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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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NOËL
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Non classifié
454
PIANO & CLAVIERS
Piano seul
374
Piano, Voix
213
Piano Facile
126
Instruments en Do
62
Piano, Voix et Guitare
48
Orgue
45
Accompagnement Piano
41
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 4 mains
4
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Piano grosses notes
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
33
Guitare
24
Ligne De Mélodie, (Paroles) et Accords
17
Ukulele
14
Basse electrique
5
2 Guitares (duo)
4
Piano, Guitare (duo)
2
3 Guitares (trio)
2
Paroles et Accords
1
Ukulele Baryton
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
146
Chorale 2 parties
83
Chorale Unison
79
Chorale 3 parties
51
Voix duo, Piano
29
Chorale TTBB
13
Voix duo
13
Chorale SSAA
7
Voix haute
6
Voix Soprano, Piano
4
Voix moyenne, Piano
3
Chorale
2
Voix Tenor, Piano
2
Voix seule
2
Voix Baryton, Piano
2
Voix basse, Piano
1
Voix Alto, Piano
1
Voix Tenor
1
Instrumentations suivantes
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VENTS
Clarinette et Piano
88
Saxophone Alto et Piano
68
Cor anglais, Piano
67
Flûte traversière et Piano
63
Hautbois, Piano (duo)
57
Saxophone Tenor et Piano
54
Quatuor de Saxophones: 4 saxophones
47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
2 Saxophones (duo)
35
Saxophone Soprano et Piano
33
Flûte, Hautbois, Clarinette, Basson
26
3 Saxophones (trio)
25
Flûte traversière
23
2 Clarinettes (duo)
19
2 Flûtes traversières (duo)
18
Quatuor de Clarinettes: 4 clarinettes
17
Clarinette
16
3 Clarinettes (trio)
15
Quatuor de Flûtes : 4 flûtes
14
Quintette de Saxophone: 5 saxophones
11
Saxophone Alto
11
Trio de Flûtes: 3 flûtes
11
Flûte, Clarinette (duo)
10
Saxophone Baryton, Piano
10
Flûte, Hautbois, Clarinette (trio)
8
Saxophone (partie séparée)
8
Flûte et Guitare
8
Cor Anglais
8
Cor anglais et Harpe (duo)
7
Cor anglais, Guitare (duo)
6
Saxophone, Clarinette (duo)
6
2 Clarinettes, Piano
6
Hautbois (partie séparée)
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Tenor
6
Hautbois, Basson (duo)
5
Clarinette, Violon (duo)
5
Clarinette, Guitare (duo)
5
Flûte à bec Soprano
5
Flûte, Hautbois, Basson
5
Ensemble de Clarinettes
4
Flûte à bec Alto, Piano
4
Clarinette Basse, Piano
4
Hautbois, Flûte
4
Harmonica, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Alto
3
2 Hautbois (duo)
3
Flûte, Clarinette et Basson
3
Clarinette, Alto et Piano (trio)
3
Ensemble de saxophones
3
Hautbois
3
Clarinette, Trompette (duo)
3
Flûte, Saxophone (duo)
3
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Saxophone Baryton
2
Flûte à bec Soprano, Piano
2
Hautbois, Clarinette (duo)
2
3 Hautbois
2
Clarinette et Alto
2
Flûte, Trombone (duo)
2
Flûte traversière, Orgue (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon
2
Clarinette, Violoncelle (duo)
2
Clarinette, trompette et piano
1
Hautbois, Guitare (duo)
1
Flûte, Alto et Piano
1
2 Saxophones, Piano
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de Flûtes
1
3 Flûtes à bec (trio)
1
Hautbois, Violoncelle
1
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Trompette (duo)
1
Clarinette, Harpe (duo)
1
Saxophone, Tuba (duo)
1
Flûte, Alto (duo)
1
Harmonica
1
Saxophone et Orgue
1
Flûte, Tuba (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Ocarina
1
Flûte, trombone et piano
1
Flûte, Basson et Piano
1
4 Hautbois
1
Saxophone et Piano
1
2 Hautbois, Piano
1
Clarinette (partie séparée)
1
Flûte, Violoncelle
1
Flûte à Bec, Piano
1
Flûte, Violon, Piano
1
Clarinette Basse
1
Flûte et Trio à cordes
1
Instrumentations suivantes
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CUIVRES
Cor anglais, Piano
67
Trompette, Piano
60
Cor et Piano
42
Trombone et Piano
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Trompette
28
Quatuor de Cuivres
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Trompettes (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quatuor de cuivres: 4 cors
11
Tuba et Piano
11
Quatuor de cuivres: 4 trombones
10
2 Trombones (duo)
9
Trombone
8
Cor Anglais
8
Cor anglais et Harpe (duo)
7
3 Trompettes (trio)
7
2 Cors (duo)
6
Cor anglais, Guitare (duo)
6
Cor
6
Euphonium, Piano (duo)
6
Trompette, Saxophone (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trombones (trio)
4
Tuba
3
Trompette, Cor (duo)
3
Trompette, Trombone (duo)
3
Trio de Cuivres
2
3 Cors (trio)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Trompette, Violoncelle et Piano
1
Ensemble de Trompettes
1
Cor et Harpe
1
2 Tubas (duo)
1
4 Tubas
1
Ensemble de Cors
1
Instrumentations suivantes
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CORDES
Violon et Piano
104
Quatuor à cordes: 2 violons, alto, violoncelle
84
Alto, Piano
72
Violoncelle, Piano
71
Harpe
30
Trio à Cordes: violon, alto, violoncelle
26
Violoncelle
24
Violon
23
Violon, Violoncelle (duo)
22
2 Violons (duo)
17
Alto seul
16
2 Violoncelles (duo)
14
Trio à Cordes: 2 violons, violoncelle
9
Violon, Alto (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Contrebasse, Piano (duo)
8
2 Harpes (duo)
8
Piano Trio: Violon, Alto, Piano
7
Trio à cordes: 3 violins
7
2 Altos (duo)
6
Violoncelle , Guitare (duo)
6
Quatuor à cordes : 4 altos
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
5
Contre Basse
4
Violon (partie séparée)
3
Violoncelle (partie séparée)
3
Harpe, Flûte (duo)
3
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Harpe, Violoncelle (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe et Piano
1
Trio à cordes
1
2 Violoncelles, Piano
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
Violon, Trompette et Piano
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
156
Orchestre à Cordes
28
Orchestre
21
Ensemble de cuivres
14
Orchestre de chambre
12
Cloches
8
Ensemble Jazz
7
Batterie
5
Caisse Claire
1
Jazz combo
1
Ensemble de Percussions
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
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Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.55 €
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Guitare
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Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
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SheetMusicPlus
Menuett D-Dur / Ecossaise in D / Bourrée A-Dur
Guitare
Guitar - Digital Download SKU: S9.Q5491 Composed by Franz Joseph Haydn, Franz Schub…
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Guitar - Digital Download SKU: S9.Q5491 Composed by Franz Joseph Haydn, Franz Schubert, and Georg Philipp Telemann. This edition: Sheet music. Edition Alfonso. Downloadable. Op. Nr. 8. Schott Music - Digital #Q5491. Published by Schott Music - Digital (S9.Q5491).
$7.99
7.19 €
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Guitare
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Franz Joseph Haydn, Franz Schubert, and Georg Philipp Telemann
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Menuett D-Dur / Ecossaise in D / Bourrée A-Dur
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Schott Music - Digital
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SheetMusicPlus
Les plaisirs de la guitare, vol. 1 (avec acc. par le prof.)
Guitare
By Francis Kleynjans. For solo guitar. Level 2.5. Published by Les Productions d'OZ - Digi…
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By Francis Kleynjans. For solo guitar. Level 2.5. Published by Les Productions d'OZ - Digital
$14.95
13.45 €
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Guitare
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Francis Kleynjans
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Les plaisirs de la guitare, vol. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Les plaisirs de la guitare, vol. 2 (avec acc. par le prof.)
Guitare
By Francis Kleynjans. For solo guitar. Level 2.5. Published by Les Productions d'OZ - Digi…
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By Francis Kleynjans. For solo guitar. Level 2.5. Published by Les Productions d'OZ - Digital
$14.95
13.45 €
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Guitare
#
Francis Kleynjans
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Les plaisirs de la guitare, vol. 2
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Les Productions d'OZ - Digital
#
SheetMusicPlus
In An English Garden
Guitare
Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. …
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Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1529). Homage to the English guitarist-composer John Duarte, In an English Garden, is a short Neo-Baroque triptych based on a charming harmonic fragment from the second movement of the composer?s well-known work English Suite. The blueprint for the Prelude is in the French Overture style and Sarabande with the accompanying Double is modelled after Bach?s Partita no.1 in B minor. The quote Sitting in an English garden, waiting for the sun, is from one of my favorite songs by John Lennon, I Am The Walrus.Hommage au guitariste-compositeur anglais John Duarte, In an English Garden est un court triptyque néo-baroque basé sur un charmant fragment harmonique du deuxième mouvement de l??uvre bien connue du compositeur English Suite. Le plan du Prélude est dans le style de l?Ouverture française et la Sarabande accompagnée du Double est calquée sur la Partita n°1 en si mineur de Bach. La citation « Assis dans un jardin anglais, attendant le soleil » est tirée d?une de mes chansons préférées de John Lennon, I Am The Walrus.
$5.95
5.35 €
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Guitare
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Dusan Bogdanovic
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In An English Garden
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Les Editions Doberman-Yppan
#
SheetMusicPlus
Cinq hommages francais
Guitare
By Arnaud Dumond (1950-). For solo guitar. Level 3.5. 10 pages. Published by Les Editions …
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By Arnaud Dumond (1950-). For solo guitar. Level 3.5. 10 pages. Published by Les Editions Doberman-Yppan (digital)
$10.95
9.85 €
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Guitare
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Arnaud Dumond
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Cinq hommages francais
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Les Editions Doberman-Yppan
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SheetMusicPlus
Hot Club Francais
Guitare
Composed by Gary Ryan. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 954. …
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Composed by Gary Ryan. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 954. Published by Les Editions Doberman-Yppan (digital)
$6.95
6.25 €
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Guitare
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Gary Ryan
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Hot Club Francais
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Les Editions Doberman-Yppan (digital)
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SheetMusicPlus
Suite francaise no 2, BWV 813
Guitare
By Johann Sebastian Bach (1685-1750). Arranged by Alberto Vingiano. For solo guitar. Level…
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By Johann Sebastian Bach (1685-1750). Arranged by Alberto Vingiano. For solo guitar. Level 3.5. Published by Les Productions d'OZ - Digital
$7.95
7.15 €
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Guitare
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Johann Sebastian Bach
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Alberto Vingiano
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Suite francaise no 2, BWV 813
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Les Productions d'OZ - Digital
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.15 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Spanish Guitar Study
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
1.79 €
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Guitare
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
Gounod : Ave Maria
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1460361 Composed by Charles Franco…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1460361 Composed by Charles Francois Gounod. Arranged by Daisuke Minamizawa. Classical. Individual part. 9 pages. Big South Valley Music #1039294. Published by Big South Valley Music (A0.1460361). Fingerpicking arrangement for solo acoustic guitar.------ [tuning] Normal tuning------ [capotasto] 5th fret.
$5.99
5.39 €
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Guitare
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Charles Francois Gounod
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Daisuke Minamizawa
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Gounod : Ave Maria
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Big South Valley Music
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SheetMusicPlus
Confidence / Danse
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4288 Composed by Michel Dalle A…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Productions d'OZ - Digital (ZZ.DZ-4288). ISBN 9782898522055.This composition in two distinct parts, of classical and baroque inspiration, evokes a stay in the beautiful Quercy region, in particular in Rocamadour.In the first movement, Confidence, it evokes stories, stories the tales of yesteryear shared in a peaceful and serene setting, like that of the landscapes calm and picturesque views around Rocamadour. The melody seems to whisper secrets offering an atmosphere that is both nostalgic and contemplative.Then, in the more rhythmic part, the Dance comes alive with energy.Its rhythm reflects the joyful and festive spirit of local traditions.We can imagine a lively dance, perhaps inspired by festivals and celebrations which take place in Rocamadour, where the music resonatesthrough the cobbled streets and old city walls.Cette composition en deux parties distinctes, d'inspirations classique et baroque,évoque un séjour dans la belle région quercynoise, en particulier à Rocamadour.Dans le premier mouvement, Confidence, celui-ci évoque les récits, les histoiresles contes d'antan partagés dans un cadre paisible et serein, comme celui des paysagescalmes et des vues pittoresques autour de Rocamadour. La mélodie semble murmurer des secretsoffrant une atmosphère à la fois nostalgique et contemplative.Ensuite, dans la partie plus rythmée, la Danse s'anime avec énergie.Son rythme reflète l'esprit joyeux et festif des traditions locales.On peut imaginer une danse vivante, peut-être inspirée des fêtes etdes célébrations qui ont lieu à Rocamadour, où la musique résonne àtravers les rues pavées et les vieux murs de la ville.
$3.95
3.55 €
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Guitare
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Michel Dalle Ave
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Confidence / Danse
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Les Productions d'OZ - Digital
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SheetMusicPlus
Take My Life and Let It Be
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1099270 By Chris Richter. By Franc…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1099270 By Chris Richter. By Frances R. Havergal. Arranged by Chris Richter. Christian,Praise & Worship,Traditional. Individual part. 1 pages. Chris Richter #703149. Published by Chris Richter (A0.1099270). A solo fingerstyle arrangement of the famous hymn Take My Life and Let It Be by Frances R. Havergal for classical guitar.
$5.99
5.39 €
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Guitare
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Chris Richter
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Chris Richter
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Take My Life and Let It Be
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Chris Richter
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SheetMusicPlus
Erik Satie - Six Gnossiennes and Three Gymnopédies. Arrangement for Classical Guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1489109 Composed by Erik Satie. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1489109 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Classical,Romantic Period,Standards,Traditional. Individual part. 37 pages. Guilherme Facchetti #1065958. Published by Guilherme Facchetti (A0.1489109). This arrangement of the Six Gnossiennes, and Three Gymnopédies for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “Rouart, Lerolle & Cie.” Paris, France. Les Éditions Outremontaises, 2006, Montreal, Canada. And “Edition Peters”, 1986, Leipzig, German.
$27.99
25.17 €
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Guitare
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Six Gnossiennes and Three Gymnopédies. Arrangement for Classical Guitar.
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Guilherme Facchetti
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SheetMusicPlus
Erik Satie - Gnossienne Nº6. Arrangement for Classical Guitar. Score and Tablature
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1487630 Composed by Erik Satie. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1487630 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Classical,Romantic Period,Standards,Traditional. Individual part. 3 pages. Guilherme Facchetti #1064563. Published by Guilherme Facchetti (A0.1487630). This arrangement of the Gnossienne Nº6 for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. And Les Éditions Outremontaises 2006, Montreal, Canada. This sheet music contain score and tablature.
$5.99
5.39 €
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Guitare
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Gnossienne Nº6. Arrangement for Classical Guitar. Score and Tablature
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Guilherme Facchetti
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SheetMusicPlus
Erik Satie - Gnossienne Nº6. Arrangement for Classical Guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1487623 Composed by Erik Satie. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1487623 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Classical,Romantic Period,Standards,Traditional. Individual part. 2 pages. Guilherme Facchetti #1064556. Published by Guilherme Facchetti (A0.1487623). This arrangement of the Gnossienne Nº6 for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. And Les Éditions Outremontaises 2006, Montreal, Canada.
$5.99
5.39 €
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Guitare
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Gnossienne Nº6. Arrangement for Classical Guitar.
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Guilherme Facchetti
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SheetMusicPlus
Erik Satie - Six Gnossiennes. Arrangement for Classical Guitar. Score and Tablature.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1488364 Composed by Erik Satie. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1488364 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standards. Individual part. 24 pages. Guilherme Facchetti #1065253. Published by Guilherme Facchetti (A0.1488364). This arrangement of the Gnossiennes Nº1, 2, 3, 4, 5, and 6 for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. And Les Éditions Outremontaises 2006, Montreal, Canada. This sheet music contain score and tablature.
$19.99
17.98 €
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Guitare
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Six Gnossiennes. Arrangement for Classical Guitar. Score and Tablature.
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Guilherme Facchetti
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SheetMusicPlus
Erik Satie - Gnossiennes Nº4, 5, 6. Arrangement for Classical Guitar. Score and Tablature.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1488263 Composed by Erik Satie. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1488263 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Classical,Romantic Period,Standards,Traditional. Individual part. 14 pages. Guilherme Facchetti #1065150. Published by Guilherme Facchetti (A0.1488263). This arrangement of the Gnossiennes Nº4, 5, and 6 for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. And Les Éditions Outremontaises 2006, Montreal, Canada. This sheet music contain score and tablature.
$11.99
10.78 €
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Guitare
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Gnossiennes Nº4, 5, 6. Arrangement for Classical Guitar. Score and Tablature.
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Guilherme Facchetti
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SheetMusicPlus
Erik Satie - Gnossiennes Nº4, 5, 6. Arrangement for Classical Guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1488750 Composed by Erik Satie. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1488750 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standards. Individual part. 8 pages. Guilherme Facchetti #1065601. Published by Guilherme Facchetti (A0.1488750). This arrangement of the Gnossiennes Nº4, 5, and 6 for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. And Les Éditions Outremontaises 2006, Montreal, Canada.
$11.99
10.78 €
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Guitare
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Gnossiennes Nº4, 5, 6. Arrangement for Classical Guitar.
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Guilherme Facchetti
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SheetMusicPlus
Erik Satie - Six Gnossiennes. Arrangement for Classical Guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1488755 Composed by Erik Satie. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1488755 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standards. Individual part. 14 pages. Guilherme Facchetti #1065606. Published by Guilherme Facchetti (A0.1488755). This arrangement of the Gnossiennes Nº1, 2, 3, 4, 5, and 6 for Classical Guitar, is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. And Les Éditions Outremontaises 2006, Montreal, Canada.
$19.99
17.98 €
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Guitare
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Erik Satie
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Guilherme Facchetti
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Cie
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Erik Satie - Six Gnossiennes. Arrangement for Classical Guitar.
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Guilherme Facchetti
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SheetMusicPlus
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
4.5 €
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Guitare
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.S. Bach for Guitar
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Aaron Larget-Caplan
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SheetMusicPlus
Ave Maria (Meditation)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1267529 By Francisco Tarrega. By J…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1267529 By Francisco Tarrega. By J. S. Bach and Charles Gounod. Arranged by Francisco Tárrega/Ivan Paschoito. 19th Century,Christian,Praise & Worship,Religious,Wedding. Individual part. 4 pages. Ivan Paschoito #860066. Published by Ivan Paschoito (A0.1267529). A revised and commented version from the manuscript of Francisco Tarrega, dated 1900.
$3.99
3.59 €
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Guitare
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Francisco Tarrega
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Ave Maria
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Ivan Paschoito
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SheetMusicPlus
Silent Night for solo Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.916009 Composed by Franz Xaver Gruber. Arran…
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Solo Guitar - Digital Download SKU: A0.916009 Composed by Franz Xaver Gruber. Arranged by Michael Davis. Christian,Christmas,Contemporary,Praise & Worship,World. Individual part. 2 pages. Davis Publishing #4985923. Published by Davis Publishing (A0.916009). My arrangement of Silent Night was written for the intermediate to advanced level guitarist. This arrangement adds a much more colorful harmonic palate than is used in most traditional arrangements. This arrangement will work well in church services and Christmas events.
$1.99
1.79 €
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Guitare
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Franz Xaver Gruber
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Michael Davis
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Silent Night for solo Guitar
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Davis Publishing
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SheetMusicPlus
Glorious Things of Thee Are Spoken
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1216625 Composed by Franz Joseph H…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1216625 Composed by Franz Joseph Haydn. Arranged by Mark Phillips. Holiday,Praise & Worship. Individual part. 1 pages. A. J. Cornell Publications #813176. Published by A. J. Cornell Publications (A0.1216625). “Glorious Things of Thee Are Spoken†for solo guitar.
$3.99
3.59 €
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Guitare
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Franz Joseph Haydn
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Mark Phillips
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Glorious Things of Thee Are Spoken
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A. J. Cornell Publications
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SheetMusicPlus
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