English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Without Me
Non classifié
205
Piano & claviers
Piano seul
157
Piano, Voix et Guitare
45
Piano, Voix
43
Piano Facile
39
Orgue
22
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Basse electrique
286
Guitare
17
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
3
Ukulele
3
Piano, Guitare (duo)
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
74
Chorale 3 parties
14
Chorale TTBB
8
Chorale SSAA
7
Chorale Unison
6
Voix Soprano, Piano
3
Voix duo
3
Voix Baryton, Piano
2
Chorale 2 parties
2
Chorale SSATTB
1
Chorale SSAB a cappella
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix basse
1
Voix Tenor
1
Voix Tenor, Piano
1
Voix Soprano
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
17
Hautbois, Piano (duo)
13
Flûte traversière
11
Clarinette
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Clarinette et Piano
10
2 Flûte à bec (duo)
10
Saxophone Alto et Piano
8
Saxophone Tenor et Piano
8
2 Saxophones (duo)
8
Flûte, Hautbois, Clarinette, Basson
7
Flûte traversière et Piano
7
Saxophone Tenor
7
Saxophone Alto
7
Hautbois
6
3 Clarinettes (trio)
6
2 Hautbois (duo)
4
2 Clarinettes (duo)
4
Quintette de Saxophone: 5 saxophones
4
2 Flûtes traversières (duo)
4
Quatuor de Clarinettes: 4 clarinettes
3
Ensemble de saxophones
3
3 Saxophones (trio)
2
Flûte, Clarinette (duo)
2
Flûte irlandaise
2
Flûte à bec Soprano
2
Flûte à bec Tenor
2
Saxophone Baryton, Piano
2
Hautbois, Clarinette (duo)
2
Saxophone Soprano
2
Flûte et Guitare
2
Flûte à bec Alto
2
Saxophone (partie séparée)
1
5 Flûtes à bec
1
Saxophone
1
Ensemble de Clarinettes
1
Flûte à bec Soprano, Piano
1
Saxophone Soprano et Piano
1
Saxophone et Orgue
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Piano
1
Hautbois (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de cuivres: 4 trombones
12
Trompette, Piano
12
Trompette
11
Trombone
10
Tuba et Piano
8
Trombone et Piano
8
Cor et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
6
Tuba
6
2 Trompettes (duo)
4
2 Trombones (duo)
4
2 Tubas (duo)
4
2 Cors (duo)
4
Quatuor de Cuivres
3
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trombones (trio)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon
17
Violoncelle
11
Alto seul
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Alto, Piano
10
Violon et Piano
10
Violoncelle, Piano
10
Violon, Violoncelle (duo)
9
2 Violons (duo)
7
Contre Basse
6
Trio à Cordes: violon, alto, violoncelle
6
2 Altos (duo)
5
2 Violoncelles (duo)
5
2 Contrebasses (duo)
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Harpe
3
Alto, Guitare (duo)
3
Violon, Alto (duo)
2
4 Violoncelles
1
Alto (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Violon, Guitare (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
24
Orchestre à Cordes
22
Orchestre
21
Ensemble Jazz
12
Ensemble de cuivres
7
Orchestre de chambre
6
Batterie
4
Jazz combo
3
Cloches
3
Ensemble de Percussions
2
Piano et Orchestre
1
+ 6 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
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MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Without Me
Guitare
Partitions à imprimer
17 partitions trouvées
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1
Without Me
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1438437 By Halsey. By Amy Allen, A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438437 By Halsey. By Amy Allen, Ashley Frangipane, Brittany Amaradio, Carl Rosen, Justin Timberlake, Louis Bell, Scott Storch, and Timothy Mosely. Arranged by Chris Richter. Pop. Individual part. 4 pages. Chris Richter #1018455. Published by Chris Richter (A0.1438437). Halsey's Without Me arranged for solo fingerstyle guitar.
$7.99
7.37 €
#
Guitare
#
Halsey
#
Chris Richter
#
Without Me
#
Chris Richter
#
SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart H…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. Individual part. 3 pages. Fernando Neves #895115. Published by Fernando Neves (A0.1305660). “Fly Me to the Moonâ€, originally titled “In Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatra’s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatra’s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this enchanting melody being interpreted through fingerstyle guitar. The intricate fingerpicking technique could beautifully express the nuances of this timeless tune.Whether you’re a seasoned musician or a beginner, playing “Fly Me to the Moon†on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains score with and without tablature and also includes chords and fingering. 3 pages.
$19.97
18.41 €
#
Guitare
#
Tony Bennett
#
FERNANDO LUIZ NEVES
#
Fly Me To The Moon
#
Fernando Neves
#
SheetMusicPlus
(Without You) What Do I Do With Me
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1413576 By Tanya Tucker. This editi…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1413576 By Tanya Tucker. This edition: scorch. Country. Score. 2 pages. Hal Leonard - Digital #944785. Published by Hal Leonard - Digital (HX.1413576).
$2.99
2.76 €
#
Guitare
#
Tanya Tucker
#
(Without You) What Do I Do With Me
#
Hal Leonard - Digital
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Guitar Tutor eBoox - Level 2 (Debut)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.936705 Composed by Alison Jackson,…
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Solo Guitar - Level 1 - Digital Download SKU: A0.936705 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 21 pages. Jonathan Eno #6077325. Published by Jonathan Eno (A0.936705). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
9.21 €
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Guitare
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Alison Jackson, Jonathan Eno BEM
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Guitar Tutor eBoox - Level 2
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Jonathan Eno
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SheetMusicPlus
Crazy Little Thing Called Love
Guitare
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1269176 By Queen. By Fred…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1269176 By Queen. By Freddie Mercury. Arranged by Igor Sardi Bass. Pop,Rock. Score. 3 pages. Igor Sardi Bass #861713. Published by Igor Sardi Bass (A0.1269176). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy        Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti  -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$7.99
7.37 €
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Guitare
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Queen
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Igor Sardi Bass
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2) - https://www
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Crazy Little Thing Called Love
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Igor Sardi Bass
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SheetMusicPlus
A good conversation
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1028355 Composed by Thomas Koppela…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1028355 Composed by Thomas Koppelaar. Concert,Contemporary,Instructional. Individual part. 3 pages. Thomas Koppelaar #3481553. Published by Thomas Koppelaar (A0.1028355). This piece of guitarmusic level 2-3 resembles the talking of people together or is it just a monologue ? ;-)) and has been composed by me already in 2007. I compose very accessble music without any cliché!
$1.99
1.83 €
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Guitare
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Thomas Koppelaar
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A good conversation
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Thomas Koppelaar
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SheetMusicPlus
Guitar Tutor eBoox - Level 4 (Debut)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.936703 Composed by Alison Jackson …
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Solo Guitar - Level 2 - Digital Download SKU: A0.936703 Composed by Alison Jackson & Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077329. Published by Jonathan Eno (A0.936703). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
9.21 €
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Guitare
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Alison Jackson & Jonathan Eno BEM
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Guitar Tutor eBoox - Level 4
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Jonathan Eno
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SheetMusicPlus
Guitar Tutor eBoox - Level 3 (Debut)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.936704 Composed by Alison Jackson,…
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Solo Guitar - Level 2 - Digital Download SKU: A0.936704 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077327. Published by Jonathan Eno (A0.936704). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument orâ?¦ even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Donâ??t Stop Me Now â?? QueenHold My Hand â?? Jess GlynneSuper Mario Theme â?? Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
9.21 €
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Guitare
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Alison Jackson, Jonathan Eno BEM
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Guitar Tutor eBoox - Level 3
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Jonathan Eno
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SheetMusicPlus
The Guitar Études
Guitare
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and…
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
Études for Solo Guitar<br> The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.<br> <br> <br> These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.<br> I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.<br> Titles:<br> <br> 1 with false optimism<br> <br> 2 with moderate sadness<br> <br> 3 with just the two of you<br> <br> 4 with a touch of impatience<br> <br> 5 with a touch of grandeur<br> <br> 6 with a counterpoint attitude<br> <br> 7 with a touch of shame<br> <br> 8 with a touch of boredom<br> <br> 9 going and never coming back<br> <br> 10 with a peaceful anger<br> <br> 11 without the heavy ones<br> <br> 12 without hope<br> <br> 13 without sense of humor<br> <br> 14 with a masculine attitude<br> <br> 15 with two little bears in mind<br> <br> 16 without hesitation<br> <br> 17 with shameless vibrato<br> <br> 18 with a touch of distress<br> <br> 19 without fear of failure<br> <br> 20 with this and that<br> <br> 21 with a kind motion<br> <br> 22 with a rondo attitude<br> <br> 23 with suspense<br> <br> 24 with everything you may haveÉtudes for Solo Guitar<br> The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.<br> <br> <br> These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.<br> I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.<br> Titles:<br> <br> 1 with false optimism<br> <br> 2 with moderate sadness<br> <br> 3 with just the two of you<br> <br> 4 with a touch of impatience<br> <br> 5 with a touch of grandeur<br> <br> 6 with a counterpoint attitude<br> <br> 7 with a touch of shame<br> <br> 8 with a touch of boredom<br> <br> 9 going and never coming back<br> <br> 10 with a peaceful anger<br> <br> 11 without the heavy ones<br> <br> 12 without hope<br> <br> 13 without sense of humor<br> <br> 14 with a masculine attitude<br> <br> 15 with two little bears in mind<br> <br> 16 without hesitation<br> <br> 17 with shameless vibrato<br> <br> 18 with a touch of distress<br> <br> 19 without fear of failure<br> <br> 20 with this and that<br> <br> 21 with a kind motion<br> <br> 22 with a rondo attitude<br> <br> 23 with suspense<br> <br> 24 with everything you may have
$22.00
20.28 €
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Guitare
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Apostolos Paraskevas
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The Guitar Études
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Silver Sickle Publications
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SheetMusicPlus
Music of Jorge Morel
Guitare
Composed by Jorge Morel. E-book. 36 pages. Published by Mel Bay Publications - Digital She…
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Composed by Jorge Morel. E-book. 36 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30399EB). - E-book - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619114265. These compositions, like most of my music, are of Latin American roots, rhythms and melodies. However, the harmonies always have a jazz influence without losing that Latin flavor. Four of the five pieces in this book are dedications, except Lullaby of Love. I would say I wrote it for myself, and it is the only piece recorded by me on my CD Latin Dialog, released by Luthier Music. My hope with this music is to bring more guitarists closer to the Latin American literature for the guitar that is still much in need of recognition.- Jorge Morel.ISBN 9781619114265. These compositions, like most of my music, are of Latin American roots, rhythms and melodies. However, the harmonies always have a jazz influence without losing that Latin flavor. Four of the five pieces in this book are dedications, except Lullaby of Love. I would say I wrote it for myself, and it is the only piece recorded by me on my CD Latin Dialog, released by Luthier Music. My hope with this music is to bring more guitarists closer to the Latin American literature for the guitar that is still much in need of recognition.- Jorge Morel.
$9.99
9.21 €
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Guitare
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Jorge Morel
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Music of Jorge Morel
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hallelujah (Notation ONLY)
Guitare
Guitar - Intermediate - Digital Download By Leonard Cohen. Arranged by Nicolas Kyriak…
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Guitar - Intermediate - Digital Download By Leonard Cohen. Arranged by Nicolas Kyriakou. Score, Sheet Music Single, Solo Part. 2 pages. Published by Nicolas Kyriakou
This arrangement is for classical guitar in standard notation WITHOUT TABS! It is for those of you who are comfortable reading music and don´t like to have so many pages on their music stand..;)<br> You will have to tune the 6th String down to D and the 5th String down to G. That´s it!!<br> You can also find a the same version of this arrangement with TABS on sheetmusicplus. Please let me know if you have any questions. I would be glad to help you out! Here is my E-mail: info@nikymusic.comThis arrangement is for classical guitar in standard notation WITHOUT TABS! It is for those of you who are comfortable reading music and don´t like to have so many pages on their music stand..;)<br> You will have to tune the 6th String down to D and the 5th String down to G. That´s it!!<br> You can also find a the same version of this arrangement with TABS on sheetmusicplus. Please let me know if you have any questions. I would be glad to help you out! Here is my E-mail: info@nikymusic.com
$4.99
4.6 €
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Guitare
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Leonard Cohen
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Nicolas Kyriakou
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Hallelujah
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Nicolas Kyriakou
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure. There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.83 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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SheetMusicPlus
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