English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
15
Partitions
Numériques
65
Librairie
Musicale
58
Matériel
de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
502
PIANO & CLAVIERS
Piano seul
233
Piano Facile
48
Orgue
39
Piano, Voix
23
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
8
Piano (partie séparée)
6
Piano, Voix et Guitare
4
Accompagnement Piano
3
Instruments en Do
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Orgue, Piano (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
65
Guitare notes et tablatures
41
2 Guitares (duo)
13
Guitare (partie séparée)
11
Ukulele
4
Mandoline, Guitare (duo)
2
Basse electrique
2
Banjo
1
Mandoline
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
162
Chorale 3 parties
59
Chorale 2 parties
45
Chorale SSAA
17
Chorale TTBB
16
Chorale Unison
14
Voix duo, Piano
7
Voix duo
4
Chorale
3
Voix moyenne, Piano
2
Chorale SSATB
1
Voix seule
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière et Piano
31
Flûte, Hautbois, Clarinette, Basson
27
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone (partie séparée)
25
Quintette de Saxophone: 5 saxophones
25
2 Saxophones (duo)
25
Clarinette et Piano
19
Hautbois, Piano (duo)
19
Saxophone Alto et Piano
16
Quatuor de Flûtes : 4 flûtes
16
2 Flûtes traversières (duo)
16
Clarinette
14
Ensemble De Flûte à bec
13
Saxophone Tenor et Piano
12
Ensemble de Clarinettes
11
Cor anglais, Piano
10
Ensemble de Flûtes
10
Saxophone Soprano et Piano
10
2 Clarinettes (duo)
10
Ensemble de saxophones
9
Saxophone Baryton, Piano
9
Flûte traversière
9
Hautbois, Basson (duo)
9
2 Hautbois (duo)
8
Clarinette Basse, Piano
7
Flûte, Violon
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Trompette (duo)
7
Clarinette, Violoncelle (duo)
7
Saxophone, Clarinette (duo)
6
3 Clarinettes (trio)
6
Clarinette (partie séparée)
6
Quintette de Flûte : 5 flûtes
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
5
Flûte, Violoncelle
5
Clarinette, Violon (duo)
5
Clarinette, Basson (duo)
4
Flûte, Clarinette (duo)
4
Hautbois
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette et Basson
3
3 Flûtes à bec (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Alto (duo)
3
3 Saxophones (trio)
3
Flûte et Trio à cordes
3
Clarinette et Alto
3
Saxophone Alto
3
Hautbois, Violoncelle
3
5 Flûtes à bec
2
Flûte, Hautbois (duo)
2
Hautbois, violon (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
2 Flûte à bec (duo)
2
Hautbois, Flûte
2
Piccolo, Piano
2
Hautbois, trombone (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois (partie séparée)
1
Flute, harpe et violon
1
Flûte, Tuba (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon, Piano
1
Hautbois et alto (duo)
1
Saxophone, Tuba (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte, Trombone (duo)
1
Clarinette, Tuba
1
Flûte et Guitare
1
4 Hautbois
1
Saxophone Tenor
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Basson et Piano
1
Flûte traversière, Basse continue
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Trombone (partie séparée)
23
Trompette (partie séparée)
20
Trombone et Piano
18
Cor et Piano
13
2 Trombones (duo)
13
Trompette, Piano
11
2 Trompettes (duo)
11
Cor anglais, Piano
10
Trompette
10
Euphonium, Piano (duo)
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
9
Ensemble de Trompettes
6
Trompette, Trombone (duo)
5
Trombone
5
Cor (partie séparée)
5
Cor
5
Tuba
4
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Tuba (partie séparée)
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
1
Clarinette, Cor (duo)
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
Trombone, Violon (duo)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
107
Trio à Cordes: violon, alto, violoncelle
28
Violon, Violoncelle (duo)
26
Violon et Piano
25
Alto, Piano
20
Violoncelle, Piano
19
Violon (partie séparée)
12
Violon
12
2 Violons (duo)
10
Violon, Alto (duo)
9
Violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Violoncelles (duo)
7
Contrebasse, Piano (duo)
6
2 Altos (duo)
6
Alto seul
5
Contre Basse
5
Alto (partie séparée)
4
Piano Trio: Violon, Alto, Piano
3
Harpe
3
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
Ensemble d'Altos
2
Violon, Basson (duo)
2
4 Violoncelles
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Violon, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
89
Orchestre à Cordes
63
Ensemble Jazz
52
Orchestre
28
Ensemble de cuivres
27
Orchestre de chambre
16
Cloches
10
Percussion
7
Jazz combo
6
Batterie (partie séparée)
6
Vibraphone
3
Ensemble de Percussions
3
Percussion (partie séparée)
2
Batterie
2
Xylophone
1
Vibraphone et Marimba
1
Marimba
1
2 Xylophones
1
Timbales (partie séparée)
1
Xylophone, Piano
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
counterpoint
Guitare
Partitions à imprimer
65 partitions trouvées
<
1
26
51
Counterpoint I for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1094838 Composed by Esteban Peretz…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1094838 Composed by Esteban Peretz. 20th Century,Baroque,Classical,Contemporary. Individual part. 2 pages. Esteban Peretz #698905. Published by Esteban Peretz (A0.1094838). Youth composition by Esteban Peretz for Classical Guitar, it's a plain free counterpoint.
$5.99
5.49 €
#
Guitare
#
Esteban Peretz
#
Counterpoint I for Classical Guitar
#
Esteban Peretz
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.41 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.41 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.41 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.41 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Fourteenth Century Counterpoint: Chantilly Codex
Guitare
By Various. Arranged by Colin McAllister. For solo guitar. Level 3. 12 pages. Published by…
(+)
By Various. Arranged by Colin McAllister. For solo guitar. Level 3. 12 pages. Published by Les Productions d'OZ - Digital
$6.95
6.37 €
#
Guitare
#
Various
#
Colin McAllister
#
Fourteenth Century Counterpoint: Chantilly Codex
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Contrapontinho n° 2
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.963117 Composed by Matheus Viana. …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.963117 Composed by Matheus Viana. Contemporary. Individual part. 2 pages. Matheus Viana #3631103. Published by Matheus Viana (A0.963117). A counterpoint for guitar solo, made for a friend that is guitar player. It is a little study counterpoint on guitar using three voices. .
$10.00
9.16 €
#
Guitare
#
Matheus Viana
#
Contrapontinho n° 2
#
Matheus Viana
#
SheetMusicPlus
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
9.12 €
#
Guitare
#
Jeremiah Lawson
#
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
#
Jeremiah Lawson
#
SheetMusicPlus
Polonaise "Les adieux à la Patrie"
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1433200 Composed by Michal Kleofas…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1433200 Composed by Michal Kleofas Oginski. Arranged by Pasquale Di Caro. 19th Century,Romantic Period. Individual part. 5 pages. Pasquale Di Caro #1013110. Published by Pasquale Di Caro (A0.1433200). The arrangement was written in counterpoint and with added variations for the repeated phrases.
$5.00
4.58 €
#
Guitare
#
Michal Kleofas Oginski
#
Pasquale Di Caro
#
Polonaise "Les adieux à la Patrie"
#
Pasquale Di Caro
#
SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
5.5 €
#
Guitare
#
Mauro Giuliani
#
Socrates Arvanitakis
#
Mauro Giuliani: Sonatina in C op.71 no.1
#
Socrates Arvanitakis
#
SheetMusicPlus
Mystical Landscape
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.997510 Composed by Nick Elliott. C…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.997510 Composed by Nick Elliott. Concert,Contemporary. Individual part. 4 pages. Nick Elliott #5723915. Published by Nick Elliott (A0.997510). A piece for guitar inspired by the pieces of Toru Takemitsu. A piece filled with vast harmonic and contrapuntal colors. It is also inspired by fantasy literature and philosophical topics such as mysticism as well as abstract paintings. This piece paints a landscape in the listener’s mind of a Tolkienesque type world set in a dreary mystical landscape. I found the guitar was the perfect instrument to shape the kinds of harmony, counterpoint and colors needed to illustrate this mystical landscape.
$1.99
1.82 €
#
Guitare
#
Nick Elliott
#
Mystical Landscape
#
Nick Elliott
#
SheetMusicPlus
Blinding Lights
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.997409 By The Weeknd. By Abel Tesf…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.997409 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Renato Sousa. Pop,R & B. Individual part. 6 pages. Renato Sousa #5320837. Published by Renato Sousa (A0.997409). Arrangement of the pop hit Blinding Lights for solo classical guitar. It starts as a simple fingerstyle ballad and it evolves into a rhythm pattern similar to bossanova. Includes some interesting counterpoint and melodic lines. Great for classical students and professional players who want to add some modern pop to their repertoire.
$4.99
4.57 €
#
Guitare
#
The Weeknd
#
Renato Sousa
#
Blinding Lights
#
Renato Sousa
#
SheetMusicPlus
And So It Goes
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.946418 By Billy Joel. By Billy Joe…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.946418 By Billy Joel. By Billy Joel. Arranged by Nick Mordal. Classical,Folk,Pop,Rock,Singer/Songwriter. Individual part. 1 pages. Nick Mordal #6294925. Published by Nick Mordal (A0.946418). Transposed from C to D. Billy's piano chord voicings and counterpoint are preserved in this guitar arrangement. Techniques include a precise right hand for string selection of the thick chord voicings, barre and bringing out melodies amidst the chords. It works as accompaniment with a singer or by itself as a solo performance.
$15.00
13.74 €
#
Guitare
#
Billy Joel
#
Nick Mordal
#
And So It Goes
#
Nick Mordal
#
SheetMusicPlus
Two Sides of Laurie
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1171575 Composed by Doug Smith. 20…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1171575 Composed by Doug Smith. 20th Century,Classical,Contemporary,Instructional,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #771882. Published by Doug Smith Guitar Studio (A0.1171575). Two Sides of Laurie is played in the 1st through 9th positions. The melodies are in the treble and the bass strings that are played out as a reply or counterpoint to each other. The mood created is one of melancholy. Guitar techniques include arpeggios, slurs with left hand fingers over four notes, playing chords lightly, and plentiful dynamics.
$2.99
2.74 €
#
Guitare
#
Doug Smith
#
Two Sides of Laurie
#
Doug Smith Guitar Studio
#
SheetMusicPlus
TIENTO PARA UN PENSADOR for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 2…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.
$9.99
9.15 €
#
Guitare
#
Daniel Cueto
#
TIENTO PARA UN PENSADOR for guitar
#
Daniel Cueto
#
SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
7.32 €
#
Guitare
#
The Andrews Sisters
#
Music for all Occasions
#
Tico Tico
#
Keith Terrett
#
SheetMusicPlus
Prelude No 1 in D (Memories)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 2…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
2.74 €
#
Guitare
#
Simon James
#
Prelude No 1 in D
#
DML
#
SheetMusicPlus
Chromatic Boogie
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1164894 Composed by Doug Smith. Cl…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1164894 Composed by Doug Smith. Classical,Folk,Instructional,Ragtime. Individual part. 5 pages. Doug Smith Guitar Studio #765232. Published by Doug Smith Guitar Studio (A0.1164894). Chromatic Boogie sets a two part counterpoint in the first and second postions. The melody takes a turn in the treble and in the bass over or below the boogie melody. There are slurs and accidentals. The fianl chord is strummed.
$1.99
1.82 €
#
Guitare
#
Doug Smith
#
Chromatic Boogie
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Grid
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1124418 Composed by Igor Korneitch…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. Published by Studio at the Post (A0.1124418). Duration: 8 - 9 minutes, 3 pp. Description: The structure of Grid (Cynosure) is made up of several overlapping processes, of which the descending voice leading is but the easiest to discern. Shifting harmonies become an artifact of the individual descending voices, while the ebb and flow of these harmonies leads to the perception of windows of consonance — or harmonic nodes in C major, A major and E major. Simultaneously, the listener's temporal reference shifts gears in a process of continually augmenting pulses, changing the listener's perception of time and tempo. There is, then, a counterpoint between three different elemental processes: a melodic process, a harmonic process and a temporal process, which all co-operate to create the work's movement from tension to repose. Cynosure : noun, a person or thing that is the center of attention or admiration (the Queen was the cynosure of all eyes); from Latin cynosura, from Greek kunosoura ‘dog's tail’ (also ‘Ursa Minor’ ), from ku!n, kun- ‘dog’ + oura ‘tail.’ The term originally denoted the constellation Ursa Minor, or the star Polaris that it contains, long used as a guide by navigators.
$2.01
1.84 €
#
Guitare
#
Igor Korneitchouk
#
Grid
#
Studio at the Post
#
SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
(+)
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.58 €
#
Guitare
#
Giulio Regondi
#
Rod Whittle
#
4 pp
#
Tremolo from the Regondi Nocturne
#
Maggie Creek Music
#
SheetMusicPlus
"Russian Dance" from The Nutcracker Suite
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1310423 By Guitar Trio. By Pyotr Tchaik…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1310423 By Guitar Trio. By Pyotr Tchaikovsky. Arranged by Marcus Gerakos. 19th Century,Christmas,Classical,Holiday. 1 pages. Marcus Gerakos #899484. Published by Marcus Gerakos (A0.1310423). This is a sample from 'Russian Dance arranged for three guitars. It's a brief and engaging look at this piece and its use of counterpoint. My students over the years have consistently enjoyed playing this arrangement.
$10.00
9.16 €
#
Guitare
#
Guitar Trio
#
Marcus Gerakos
#
"Russian Dance" from The Nutcracker Suite
#
Marcus Gerakos
#
SheetMusicPlus
Rag Contra Punkt for Classical Guitar (mp3)
Guitare
Guitar - Digital Download SKU: A0.1060182 Composed by David Warin Solomons. 20th Ce…
(+)
Guitar - Digital Download SKU: A0.1060182 Composed by David Warin Solomons. 20th Century,Contemporary,Ragtime. Full Performance. Duration 175. David Warin Solomons #6825945. Published by David Warin Solomons (A0.1060182). One of a series of early compositions for guitar solo which I have transcribed from my old recordings. They are Classic crossover having some of the basic principles of Ragtime but containing various neo-Classical and neo-Renaissance ideas including the use of whole tones, unusual modes and even some additional counterpoint from time to time.
$4.50
4.12 €
#
Guitare
#
David Warin Solomons
#
Rag Contra Punkt for Classical Guitar
#
David Warin Solomons
#
SheetMusicPlus
Silent Night
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1335243 By João Fernandes. By F…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1335243 By João Fernandes. By Franz Gruber. Arranged by João Fernandes. Christmas,Classical,Religious,Traditional. Individual part. 1 pages. João Fernandes #921067. Published by João Fernandes (A0.1335243). Silent Night - F. Gruber (arr: João Fernandes)Ho ho ho!! Do you like counterpoint? So enjoy this polyphonic version of this Christmas classic. I was only going to post it on the 24th, but I couldn't resist. Then I record again with better capture.P.s: only for people with artistic sensitivity.#MerryChristmas #SilentNight.
$5.00
4.58 €
#
Guitare
#
João Fernandes
#
João Fernandes
#
Silent Night
#
João Fernandes
#
SheetMusicPlus
Prelude Op.9 No.1
Guitare
Solo Guitar - Digital Download SKU: A0.899138 Composed by A. Scriabin. Arranged by …
(+)
Solo Guitar - Digital Download SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Published by Maggie Creek Music (A0.899138). for solo classical guitar (tremolo) 3 pp (4 min.)Alexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The prelude (Op.9 No.1) is an early piece exhibiting Scriabin's melodic flair. It's form is a kind of condensed sonata – ABA with a coda. The 'B' section of roving, moderately distant, harmonies, and the 'coda' with its binding bass line are equal to the theme, as they should be. I am very fond of the tremolo style, and here it highlights the marvelous counterpoint of the piece.
$5.00
4.58 €
#
Guitare
#
A
#
Rod Whittle
#
Prelude Op.9 No.1
#
Maggie Creek Music
#
SheetMusicPlus
Rag contra punkt for guitar solo
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.576097 Composed by David Warin Sol…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.576097 Composed by David Warin Solomons. 20th Century,Standards. Individual part. 2 pages. David Warin Solomons #2030531. Published by David Warin Solomons (A0.576097). One of a series of early compositions for guitar solo which I have transcribed from my old recordings. They are Classic crossover having some of the basic principles of Ragtime but containing various neo-Classical and neo-Renaissance ideas including the use of whole tones, unusual modes and even some additional counterpoint from time to time. They can be used for performance or as studies for various guitar techniques. It is performed here by Andras Csaki.
$7.00
6.41 €
#
Guitare
#
David Warin Solomons
#
Rag contra punkt for guitar solo
#
David Warin Solomons
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
