English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Worth It
Sheetmusicplus
Non classifié
249
Piano & claviers
Piano seul
194
Instruments en Do
193
Piano, Voix et Guitare
89
Piano Facile
43
Piano, Voix
31
Orgue
16
Clavecin
10
1 Piano, 4 mains
6
Piano (partie séparée)
6
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
41
Guitare notes et tablatures
21
Guitare (partie séparée)
13
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
8
Paroles et Accords
7
Basse electrique
3
4 Guitares (Quatuor)
3
+ 3 instrumentations
Retracter
Voix
Chorale SATB
115
Chorale 3 parties
23
Chorale SSAA
15
Chorale 2 parties
9
Chorale TTBB
8
Chorale Unison
6
Voix duo
2
Voix duo, Piano
2
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix haute
1
Voix Tenor, Piano
1
Pack Instrumental pour Chorale
1
Voix Alto, Piano
1
+ 9 instrumentations
Retracter
Vents
Saxophone (partie séparée)
32
Quatuor de Saxophones: 4 saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flûte traversière et Piano
16
Quintette de Saxophone: 5 saxophones
16
Flûte, Hautbois, Clarinette, Basson
15
Flûte traversière
8
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette et Piano
8
Hautbois, Piano (duo)
8
Clarinette
8
Quatuor de Flûtes : 4 flûtes
7
Saxophone Tenor
7
Saxophone Tenor et Piano
6
Saxophone Alto et Piano
6
2 Saxophones (duo)
5
Saxophone Alto
5
3 Clarinettes (trio)
4
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
4
Hautbois (partie séparée)
3
2 Clarinettes (duo)
3
Ensemble de saxophones
3
Ensemble de Clarinettes
3
Flute (partie séparée)
3
2 Flûtes traversières (duo)
3
Saxophone, Clarinette (duo)
2
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
Quatuor de Flûtes à bec
2
Quintette de Clarinettes: 5 clarinettes
1
3 Saxophones (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois (duo)
1
Flûte à Bec
1
Trio de Flûtes: 3 flûtes
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Clarinette, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Ensemble de Flûtes
1
Cor anglais, Piano
1
Flûte et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette (partie séparée)
1
Hautbois, Basson (duo)
1
Clarinette, Violon (duo)
1
+ 45 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trompette (partie séparée)
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de Cuivres
8
Trompette
8
Tuba et Piano
7
Ensemble de Trombones
5
Ensemble de Trompettes
5
Trompette, Piano
4
Cor
4
Cor (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor et Piano
3
Trombone et Piano
3
Tuba
2
Euphonium, Piano (duo)
2
2 Cors (duo)
2
2 Trombones (duo)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Trombone
2
3 Trombones (trio)
1
Cor anglais, Piano
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Trombone basse
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon
10
Violon, Violoncelle (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: violon, alto, violoncelle
9
Violon et Piano
9
Violoncelle, Piano
8
Contrebasse (partie séparée)
8
Harpe
6
Alto, Piano
6
Violoncelle
6
Alto seul
5
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
3
Contre Basse
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
2 Violons (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
1
Trio à cordes
1
2 Violons, Piano
1
2 Altos (duo)
1
2 Harpes (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Jazz combo
300
Ensemble Jazz
31
Orchestre d'harmonie
31
Orchestre
18
Ensemble de cuivres
14
Orchestre à Cordes
13
Orchestre de chambre
9
Batterie (partie séparée)
7
Cloches
6
Fanfare
4
Ensemble de Percussions
2
Batterie
1
Percussion
1
+ 8 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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JEUX VIDEOS
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Partitions à imprimer
41 partitions trouvées
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1
26
Go, Tell It on the Mountain (For Fingerstyle Guitar Tuned CGDGAD)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.806144 Composed by Public Domain. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.806144 Composed by Public Domain. Arranged by Ellsworth McMeen. Christian,Christmas,Folk,Spiritual. Individual part. 4 pages. Ellsworth McMeen #4349005. Published by Ellsworth McMeen (A0.806144). Lively fingerstyle guitar arrangement of a beloved Christian spiritual in CGDGAD tuning. El McMeen is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsThis tune is on El's recording called The Spirit of Christmas Guitar.
$4.99
4.58 €
#
Guitare
#
Public Domain
#
Ellsworth McMeen
#
Go, Tell It on the Mountain
#
Ellsworth McMeen
#
SheetMusicPlus
Go, Tell It on the Mountain (For Fingerstyle Guitar Tuned Drop D)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.806195 Composed by Public Domain. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.806195 Composed by Public Domain. Arranged by Ellsworth McMeen. Christian,Folk,Spiritual. Individual part. 4 pages. Ellsworth McMeen #4352271. Published by Ellsworth McMeen (A0.806195). Lively fingerstyle guitar arrangement of a beloved Christian spiritual in Drop D tuning (DADGBE). El McMeen is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsThis tune (in CGDGAD tuning) is on El's recording called The Spirit of Christmas Guitar..
$3.99
3.66 €
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Guitare
#
Public Domain
#
Ellsworth McMeen
#
Go, Tell It on the Mountain
#
Ellsworth McMeen
#
SheetMusicPlus
For What It's Worth
Guitare
Solo Guitar - Digital Download SKU: A0.1333471 Arranged by Tunescribers. Rock. Indi…
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Solo Guitar - Digital Download SKU: A0.1333471 Arranged by Tunescribers. Rock. Individual part. 6 pages. ArrangeMe #52340. Published by ArrangeMe (A0.1333471).
$9.95
9.13 €
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Guitare
#
Tunescribers
#
For What It's Worth
#
ArrangeMe
#
SheetMusicPlus
Jesu Joy Of Man's Desiring BWV 147
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Ba…
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Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
6.41 €
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Guitare
#
Johann Sebastian Bach
#
Simon James
#
Jesu Joy Of Man's Desiring BWV 147
#
DML
#
SheetMusicPlus
Saman
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1265842 Composed by Olafur Arnalds…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1265842 Composed by Olafur Arnalds. Arranged by Steve Gibb. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 4 pages. Steve Gibb #858597. Published by Steve Gibb (A0.1265842). My new arrangement of Olafur Arnald's mesmerizing and evocative piano piece from his 2018 album Re:member.The arrangement includes the guitar tablature and the while the suggested fingering makes it a little more challenging, the effort is well worth it as it retains the overall feeling of the original piano work. A great little encore piece which can be played on classical guitar or acoustic guitar.
$5.99
5.5 €
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Guitare
#
Olafur Arnalds
#
Steve Gibb
#
Saman
#
Steve Gibb
#
SheetMusicPlus
Jesu Joy of Man's Desiring
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.951422 Composed by Johann Sebastia…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.951422 Composed by Johann Sebastian Bach. Arranged by Andrew Howes. Baroque,Standards. Individual part. 5 pages. Andrew Howes #6215701. Published by Andrew Howes (A0.951422). Advanced solo version for classical guitar, including the chorale. Testing but worth it!
$6.00
5.51 €
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Guitare
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Johann Sebastian Bach
#
Andrew Howes
#
Jesu Joy of Man's Desiring
#
Andrew Howes
#
SheetMusicPlus
Song Tune for Guitar from King Arthur
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.836019 Composed by Henry Purcell. …
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Solo Guitar - Level 2 - Digital Download SKU: A0.836019 Composed by Henry Purcell. Arranged by Joshua Jun S. Kim. Baroque,Concert. Individual part. 2 pages. Joshua S. Kim #3225757. Published by Joshua S. Kim (A0.836019). King Arthur is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. Also called The British Worthy, it was first performed at the Queen's Theatre in London, in late spring 1691.This arrangement for classical guitar has been made from the original music score for strings. It contains guitar fingerings for intemediate-level players.
$1.99
1.83 €
#
Guitare
#
Henry Purcell
#
Joshua Jun S
#
Song Tune for Guitar from King Arthur
#
Joshua S. Kim
#
SheetMusicPlus
Air for Guitar from King Arthur
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.835971 Composed by Henry Purcell. …
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.835971 Composed by Henry Purcell. Arranged by Joshua Kim. Baroque,World. Individual part. 1 pages. Joshua S. Kim #3066369. Published by Joshua S. Kim (A0.835971). King Arthur is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. Also called The British Worthy, it was first performed at the Queen's Theatre in London, in late spring 1691.This arrangement for classical guitar is made from the original music score for strings.
$1.99
1.83 €
#
Guitare
#
Henry Purcell
#
Joshua Kim
#
Air for Guitar from King Arthur
#
Joshua S. Kim
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.42 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.42 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.42 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.42 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Rumores de la Caleta
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 3 pages. Nick Mordal #917541. Published by Nick Mordal (A0.1329558). This brilliantly rhythmic piano piece by Albéniz has been transposed up a fifth for guitar. Albéniz wrote this music with the percussion of a guitar in mind. Like another famous Albéniz guitar transcription, Asturias (Leyenda), it fits very nicely on the classical guitar. It is fairly difficult with some quick position shifts and is worth putting time into. Its' sound is a mix between classical and flamenco guitar. This piece has been done by several classical guitarists like Christopher Parkening, and this is my take on it. It features two contrasting sections. The A section is harsh, percussive and very Spanish. The B section is a melodically driven change of pace, before it finishes in a repeat of the A section.
$5.00
4.59 €
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Guitare
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Isaac Albeniz
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Nick Mordal
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Rumores de la Caleta
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Nick Mordal
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SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.51 €
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Guitare
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Johann Sebastian Bach
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Aleksander Wilgos
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J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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SheetMusicPlus
Suite for Guitar No. 1 Op. 25 (1/2) Tablatur
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1201762 By Fabio Henrique Teles Ma…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 13 pages. Fabio Dentello #800379. Published by Fabio Dentello (A0.1201762). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00
18.35 €
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Guitare
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Suite for Guitar No. 1 Op. 25 (1/2) (Partitur +Tablatur)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1201763 By Fabio Henrique Teles Ma…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 23 pages. Fabio Dentello #800380. Published by Fabio Dentello (A0.1201763). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$30.00
27.53 €
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Guitare
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Suite for Guitar No. 1 Op. 25 (1/2) Partitur
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1201759 By Fabio Henrique Teles Ma…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 10 pages. Fabio Dentello #800376. Published by Fabio Dentello (A0.1201759). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00
18.35 €
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Guitare
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Larghetto
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1349051 By Wolfgang Amadeus Mozart…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1349051 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Nick Mordal. Classical,Historic,Traditional. Individual part. 6 pages. Nick Mordal #933789. Published by Nick Mordal (A0.1349051). This is a combined piano and orchestra guitar solo piece. It is a very full arrangement and captures the entire movement on solo guitar. The difficulty is Advanced, and it is worth learning for performance as well as building skills in barre, arpeggio and scale techniques.
$12.50
11.47 €
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Guitare
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Wolfgang Amadeus Mozart
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Nick Mordal
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Larghetto
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Nick Mordal
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SheetMusicPlus
Vals Venezolano No.2 'Andreina' for Spanish Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1442768 By Keith Terrett. By Anton…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1442768 By Keith Terrett. By Antonio Lauro Edited Keith Terrett. Arranged by Keith Terrett. Classical,Contemporary,Instructional,Latin,Multicultural,World. Individual part. 4 pages. Keith Terrett #1022744. Published by Keith Terrett (A0.1442768). Vals Venezolano No. 2 or 'Andreina' as it is also known belongs to a set of waltzes composed by the Venezuelan classical guitarist & composer extraordinaire Antonio Lauro. This particular piece belongs to a collection of his waltzes known rather unimaginatively as 'Quattro Vals Venezolanos' or 'Four Venezuelan Waltzes' probably named by the original publisher.Antonio Lauro (August 3, 1917 – April 18, 1986) was a Venezuelan musician, considered to be one of the foremost South American composers for the guitar in the 20th century.The works of Antonio Lauro have long been very popular with guitarists worldwide, yet there have been few recordings devoted exclusively to him. However, several recordings by Adam Holzman, John Williams (guitarist) and David Russell have been issued. John Williams is quoted as having referred to Antonio Lauro as being the Strauss of the guitar. Another recording worth mentioning, A Tribute to Antonio Lauro by Thomas Cronin (guitarist), recorded initially for Irish National Radio on the RTE label, gained great appeal with Venezuelans worldwide.Additionally, Lauro's masterpieces have been the core of studies, workshops and Masters in universities all around the World.
$1.99
1.83 €
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Guitare
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Keith Terrett
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Keith Terrett
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Vals Venezolano No.2 'Andreina' for Spanish Classical Guitar
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Keith Terrett
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SheetMusicPlus
Guitarra #1 (Testing the system)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1027667 Composed by Mario Curtis. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1027667 Composed by Mario Curtis. Instructional. Individual part. 1 pages. Mario Curtis #2846053. Published by Mario Curtis (A0.1027667). This short piece is meant to test SMP Press system. When I have discovered how easy it is (or not) I intend to compose some items worth purchasing.
$1.99
1.83 €
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Guitare
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Mario Curtis
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Guitarra #1
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Mario Curtis
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SheetMusicPlus
Don't Fear The Reaper
Guitare
Solo Guitar - Digital Download SKU: A0.499437 By Blue Oyster Cult. By Donald Roeser…
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Solo Guitar - Digital Download SKU: A0.499437 By Blue Oyster Cult. By Donald Roeser. Arranged by Alan Anunciação. 20th Century,Classical,Holiday,Multicultural,Rock,World. Individual part. 5 pages. Published by Alan Anunciação (A0.499437). Fingerstyle from this great prog rock song, it's worth checking how the solo was condensed in this version. Have fun, and happy halloween, come on, don't fear this arrangement.
$5.49
5.04 €
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Guitare
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Blue Oyster Cult
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Alan Anunciação
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Don't Fear The Reaper
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Alan Anunciação
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SheetMusicPlus
Liebestraum No. 3 - Guitar
Guitare
Guitar - Digital Download SKU: A0.1068516 Composed by Franz Listz. Arranged by John…
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Guitar - Digital Download SKU: A0.1068516 Composed by Franz Listz. Arranged by John Murphy. Romantic Period. Full Performance. Duration 76. John Murphy #3374733. Published by John Murphy (A0.1068516). Liebestraum No. 3 by Listz is a great romantic mood piece arranged for solo guitar. Notes and tab are included. It starts off easy but some sections require an intermediate level guitar technique. Well worth the effort to learn this amazing piece by a master composer such as Listz. Unique piece fingerstyle piece for solo guitar! You don't need to read music. The tab version shows exactly where to find the notes on the guitar.
$3.99
3.66 €
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Guitare
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Franz Listz
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John Murphy
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Liebestraum No. 3 - Guitar
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John Murphy
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SheetMusicPlus
Don't Fear The Reaper
Guitare
Solo Guitar - Digital Download SKU: A0.499424 By Blue Oyster Cult. By Donald Roeser…
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Solo Guitar - Digital Download SKU: A0.499424 By Blue Oyster Cult. By Donald Roeser. Arranged by Alan Anunciação. 20th Century,Contemporary,Multicultural,Rock,World. Individual part. 5 pages. Published by Alan Anunciação (A0.499424). Fingerstyle from this great prog rock song, it's worth checking how the solo was condensed in this version. Have fun, and happy halloween, come on, don't fear this arrangement.
$5.49
5.04 €
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Guitare
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Blue Oyster Cult
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Alan Anunciação
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Don't Fear The Reaper
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Alan Anunciação
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SheetMusicPlus
Bach's Harp (from The Well Tempered Guitarist)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.943124 Composed by Tim Rushworth. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.943124 Composed by Tim Rushworth. Baroque,Concert,Contemporary. Individual part. 3 pages. Tim Rushworth #5208959. Published by Tim Rushworth (A0.943124). Have you ever been frustrated by trying to play Bach’s Prelude in C (from the well tempered clavier) on the guitar? As he wrote it for keyboard, it’s not surprising that it doesn’t quite work, I suppose. Well, after many years of wanting to play it on my guitar, I have realised that unless I learn to play the lute or get a 10 string guitar, it’s not going to happen. The keyboard version is so beautiful that it doesn’t need any alteration, but I have always felt that it should work on guitar, somehow or other.
$4.99
4.58 €
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Guitare
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Tim Rushworth
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Bach's Harp
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Tim Rushworth
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SheetMusicPlus
Le Mans (For Fingerstyle Guitar Tuned Modified Std. Tuning, with F in the Bass)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.806222 Composed by Ellsworth McMee…
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Solo Guitar - Level 4 - Digital Download SKU: A0.806222 Composed by Ellsworth McMeen. Folk. Individual part. 9 pages. Ellsworth McMeen #4356197. Published by Ellsworth McMeen (A0.806222). El McMeen's First-Prize winning instrumental tune in the 6th Annual International Acoustic Music Awards competition, and among Digitaldreamdoor's top 100 greatest acoustic guitar instrumentals of all time (https://digitaldreamdoor.com/pages/best_songs-acoustic.html) . El has taken the original and arranged it in a more standard guitar tuning (with the bass E string tuned up a half-step to F).El is included in the Digitaldreamdoor listingof the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsLe Mans was recorded (in CGDGAD tuning) on El's CD called Breakout.El's website: http://www.elmcmeen.com
$6.99
6.41 €
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Guitare
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Ellsworth McMeen
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Le Mans
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Ellsworth McMeen
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SheetMusicPlus
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