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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
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bass voices.
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Piano & claviers
Instruments en Do
94
Piano seul
47
Piano, Voix
22
Piano, Voix et Guitare
14
Piano Facile
11
Orgue
6
1 Piano, 4 mains
5
Accompagnement Piano
3
Accordéon
2
Orgue, Piano (duo)
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
14
Ligne De Mélodie, (Paroles) et Accords
8
Guitare
5
Basse electrique
4
4 Guitares (Quatuor)
1
Ukulele
1
2 Guitares (duo)
1
+ 2 instrumentations
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Voix
Chorale 2 parties
1 210
Chorale SATB
383
Chorale 3 parties
164
Chorale TTBB
150
Chorale SSAA
97
Chorale Unison
28
Voix duo
8
Voix Soprano, Piano
7
Voix duo, Piano
7
Pack Instrumental pour Chorale
6
Voix basse, Piano
5
Chorale SSAATTBB
2
Voix basse
1
Voix, Guitare
1
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix seule
1
+ 13 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Flûte, Hautbois, Clarinette, Basson
79
Quintette de Saxophone: 5 saxophones
33
Ensemble de Clarinettes
31
Quatuor de Clarinettes: 4 clarinettes
28
Quintette de Clarinettes: 5 clarinettes
17
Ensemble de saxophones
17
Ensemble de Flûtes
16
Quatuor de Flûtes : 4 flûtes
14
Trio de Flûtes: 3 flûtes
12
Ensemble De Flûte à bec
9
Quintette de Flûte : 5 flûtes
9
Quatuor de Saxophones: 4 saxophones
7
3 Clarinettes (trio)
7
2 Saxophones (duo)
6
Hautbois, Piano (duo)
5
Saxophone Alto et Piano
4
2 Clarinettes (duo)
4
Flûte, Clarinette et Basson
4
Flûte, Hautbois, Basson
4
Clarinette, Basson (duo)
4
3 Saxophones (trio)
4
Quatuor de Flûtes à bec
4
2 Flûte à bec (duo)
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Clarinette (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Basson (duo)
2
Flûte traversière et Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette et Piano
2
Flûte, Basson et Piano
2
Clarinette, Basson, Piano (trio)
1
2 Flûtes traversières (duo)
1
4 Hautbois
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Flûte à bec Tenor
1
Clarinette Basse, Piano
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
Saxophone Baryton, Piano
1
Clarinette, Violon (duo)
1
Cor anglais, Piano
1
Flûte à bec Soprano
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
5 Flûtes à bec
1
Flûte, Clarinette (duo)
1
+ 45 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Ensemble de Trombones
10
Quatuor de cuivres: 4 trombones
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
4
Trompette, Piano
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
2
2 Cors (duo)
2
Ensemble de Trompettes
2
3 Trombones (trio)
2
Ensemble de Cors
2
3 Tubas (trio)
1
2 Trompettes (duo)
1
Trombone basse et Piano
1
Tuba et Orgue
1
Trompette
1
2 Trombones (duo)
1
Quatuor de Cuivres
1
4 Tubas
1
3 Cors (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trompettes
1
Cor et Piano
1
Trompette, Cor (duo)
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
Cor anglais, Piano
1
Trombone, Cor (duo)
1
Trompette, Trombone (duo)
1
+ 25 instrumentations
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Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Contrebasse, Piano (duo)
36
Contre Basse
24
Quatuor à cordes: 2 violons, alto, violoncelle
23
Trio à Cordes: violon, alto, violoncelle
6
Harpe
6
Contrebasse (partie séparée)
5
Violoncelle, Piano
5
Violon
4
Trio à Cordes: 2 violons, violoncelle
4
2 Contrebasses (duo)
3
Violon, Basson (duo)
3
Violon et Piano
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Alto, Piano
3
Violoncelle
3
Trio à Cordes: 3 violoncelles
2
2 Harpes (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Violon, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Violoncelles (duo)
1
2 Violons (duo)
1
2 Altos (duo)
1
Alto seul
1
Alto et Basson
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
3 Contrebasses
1
4 Contrebasses
1
Trio à cordes: 3 altos
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
+ 29 instrumentations
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Orchestre & Percussions
Ensemble Jazz
73
Orchestre
70
Orchestre d'harmonie
42
Orchestre de chambre
18
Orchestre à Cordes
17
Ensemble de cuivres
16
Jazz combo
9
Cloches
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Fanfare
7
Ensemble de Percussions
5
Batterie
3
Piano et Orchestre
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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Partitions à imprimer
5 partitions trouvées
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Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Angels We Have Heard on High
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Guitare
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INTERMÉDIAIRE
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Noël
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Music:Traditional / Words by:
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John Chamley
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Angels We Have Heard on High
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John Chamley
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classica...
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Solo Guitar - Level 3 - SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classical,Folk,Traditional. Individual part. 3 pages. John Chamley #882686. Published by John Chamley (A0.1292094). This is a festive and fun piece. It will probably take some preparing to play this up to speed if you want to play it fast. The chorus has a nice counterÂmelody in the bass. The main melody also switches octaves as you might hear a choir exchange parts between the different voices. The first verse stays in the main voice, then the 2nd verse moves up an octave, then down to the bass strings. A certain amount of syncopation will keep the fingers busy on the right hand. The left will need to handle a few stretches but nothing outrageous. A 1/2 barre is required at one point along the way.
$2.99
Sarabande and Double - BWV 1002
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Robert Adler
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Sarabande and Double - BWV 100
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Robert Adler
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.938369 Composed by Johann Sebastian Bach. Arranged by Robert Adler. Baroque,Standards. Individual part. 3 pages. Robert ...
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Solo Guitar - Level 4 - SKU: A0.938369 Composed by Johann Sebastian Bach. Arranged by Robert Adler. Baroque,Standards. Individual part. 3 pages. Robert Adler #3872483. Published by Robert Adler (A0.938369). An arrangement of J. S. Bach's beautiful Sarabande and Double from Violin Partita No. 1, BWV 1002, for classical guitar, done in the style of Busoni/Godowski, with a few enrichments in the bass and accompanying voices. Difficulty level is for intermediate/advanced level players, video performance of the Sarabande: https://tinyurl.com/yabqq7wb
$2.99
Prelude No 1 in D (Memories)
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Guitare
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INTERMÉDIAIRE
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Simon James
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Prelude No 1 in D
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DML
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #78484...
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Solo Guitar - Level 3 - SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
Le Festin
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Guitare
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INTERMÉDIAIRE
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Boualem Lamhene and Michael Gi
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Davide Bizzarri
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Le Festin
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Davide Bizzarri
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1107505 Composed by Boualem Lamhene and Michael Giacchino. Arranged by Davide Bizzarri. Contemporary,Film/TV,Jazz,Singer...
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Solo Guitar - Level 3 - SKU: A0.1107505 Composed by Boualem Lamhene and Michael Giacchino. Arranged by Davide Bizzarri. Contemporary,Film/TV,Jazz,Singer/Songwriter. Individual part. 2 pages. Davide Bizzarri #710169. Published by Davide Bizzarri (A0.1107505). This arrangement was commissioned by a conservatoire, so you can find an unusual orchestration. The organic: three voices, flute, oboe, clarinet, alto sax, bassoon, drums, piano, harp, guitar and strings. In this file, only Guitar part. Capo is required, as the original key is Eb major.
$4.99
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