written as a farewell to a friend. It has a wistful feel to it. Not sorrowful, but fondly and gently thinking of someone you will miss. Traditional harmonies and structure. Intermediate level. A nice concert or recital piece. Duration is 3'00 to 3'30.
$2.25
2.04 €
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Guitare
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Tim Brace
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Song Without Words No. 1
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Magnolia Arts
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SheetMusicPlus
Sweet Caroline
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamon…
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Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 55 pages. DanJonesGuitarist #811570. Published by DanJonesGuitarist (A0.1214983). Sweet Caroline - by Neil DiamondArranged for Guitar Quartet (with Optional Bass Guitar) by Dan Joneswww.danjonesguitarist.comThis arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.Sweet Caroline was released as a single by Neil Diamond in 1969. It enjoyed immediate chart success in the US, and further success in the UK in 1971. In recent years, it has had a resurgence in popularity, as it has been sung by supporters at sporting events due to its epic, stadium-rock quality. It is therefore much-known and loved by audiences of all generations.This arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.For a wealth of arrangements for guitar in ensemble or solo, writings, original works, teaching material, compositions and much more, please visit www.danjonesguitarist.com
$7.95
7.22 €
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Guitare
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Neil Diamond
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Dan Jones www
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Sweet Caroline
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DanJonesGuitarist
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SheetMusicPlus
Ain't Always The Cowboy
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney…
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Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
4.53 €
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Guitare
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Jon Pardi
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Kyle Pudenz
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Ain't Always The Cowboy
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ViolinVagabond Music
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SheetMusicPlus
With Or Without You
Guitare
By U2. Pop; Rock. Easy Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music
By U2. Pop; Rock. Easy Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.71 €
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Guitare
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U2
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Rock
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With Or Without You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
With Or Without You
Guitare
By U2. For easy guitar. Pop; Rock. 3 pages. Published by Hal Leonard - Digital Sheet Music…
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By U2. For easy guitar. Pop; Rock. 3 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.71 €
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Guitare
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U2
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Rock
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With Or Without You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
U2: With Or Without You - guitar solo
Guitare
Instantly printable sheet music by U2 for guitar solo of MEDIUM skill level. / pop,rock,st…
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Instantly printable sheet music by U2 for guitar solo of MEDIUM skill level. / pop,rock,standards
$6.97
6.33 €
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Guitare
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U2
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Virtualsheetmusic
U2: With Or Without You - guitar solo
Guitare
Instantly printable sheet music by U2 for guitar solo of MEDIUM skill level. / pop,rock,st…
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Instantly printable sheet music by U2 for guitar solo of MEDIUM skill level. / pop,rock,standards
$6.97
6.33 €
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Guitare
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U2
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Virtualsheetmusic
U2: With Or Without You for guitar
Guitare
Instantly printable sheet music by U2 for guitar solo (chords) of EASY skill level. / pop,…
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Instantly printable sheet music by U2 for guitar solo (chords) of EASY skill level. / pop,rock,children
$4.97
4.51 €
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Guitare
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U2
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Virtualsheetmusic
With Or Without You
Guitare
By U2. Pop, Rock. GTLSHT. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.4042…
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By U2. Pop, Rock. GTLSHT. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.404263). - GTLSHT - Pop,Rock - Hal Leonard - Digital Sheet Music
$2.99
2.71 €
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Guitare
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U2
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With Or Without You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart H…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. Individual part. 3 pages. Fernando Neves #895115. Published by Fernando Neves (A0.1305660). “Fly Me to the Moonâ€, originally titled “In Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatra’s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatra’s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this enchanting melody being interpreted through fingerstyle guitar. The intricate fingerpicking technique could beautifully express the nuances of this timeless tune.Whether you’re a seasoned musician or a beginner, playing “Fly Me to the Moon†on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains score with and without tablature and also includes chords and fingering. 3 pages.
$19.97
18.13 €
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Guitare
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Tony Bennett
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FERNANDO LUIZ NEVES
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Fly Me To The Moon
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Fernando Neves
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SheetMusicPlus
Banjo Picking Tunes - Beautiful American Airs & Ballads
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and …
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Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy û O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
13.61 €
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Guitare
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Banjo Picking Tunes - Beautiful American Airs & Ballads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Cesarica
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1217653 By Oliver Dragojevic. By Z…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1217653 By Oliver Dragojevic. By Zlatan Stipisic Gibboni. Arranged by Viktoriia Kulykovska. 20th Century,Pop. Individual part. 4 pages. Viktoriia Kulykovska #814202. Published by Viktoriia Kulykovska (A0.1217653). Arrangement for solo guitar of the famous hit in Croatia Cesarica. You can either play the whole composition with an intro (this is a more difficult level) or without an intro (medium difficulty level).
$5.00
4.54 €
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Guitare
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Oliver Dragojevic
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Viktoriia Kulykovska
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Cesarica
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Viktoriia Kulykovska
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SheetMusicPlus
Guitar Tutor eBoox - Level 2 (Debut)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.936705 Composed by Alison Jackson,…
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Solo Guitar - Level 1 - Digital Download SKU: A0.936705 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 21 pages. Jonathan Eno #6077325. Published by Jonathan Eno (A0.936705). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
9.07 €
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Guitare
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Alison Jackson, Jonathan Eno BEM
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Guitar Tutor eBoox - Level 2
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Jonathan Eno
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SheetMusicPlus
Guitar Tutor eBoox - Level 4 (Debut)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.936703 Composed by Alison Jackson …
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Solo Guitar - Level 2 - Digital Download SKU: A0.936703 Composed by Alison Jackson & Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077329. Published by Jonathan Eno (A0.936703). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
9.07 €
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Guitare
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Alison Jackson & Jonathan Eno BEM
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Guitar Tutor eBoox - Level 4
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Jonathan Eno
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SheetMusicPlus
Guitar Tutor eBoox - Level 3 (Debut)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.936704 Composed by Alison Jackson,…
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Solo Guitar - Level 2 - Digital Download SKU: A0.936704 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077327. Published by Jonathan Eno (A0.936704). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument orâ?¦ even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Donâ??t Stop Me Now â?? QueenHold My Hand â?? Jess GlynneSuper Mario Theme â?? Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
9.07 €
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Guitare
#
Alison Jackson, Jonathan Eno BEM
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Guitar Tutor eBoox - Level 3
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Jonathan Eno
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.35 €
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Guitare
#
Richard Strauss
#
Rod Whittle
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for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.35 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.35 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.35 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Ode to Jane
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1408004 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1408004 By The Candlelight Guitarist. By Bradley Powell. Classical,Contemporary,Folk,Jazz,New Age. Individual part. 5 pages. Geofonica Artistworks #990570. Published by Geofonica Artistworks (A0.1408004). Ode to Jane is an intermediate level classical guitar solo, composed by Bradley Powell, in honor of Dame Jane Goodall's 90th birthday celebration (4/3/24). Jane Goodall is a world-famous primatologist and anthropologist, considered the world's foremost expert on chimpanzees. She has changed the world with her studies, and continues to do so with environmental and educational activism. Brad Powell met Ms. Goodall in the early 1990s, and has composed this piece in her honor. It is a relaxing waltz style, using intermediate-level classical guitar technique, with both folk and modern jazz guitar chord voicings. This is in STANDARD NOTATION (without TAB). (A version that includes TAB will be available separately, very soon.)ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$3.99
3.62 €
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Guitare
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The Candlelight Guitarist
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Ode to Jane
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Geofonica Artistworks
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.62 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
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