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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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expert
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Non classifié
256
PIANO & CLAVIERS
Piano seul
126
Piano, Voix
81
Piano Facile
33
Piano, Voix et Guitare
24
Instruments en Do
10
1 Piano, 4 mains
9
Orgue
9
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Piano grosses notes
1
1 Piano, 6 mains
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
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GUITARES
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
6
Guitare notes et tablatures
5
Dulcimer
2
Banjo
2
Ukulele
1
4 Guitares (Quatuor)
1
Mandoline
1
Ensemble de guitares
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
94
Chorale TTBB
40
Chorale 2 parties
28
Chorale 3 parties
23
Chorale Unison
21
Chorale SSAA
20
Voix Soprano, Piano
11
Voix duo, Piano
5
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Voix Mezzo-Soprano, Piano
3
Voix haute
3
Voix duo
2
Voix moyenne, Piano
1
Voix seule
1
Voix Tenor
1
Voix, Guitare
1
Chorale SSAATTBB
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Flûte traversière et Piano
19
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette et Piano
16
Quatuor de Saxophones: 4 saxophones
16
Saxophone Alto et Piano
10
Flûte, Hautbois, Clarinette, Basson
9
Hautbois, Piano (duo)
9
Flûte traversière
7
Clarinette
7
3 Clarinettes (trio)
5
Quintette de Saxophone: 5 saxophones
5
Quatuor de Flûtes : 4 flûtes
5
3 Saxophones (trio)
5
Quintette de Clarinettes: 5 clarinettes
3
2 Saxophones (duo)
3
Trio de Flûtes: 3 flûtes
3
Ensemble de Clarinettes
3
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Clarinettes (duo)
3
Hautbois (partie séparée)
3
Flûte, Clarinette et Basson
3
Saxophone Tenor et Piano
3
Flûte, Clarinette (duo)
2
Saxophone Soprano et Piano
2
Saxophone Baryton, Piano
2
Ensemble de Flûtes
2
Cor anglais, Piano
2
Hautbois, Basson (duo)
2
Hautbois
1
Ensemble de saxophones
1
Flûte, Alto (duo)
1
2 Flûtes traversières (duo)
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Alto
1
Flûte, Hautbois, Basson
1
Flûte et Guitare
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette Basse, Piano
1
Clarinette, Trombone (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
11
Trombone et Piano
9
Trompette, Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor et Piano
7
Tuba et Piano
4
Trombone
3
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
2
Cor
2
Tuba
2
Cor anglais, Piano
2
4 Tubas
2
Trompette, Saxophone (duo)
1
Tuba (partie séparée)
1
2 Trompettes (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
Trio de Cuivres
1
2 Cors (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
59
Trio à Cordes: violon, alto, violoncelle
28
Violon et Piano
22
Alto, Piano
14
Violoncelle, Piano
14
Violon
9
Violoncelle
6
Alto seul
4
Violon, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Harpe
3
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Violon (partie séparée)
2
Alto et Basson
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
147
Orchestre
24
Orchestre à Cordes
21
Ensemble de cuivres
13
Ensemble Jazz
8
Orchestre de chambre
7
Fanfare
3
Jazz combo
2
Ensemble de Percussions
2
Batterie
1
Vibraphone
1
Cloches
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
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SheetMusicPlus
Partitions à imprimer
18 partitions trouvées
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1
Humoreske - Op. 19 No. 4
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.965846 Composed by Niels Vilhelm G…
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Solo Guitar - Level 4 - Digital Download SKU: A0.965846 Composed by Niels Vilhelm Gade. Arranged by John Trie. 20th Century,Classical,Romantic Period. Individual part. 3 pages. John Trie #2014485. Published by john Trie (A0.965846). Humoreske - Op. 19 No. 4 by Niels Gade. Classical guitar tab version. Arranged for guitar by John Trie.
$4.99
4.56 €
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Guitare
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Niels Vilhelm Gade
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John Trie
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Humoreske - Op. 19 No. 4
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john Trie
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SheetMusicPlus
Humoreske - Op. 19 No. 4
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.965847 Composed by Niels Vilhelm G…
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Solo Guitar - Level 4 - Digital Download SKU: A0.965847 Composed by Niels Vilhelm Gade. Arranged by John Trie. 20th Century,Classical,Romantic Period. Individual part. 3 pages. John Trie #2014483. Published by john Trie (A0.965847). Humoreske - Op. 19 No. 4. Guitar arrangement by John Trie.
$4.99
4.56 €
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Guitare
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Niels Vilhelm Gade
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John Trie
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Humoreske - Op. 19 No. 4
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john Trie
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SheetMusicPlus
Humoreske - Op. 19 No. 4 - mp3
Guitare
Guitar - Digital Download SKU: A0.1064557 Composed by Niels Vilhelm Gade. Arranged …
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Guitar - Digital Download SKU: A0.1064557 Composed by Niels Vilhelm Gade. Arranged by John Trie. 20th Century,Classical,Romantic Period. Full Performance. Duration 74. John Trie #34899. Published by john Trie (A0.1064557). Humoreske - Op. 19 No. 4. Guitar arrangement by John Trie.
$1.99
1.82 €
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Guitare
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Niels Vilhelm Gade
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John Trie
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Humoreske - Op. 19 No. 4 - mp3
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john Trie
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SheetMusicPlus
Cambios de Humor
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1027551 Composed by Daniel RodrÃ…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1027551 Composed by Daniel RodrÃguez. Contemporary. Individual part. 2 pages. Daniel Felipe RodrÃguez Fuentes #1932331. Published by Daniel Felipe RodrÃguez Fuentes (A0.1027551).
$5.99
5.48 €
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Guitare
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Daniel RodrÃguez
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Cambios de Humor
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Daniel Felipe RodrÃguez Fuentes
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SheetMusicPlus
Conversations with Great Jazz and Studio Guitarists
Guitare
Guitar (all) - Digital Download SKU: M0.20959EB Composed by Jim Carlton. Theory and…
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Guitar (all) - Digital Download SKU: M0.20959EB Composed by Jim Carlton. Theory and Reference, Style. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #20959EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20959EB). ISBN 9781619110526. 8.75x11.75 inches.Features in-depth interviews with 22 of the industry's most notable guitar players. Jim Carlton's candid conversations render astute insight into revered jazz guitarists, the history and development of jazz guitar and the studio scene that flourished during its Golden Era to the present day. It's a book brimming with behind-the-scenes anecdotes, little-known vignettes and the stories behind many hit recordings. An often hilarious book that conveys the sense of humor and iconoclasm that's so prevalent among great artists.
$22.99
21.02 €
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Guitare
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Jim Carlton
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Conversations with Great Jazz and Studio Guitarists
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Washed Away by Brad Rau
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1025339 Composed by Brad Rau. 20th…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1025339 Composed by Brad Rau. 20th Century,Contemporary. Individual part. 1 pages. Brad Rau #4632951. Published by Brad Rau (A0.1025339). Brad Rau has been performing music for over 20 years all over Boston, Pennsylvania, New Jersey, and Delaware, as a classical guitarist, rock guitarist, and rock drummer. Brad received a scholarship to attend New England Conservatory (NEC) and received a Master’s degree in 2015 with academic honors. At NEC, he studied classical guitar under Eliot Fisk who was the last pupil of Andres Segovia. Brad has performed in countless masterclasses with instructors including; Sharon Isbin, Andrew York and Jason Vieaux, all Grammy award-winning guitarists. Brad was recently a featured performer on Live WRTI Performance Studio. Brad’s personal learning methods have enabled him to surpass his competition memorizing over 8 hours of the most difficult repertoire for the classical guitar. Brad was a semi-finalist in the International Texas Guitar Competition of 2008. In addition to his performing career, Brad has mentored hundreds of students of all ages, styles, and levels. Many of Brad's students have gone on to develop their own music careers and teaching studios. Brad's unique teaching style combines music, physics, philosophy, and humor, making him a well-rounded instructor for a variety of students.
$2.99
2.73 €
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Guitare
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Brad Rau
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Washed Away by Brad Rau
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Brad Rau
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SheetMusicPlus
Dyptich
Guitare
Guitar - Digital Download SKU: A0.1071678 Composed by Andriy M. Andrushko. 20th Cen…
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Guitar - Digital Download SKU: A0.1071678 Composed by Andriy M. Andrushko. 20th Century,Rock. Accompaniment. Duration 218. Andriy M. Andrushko #3626221. Published by Andriy M. Andrushko (A0.1071678). How to play rock music not having electric instruments? It’s enough to take two classical nylon guitars and you will get the music like this. The track contains not only hard rock licks, but also some pretty melodies and lyrical moments. The track could be used for projects about rock music, classical or electric guitar/guitarists, as well as for any other project, pretending to represent some portion of sarcasm, benevolent humor, awkward or comic character.
$5.05
4.62 €
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Guitare
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Andriy M
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Dyptich
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Andriy M. Andrushko
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.61 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Understanding Guitar Chord Progressions
Guitare
Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.20122EB Composed b…
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Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.20122EB Composed by Bob Balsley. All styles. E-book. Mel Bay Publications - Digital Sheet Music #20122EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20122EB). ISBN 9781609746315. 8.75x11.75 inches.Most guitarists tend to memorize songs without learning the underlying theories and musical forms. This book is a practical description of a guitar player's journey from very simple chords and progressions to more intricate songs and forms. It describes in a humorous and engaging way, how the evolution of an individual's skill at playing is mirrored in the historical evolution of musical forms. By taking a closer look at the music we already know, we can take a giant step in understanding and skill.
$9.99
9.13 €
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Guitare
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taking a closer look at the music we already know, we can take a giant step in understanding and skill
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Bob Balsley
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Understanding Guitar Chord Progressions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.49 €
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Guitare
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Scenes from the Life of Death
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.942098 Composed by Apostolos Paras…
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Solo Guitar - Level 4 - Digital Download SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Sickle Publications #6212247. Published by Silver Sickle Publications (A0.942098). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life!
$11.99
10.96 €
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Guitare
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Apostolos Paraskevas
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Scenes from the Life of Death
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Silver Sickle Publications
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SheetMusicPlus
Scenes From the Life of Death, Part 1
Guitare
Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
1.82 €
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death, Part 1
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Silver Sickle Publications
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SheetMusicPlus
Scenes From the Life of Death, Part 3
Guitare
Guitar - Digital Download SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #6103011. Published by Silver Sickle Publications (A0.1070392). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
1.82 €
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death, Part 3
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Silver Sickle Publications
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SheetMusicPlus
Tu Vuò Fà L'americano
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1232559 By Renato Carosone. By Nic…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1232559 By Renato Carosone. By Nicola Salerno and Renato Carosone. Arranged by Dusan Bogdanovic. 20th Century,Comedy,Jazz,Standards. Individual part. 3 pages. Singidunum Music #828214. Published by Singidunum Music (A0.1232559). Tu vuo fa l’Americano (You want to be American) is a hit single by the Neapolitan Italian singer Renato Carosone from 1956. The song is a swing parody of a young Italian trying to imitate the American lifestyle, including whiskey and soda, rock ‘n roll, and baseball. This arrangement of the song for guitar solo retains the humorous character of the music, which is orchestrated here with guitar effects such as pizzicato, ponticello, and walking bass.
$7.99
7.3 €
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Guitare
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Renato Carosone
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Dusan Bogdanovic
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Tu Vuò Fà L'americano
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Singidunum Music
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SheetMusicPlus
Scenes From the Life of Death, Part 2
Guitare
Guitar - Digital Download SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #6103009. Published by Silver Sickle Publications (A0.1070390). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
1.82 €
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death, Part 2
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Silver Sickle Publications
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SheetMusicPlus
Flatpicking Guitar Festival
Guitare
Composed by Stefan Grossman. Solos. Style. E-book and online audio. Mel Bay Publicat…
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Composed by Stefan Grossman. Solos. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #98559BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610656894.<br> <br> A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970's and 1980's. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg's good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier's Joy, with a flair that pushes the limits of the hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature. Includes access to online audio featuring performances of all the tunes in the book.ISBN 9781610656894.<br> <br> A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970's and 1980's. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg's good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier's Joy, with a flair that pushes the limits of the hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature. Includes access to online audio featuring performances of all the tunes in the book.
$14.99
13.7 €
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Guitare
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Stefan Grossman
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Flatpicking Guitar Festival
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SheetMusicPlus
The Guitar Études
Guitare
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and…
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
Études for Solo Guitar<br> The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.<br> <br> <br> These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.<br> I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.<br> Titles:<br> <br> 1 with false optimism<br> <br> 2 with moderate sadness<br> <br> 3 with just the two of you<br> <br> 4 with a touch of impatience<br> <br> 5 with a touch of grandeur<br> <br> 6 with a counterpoint attitude<br> <br> 7 with a touch of shame<br> <br> 8 with a touch of boredom<br> <br> 9 going and never coming back<br> <br> 10 with a peaceful anger<br> <br> 11 without the heavy ones<br> <br> 12 without hope<br> <br> 13 without sense of humor<br> <br> 14 with a masculine attitude<br> <br> 15 with two little bears in mind<br> <br> 16 without hesitation<br> <br> 17 with shameless vibrato<br> <br> 18 with a touch of distress<br> <br> 19 without fear of failure<br> <br> 20 with this and that<br> <br> 21 with a kind motion<br> <br> 22 with a rondo attitude<br> <br> 23 with suspense<br> <br> 24 with everything you may haveÉtudes for Solo Guitar<br> The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.<br> <br> <br> These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.<br> I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.<br> Titles:<br> <br> 1 with false optimism<br> <br> 2 with moderate sadness<br> <br> 3 with just the two of you<br> <br> 4 with a touch of impatience<br> <br> 5 with a touch of grandeur<br> <br> 6 with a counterpoint attitude<br> <br> 7 with a touch of shame<br> <br> 8 with a touch of boredom<br> <br> 9 going and never coming back<br> <br> 10 with a peaceful anger<br> <br> 11 without the heavy ones<br> <br> 12 without hope<br> <br> 13 without sense of humor<br> <br> 14 with a masculine attitude<br> <br> 15 with two little bears in mind<br> <br> 16 without hesitation<br> <br> 17 with shameless vibrato<br> <br> 18 with a touch of distress<br> <br> 19 without fear of failure<br> <br> 20 with this and that<br> <br> 21 with a kind motion<br> <br> 22 with a rondo attitude<br> <br> 23 with suspense<br> <br> 24 with everything you may have
$22.00
20.11 €
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Guitare
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Apostolos Paraskevas
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The Guitar Études
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Silver Sickle Publications
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SheetMusicPlus
Getting into Classic Guitar
Guitare
Composed by Ben Bolt. For Guitar (Classical). Getting Into. Classic. Beginning. E-book and…
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Composed by Ben Bolt. For Guitar (Classical). Getting Into. Classic. Beginning. E-book and online audio. 120 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781610651165. This manual is designed for beginners who want to learn classic guitar style and technique the right way, as well as for guitarists already familiar with a few technical concepts who want to broaden their knowledge. Includes a 'crash-course' on Ben Bolt's approach to the guitar with many of his best original didactic compositions and arrangements plus detailed photographs illustrating sitting position, string attack, and more. Features a private photo essay lesson with Professor Bolt, humorous stereotypical portraits of teachers you might encounter, thoughts on tools of the trade, how to tune and change strings, and a wealth of technical information. Includes scale patterns and position studies, numerous transcriptions, arrangements of Christmas carols, and both time-tested and original studies- all written in standard notation only. Includes access to online audio.As Ben Bolt studied with both Andres Segovia and Abel Carlevaro, you can rest assured that this book will set you on the straight and narrow path to authoritative classic guitar technique.ISBN 9781610651165. This manual is designed for beginners who want to learn classic guitar style and technique the right way, as well as for guitarists already familiar with a few technical concepts who want to broaden their knowledge. Includes a 'crash-course' on Ben Bolt's approach to the guitar with many of his best original didactic compositions and arrangements plus detailed photographs illustrating sitting position, string attack, and more. Features a private photo essay lesson with Professor Bolt, humorous stereotypical portraits of teachers you might encounter, thoughts on tools of the trade, how to tune and change strings, and a wealth of technical information. Includes scale patterns and position studies, numerous transcriptions, arrangements of Christmas carols, and both time-tested and original studies- all written in standard notation only. Includes access to online audio.As Ben Bolt studied with both Andres Segovia and Abel Carlevaro, you can rest assured that this book will set you on the straight and narrow path to authoritative classic guitar technique.
$19.99
18.28 €
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Guitare
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Ben Bolt
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Getting into Classic Guitar
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
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