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brazil Intermediate
Guitare
Partitions à imprimer
12 partitions trouvées
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1
11 Brazilian Choros Arranged for Classical Guitar Solo
Guitare
Latin American. Brazilian. Ebook and online audio. 57 pages. Mel Bay Publications - …
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Latin American. Brazilian. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #30976MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459370. 8.75x11.75 inches.<br> <br> Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion playersin addition to the guitar classics by Joao Pernambuco and Heitor Villa-Lobos.This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violao brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist.Biographical and performance notes regarding the selected composers and compositions.Insightful suggestions for further reading, listening, and study. Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of Joao Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazils early flute virtuoso, Patapio Silva.Includes access to online audio.
$14.99
13.85 €
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Guitare
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11 Brazilian Choros Arranged for Classical Guitar Solo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Complete Laurindo Almeida Anthology of Guitar Solos
Guitare
Composed by Laurindo Almeida. Edited by Ron Purcell. For Guitar (Classical). Classic. Inte…
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Composed by Laurindo Almeida. Edited by Ron Purcell. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 176 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609744083. Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists, who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study. Stylistically, his compositions synthesize his classical background, Afro-Brazilian rhythms, traditional Brazilian music, and American jazz. This collection presents Almeida's solos preserving the original left and right hand fingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.
$29.99
27.71 €
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Guitare
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Laurindo Almeida
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The Complete Laurindo Almeida Anthology of Guitar Solos
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar Music - Melodies for Beginners
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.921998 Composed by Numerous. Arran…
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Solo Guitar - Level 1 - Digital Download SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Robert Styles #3562181. Published by Robert Styles (A0.921998). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as ‘finger-picking’, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. ‘Melodies for Beginners’ is, as the title suggests, a collection of melodies for beginners (step one to grade one). ‘Book One’ is of elementary to intermediate standard (grade one to grade four). ‘Book Two’ is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music ‘Sits Comfortably Under the Fingers’. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the ‘feel’ of the music.Happy music making.Robert Styles
$9.95
9.19 €
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Guitare
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Numerous
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Robert Styles
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Guitar Music - Melodies for Beginners
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Robert Styles
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SheetMusicPlus
Guitar Music - Book Two
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.921999 Composed by Numerous. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. Robert Styles #3562187. Published by Robert Styles (A0.921999). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as â??finger-pickingâ??, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. â??Melodies for Beginnersâ?? is, as the title suggests, a collection of melodies for beginners (step one to grade one). â??Book Oneâ?? is of elementary to intermediate standard (grade one to grade four). â??Book Twoâ?? is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music â??Sits Comfortably Under the Fingersâ??. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the â??feelâ?? of the music.Happy music making.Robert Styles
$12.95
11.96 €
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Guitare
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Numerous
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Robert Styles
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Guitar Music - Book Two
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Robert Styles
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SheetMusicPlus
Carlos Barbosa-Lima: 30 Short Pieces for Guitar
Guitare
Guitar - Beginning-Intermediate - Digital Download SKU: M0.97038MEB Composed by Joh…
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Guitar - Beginning-Intermediate - Digital Download SKU: M0.97038MEB Composed by John Griggs. Classical. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97038MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97038MEB). ISBN 9781619116795. 8.75x11.75 inches.Brazilian guitar virtuoso Carlos Barbosa-Lima and guitarist/ instructor John Griggs present this collection of short pieces by various Classical composers, plus a few of their own original compositions. Beginning to intermediate in difficulty, each piece has been meticulously set for solo guitar in standard notation and tablature. Selections include works by Handel, Purcell, Jeremiah Clark, Corelli, Scarlatti, Pachelbel, Zipoli, Mozart, Telemann, and J.S. Bach. The online audio offers performances of all 30 pieces by Carlos Barbosa-Lima. A fine addition to any classic guitarist's library! Includes access to online audio.
$14.99
13.85 €
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Guitare
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John Griggs
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Carlos Barbosa-Lima: 30 Short Pieces for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Good Day
Guitare
Solo Guitar - Digital Download SKU: A0.966724 Composed by Steve Adams. Contemporary…
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Solo Guitar - Digital Download SKU: A0.966724 Composed by Steve Adams. Contemporary,Latin,Standards. Individual part. 2 pages. Steve Adams #3037365. Published by Steve Adams (A0.966724). Technically intermediate Classical Guitar piece with a Brazilian flavor.
$3.99
3.69 €
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Guitare
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Steve Adams
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A Good Day
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Steve Adams
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SheetMusicPlus
Florazinha
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1346359 Composed by Jesse Voogt. 2…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1346359 Composed by Jesse Voogt. 20th Century,21st Century,Classical,Contemporary. Individual part. 3 pages. Jesse Voogt #931175. Published by Jesse Voogt (A0.1346359). A Brazilian Dance for Classical Guitar. Inspired by the legendary AgustÃn Barrios as well as Sting’s Saint Agnes and the Burning Train from the Soul Cages, this original piece of music is a lively and expressive dance that showcases the beauty and versatility of the classical guitar. You will enjoy playing this piece, which combines rhythmic vitality, harmonic richness, and melodic elegance. This piece is suitable for intermediate to advanced players who want to challenge themselves and impress their audiences.
$2.99
2.76 €
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Guitare
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Jesse Voogt
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Florazinha
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Jesse Voogt
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SheetMusicPlus
Pitangueiras (solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.944279 Composed by Thiago Trajano.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.944279 Composed by Thiago Trajano. 20th Century,Contemporary,Latin,World. Individual part. 3 pages. Thiago Trajano #5731823. Published by Thiago Trajano (A0.944279). This solo piece is influenced by some of the great composers for Brazilian guitar I admire, such as Garoto, Dilermando Reis, and Villa-Lobos. It is a A, B, A form, in which A is a slow rubato Choro and B has a more dreamy, reflective mood. It is approximately 3:30 minutes long and appropriate for an intermediate level player on.
$4.00
3.7 €
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Guitare
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Thiago Trajano
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Pitangueiras
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Thiago Trajano
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SheetMusicPlus
Antonio Carlos Jobim for Classical Guitar
Guitare
By Paulo Bellinati. By Antonio Carlos Jobim. For Guitar (Classical). Brazilian. Intermedia…
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By Paulo Bellinati. By Antonio Carlos Jobim. For Guitar (Classical). Brazilian. Intermediate-Advanced. E-book. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
$14.99
13.85 €
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Guitare
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Paulo Bellinati
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Antonio Carlos Jobim for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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