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923
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Orgue
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1 Piano, 4 mains
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Piano (partie séparée)
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1085
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1026
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87
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Chorale
67
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47
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Voix duo
30
Chorale SSAB a cappella
29
Voix seule
26
Chorale SSATTB
15
Chorale SSAB, Piano
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Chorale SSAATB
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Voix Soprano, Piano
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Chorale SATBB
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Chorale, Orgue
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VENTS
Saxophone (partie séparée)
296
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130
Flûte traversière et Piano
103
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84
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76
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67
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37
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Flûte à Bec
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3 Saxophones (trio)
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Ensemble de Flûtes
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Quintette de Clarinettes: 5 clarinettes
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Quintette de Flûte : 5 flûtes
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Clarinette et Alto
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Ocarina
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2 Flûtes traversières, Piano
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Flûte, Clarinette et Basson
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Piccolo, Piano
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Flûte, Trombone (duo)
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Clarinette, Harpe (duo)
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CUIVRES
Trombone (partie séparée)
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188
Trompette (partie séparée)
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84
Trompette
74
Quatuor de Cuivres : 2 trompettes, trombone, tuba
70
Trompette, Piano
59
Cor (partie séparée)
54
Quatuor de cuivres: 4 trombones
45
Trombone et Piano
44
Tuba (partie séparée)
40
Trombone
38
Ensemble de Trombones
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Cor et Piano
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Cor
31
2 Trompettes (duo)
28
Quatuor de cuivres: 4 cors
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Tuba
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2 Trombones (duo)
26
Trompette, Trombone (duo)
21
Trompette, Saxophone (duo)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Ensemble de Trompettes
14
4 Tubas
11
Euphonium
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Tuba et Piano
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Quatuor de cuivres: 4 trompettes
9
Euphonium, Piano (duo)
8
Ensemble de Cors
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2 Cors (duo)
7
Trio de Cuivres
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3 Trombones (trio)
6
2 Euphoniums et 2 Tubas
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Cor Anglais
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Cornet A Pistons
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2 Tubas (duo)
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Trompette, Cor (duo)
5
Cor anglais, Piano
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Tuba et Orgue
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Instruments en Sib
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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Trompette, Trombone, Piano
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Euphonium, Tuba (duo)
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Cor, Tuba (duo)
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Trompette, violon (duo)
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2 Trompettes, Clavier (piano ou orgue)
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Trombone, Cor (duo)
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Tuba ou Euphonium ou Saxhorn
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4 Euphoniums
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Quatuor de cuivres: 2 trompettes, 2 trombones
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3 Tubas (trio)
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Ensemble de Tubas
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Trombone, Orgue
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3 Cors (trio)
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Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
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Cor, Violoncelle (duo)
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Trombone basse
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
304
Violon et Piano
157
Violon
107
Violoncelle, Piano
99
Violon, Violoncelle (duo)
72
Contrebasse (partie séparée)
69
Violoncelle
60
Trio à Cordes: violon, alto, violoncelle
59
Alto, Piano
52
2 Violons (duo)
51
Harpe
45
Alto seul
42
Quintette à cordes: 2 violons, alto, violoncelle, basse
42
Violon, Alto (duo)
33
Violon (partie séparée)
31
2 Violoncelles (duo)
30
2 Altos (duo)
24
Contre Basse
21
4 Violoncelles
14
Trio à Cordes: 2 violons, violoncelle
13
Contrebasse, Piano (duo)
11
Piano Trio: Violon, Alto, Piano
10
Alto (partie séparée)
9
Violoncelle (partie séparée)
9
Ensemble d'Altos
8
Ensemble de Violons
8
Violon, Guitare (duo)
6
Quatuor à cordes : 4 altos
5
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
4
Harpe, Flûte (duo)
4
2 Violoncelles, Piano
4
Trio à cordes: 3 violins
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
3
Trio à cordes: 3 altos
2
Violon, Orgue
2
Violoncelle, Contrebasse (duo)
2
2 Harpes (duo)
2
Flûte, Contrebasse (duo)
1
Alto, Guitare (duo)
1
2 Contrebasses (duo)
1
Trio à cordes
1
Trio à Cordes: 3 violoncelles
1
Alto, Orgue
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
312
Ensemble Jazz
240
Orchestre
227
Orchestre à Cordes
123
Ensemble de cuivres
103
Orchestre de chambre
101
Cloches
59
Batterie (partie séparée)
53
Jazz combo
37
Fanfare
25
Percussion (partie séparée)
15
Batterie
11
Timbales (partie séparée)
5
Percussion
5
Ensemble de Percussions
5
Marimba
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Quatuor à Vent : 4 instruments à vents
3
Quintette à Vent
2
Xylophone, Piano
1
Vibraphone
1
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AUTRES
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chorus
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Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
"Bridal Chorus (Here Comes the Bride) from Lohengrin" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1416125 Composed by Richard Wagner…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1416125 Composed by Richard Wagner. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part. 2 pages. Keith Gehle #997811. Published by Keith Gehle (A0.1416125). Love it or hate it, “Bridal Chorus†(also known as “here comes the brideâ€) is a time tested classic for wedding ceremonies and this version is sure to please players and listeners alike. Easy and straight forward, this arrangement includes detailed fingerings and interpretation in standard notation. There's also a version with TAB available on this site. Classical and acoustic wedding guitarists will get many miles out of this useful piece of music.
$1.99
1.81 €
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Guitare
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Richard Wagner
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Keith W
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"Bridal Chorus
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Keith Gehle
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SheetMusicPlus
Petits chanteurs de Saint-Marc,Bruno Coulais : Les Choristes - Vois sur ton chemin (niveau facile/intermédiaire, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Les Choristes - Vois sur to…
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Téléchargez la tablature et la partition Guitare Les Choristes - Vois sur ton chemin (niveau facile/intermédiaire, guitare seule) de Bruno Coulais. Tab pour Guitare seule -- Musique de film,Broadway et Musical
5.99 €
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Guitare
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Petits chanteurs de Saint-Marc
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Les Choristes
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Tomplay
Petits chanteurs de Saint-Marc,Bruno Coulais : Les Choristes - Vois sur ton chemin (niveau très facile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Les Choristes - Vois sur to…
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Téléchargez la tablature et la partition Guitare Les Choristes - Vois sur ton chemin (niveau très facile, guitare seule) de Bruno Coulais. Tab pour Guitare seule -- Musique de film,Broadway et Musical
5.99 €
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Guitare
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Petits chanteurs de Saint-Marc
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Les Choristes
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Tomplay
Petits chanteurs de Saint-Marc,Bruno Coulais : Les Choristes - Vois sur ton chemin (niveau facile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Les Choristes - Vois sur to…
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Téléchargez la tablature et la partition Guitare Les Choristes - Vois sur ton chemin (niveau facile, guitare seule) de Bruno Coulais. Tab pour Guitare seule -- Musique de film,Broadway et Musical
5.99 €
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Guitare
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Petits chanteurs de Saint-Marc
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Les Choristes
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Tomplay
Chorus of the Hebrew Slaves
Guitare
Guitar - easy - Digital Download SKU: S9.Q44854 From: Nabucco. Composed by G…
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Guitar - easy - Digital Download SKU: S9.Q44854 From: Nabucco. Composed by Giuseppe Verdi. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44854. Published by Schott Music - Digital (S9.Q44854). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.72 €
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Guitare
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Giuseppe Verdi
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Martin Hegel
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Chorus of the Hebrew Slaves
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Schott Music - Digital
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SheetMusicPlus
Bach to Africa
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebasti…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
4.54 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Here Comes The Sun
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1455647 By The Beatles. By George …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1455647 By The Beatles. By George Harrison. Arranged by Rick Alexander. 20th Century,Pop,Rock. Individual part. 4 pages. Rick Alexander #1034741. Published by Rick Alexander (A0.1455647). This is an arrangement for solo classical guitar or fingerstyle acoustic guitar of The Beatles, Here Comes the Sun by George Harrison. I've based this arrangement closely on the acoustic guitar accompaniment played on the original song by George Harrison but have made changes in a few places in order to play the vocal melody.I've decided to start the piece slowly and sparsely for the introdution and first chorus and to then build during the first verse and second chorus. I recommend playing the piece with either no capo or a capo on the second fret. This is a standard notation version - there is also a tab version available.
$4.99
4.54 €
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Guitare
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The Beatles
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Rick Alexander
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Here Comes The Sun
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Rick Alexander
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SheetMusicPlus
Bridal Chorus from Lohengrin by Richard Wagner - Guitar Solo
Guitare
Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, down…
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Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Wedding, Traditional~~Wedding~~Classical~~Romantic~~Special Use
$2.99
2.72 €
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Guitare
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Guitar Solo
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Musicnotes
Chorus of the Hebrew Slaves (Va, pensiero) [Excerpt] by Giuseppe Verdi - Guitar Solo
Guitare
Giuseppe Verdi - Chorus of the Hebrew Slaves (Va, Pensiero) [Excerpt] - from Nabucco Digit…
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Giuseppe Verdi - Chorus of the Hebrew Slaves (Va, Pensiero) [Excerpt] - from Nabucco Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Romantic~~Classical
$2.99
2.72 €
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Guitare
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Guitar Solo
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Musicnotes
Alice In Wonderland
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hill…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99
4.54 €
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Guitare
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Bill Evans
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Christopher J
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Alice In Wonderland
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Christopher J. Malin
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SheetMusicPlus
"Jesu, Joy of Man's Desiring" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1413902 Composed by Johann Sebasti…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1413902 Composed by Johann Sebastian Bach. Arranged by Keith W. Gehle. Baroque,Classical,Religious,Sacred,Wedding. Individual part. 2 pages. Keith Gehle #995682. Published by Keith Gehle (A0.1413902). This shortened version of J.S. Bach’s most familiar melody is perfect for weddings where a player just needs the opening theme and chorus as a processional or recessional. This rendition includes detailed fingerings in standard notation. There's also a version with TAB available on this site. Jesu, Joy of Man's Desiring is an essential piece for guitarists playing for weddings, church services and gigs.
$1.99
1.81 €
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Guitare
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Johann Sebastian Bach
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Keith W
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"Jesu, Joy of Man's Desiring" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
The Lord is Faithful
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1184238 Composed by Elizabeth Vecchione…
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Guitar - Level 2 - Digital Download SKU: A0.1184238 Composed by Elizabeth Vecchione. Christian,Praise and Worship. Chords/Lyrics. 2 pages. Elizabeth Vecchione #783954. Published by Elizabeth Vecchione (A0.1184238). Lovely, soothing praise chorus based on 2 Thessalonians 3:3 and I John 5:18.
$4.99
4.54 €
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Guitare
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Elizabeth Vecchione
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The Lord is Faithful
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Elizabeth Vecchione
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SheetMusicPlus
At The Mambo Inn
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1233587 Composed by Bobby Woodlen,…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1233587 Composed by Bobby Woodlen, Grace Sampson, and Mario Bauza. Arranged by Nicola Corso. Instructional,Jazz,Latin,Standards. Individual part. 2 pages. Nicola Corso Music #829171. Published by Nicola Corso Music (A0.1233587). George Benson's last solo chorus, the one that follows the sung part, in which he performs one of his most iconic combinations: vocal scat and guitar together. From the legendary record Tenderly (1989) with McCoy Tyner, Ron Carter, Herlin Riley, and Lenny Castro.For C intruments.
$4.99
4.54 €
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Guitare
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Bobby Woodlen, Grace Sampson, and Mario Bauza
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Nicola Corso
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At The Mambo Inn
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Nicola Corso Music
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SheetMusicPlus
The Hawaiian Wedding Song (ke Kali Nei Au)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1078389 By Al Caiola & His Orchest…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1078389 By Al Caiola & His Orchestra With Chorus. By Al Hoffman, Charles E. King, and Dick Manning. Arranged by Gerald Schleicher. Contemporary. Individual part. 2 pages. Gerald Schleicher #4354045. Published by Gerald Schleicher (A0.1078389). This is a beautiful and full-sounding arrangement for solo classical guitar of a great wedding song. Take it slow, emphasize the melody, keep the accompaniment a little quieter. English lyrics are included.
$4.99
4.54 €
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Guitare
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Al Caiola & His Orchestra With Chorus
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Gerald Schleicher
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The Hawaiian Wedding Song
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Gerald Schleicher
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SheetMusicPlus
Red Sunset - Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.948491 Composed by J.W. Heidebrech…
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Solo Guitar - Level 3 - Digital Download SKU: A0.948491 Composed by J.W. Heidebrecht. Jazz. Individual part. 2 pages. Musician Place #3457601. Published by Musician Place (A0.948491). This contrasting piece was written with influences in mind: Snarky Puppy and Monty Norman. Red Sunset starts off very mellow and delicate, then slowly transitions into an intense chord progression, with solos in between, meant to be a break before the climax, as well as after. After the second chorus, an enormous breakdown takes place, to end the piece!
$2.00
1.82 €
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Guitare
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J
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Red Sunset - Guitar
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Musician Place
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SheetMusicPlus
Lamb Of God (Just As I Am) - Jason Gadberry and Tabernacle Worship
Guitare
Solo Guitar - Digital Download SKU: A0.1019647 Composed by Brandon Hixson, Charlott…
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Solo Guitar - Digital Download SKU: A0.1019647 Composed by Brandon Hixson, Charlotte Elliott and William Bradbury, and Eva Wilson. Arranged by Brandon Hixson. Christian,Sacred. Individual part. 2 pages. Brandon Hixson #6189149. Published by Brandon Hixson (A0.1019647). Timeless hymn with a new chorus.
$1.99
1.81 €
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Guitare
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Brandon Hixson, Charlotte Elliott and William Bradbury, and Eva Wilson
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Brandon Hixson
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Lamb Of God
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Brandon Hixson
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SheetMusicPlus
Crazy In Love
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1312359 By Beyonce Featuring Jay-Z…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1312359 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by Hollywood Charts. Funk,Hip-Hop,Pop. Individual part. 3 pages. Hollywood Charts #901213. Published by Hollywood Charts (A0.1312359). Dive into the guitar of Beyoncé's anthem, Crazy In Love, with this expertly crafted transcription. An embodiment of early 2000s R&B fused with pop sensibilities, this track's guitar parts have their origins in a funky 70's Chi-Lites sample.  From the simple funk stabs that underpin the verses to the more pronounced riffs accentuating the track's infectious chorus, this transcription equips guitarists with the roadmap to replicate the distinct sounds that contribute to the song's iconic status.
$4.99
4.54 €
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Guitare
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Beyonce Featuring Jay-Z
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Hollywood Charts
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Crazy In Love
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Hollywood Charts
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SheetMusicPlus
A New Song- Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.885373 Composed by Richard W. Youn…
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Solo Guitar - Level 4 - Digital Download SKU: A0.885373 Composed by Richard W. Young. Christian,Gospel,Jazz,Pop,Spiritual. Individual part. 2 pages. Richard Young #2021927. Published by Richard Young (A0.885373). Title: A New SongÂ- Guitar by Richard Wellington Wan Young. A New Song is a mix between Jazz, Funk, Gospel, and Pop music. Each verse is settled in a tight funk groove and is built upon 16th note patterns. The melody during the chorus sections soars. The solo section provides and opportunity to really let go and improvise using the Concert C blues scale or Concert C Melodic minor scale. This tune is sure to brighten the day and lift spirits! mp3 demo available.
$6.95
6.32 €
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Guitare
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Richard W
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A New Song- Guitar
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Richard Young
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SheetMusicPlus
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